The time is 1920. The place is Greenwich Village, where food and wine are cheap, talk and ideas are rich, and love is free. This heady atmosphere has drawn actors, artists, and writers from all over who call the winding streets of the Village home. And it is here, amid the hot jazz and cool gin, that a free-spirited young poet finds her perfect milieu—and deadly danger... FREE LOVE Olivia Brown feels she has nothing left. Tragically, she has lost her fiance in the Great War and her beloved guardian in the flu epidemic. Yet much to her surprise, her attorney informs her that she does, indeed, have something: an inherited brownstone on Bedford Street in Greenwich Village. Her building is uninhabited except for one tenant, the strange, nocturnal man who has a lifelong lease on the ground-floor flat. He is, of all things, a private detective. In no time at all, Olivia is working cases with him, selling her sonnets to Vanity Fair, breaking hearts, and flaunting Prohibition at a speakeasy called Chumley's. Then one evening after too many martinis, she literally trips over the body of a woman. Not only is the woman dead, but her face is shockingly familiar, for she bears an uncanny resemblance to Olivia Brown herself! Thus begins a mystery that pits the girl from Bedford Street against a keen-witted killer. Her only hope is to somehow smoke out the murderer before everyone in the Village is lamenting the fate of the poet Olivia Brown—the one with so much promise, the one who died so young...
With Free Love, the debut novel in her wickedly diverting new mystery series Annette Meyers wowed readers as she deftly brought the sights and sounds or Prohibition Era Greenwich Village to exhilarating life. Now this accomplished author returns to the roaring twenties, as snow blankets the narrow Village streets and her irrepressible heroine, poet-cum-sleuth Olivia Brown, finds the gaiety of her days eclipsed by the shadow of a ghastly crime that hits much too close to home. MURDER ME NOW Happily ensconced in her Bedford Street brownstone, Olivia Brown is having the time of her life: writing sonnets and downing martinis, making conquests and making love. Indeed, she doubts that anything could tempt her away from her Village home until she succumbs to the lure of a house party in Croton that promises sparkling conversation, bucolic views and plenty of free-flowing gin. Yet Olivia has barely arrived at the rustic farmhouse of Fordy and Kate Vaude when the convivial atmosphere takes a decidedly nasty turn. Between the petty squabbles and the jarring silences, the backbiting and the broad hints of marital discord, Olivia can't shake the feeling that something is terribly wrong here. And then she finds the frozen corpse of the Vaudes' nanny, hanging from a tree. Clearly, the young woman was murdered, and yet as Olivia and her friend, private investigator Harry Melville, join forces to learn why and by whom, they uncover more questions than answers. And when it turns out that the mysterious nanny was not whom she pretended to be, Olivia finds herself rushing headlong into a mystery that will take her from the swank and sophisticated Yale Club to the smoke-filled lair of a bootlegger and into the menacing clutches of the gang known as the Black Hand. The deeper Olivia probes, the darker the threats. Surrounded by bold-faced danger and ominous smiles, she can't help but wonder: Is the murderer one of the thugs—or one of her friends?
The firm of Smith and Wetzon seeks the top guns of Wall Street and then steals them away from their employers for another company. But when Leslie Wetzon's contact turns up dead, Leslie shifts from headhunting to sleuthing as she uncovers complex secrets behind a ruthless insider murder.
DANCE OF DEATH Leslie Wetzon is dusting off her tap shoes for a good cause; a benefit revival of the landmark Broadway musical Combinations. Using her headhunting smarts, she tracks down the original cast from eighteen years ago” all except for Terri Matthews, whose disappearing act has a grim finale when a trunk full of bones is unearthed in the basement of a Greenwich Village brownstone. Between a new associate causing chaos at the office and riding shotgun with her irrepressible partner, Xenia Smith, Wetzon has enough drama in her life. The last thing she needs is a killer with plans for a chilling encore: a dance on Wetzon's grave.
