In 1934 the city of Paris saw the birth of a book, published in English, which achieved instantaneous notoriety. Henry Miller's Tropic of Cancer unfolded the adventures of a loquacious, free-wheeling, appallingly uninhibited American expatriate. But the rollicking eloquence, determined gusto, and explosive imagery of this modern Rabelais barely concealed the figure of a lonely American writer, thoroughly immersed in a legendary American situation."—from the Introduction Baxter examines Miller's relationship with his native land and with Europe through his writings and in the comments of his critics and friends, navigating through the inconsistencies and the evolution of his opinions as his experiences changed. Her insights offer a complex, nuanced evaluation of Miller as writer and as expatriate.
When Annette Gordon-Reed's groundbreaking study was first published, rumors of Thomas Jefferson's sexual involvement with his slave Sally Hemings had circulated for two centuries. Among all aspects of Jefferson's renowned life, it was perhaps the most hotly contested topic. The publication of Thomas Jefferson and Sally Hemings intensified this debate by identifying glaring inconsistencies in many noted scholars' evaluations of the existing evidence. In this study, Gordon-Reed assembles a fascinating and convincing argument: not that the alleged thirty-eight-year liaison necessarily took place but rather that the evidence for its taking place has been denied a fair hearing. Friends of Jefferson sought to debunk the Hemings story as early as 1800, and most subsequent historians and biographers followed suit, finding the affair unthinkable based upon their view of Jefferson's life, character, and beliefs. Gordon-Reed responds to these critics by pointing out numerous errors and prejudices in their writings, ranging from inaccurate citations, to impossible time lines, to virtual exclusions of evidence—especially evidence concerning the Hemings family. She demonstrates how these scholars may have been misguided by their own biases and may even have tailored evidence to serve and preserve their opinions of Jefferson. This updated edition of the book also includes an afterword in which the author comments on the DNA study that provided further evidence of a Jefferson and Hemings liaison. Possessing both a layperson's unfettered curiosity and a lawyer's logical mind, Annette Gordon-Reed writes with a style and compassion that are irresistible. Each chapter revolves around a key figure in the Hemings drama, and the resulting portraits are engrossing and very personal. Gordon-Reed also brings a keen intuitive sense of the psychological complexities of human relationships—relationships that, in the real world, often develop regardless of status or race. The most compelling element of all, however, is her extensive and careful research, which often allows the evidence to speak for itself. Thomas Jefferson and Sally Hemings: An American Controversy is the definitive look at a centuries-old question that should fascinate general readers and historians alike.
This new edition contextualizes Lareau's original ethnography in a discussion of the most pressing issues facing educators at the beginning of the new millennium.
Gaylen and Arris are Knights for the monarch and the country, but even in that elite force, they are also magicians - "magickers" is the crude slang for them, but the sorcerers are ready to serve the greatest good. But they'll do that fine fighting only after they stop fighting each other. When Master Knight Gaylen finds a gutter brat with magical talent and recruits her to train as a Knight Sorcerer, he doesn't realize he has not only given her her young life's dream, but found himself the best friend he could ever hope for. And young Arris, the tavern server's brat, has not only made a friend, but will learn more than she ever realized she could. Enough, even, to stop a death...
When Sherman's first settler, Dearing Dorman, came to live in the town in 1823, he laid claim to land that was plentiful with trees and rich soil. With the opening of the Erie Canal in 1825, more settlers started making their way to this area of Chautauqua County, helping the town of Sherman to grow rapidly. And with French Creek running through the township, it seemed only logical that the village of Sherman would start to take shape near the creek. Sherman's history runs deep through these early settlers and is evident in the town's commitment to keep its history and traditions alive through the Yorker Museum and annual Sherman School Alumni Reunion and Sherman Day celebrations.
A patient, thorough, affirming guide to recovery from eating disorders and body image issues. The book follows a skilled counselor and five bright, forthright young women through their evolution. Attention is devoted to what is behind the eating disorder behavior - how it develops and how individual characteristics and life cirumstances can impact behaviors - rather than focusing on just the behaviors themselves.
