In this first study in English of a master of Polish cinema, Annette Insdorf explores Has’s thirteen feature films with the same deep insight of her groundbreaking book on Krzysztof Kieslowski, Double Lives, Second Chances (Northwestern, 2013). Wojciech Has’s films are still less known outside of his native Poland than those of his countrymen Andrzej Wajda, Krzysztof Zanussi, and Krzysztof Kieslowski. Yet thanks to his singular vision, many critics rank Has among the masters of world cinema. Some of his movies have developed a cult following, notably The Saragossa Manuscript, the favorite film of the Grateful Dead’s Jerry Garcia, which has been praised by directors such as Luis Buñuel, Francis Ford Coppola, and Roman Polanski. Has’s films reveal the inner lives of his characters, which he portrays by giving free rein to his own wildly creative imagination. In addition toThe Saragossa Manuscript, his diverse and innovative filmography includes The Hourglass Sanatorium, a vividly surreal depiction of Hassidic life in Poland between the world wars; The Noose, a stark poetic drama about a lucid alcoholic who knows he will not be able to kick the habit; and How to Be Loved, in which an actress remembers her wartime past. Has made disparate but formally striking movies infused with European strains of existentialism and the avant-garde. With many of his films being restored and rereleased, new generations of film lovers are discovering his artistic genius. Intimations: The Cinema of Wojciech Has is the definitive guide in English to his work.
It's Bob Ross. The man with the gentle voice who can paint a landscape in thirty minutes right before your very eyes in your own living room. Reaching millions of homes every day, Bob Ross is unquestionably America's favorite art instructor. Now avaiable in paperback, The Best of the Joy of Painting -- Bob Ross's first book -- contains sixty of his favorite paintings, all of them originally created during the Joy of Painting show. Each painting comes complete with a full-color photo and a series of black-and-white instructional photos, accompanied by step-by-step instructions that guide you through the painting process. With this book in hand, you will be amazed at the ease and skill with which you can create your own Bob Ross original.
Since 1983, Bob Ross has been television's favorite artist. His Joy of Painting show captures higher ratings than any other art program in history, year after year. Bob's quick painting style and easy, encouraging manner reach millions of viewers around the world each day. His third book -- New Joy of Painting -- is now available in paperback, containing another sixty of his favorite landscape paintings. Each is presented in full color, along with written instructions and detailed black-and-white how-to photographs. Now you really can complete your very own beautiful masterpiece -- you can do it. "Remember, there is no failure, only learning," says author Annette Kowalski. "As I've heard Bob Ross say a thousand times, I hope you never create a painting that you're totally satisfied with, for it's this dissatisfaction that will create the motivation necessary for you to start your next painting, armed with the knowledge you acquired from the previous one.
Sent to Japan to investigate a mystical weapon that can destroy demons, Soul Gatherer Jamie Murdoch must control his rage in a society that values tranquility and self-control. Kiyoko Ashida dedicated her life to fighting evil. Now she's dying, her remaining days linked to a mysterious artifact. But when the malicious ambitions of a fallen angel target the artifact, Jamie is torn between fulfilling his duty and saving the life of the woman he has grown to love.
Author Annette J. Saddik researches Tennessee Williams' much-neglected later work (from 1961 to 1983), and argues that it deserves a central place in American experimental drama. Offering a new reading of Williams' career, she challenges the conventional wisdom that his later work represents a failure of his creative powers.
This book explores the development of contemporary theatre in the United States in its historical, political and theoretical dimensions. It focuses on representative plays and performance texts that experiment with form and content, discussing influential playwrights and performance artists such as Tennessee Williams, Adrienne Kennedy, Sam Shepard, Tony Kushner, Charles Ludlum, Anna Deavere Smith, Karen Finley and Will Power, alongside avant-garde theatre groups. Saddik traces the development of contemporary drama since 1945, and discusses the cross-cultural impact of postwar British and European innovations on American theatre from the 1950s to the present day in order to examine the performance of American identity. She argues that contemporary American theatre is primarily a postmodern drama of inclusion and diversity that destabilizes the notion of fixed identity and questions the nature of reality.
