This lavishly illustrated coffee-table book features more than one hundred paintings from the J. Paul Getty Museum’s extraordinary collection “I am convinced that the true collector does not acquire objects of art for himself alone. His is no selfish drive or desire to have and hold a painting, a sculpture, or a fine example of antique furniture so that only he may see and enjoy it. Appreciating the beauty of the object, he is willing and even eager to have others share his pleasure.” —J. Paul Getty, The Joys of Collecting, 1965 Rooted in a passion for the Italian Renaissance as well as Dutch and Flemish Baroque works, the original collection of J. Paul Getty (1892–1976) has been transformed over four decades to include seminal pieces by celebrated masters such as Masaccio, Titian, Parmigianino, Cranach, El Greco, Rubens, van Dyck, Rembrandt, Poussin, Canaletto, Fragonard, Turner, Manet, Degas, Renoir, Monet, van Gogh, Cézanne, and Ensor. Masterpiece Paintings in the J. Paul Getty Museum surveys more than one hundred of the most exquisite and significant paintings displayed in the museum’s famed, daylight-suffused galleries. Vibrant full-color illustrations and engaging descriptions of these masterworks reveal their fascinating histories and cultural, social, and religious meanings. Sure to enchant and edify all art lovers, this book is a spellbinding tour through the history of Western painting.
Fully revised and updated, here is a concise and authoritative guide to the technical terms most commonly used in painting. What is tempera? What is foreshortening? What is fresco? These are just some 100+ terms that are explained and illustrated in this authoritative volume.
This lovely volume presents the fourteen stunning Rembrandt paintings held in five Southern California museums, provides biographical information about Rembrandt, and discusses when and how so many important works entered Southern California collections--the third-larges assemblage of Rembrandt paintings in the United States. Reproductions of the fourteen paintings are shown in full, along with details. Together these works attest to the remarkable range of Rembrandt's achievement throughout his long career.
Looks at the efforts of the J Paul Getty Museum to preserve and expose a stunning 16th century triptych. This book documents the dramatic process of revealing the brilliance of a 16th-century masterpiece.
Precisely rendered to dazzle the eye with their botanical accuracy, the sumptuous arrays of fruit and flowers by Dutch painter Jan van Huysum (1682-1749) were among the most avidly collected paintings of the 18th century. This little book explores two of Van Huysum's most important still-life paintings, Vase of Flowers and Fruit Piece.
From 1989 to 1994, more than 200 m2 were excavated at the Saqqaq site of Nipisat, situated on a small island 15 km south of Sisimiut. The excellent preservation conditions for organic material, and the fact that some of the stone artefacts were not previously known from the Saqqaq Culture, were the main reasons for the excavation. More than 70,000 bone fragments, 20,000 flakes and 1,000 artefacts were recovered. A total of 33 dates, making this site one of the best dated in the entire Arctic, reveal that Nipisat was occupied continuously for nearly 1,500 years. Although protruding bedrock disturbed the stratigraphy and several lenses of crushed shells interrupted the layers, three different chronological phases could be identified. Phase 1 is dated by eight 14C dates ranging from 2020 to 1740 BC (cal). Phase 2 partly overlaps, but is mainly younger than phase 1 and dated by five 14C dates to 1860-1325 BC (cal). Phase 3 is dated by 16 14C dates to 1310-810 BC (cal). One date was very young (520 BC (cal)) and problematic because of extreme oscillations of the 14C curve. From phase 1 there is a mid-passage structure with a box-hearth. A ring of flagstones surrounds the structure. From phase 2 there is a well-defined box-hearth. There was no clear outline of a tent ring surrounding the hearth, which could be due to later disturbances in phase 3. No dwelling structures were recognised from phase 3. Instead several sherds of soapstone were recorded, indicating the use of blubber for light or cooking. From phase 1 and 2 the tool types are well known from other Saqqaq sites in Greenland and Arctic Canada e.g. small harpoon endblades, projectile points, knife blades, scrapers, burins etc. and needles, flint flakers, harpoon heads, wedges etc. But from phase 3 previously unknown types were recorded. A new tool kit for sea mammal hunting is seen in the very sturdy harpoon or lance head made of antler. In addition there are many different kinds of barbed leisters or spears. New types of bevelled harpoon heads, bevelled knife blades and bevelled projectile points, all made of killiaq (silicified slate), were also registered. The faunal assemblage of Nipisat yielded 28,823 identified bone fragments representing at least 42 species of fish, birds and mammals. The fish remains, comprising c. 2% of the faunal material, consisted nearly entirely (98%) of fairly large sized cod (). The bird remains comprise c. 47% of the material