As pioneers attempted to settle and civilize the ?Wild West,? cemeteries became important cultural centers. Filled with carved wooden headboards, inscribed local stones, and Italian marble statues, cemeteries functioned as symbols of stability and progress toward a European-inspired vision of Manifest Destiny. As repositories of art and history, these pioneer cemeteries tell the story of communities and visual culture emerging together within the developing landscape of the Old West. Annette Stott traces this story through Rocky Mountain towns on the western frontier, from the unkempt ?boot hills? of the early mining camps and cattle settlements to the more refined ?fair mounts.? She shows how people from Asia, Europe, and the Americas contributed to the visual character of the mountain cemeteries, and how the sepulchral garden functioned as an open-air gallery of public sculpture, at once a site for relaxation, learning, and social ritual. Here, widespread participation in a variety of ceremonies brought mountain communities together with a frequency almost unimaginable today. Illustrated with eighty-three striking photographs, this book shows how the pioneer cemetery emerged as a site of public sculpture and cultural transmission in which each carved or molded monument played dual (and sometimes conflicting) public and private roles, recording the community?s history and values while memorializing individuals and events.
This book explores the development of contemporary theatre in the United States in its historical, political and theoretical dimensions. It focuses on representative plays and performance texts that experiment with form and content, discussing influential playwrights and performance artists such as Tennessee Williams, Adrienne Kennedy, Sam Shepard, Tony Kushner, Charles Ludlum, Anna Deavere Smith, Karen Finley and Will Power, alongside avant-garde theatre groups. Saddik traces the development of contemporary drama since 1945, and discusses the cross-cultural impact of postwar British and European innovations on American theatre from the 1950s to the present day in order to examine the performance of American identity. She argues that contemporary American theatre is primarily a postmodern drama of inclusion and diversity that destabilizes the notion of fixed identity and questions the nature of reality.
Civil War has robbed Margaret Logan of all she holds dear, including her beloved New Orleans home and her fiancé. When her family moves to the desolate Bolivar Peninsula to manage a lighthouse that is no longer there, all her hopes for a normal future are dashed. Her world is rocked once again when a wounded Yankee soldier washes ashore needing her help. Despite her contempt for the North, Margaret falls in love with Thomas Murphy. As their love blooms, Margaret's sister is overcome with neurosis, and her mind slowly slips away. Bitterness, psychosis and depression yield a decision fueled by contempt. Will one fatal choice cause Margaret to lose the man she loves and condemn Thomas to death?
As stage and screen artists explore new means to enhance their craft, a new wave of interest in expressive movement and physical improvisation has developed. And in order to bring authenticity and believability to a character, it has become increasingly vital for actors to be aware of movement and physical acting. Stage and screen artists must now call upon physical presence, movement on stage, non-verbal interactions, and gestures to fully convey themselves. In Bringing the Body to the Stage and Screen, Annette Lust provides stage and screen artists with a program of physical and related expressive exercises that can empower their art with more creativity. In this book, Lust provides a general introduction to movement, including definitions and differences between movement on the stage and screen, how to conduct a class or learn on one's own, and choosing a movement style. Throughout the book and in the appendixes, Lust incorporates learning programs that cover the use of basic physical and expressive exercises for the entire body. In addition, she provides original solo and group pantomimes; improvisational exercises; examples of plays, fiction, poetry, and songs that may be interpreted with movement; a list of training centers in America and Europe; and an extensive bibliography and videography. With 15 interviews and essays by prominent stage and screen actors, mimes, clowns, dancers, and puppeteers who describe the importance of movement in their art and illustrated with dozens of photos of renowned world companies and artists, Bringing the Body to the Stage and Screen will be a valuable resource for theater teachers and students, as well as anyone engaged in the performing arts.
The fast and easy way to find your place in the culinary field Ever dream of exploring an exciting career in culinary arts or cooking but don't know where to begin? Culinary Careers For Dummies is the perfect book for anyone who dreams of getting into the culinary profession. Whether you're a student, an up-and-coming chef looking for direction, or are simply interested in reinventing yourself and trying your hand at a new career, Culinary Careers For Dummies provides the essential information every culinary novice needs to enter and excel in the food service industry. Packed with advice on selecting a culinary school and tips for using your degree to land your dream job, Culinary Careers For Dummies offers up-to-the-minute information on: culinary training, degrees, and certificates; the numerous career options available (chef, chef's assistant, pastry chef, food stylist, caterer, line cook, restaurant publicist/general manager, Sommelier, menu creator, food writer, consultant/investor, etc.) and the paths to get there; basic culinary concepts and methods; advice on finding a niche in the culinary world; culinary core competencies; food safety and proper food handling; real-life descriptions of what to expect on the job; and how to land a great culinary job. Expert guidance on cooking up your career plan to enter the food service industry Tips and advice on what to study to get you where you're headed Packed with information on the many career options in the culinary field Culinary Careers For Dummies is a one-stop reference for anyone who is interested in finding a career in this growing and lucrative field.