In addition, Brooklyn Is Not Expanding examines the male/female relationships that are central elements in most of Allen's films, and shows how his characters fit into Lasch's culture of narcissism.
This film score handbook provides a detailed analysis of Alex North's astounding score for Elia Kazan's 1951 adaptation of A Streetcar Named Desire. Beginning with a review of North's musical training and film scoring techniques, the book then uses approaches from both musicology and film studies to present a comprehensive exploration of the film's (self-)censorship and its impact on North's music, most notably in the film's infamous staircase scene.
The plays of Tennessee Williams' post-1961 period have often been misunderstood and dismissed. In light of Williams' centennial in 2011, which was marked internationally by productions and world premieres of his late plays, Annette J. Saddik's new reading of these works illuminates them in the context of what she terms a 'theatre of excess', which seeks liberation through exaggeration, chaos, ambiguity, and laughter. Saddik explains why they are now gaining increasing acclaim, and analyzes recent productions that successfully captured elements central to Williams' late aesthetic, particularly a delicate balance of laughter and horror with a self-consciously ironic acting style. Grounding the plays through the work of Bakhtin, Artaud, and Kristeva, as well as through the carnivalesque, the grotesque, and psychoanalytic, feminist, and queer theory, Saddik demonstrates how Williams engaged the freedom of exaggeration and excess in celebration of what he called 'the strange, the crazed, the queer'.
Australian violinist Phoebe Raye sees her dreams of romance and revenge dashed when Nazi Germany annexes Austria in 1938. Engaging first person account of Sydney and Vienna between the wars. Extras include book club discussion topics, recommended films, and further reading. BACK COVER Passionate young violinist Phoebe Raye pursues a deadly vendetta despite her father's warnings and her yearning for love and fulfilment. Leaving Sydney, Australia, Phoebe travels via Istanbul to Vienna, Austria and enters a cultured and complex society fraught with political tension and besieged by a malignant foreign aggressor. Witness to the unbridled hatred unleashed by the Anschluss as her own situation turns perilous, how will Phoebe resolve her mother’s death by violence unavenged? A poignant account of individual predicament amidst social turmoil, By Violence Unavenged is the first volume of In the Hearts of Kings, an epic trilogy exploring the perennial themes of justice and mercy, revenge and forgiveness. Pre-release praise for By Violence Unavenged ‘Extremely well researched, historically, musically and linguistically. Every chapter is full to the brim with action. A spectacular read.’ Christine McCarthy ‘Tremendous depth…akin to Tolstoy … the author has the story, the people, the world, entirely in hand.’ Warwick Adeney ‘A truly fine story and an enthralling read. Very much recommended!’ Regina Doman ‘Descriptive panache, engaging pace and memorable characters … clearly written by a musician, a kind of polyphonic saga, with the interweaving themes of war, history, suffering and the search for truth.’ Wanda Skowronska
The workplace can be a hotbed of difficulty and incivility—from rumors spread about an individual, to the agonies of stress, to physical attacks and even death. Evidence suggests that not only does incivility have significant implications for employees, organizations and society, it is also on the rise. In recent years we have experienced increased acts of incivility in the workplace, social media and government positions. There is a direct correlation between uncivil behavior and financial outcomes for organizations. It is estimated that stress related to uncivil actions in the workplace costs organizations approximately $300 billion annually. The cost of personal implications for employees is often too high to calculate as individuals experience loss of reputation and significant psychological and physical distress. With the increased use of social media, individuals are experiencing incivility that crosses the boundary between their personal and professional lives. This book delves into the darker side of the workplace, discussing bullying, toxic work environments, corporate psychopaths, the struggles of stress, and more. It combines recent research and case studies to provide an understanding of these behaviors, and offers practical solutions on how to cultivate a healthy working environment.
