Carrrie Sinclair's had it with long time love, Jack Jones. That is until he makes her an offer she can't refuse and asks her to meet him in Vegas for a last-minute wedding. This is what she always wanted in her mind and thought would never happen, but shortly after the nuptials, Carrie discovers you can know someone for years and not know them at all. Jack has a secret he's been keeping and now that they're married, he can't hide it any longer.
When Archbishop Salazar is kidnapped by the El Templo Cult, Mario Martinez races against the clock to find him before he is sacrificed to the Aztec gods Mario discovers an intricate tunnel system under Templo Mayor and evidence that the legendary priest is still alive. Can he find Salazar before it's too late?
Marie Montoya hasn�t seen her ex in over fifteen years when he contacts her about meeting at a beach house. She knows she should stay away, but cannot forget their connection so she goes against her better judgment only to find out later that things are not what they seem. Will the star crossed lovers reunite for good, or will destiny tear them apart?
On her wedding night, Amelie is betrayed in the worst possible way when her husband poisons her, leaves her for dead and beds her best friend before tossing her over the side of their luxury cruise liner into the icy seas below. Near death, Amelie is discovered by a band of sea lions who transform her into a mermaid, a siren of the sea, in order to save her life. In her new glory, she develops an unlikely love bond with a seal. The only problem is she is still haunted by the lovemaking from her unfaithful husband and in her current form, she can never consummate her relationship with her new love. Will magic and love prevail to allow these unlikely bedfellows to mate for life? And will this lusty siren enact revenge on those who wronged her long ago?
Join three bestselling regency romance authors, Heidi Ashworth, Annette Lyon, and Michele Paige Holmes, for three new regency romance novellas in A MIDWINTER BALL. MUCH ADO ABOUT DANCING by Heidi Ashworth. Two years have passed since Lord Northrup declared his intentions for Miss Analisa Lloyd-Jones and forbade any other man to court her. Angry at the neglect, Analisa stopped reading his letters, never even breaking the seals. Tired of waiting, Analisa joins the house party at Mrs. Smith’s famous country home, determined to find a beau. When Lord Northrup unexpectedly joins the party, Analisa discovers she is no longer repulsed by the man who first laid claim to her hand. SWEETER THAN ANY DREAM by Annette Lyon. Olivia Wallington is firmly established as a spinster, but that doesn’t stop her from dreaming about the perfect man. Ever since her father’s death, Olivia has been forced into seclusion by her mother. When her brother and his wife come for a visit, they discover the extent to which she lives under their mother’s thumb. With their help, Olivia sneaks out to attend a local ball, where she meets Edward Blakemoore. For a few divine moments, all of her dreams seem possible. But even someone like Mr. Blakemoore would be hard pressed to get past Mrs. Wallington’s fortress of protection—or past Olivia’s pride. AN INVITATION TO DANCE by Michele Paige Holmes. Lady Ella has been isolated on her father’s estate since her mother’s death as her father travels the world. When Alex Darling arrives with a letter from her long-dead fiancé, and a demand that she travel to London for a series of engagements, Ella thinks her father instigated the strange demands and agrees. In London, she discovers the truth behind her fiancé’s death, and that new love might be possible in the arms of the most unexpected man.
In Prose in the Age of Poets, Annette Wheeler Cafarelli demonstrates that nonfictional narrative of the time was a central expression of British Romanticism. The rise of interest in the individual traditionally associated with Romantic autobiography was actually part of a wider cultural interest in biography—especially literary biography. Following Johnson's lead in the Lives of the Poets, virtually every major writer of the period experimented with sequences of short, anecdotal lives that became a characteristic Romantic vehicle for discussing theories of creativity, canon, and the place of the poet in society. The Romantics took in new directions the examination of the relation of artists' lives and works, biographers and their subjects, and texts and their readers. Romantic biography, Cafarelli contends, offers a perspective from which to reconsider conventional boundaries of genre, periodization, and the movement from Neoclassicism to Romanticism. In examining the Romantics as prose writers and biographers, Cafarelli explores the affiliations between Romantic theories of reading and writing and twentieth-century critical methodologies. She situates the biographical writings of the major poets, including Wordsworth, Coleridge, and Byron, in the context of detailed analyses of biographies by Johnson, Hazlitt, De Quincey, Scott, Southey, and other lesser-known contemporaries. Prose in the Age of Poets will interest scholars and students of Romanticism, Johnson, biography and autobiography, and narrative theory.
Robert Louis Stevenson (1850–1894) loved more than anything to talk about the craft of writing and the pleasure of reading good books. His dedication to the creative impulse manifests itself in the extraordinary amount of work he produced in virtually every literary genre—fiction, poetry, travel writing, and essays—in a short and peripatetic life. His letters, especially, confess his elation at the richness of words and the companionship of books, often projected against ill health and the shadow of his own mortality. Stevenson belonged to a newly commercial literary world, an era of mass readership, marketing, and celebrity. He had plenty of practical advice for writers who wanted to enter the profession: study the best authors, aim for simplicity, strike a keynote, work on your style. He also held that a writer should adhere to the truth and utter only what seems sincere to his or her heart and experience of the world. Writers have messages to deliver, whether the work is a tale of Highland adventure, a collection of children’s verse, or an essay on umbrellas. Stevenson believed that an author could do no better than to find the appetite for joy, the secret place of delight that is the hidden nucleus of most people’s lives. His remarks on how to write, on style and method, and on pleasure and moral purpose contain everything in literature and life that he cared most about—adventuring, persisting, finding out who you are, and learning to embrace “the romance of destiny.”
To discover how women constructed their own mythology of the West, Kolodny examines the evidence of three generations of women's writing about the frontier. She finds that, although the American frontiersman imagined the wilderness as virgin land, an unspoiled Eve to be taken, the pioneer woman at his side dreamed more modestly of a garden to be cultivated. Both intellectual and cultural history, this volume continues Kolodny's study of frontier mythology begun in The Lay of the Land.
This is an illuminating interpretation of the life and work of twenty-two major literary figures during three hundred years of English literature. It reveals how they were rooted in the political and social movements of their own time, with representative selections from their writings.
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