Amateur detectives Xenia Smith and Leslie Wetzon get their big break on Broadway, when the stage manager of an up-and-coming production is found dead in the balcony and a full cast of potential killers is in the spotlight. Reprint.
Headhunters Smith and Wetzon set off on the trail of the killer of one of their clients, a powerful stockbroker found murdered in Central Park shortly after he was placed in a new position
Wall Street headhunters Leslie Wetzon and Xenia Smith investigate the death by poison of a woman. The murder is connected to an attempt to take a catering company public. By the author of These Bones Were Made for Dancin'.
Wall Street executive search specialists Xenia Smith and Leslie Wetzon investigate the death of Goldie Barnes, retiring head of the Luwisher Brothers firm, an assignment that confronts them with ethical conflicts and threats to their lives
NO FADS, DIETS OR GIMMICKS. Over 500 family-and friend-tested, healthy, delicious recipes from an accomplished cook who has prepared over 35,000 meals. Recipes plain and fancy, simple and elegant, from American and many other cuisines.
Due to its internationality and interdisciplinarity, the International Oral History Association (IOHA), which was founded in the late 1970's, is one-of-a-kind in the academic landscape. Driven by the desire to democratize historical scholarship, its members wanted to "give a voice" to groups such as women, workers, migrants, or victims of political dictatorships who had not been heard up to that point. The contributions deal with the academic approaches and the political convictions of the previous generation.
When Madiera Cutler returns home to Mystick Falls, Connecticut, for her sister's wedding, she must magically unravel the secrets that an antique wedding dress holds to bring the real killer of her sister's arch enemy to justice before everything falls apart at the seams. Original.
Feminist biblical interpretation has reached a level of maturity that now makes possible a commentary series on every book of the Bible. It is our hope that Wisdom Commentary, by making the best of current feminist biblical scholarship available in an accessible format ... will aid readers in their advancement toward God's vision of dignity, equality, and justice for all. - Book jacket.
This book is a powerful portrayal of class inequalities in the United States. It contains insightful analysis of the processes through which inequality is reproduced, and it frankly engages with methodological and analytic dilemmas usually glossed over in academic texts.
The realist theory of international relations is based on a particularly gloomy set of assumptions about universal human motives. Believing people to be essentially asocial, selfish, and untrustworthy, realism counsels a politics of distrust and competition in the international arena. What Moves Man subjects realism to a broad and deep critique. Freyberg-Inan argues, first, that realist psychology is incomplete and suffers from a pessimistic bias. Second, she explains how this bias systematically undermines both realist scholarship and efforts to promote international cooperation and peace. Third, she argues that realism's bias has a tendency to function as a self-fulfilling prophecy: it nurtures and promotes the very behaviors it assumes predominate human nature. Freyberg-Inan concludes by suggesting how a broader and more complex view of human motivation would deliver more complete explanations of international behavior, reduce the risk of bias, and better promote practical progress in the conduct of international affairs.
Madeira Cutler loves her Vintage Magic boutique, but the 'visions' she gets from the garments can be hard to handle, especially when she knows the owner. At first she's thrilled to receive a package containing the beautifully bejeweled dress she designed for actress and old friend Dominique Delong while in fashion school. But the dress comes with a disturbing message from Dominique, who it seems took her last bow under very mysterious circumstances.
National bestselling author Annette Blair’s “fast-paced, fascinating” (Fresh Fiction) Vintage Magic series continues as clothing boutique owner Madeira Cutler takes on a murder from the past that won’t stay dead... Maddie’s love of classic fashion has made her Vintage Magic boutique a success—even if the visions she experiences when touching certain items often lead her into trouble. Decades ago, at a Mystic Country Club costume ball, a secret scavenger hunt ended in an unexplained death, hastily concealed. Now, Maddie's invited to participate in a similar anniversary event: but one touch of the vintage petticoat used to hide evidence of the original crime hurtles Maddie into a scavenger hunt of her own. She must find missing petticoat pieces and re-stitch the clues it reveals...to expose a killer!