5 Stars! from Doody's Book Reviews! (of the 13th Edition) "This edition continues to raise the bar for books on drug use and abuse. The presentation of the material is straightforward and comprehensive, but not off putting or complicated." As a long-standing, reliable resource Drugs & Society, Fourteenth Edition continues to captivate and inform students by taking a multidisciplinary approach to the impact of drug use and abuse on the lives of average individuals. The authors have integrated their expertise in the fields of drug abuse, pharmacology, and sociology with their extensive experiences in research, treatment, drug policy making, and drug policy implementation to create an edition that speaks directly to students on the medical, emotional, and social damage drug use can cause.
The book brings together overviews by leading researchers in the field of the current status of knowledge of COX, NOS and HO in inflammation. These overviews cover a series of new concepts in the mechanism of inflammation. Topics include inducible enzyme involvement in inflammatory processes including the role in vascular permeability, leukocyte migration, granuloma formation, angiogenesis, neuroinflammation and algesia. New findings from transgenic animal models are reviewed. Other chapters address the importance of these enzymes in inflammatory disease states including rheumatoid arthritis, atherosclerosis and multiple sclerosis. The possibility of selective inhibitors or inducers of COX, NOS and HO, and their use in the clinic is discussed. The subject matter of this book is of interest to rheumatologists, pathologists, pharmacologists, neuroscientists and anyone with an academic interest in the mechanisms of inflammation.
Updated to keep pace with the latest data and statistics, Drugs and Society, Thirteenth Edition, contains the most current information available concerning drug use and abuse. Written in an objective and user-friendly manner, this best-selling text continues to captivate students by taking a multidisciplinary approach to the impact of drug use and abuse on the lives of average individuals.
This multidisciplinary overview introduces readers to the historical, sociological, anthropological, and political foundations of urban public secondary schooling and to possibilities for reform. Focused on critical and problematic elements, the text provides a comprehensive description and analyses of urban public high schooling through different yet intertwined disciplinary lenses. Students and researchers seeking to inform their work with urban high schools from social, cultural, and political perspectives will find the theoretical frameworks and practical applications useful in their own studies of, or initiatives related to, urban public high schools. Each chapter includes concept boxes with synopses of key ideas, summations, and discussion questions.
Annotation Internationally recognized experts critically examine the full gamut of literature on key topics in nursing practices, including nursing theory, care delivery, nursing education and the professional aspects of nursing.
In this first study in English of a master of Polish cinema, Annette Insdorf explores Has’s thirteen feature films with the same deep insight of her groundbreaking book on Krzysztof Kieslowski, Double Lives, Second Chances (Northwestern, 2013). Wojciech Has’s films are still less known outside of his native Poland than those of his countrymen Andrzej Wajda, Krzysztof Zanussi, and Krzysztof Kieslowski. Yet thanks to his singular vision, many critics rank Has among the masters of world cinema. Some of his movies have developed a cult following, notably The Saragossa Manuscript, the favorite film of the Grateful Dead’s Jerry Garcia, which has been praised by directors such as Luis Buñuel, Francis Ford Coppola, and Roman Polanski. Has’s films reveal the inner lives of his characters, which he portrays by giving free rein to his own wildly creative imagination. In addition toThe Saragossa Manuscript, his diverse and innovative filmography includes The Hourglass Sanatorium, a vividly surreal depiction of Hassidic life in Poland between the world wars; The Noose, a stark poetic drama about a lucid alcoholic who knows he will not be able to kick the habit; and How to Be Loved, in which an actress remembers her wartime past. Has made disparate but formally striking movies infused with European strains of existentialism and the avant-garde. With many of his films being restored and rereleased, new generations of film lovers are discovering his artistic genius. Intimations: The Cinema of Wojciech Has is the definitive guide in English to his work.
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