Through the analysis of transcribed verbal testimonies of the Sephardim in the Ottoman Empire in the sixteenth century a vision of Jewish Ottoman life as well as a deep understanding of the development of Judeo-Spanish can be appreciated.
A companion to Rubinstein's celebrated study of English literature, American Literature Root and Flower examines the lives and works of over fifty important American novelists, poets, and dramatists. This two-volume study is one of remarkable scope, ranging from Hawthorne to the Harlem Renaissance, from Poe to Pynchon. It illuminates the relationship between the producers of American literature and their ever-changing social and political contexts, while emphasizing the current of critique and resistance that runs through the entire tradition. Monthly Review Press is proud to present the first-ever U.S. printing of this valuable and enlightening work.
Alex North's A Streetcar Named Desire: A Film Score Guide examines the acclaimed score for Elia Kazan's much-celebrated adaptation of Tennessee Williams's A Streetcar Named Desire (1951). Situating the score within the context of Alex North's life and career, the book begins with an overview of North's musical training and his works up to his first scores for Hollywood in 1950, demonstrating how his experience in writing music for stage, concert hall, dance, and documentaries each contributed to the skills necessary for film composition. Annette Davison uses examples from North's film career to identify and describe his scoring techniques. Using manuscript and archival research, Davison explores both the play's debut stage production and the film's production process, with a particular emphasis on the genesis and development of the music heard in the film. Considering the influence and changes imposed by the film's studio (Warner Bros.), the Production Code Administration, and the Catholic Legion of Decency on the film, Davison explores the impact of these changes on the interpretation of this finely balanced drama, comparing the different versions of the film and its scores. The book concludes with a full and detailed analysis of the jazz-inflected score, taking a holistic approach and using both musicology and film studies to investigate the ways it gives a dynamic shape to the film as a whole.
Rosemary Watson is a 16-year-old half Dominican and half African American female, spunky, impulsive dreamer, whose fierce deviation to her mother is threatened by Rosemary now living with her father and his live-in girlfriend. Rosemary’s world is surrounded with family lies and secrets, and the fact that her mother is in a mental hospital. Rosemary’s siblings have long accepted their mother's placement in the mental hospital and their current living situation. The fact that Rosemary’s mother could come home at any time leads to Rosemary’s dream that one day her mother can walk through the door and rescue them all. Determined to keep the hope alive of her one day reuniting with her mother, Rosemary schemes up “operation lies and secrets”, a sure-fire plan to expose the people who put her mother in the mental hospital. Just as Rosemary succeeds with step one of her plans, some secrets are revealed and suddenly everything in Rosemary’s world is in question.
I SERVED was written differently from most other Vietnam memoirs. Instead of being a chronological recitation of my experiences growing up in the orphanage and then going to Vietnam and serving with Co. F, 51st Long Range Patrol (Airborne) Infantry, I made its focus be the characters in the story. That is its greatest strength and what makes it such a good read. Because I focused so closely on character, you really get to care about the person Don Hall because you know what makes him tick, what is important to him, and what drives him. You are also engaged by the other people you meet in the story because they are so clearly drawn. You don't have to be a military buff to enjoy the book. I SERVED is a factual story backed up by official U.S. Army records. Col. William C. Maus, the man who formed F/51st LRP, told me where to find that documentation. I also have copies of handouts we received when we went to Recondo School. Before he died, he told me how much he enjoyed reading the book. He praised me for having written such a great story about a unit he was proud to have commanded. He was a visionary who knew our unit was the vanguard for future U.S. Army military strategy and tactics. I remember his telling me at the time that F/51st LRP was making history. Being just a naïve 19-year-old staff sergeant, I didn't understand the significance of that statement. I do now. The current print and ebook versions of I SERVED are a second edition to the original 1994 hardbound edition, with a revised preface and afterword, a new War Stories section (with stories from other men with whom I served), and new photographs.