Madeira Cutler is busy opening her new vintage clothing store in what was once the town's morgue when she discovers an intruder snooping around a bunch of bones in a body drawer. Now, she'll have to dig up more than the past to solve a crime.
I SERVED was written differently from most other Vietnam memoirs. Instead of being a chronological recitation of my experiences growing up in the orphanage and then going to Vietnam and serving with Co. F, 51st Long Range Patrol (Airborne) Infantry, I made its focus be the characters in the story. That is its greatest strength and what makes it such a good read. Because I focused so closely on character, you really get to care about the person Don Hall because you know what makes him tick, what is important to him, and what drives him. You are also engaged by the other people you meet in the story because they are so clearly drawn. You don't have to be a military buff to enjoy the book. I SERVED is a factual story backed up by official U.S. Army records. Col. William C. Maus, the man who formed F/51st LRP, told me where to find that documentation. I also have copies of handouts we received when we went to Recondo School. Before he died, he told me how much he enjoyed reading the book. He praised me for having written such a great story about a unit he was proud to have commanded. He was a visionary who knew our unit was the vanguard for future U.S. Army military strategy and tactics. I remember his telling me at the time that F/51st LRP was making history. Being just a naïve 19-year-old staff sergeant, I didn't understand the significance of that statement. I do now. The current print and ebook versions of I SERVED are a second edition to the original 1994 hardbound edition, with a revised preface and afterword, a new War Stories section (with stories from other men with whom I served), and new photographs.
This book examines the renowned portrait collection assembled by C. P. E. Bach, J. S. Bach’s second son. One of the most celebrated German composers of the eighteenth century, C. P. E. Bach spent decades assembling an extensive portrait collection of some four hundred music-related items—from oil paintings to engraved prints. The collection was dispersed after Bach’s death in 1788, but with Annette Richards’s painstaking reconstruction, the portraits once again present a vivid panorama of music history and culture, reanimating the sensibility and humor of Bach’s time. Far more than a mere multitude of faces, Richards argues, the collection was a major part of the composer’s work that sought to establish music as an object of aesthetic, philosophical, and historical study. The Temple of Fame and Friendship brings C. P. E. Bach’s collection to life, giving readers a sense of what it was like for visitors to tour the portrait gallery and experience music in rooms thick with the faces of friends, colleagues, and forebears. She uses the collection to analyze the “portraitive” aspect of Bach’s music, engaging with the influential theories of Swiss physiognomist Johann Caspar Lavater. She also explores the collection as a mode of cultivating and preserving friendship, connecting this to the culture of remembrance that resonates in Bach’s domestic music. Richards shows how the new music historiography of the late eighteenth century, rich in anecdote, memoir, and verbal portrait, was deeply indebted to portrait collecting and its negotiation between presence and detachment, fact and feeling.
Original essays by noted scholars explore cooperative learning, curriculum development, and teaching strategies. Focusing on grades 9 through 12, the volume first emphasizes theories underlying the use of selected cooperative learning strategies in secondary schools and then examines strategies and practical applications for classrooms. Contributors include David Johnson, Roger Johnson, Ruven Lazarowitz, Yael Sharan, Shlomo Sharan, Robert Slavin, Karl Smith, and others who have successfully implemented cooperative learning strategies in science, math, social studies, English/language arts, and gifted and talented. These contributors focus on how models are utilized and implemented. Discussions involve obstacles that impede success, problems and concerns, solutions, and suggestions for problem solving. An index is provided.