and derive from at least 24 bird species. Gulls are the dominant group (c. 54% of the bird remains) followed by eider ducks (spp.) (24%) and spp. (13%) presumably barnacle geese (), while auks () were found in lower frequencies. The most spectacular finds, however, were skeletal remains of subadult great auks () from the oldest phase. A total of 60 presumed whooper swan () remains constitute the hitherto largest, northernmost and oldest occurrence in Greenland. At least 14 mammalian species were identified revealing a surprisingly large proportion of caribou () (51% of the mammal remains) for a coastal site. Seals accounted for 45%, with the common seal () as the absolutely dominant component. Other marine mammals were walrus () and harbour porpoise (), which played an important but minor role. Polar bear () hunting was documented by the presence of four fragments from the youngest phase. Saqqaq people were accompanied by fairly large and robust dogs (). Nipisat, the first larger Saqqaq site to be excavated from the Open Water Area was a coastal site and through all occupation phases the game animals of the surrounding waters and fjords were hunted. For more than a millennium, the site was visited briefly from time to time, at least during spring, summer and early autumn. Staging geese were captured during spring. In June and July the breeding birds were exploited for their eggs and easily accessible young, as documented by large numbers of juvenile gull bones in particular. The common seal hunting specialised on immature individuals caught primarily during their first summer on the breeding grounds. The inhabitants at Nipisat also hunted caribou on the mainland. The age structure and sex distribution of the caribou remains primarily reflect stalking. Selected body parts, especially the fore and hind legs and the heads, were transported to the island for raw material, meat filleting and further processing for marrow extraction and fat rendering. The exploitation of fauna through the entire occupation period was remarkably constant with respect to choice of game animal and the selected age groups. Although eiders were more abundant in phase 1 (36%) than in phase 3 (17%) while gulls increased from 43 to 61% in the same time period. The same trend was found valid for geese, which increased over time while the importance of auks decreased. Harbour porpoise seem to have decreased while walrus increased in relative importance through time. Caribou seem to be of greater importance in phase 3 with 55% compared to 45% in phase 1. The slight shift in preferred resources may be explained by fluctuating abundance and availability of the game species combined with the development of new hunting tools. Based on the new investigations in the Sisimiut District, the gap between Saqqaq and Dorset Culture in Central West Greenland has been diminished. Although resource exploitation at the site seems to have been very stable through all three phases, there are aspects of cultural change bridging the transition from Saqqaq to Dorset Cultures. The introduction of bevelled tools, sturdy harpoon or lance heads and the abandonment of the bow and arrow in phase 3, show cultural affiliation with Dorset technology. This is also true in terms of lithic raw material preference, the introduction of soapstone artefacts and the absence of dwelling structures with a well-defined box-hearth. At the same time it looks like, the central occupation area for the Saqqaq Culture shifted southwards from the Qeqertarsuup Tunua area towards Sisimiut and Nuuk.
From Caspar David Friedrich to Gerhard Richter brings together a select group of paintings from the Galerie Neue Meister in Dresden--one of the most significant collections of German art from 1800 to the present--and new work from the renowned contemporary artist Gerhard Richter."--Page 4 of cover.
Global public health has improved vastly during the past 25 years, and especially in the survival of infants and young children. However, many of these children, particularly in Africa, continue to live in poverty and in unhealthy, unsupportive environments, and will not be able to meet their developmental potential. In other words, they will survive but not thrive. The UN’s Sustainable Development Goals (SDGs) stress sustainable development, not just survival and disease reduction, and the Global Strategy for Women’s, Children’s and Adolescents’ Health proposes a Survive (end preventable deaths), Thrive (ensure health and wellbeing) and Transform (expand enabling environments) agenda. For children to thrive they must make good developmental progress from birth until the end of adolescence. Addressing the social determinants of developmental problems, this volume offers a broad, contextualised understanding of the factors that impact on children and adolescents in Africa. Unlike other works on the subject it is Africa-wide in its scope, with case studies in Ethiopia, Kenya, Malawi, Nigeria, Rwanda and South Africa. Covering mental health as well as physical and social development, it looks at policies and practice, culture and priorities for research, identifying challenges and proposing solutions.