American director Philip Kaufman is hard to pin down: a visual stylist who is truly literate, a San Franciscan who often makes European films, he is an accessible storyteller with a sophisticated touch. Celebrated for his vigorous, sexy, and reflective cinema, Kaufman is best known for his masterpiece The Unbearable Lightness of Being and the astronaut saga The Right Stuff. His latest film, Hemingway & Gellhorn(premiering May 2012 on HBO), stars Nicole Kidman and Clive Owen. In this study, Annette Insdorf argues that the stylistic and philosophical richness of Kaufman's cinema makes him a versatile auteur. She demonstrates Kaufman's skill at adaptation, how he finds the precise cinematic device for a story drawn from seemingly unadaptable sources, and how his eye translates the authorial voice from books that serve as inspiration for his films. Closely analyzing his movies to date (including Invasion of the Body Snatchers, The Wanderers, and Quills), Insdorf links them by exploring the recurring and resonant themes of sensuality, artistic creation, codes of honor, and freedom from manipulation. While there is no overarching label or bold signature that can be applied to his oeuvre, she illustrates the consistency of themes, techniques, images, and concerns that permeates all of Kaufman's works.
Lawmen and Ladies of the Old West Team Up to Track Down Outlaws Mistaken Marshal by Crystal L. Barnes Texas, 1875 First day on the job, Marshal Beau Bones accidentally interrupts a robbery and arrests an outlaw who is disguised as a man. Just as Jo Ross is hiding the God-fearing girl her parents raised, Beau is hiding that he can’t shoot and doesn’t deserve the town’s respect. Is there any way for Beau to free Jo without losing the faith the town has placed in him? On Track for Love by Vickie McDonough Missouri, 1875 A new job and a move to a new state put Railroad Agent Landry Lomax on track to meet Cara Dixon—a spirited woman holding a derringer on a train robber. This stubborn woman is not one he wants around his young sister, but then they end up in the same St. Louis boardinghouse. But could Cara’s gumption help him trap a gang of train robbers? Love Conquers Oil by Annette O’Hare Texas, 1901 When a murderous bank robber threatens Fern Fisher’s life, she accepts a mail-order bride inquiry and heads for Beaumont, Texas. Only problem is the proposed groom, Jesse Stewart didn’t send for her. His memaw did. Will drilling for oil together produce a “gusher” of love, or will their pasts trigger a “blowout” for their fledgling relationship? Rocky Mountain Regrets by Kathleen Y’Barbo Colorado, 1889 While posing as her niece’s mother, Eloise Broderick travels to Colorado to find her brother with the help of Zeke Potter, a man renowned for tracking skills. But when Zeke realizes the man Eloise seeks is the same man he blames for his family’s death, will he use Eloise to get vengeance?
Relatively little has been written about film scores and soundtracks outside of Hollywood cinema. Hollywood Theory, Non-Hollywood Practice addresses this gap by looking at the practices of film soundtrack composition for non-Hollywood films made after 1980. Annette Davison argues that since the mid-1970s the model of the classical Hollywood score has functioned as a form of dominant ideology in relation to which alternative scoring and soundtrack practices may assert themselves. The first part of the book explores some of the key theoretical issues and debates in film studies and film music studies. The second part comprises a series of case studies of non-Hollywood scores. Starting with Jean Luc Godard's Pr?m: Carmen (1983), Davison argues that the film's score offers a deconstruction of the relationship between sound and image proposed by classical Hollywood film. Derek Jarman's The Garden (1990) takes the debate a step further in its exploration of the possibility that a film's soundtrack may be liberated from slavery to the image track. Wings of Desire (1987) directed by Wim Wenders offers, Davison believes, a negotiation between classical and alternative scoring and soundtrack practices; while David Lynch's Wild at Heart (1990) actually fully integrates scoring and soundtrack practices so that sounds and dialogue are used in musical ways. Seeking to stimulate debate about the aesthetics and interpretation of film scores and soundtracks in general, this book develops an important synthesis of film studies and musicology.
This book explores the influences of German theology on Emanuel Gerhart and Charles Hodge, two Reformed theologians who addressed questions concerning method and atonement theology in light of modernism and new scientific theories.
