Author Annette J. Saddik researches Tennessee Williams' much-neglected later work (from 1961 to 1983), and argues that it deserves a central place in American experimental drama. Offering a new reading of Williams' career, she challenges the conventional wisdom that his later work represents a failure of his creative powers.
The time is 1920. The place is Greenwich Village, where food and wine are cheap, talk and ideas are rich, and love is free. This heady atmosphere has drawn actors, artists, and writers from all over who call the winding streets of the Village home. And it is here, amid the hot jazz and cool gin, that a free-spirited young poet finds her perfect milieu—and deadly danger... FREE LOVE Olivia Brown feels she has nothing left. Tragically, she has lost her fiance in the Great War and her beloved guardian in the flu epidemic. Yet much to her surprise, her attorney informs her that she does, indeed, have something: an inherited brownstone on Bedford Street in Greenwich Village. Her building is uninhabited except for one tenant, the strange, nocturnal man who has a lifelong lease on the ground-floor flat. He is, of all things, a private detective. In no time at all, Olivia is working cases with him, selling her sonnets to Vanity Fair, breaking hearts, and flaunting Prohibition at a speakeasy called Chumley's. Then one evening after too many martinis, she literally trips over the body of a woman. Not only is the woman dead, but her face is shockingly familiar, for she bears an uncanny resemblance to Olivia Brown herself! Thus begins a mystery that pits the girl from Bedford Street against a keen-witted killer. Her only hope is to somehow smoke out the murderer before everyone in the Village is lamenting the fate of the poet Olivia Brown—the one with so much promise, the one who died so young...
For those who take the role of aunt seriously, and for nieces and nephews everywhere who want to honor the aunts in their lives, here is a collection of anecdotes and humorous observations that celebrate that special relationship. "Aunts" is full of wise and witty insights into those women who, until now, have not been given their due.
It is a struggle ... to be me,' wrote Barbara Hanrahan, '... to accept ME, and my spiritual purpose.' This authoritative biography illuminates the life of a great Australian writer and artist. The story starts with Barbara Hanrahan's childhood in Adelaide, travels with her to 'swinging London' of the 1960s, and recounts her remarkable achievements in Britain and Australia in the following decades. Like the artists she most admired - among them, William Blake, Frida Kahlo and D.H. Lawrence - Barbara Hanrahan dedicated herself uncompromisingly to the life of the mind and spirit, producing a body of work that remains challenging and rewarding. Annette Stewart has drawn on a wealth of unpublished material, including the artist's letters, photographs, prints and diaries, as well as interviews with her friends and her partner, the sculptor Jo Steele. Barbara Hanrahan is beautifully illustrated with a number of Hanrahan's artworks, some of which have not been published before, and many photographs from her life.
Another creepy tale for beside the campfire or beneath the covers from "Twisted Sisters" Annette and Gina Cascone's Deadtime Stories—now a hit show on Nickelodeon! Amanda Peterson has a pet cemetery in her backyard. It's where she's buried all her family's dear departed pets, like Ralphie the hamster, Herman the goldfish, and Snitch the canary. But when Amanda and her friends set out to bury a dead squirrel, they accidentally dig up a grave that's already occupied—and not by a pet. The scary old lady who lives next door has lots of buried secrets. And she'll do anything to keep them that way.... At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
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