Anyone who regularly tackles challenging crossword puzzles will be familiar with the frustration of unanswered clues blocking the road to completion. Together in one bumper volume, Crossword Lists and Crossword Solver provide the ultimate aid for tracking down those final solutions. The Lists section contains more than 100,000 words and phrases, listed both alphabetically and by number of letters, under category headings such as Volcanoes, Fungi, Gilbert & Sullivan, Clouds, Cheeses, Mottoes, and Archbishops of Canterbury. As intersecting solutions provide letters of the unanswered clue, locating the correct word or phrase becomes quick and easy. The lists are backed up with a comprehensive index, which also guides the puzzler to associated tables - e.g. Film Stars; try Stage and Screen Personalities. The Solver section contains more than 100,000 potential solutions, including plurals, comparative and superlative adjectives, and inflections of verbs. The list extends to first names, place names, technical terms, compound expressions, abbreviations, and euphemisms.Grouped according to number of letters - up to fifteen - this section is easy to use and suitable for all levels of crossword puzzle. At the end a further 3,000 words are listed by category, along with an index of unusual words.
Going beyond the hype of recent fMRI 'findings', thisinterdisciplinary collection examines such questions as: Do women and men have significantly different brains? Do women empathize, while men systematize? Is there a 'feminine' ethics? What does brain research on intersex conditions tell us about sex and gender?
Anne Walker shows that women are neither the victims of raging hormonal fluctuations nor entirely unaffected by them. Unlike most previous publications that focus on menstruation (a part of the cycle), The Menstrual Cycle presents a well researched study of the entire menstrual cycle and its relationship to women's lives. Women's own experiences in different cultures are contrasted with medical textbook descriptions and the "normal" is found to be rather elusive. This book will be read by discourse analysts, doctors, nurses and any woman who has felt curious about her menstrual cycle and its possible effects.
The extraordinary story of Captain Cook's encounters with the Polynesian Islanders is retold here in bold, vivid style, capturing the complex (and sometimes sexual) relationships between the explorers and the Islanders as well as the unresolved issues that led to Cook's violent death on the shores of Hawaii. (History)
Jennie (Jerome) Churchill was not merely the most talked about American woman in London society, she was also a dynamic political and social force. Sebba draws on newly discovered correspondences and archives to examine the tempestuous life of the mother of Winston Churchill.
Colonial America: A History to 1763, 4th Edition provides updated and revised coverage of the background, founding, and development of the thirteen English North American colonies. Fully revised and expanded fourth edition, with updated bibliography Includes new coverage of the simultaneous development of French, Spanish, and Dutch colonies in North America, and extensively re-written and updated chapters on families and women Features enhanced coverage of the English colony of Barbados and trans-Atlantic influences on colonial development Provides a greater focus on the perspectives of Native Americans and their influences in shaping the development of the colonies
The J. Paul Getty Museum's paintings collection ranges from the fourteenth to the end of the nineteenth century. Among the finest examples of early Renaissance painting are the Madonna and Child by the Master of Saint Cecilia, Masaccio's Saint Andrew, and Gentile da Fabriano's richly painted Coronation of the Virgin. Typical of the High Renaissance are Andrea Mantegna's splendid Adoration of the Magi and Fra Bartolommeo's Rest on the Flight into Egypt. The art of the Netherlands in its Golden Age is represented by Jan Brueghel's much-loved painting The Entry of the Animals into Noah's Ark and by The Return from War, which he painted with Peter Paul Rubens, as well as a newly acquired and magnificent landscape by Hobbema, Rembrandt's Abduction of Europa, and Jan Steen's Drawing Lesson. Painting in France ranges from recently acquisitioned works by Poussin, Fragonard, and Lancret, through the Impressionism of Monet's seminal Sunrise and his Rouen Cathedral, while the modern age is exemplified by the Irises of Vincent van Gogh. Fernand Khnopff's Jeanne Kéfer, and Cézanne's Still Life with Apples.