Originally published in 1977 and compiled over a period of 25 years of teaching and research in the fields of education and anthropology, this annotated bibliography was designed as a single source reflecting (1) historical influences (2) current trends (3) theoretical concerns and (4) practical methodology at the interfaces of these disciplines. All entries, listed alphabetically by author, are numbered for ready reference, and the material covered spans nearly three centuries, from the earliest entry in 1689 to the most recent in 1976. The volume also contains entries for items dealing with the teaching of anthropology and the use of anthropological concepts and data in teaching.
Advertising in Leisure and Tourism' brings together the current thinking in this area, via extensive international case studies, to provide a critical appraisal of the potential of advertising in leisure and tourism. Arranged in three parts, the book introduces the role of advertising, evaluating its relationship within other aspects of tourism and leisure marketing; the techniques used: advertising a range of products to key market segments; and new strategic directions in advertising. It focuses on the new destination marketing strategy of branding and assesses the relationship between advertising and other increasing important areas of promotion, including sponsorship, ambient marketing and sales promotion. Advertising and marketing professionals in the leisure industries and undergraduates on marketing-related modules in tourism, leisure and hospitality courses will find this an invaluable text. Since the case studies are drawn from an international field, readers will be able to assess best practice from a variety of sources and countries. Dr Nigel Morgan is Principal Lecturer in Hospitality, Leisure and Tourism and Annette Pritchard is Senior Lecturer at School of Leisure and Tourism, at the University of Wales Institute, Cardiff.
Despite the ridicule of reviewers, Marie Corelli (1855-1924) was the most popular novelist of her time. Federico (English, James Madison University) points out the creative, combative and contradictory nature of Corelli's participation in the culture, and argues that her attempts to create her own image illuminate continuing debates about literary value, class hegemony, and gender politics. Annotation copyrighted by Book News, Inc., Portland, OR
What should we do with a literary work? Is it best to become immersed in a novel or poem, or is our job to objectively dissect it? Should we consult literature as a source of knowledge or wisdom, or keenly interrogate its designs upon us? Do we excavate the text as an historical artifact, or surrender to its aesthetic qualities? Balancing foundational topics with new developments, Engagements with Close Reading offers an accessible introduction to how prominent critics have approached the task of literary reading. This book will help students learn different methods for close reading perform a close analysis of an unfamiliar text articulate meaningful responses Beginning with the New Critics and recent argument for a return to formalism, the book tracks the reactions of reader-response critics and phenomenologists, and concludes with ethical criticism’s claim for the value of literary reading to our moral lives. Rich in literary examples, most reprinted in full, each chapter models practical ways for students to debate the pros and cons of objective and subjective criticism. In the final chapter, five distinguished critics shed light on the pleasures and difficulties of close reading in their engagements with poetry and fiction. In the wake of cultural studies and historicism, Engagements with Close Reading encourages us to bring our eyes back to the words on the page, inviting students and instructors to puzzle out the motives, high stakes, limitations, and rewards of the literary encounter under the pressure of this beleaguered and persistent methodology.
Drawing on the insights of Alfred Adler and others, Atkins examines the varying dynamics of "warm" and "cool" families and shows how siblings tutored each other in friendship, authority, cooperation and competition, dependence and independence."--BOOK JACKET.
Annette Baier’s aim is to make sense of David Hume’s Treatise as a whole. Hume’s family motto, which appears on his bookplate, was “True to the End.” Baier argues that it is not until the end of the Treatise that we get his full story about “truth and falsehood, reason and folly.” By the end, we can see the cause to which Hume has been true throughout the work.Baier finds Hume’s Treatise on Human Nature to be a carefully crafted literary and philosophical work which itself displays a philosophical progress of sentiments. His starting place is an overly abstract intellectualism that deliberately thrusts passions and social concerns into the background. In the three interrelated books of the Treatise, his “self-understander” proceeds through partial successes and dramatic failures to emerge with new-found optimism, expecting that the “exact knowledge” the morally self-conscious anatomist of human nature can acquire will itself improve and correct our vision of morality. Baier describes how, by turning philosophy toward human nature instead of toward God and the universe, Hume initiated a new philosophy, a broader discipline of reflection that can embrace Charles Darwin and Michel Foucault as well as William James and Sigmund Freud. Hume belongs both to our present and to our past.