In Prose in the Age of Poets, Annette Wheeler Cafarelli demonstrates that nonfictional narrative of the time was a central expression of British Romanticism. The rise of interest in the individual traditionally associated with Romantic autobiography was actually part of a wider cultural interest in biography—especially literary biography. Following Johnson's lead in the Lives of the Poets, virtually every major writer of the period experimented with sequences of short, anecdotal lives that became a characteristic Romantic vehicle for discussing theories of creativity, canon, and the place of the poet in society. The Romantics took in new directions the examination of the relation of artists' lives and works, biographers and their subjects, and texts and their readers. Romantic biography, Cafarelli contends, offers a perspective from which to reconsider conventional boundaries of genre, periodization, and the movement from Neoclassicism to Romanticism. In examining the Romantics as prose writers and biographers, Cafarelli explores the affiliations between Romantic theories of reading and writing and twentieth-century critical methodologies. She situates the biographical writings of the major poets, including Wordsworth, Coleridge, and Byron, in the context of detailed analyses of biographies by Johnson, Hazlitt, De Quincey, Scott, Southey, and other lesser-known contemporaries. Prose in the Age of Poets will interest scholars and students of Romanticism, Johnson, biography and autobiography, and narrative theory.
Robert Louis Stevenson (1850–1894) loved more than anything to talk about the craft of writing and the pleasure of reading good books. His dedication to the creative impulse manifests itself in the extraordinary amount of work he produced in virtually every literary genre—fiction, poetry, travel writing, and essays—in a short and peripatetic life. His letters, especially, confess his elation at the richness of words and the companionship of books, often projected against ill health and the shadow of his own mortality. Stevenson belonged to a newly commercial literary world, an era of mass readership, marketing, and celebrity. He had plenty of practical advice for writers who wanted to enter the profession: study the best authors, aim for simplicity, strike a keynote, work on your style. He also held that a writer should adhere to the truth and utter only what seems sincere to his or her heart and experience of the world. Writers have messages to deliver, whether the work is a tale of Highland adventure, a collection of children’s verse, or an essay on umbrellas. Stevenson believed that an author could do no better than to find the appetite for joy, the secret place of delight that is the hidden nucleus of most people’s lives. His remarks on how to write, on style and method, and on pleasure and moral purpose contain everything in literature and life that he cared most about—adventuring, persisting, finding out who you are, and learning to embrace “the romance of destiny.”
The paranormal has gone mainstream.Beliefs are on the rise, with almost half of the British population, and two thirds of Americans, claiming to believe in extra sensory perceptions and hauntings. Psychic magazines like Spirit and Destiny, television shows such as Fringe, Ghost Whisperer and Most Haunted, ghost-cams and e-poltergeists, bestselling books on mind, body and spirit, and magicians like Derren Brown have moved from the outer limits to the centre of popular culture, turning paranormal beliefs and scepticism into revenue streams. Paranormal Media offers a unique, timely exploration of the extraordinary, unexplained and supernatural in popular culture, looking in unusual places in order to understand this phenomenon. Early spirit forms such as magic lantern shows or the spirit photograph are re-imagined as a search for extraordinary experiences in reality TV, ghost tourism, and live shows. Through a popular cultural ethnography, and critical analysis in social and cultural theory, this ground-breaking book by Annette Hill presents an original and rigorous examination of people's experiences of spirits and magic. In popular culture, people are players in an orchestral movement about what happens to us when we die. In a very real sense the audience is the show. This book is the story of audiences and their participation in a show about matters of life and death. Paranormal Media will be a highly interesting read for undergraduate and postgraduate students, as well as academics, on a wide range of television, media, cultural studies, and sociology courses.
There's nothing Maddie loves more than fabulous vintage clothes, but the visions she gets while touching them are starting to wear her down. Even so, when a beautifully dressed girl comes to Vintage Magic in search of her past, Maddie isn't about to turn her away, especially since she bears a striking resemblance to her good friend Dolly Sweet. When Maddie touches Paisley Skye's exquisitely crafted child's cloak, the vision she receives is of the ugliest sort: a decades-old case of kidnapping and murder. To give herself more time to investigate, Maddie enlists the help of her FBI Agent boyfriend Nick and takes Paisley into her home. But when Dolly suddenly skips town, Maddie realizes that uncovering the folds of Paisley's past will reveal more than one vintage crime...