With an incarcerated father and an estranged drug-addicted mother, Shanequa's dreams of higher education feel like a fantasy. When Shanequa gets the chance to attend a prestigious private prep school, she feels like her dreams might become reality. Shanequa finds it easier to lie to her new friends than tell them the truth about her family. When her lies are found out, and Shanequa strikes back in blind rage, her path changes forever.
In 1900 very few historians were exploring the institution of slavery in the South. But in the next half century, the culture of slavery became a dominating theme in Southern historiography. In the 1970s it was the subject of the first Chancellor's Symposium in Southern History held at the University of Mississippi. Since then, scholarly interest in slavery has proliferated ever more widely. In fact, the editor of this retrospective volume states that since the 1970s "the expansion has resulted in a corpus that has a huge number of components-scores, even hundreds, rather than mere dozens." He states that "no such gathering could possibly summarize all the changes of those twenty-five years." Hence, for the Chancellor Porter L. Fortune Symposium in Southern History in the year 2000, instead of providing historiographical summary, the participants were invited to formulate thoughts arising from their own special interests and experiences. Each paper was complemented by a learned, penetrating reaction. "On balance," the editor avers in his introduction, "reflection about the whole can convey a further sense of the condition of this field of scholarship at the very end of the last century, which was surely an improvement over what prevailed at the beginning." The collection of papers includes the following: "Logic and Experience: Thomas Jefferson's Life in the Law" by Annette Gordon-Reed, with commentary by Peter S. Onuf; "The Peculiar Fate of the Bourgeois Critique of Slavery" by James Oakes, with commentary by Walter Johnson; "Reflections on Law, Culture, and Slavery" by Ariela Gross, with commentary by Laura F. Edwards; "Rape in Black and White: Sexual Violence in the Testimony of Enslaved and Free Americans" by Norrece T. Jones, Jr., with commentary by Jan Lewis; "The Long History of a Low Place: Slavery on the South Carolina Coast, 1670-1870" by Robert Olwell, with commentary by William Dusinberre; "Paul Robeson and Richard Wright on the Arts and Slave Culture" by Sterling Stuckey, with commentary by Roger D. Abrahams. Winthrop D. Jordan is William F. Winter Professor of History and professor of African American studies at the University of Mississippi. His previous books include White Over Black: American Attitudes toward the Negro, 1550-1812 and The White Man's Burden: Historical Origins of Racism in the United States, and his work has been published in the Atlantic Monthly, Daedalus, and the Journal of Southern History, among other periodicals.
Baier aims to make sense of Hume's Treatise as a whole. Hume’s family motto was “True to the End.” Baier argues that it is not until the end of the Treatise that we get his full story about “truth and falsehood, reason and folly.” By the end, we can see the cause to which Hume has been true throughout the work.
The novel behind the Disney-produced Hulu Original Series The Interpreter of Silence As seen in the New York Times Book Review. A December 2019 Indie Next Pick! Set against the Frankfurt Auschwitz Trials of 1963, Annette Hess’s international bestseller is a harrowing yet ultimately uplifting coming-of-age story about a young female translator—caught between societal and familial expectations and her unique ability to speak truth to power—as she fights to expose the dark truths of her nation’s past. If everything your family told you was a lie, how far would you go to uncover the truth? For twenty-four-year-old Eva Bruhns, World War II is a foggy childhood memory. At the war’s end, Frankfurt was a smoldering ruin, severely damaged by the Allied bombings. But that was two decades ago. Now it is 1963, and the city’s streets, once cratered are smooth and paved. Shiny new stores replace scorched rubble. Eager for her wealthy suitor, Jürgen Schoormann, to propose, Eva dreams of starting a new life away from her parents and sister. But Eva’s plans are turned upside down when a fiery investigator, David Miller, hires her as a translator for a war crimes trial. As she becomes more deeply involved in the Frankfurt Trials, Eva begins to question her family’s silence on the war and her future. Why do her parents refuse to talk about what happened? What are they hiding? Does she really love Jürgen and will she be happy as a housewife? Though it means going against the wishes of her family and her lover, Eva, propelled by her own conscience , joins a team of fiery prosecutors determined to bring the Nazis to justice—a decision that will help change the present and the past of her nation. Translated from the German by Elisabeth Lauffer
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