Deirdre Martin’s Same Rink, Next Year Once a year, concierge Tierney O’Connor hooks up with the same hot goaltender at the hotel where she works. It’s a perfectly uncomplicated arrangement—until a blizzard turns their annual one-nighter into a lost weekend steamy enough to melt the ice. Julia London’s Lucky Charm Uninhibited radio host Kelly O’Shay loves to take on the egos of overpaid sports stars. Then she goes after hot-shot shortstop Parker Price, whose losing streak takes an unexpected turn when he goes head-to-head with his lovely nemesis—on-the-air and off. Annette Blair’s You Can’t Steal First Famous for his big numbers at bat, Juan Santiago’s struck out only once in his life—with Quinn Murdock. Now the Red Sox star player is getting one more shot with the sexy sporting goods magnate. But first he has to prove he’s not just playing the field. Geri Buckley’s Can’t Catch This Linda Hamilton got her two-timing boyfriend right where it hurts—by stealing his pricey tickets to the Florida Moccasins football game. When she discovers that the really interesting action is in the stands, it proves to be the hottest season opener on record...
School violence has fallen steadily for twenty years. Yet in schools throughout the United States, Annette Fuentes finds metal detectors and drug tests for aspirin, police profiling of students with no records, arbitrary expulsions, armed teachers, increased policing, and all-seeing electronic surveillance. This climate of fear has permitted the imposition of unprecedented restrictions on young people’s rights, dignity, and educational freedoms. In what many call the school-to-prison pipeline, the policing and practices of the juvenile justice system increasingly infiltrate the schoolhouse. These “zero tolerance” measures push the most vulnerable and academically needy students out of the classroom and into harm’s way. Fuentes’s moving stories will astonish and anger readers, as she makes the case that the public schools of the twenty-first century reflect a society with an unhealthy fixation on crime, security and violence.
Boys in Children’s Literature and Popular Culture proposes new theoretical frameworks for understanding the contradictory ways masculinity is represented in popular texts consumed by boys in the United States. The popular texts boys like are often ignored by educators and scholars, or are simply dismissed as garbage that boys should be discouraged from enjoying. However, examining and making visible the ways masculinity functions in these texts is vital to understanding the broad array of works that make up children’s culture and form dominant versions of masculinity. Such popular texts as Harry Potter, Captain Underpants, and Japanese manga and anime often perform rituals of subject formation in overtly grotesque ways that repulse adult readers and attract boys. They often use depictions of the abject – threats to bodily borders – to blur the distinctions between what is outside the body and what is inside, between what is "I" and what is "not I." Because of their reliance on depictions of the abject, those popular texts that most vigorously perform exaggerated versions of masculinity also create opportunities to make dominant masculinity visible as a social construct.
Health Communication and Breast Cancer among Black Women: Culture, Identity, Spirituality, and Strength addresses how the discourse of strength constructs the identity of Black women even during times of chronic illness through the lens of Black feminist thought and womanist ideology. In doing so, Madlock Gatison explores how the narratives surrounding pink ribbon awareness and survivorship culture, religion and spirituality, and the myth of the strong Black woman impact Black female breast cancer survivors’ self-perceptions, views others had of them, and their ability to express their needs and concerns including those involving their healthcare. This book will be of interest to scholars of public health, health communication, and sociology.
The Koyukuk River Culture is a comparative study of selected aspects of the material culture of the Koyukuk Koyukon Athapaskans and the Kobuk and Nunamiut Inuit who share contiguous areas in interior Northern Alaska.
New technology arguably provided the greatest challenge to industrial relations since the formation of unions. The problems raised led to a whole range of responses - from rejection of the new technology to acceptance fo the change with management and workers making new (and sometimes unheard of) agreements. This book, originally published in 1986 and based on extensive original research, examines the changes in industrial relations which the new technology of the 1980s caused, analysing the implications for the workforce and the reactions of the management and trade unions to the challenges.
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