Parents of twins must deal with practical arrangements and emotional issues that parents of singly born children never face. Based on detailed research and personal experience, this comprehensive text provides advice and information on every aspect of having twins, including: twin pregnancy and labour; the practicalities of breast- and bottle-feeding two babies; establishing a workable routine; how to encouarge separate identities; special issues for fathers of twins; twins at school; and twins and siblings. This handbook aims to tell parents everything they need to know about how to cope with the problems and how to make the most of the special pleasures involved in having twins.
This lovely volume presents the fourteen stunning Rembrandt paintings held in five Southern California museums, provides biographical information about Rembrandt, and discusses when and how so many important works entered Southern California collections--the third-larges assemblage of Rembrandt paintings in the United States. Reproductions of the fourteen paintings are shown in full, along with details. Together these works attest to the remarkable range of Rembrandt's achievement throughout his long career.
The J. Paul Getty Museum's paintings collection ranges from the fourteenth to the end of the nineteenth century. Among the finest examples of early Renaissance painting are the Madonna and Child by the Master of Saint Cecilia, Masaccio's Saint Andrew, and Gentile da Fabriano's richly painted Coronation of the Virgin. Typical of the High Renaissance are Andrea Mantegna's splendid Adoration of the Magi and Fra Bartolommeo's Rest on the Flight into Egypt. The art of the Netherlands in its Golden Age is represented by Jan Brueghel's much-loved painting The Entry of the Animals into Noah's Ark and by The Return from War, which he painted with Peter Paul Rubens, as well as a newly acquired and magnificent landscape by Hobbema, Rembrandt's Abduction of Europa, and Jan Steen's Drawing Lesson. Painting in France ranges from recently acquisitioned works by Poussin, Fragonard, and Lancret, through the Impressionism of Monet's seminal Sunrise and his Rouen Cathedral, while the modern age is exemplified by the Irises of Vincent van Gogh. Fernand Khnopff's Jeanne Kéfer, and Cézanne's Still Life with Apples.
Precisely rendered to dazzle the eye with their botanical accuracy, the sumptuous arrays of fruit and flowers by Dutch painter Jan van Huysum (1682-1749) were among the most avidly collected paintings of the 18th century. This little book explores two of Van Huysum's most important still-life paintings, Vase of Flowers and Fruit Piece.
This lavishly illustrated coffee-table book features more than one hundred paintings from the J. Paul Getty Museum’s extraordinary collection “I am convinced that the true collector does not acquire objects of art for himself alone. His is no selfish drive or desire to have and hold a painting, a sculpture, or a fine example of antique furniture so that only he may see and enjoy it. Appreciating the beauty of the object, he is willing and even eager to have others share his pleasure.” —J. Paul Getty, The Joys of Collecting, 1965 Rooted in a passion for the Italian Renaissance as well as Dutch and Flemish Baroque works, the original collection of J. Paul Getty (1892–1976) has been transformed over four decades to include seminal pieces by celebrated masters such as Masaccio, Titian, Parmigianino, Cranach, El Greco, Rubens, van Dyck, Rembrandt, Poussin, Canaletto, Fragonard, Turner, Manet, Degas, Renoir, Monet, van Gogh, Cézanne, and Ensor. Masterpiece Paintings in the J. Paul Getty Museum surveys more than one hundred of the most exquisite and significant paintings displayed in the museum’s famed, daylight-suffused galleries. Vibrant full-color illustrations and engaging descriptions of these masterworks reveal their fascinating histories and cultural, social, and religious meanings. Sure to enchant and edify all art lovers, this book is a spellbinding tour through the history of Western painting.
Truly collaborative paintings, that is, not simply mechanical but also conceptual co-productions, are rare in the history of art. This gorgeously illustrated catalogue explores just such an extraordinary partnership between Antwerp's most eminent painters of the early seventeenth century, Peter Paul Rubens (1577-1640) and Jan Brueghel the Elder (1568-1625). Rubens and Brueghel executed approximately twenty-five works together between around 1597 and Brueghel's death in 1625. Highly prized and sought after by collectors throughout Europe, the collaborative works of Rubens and Brueghel were distinguished by an extremely high level of quality, further enhanced by the status of the artists themselves. Published to coincide with an exhibition at the Getty Museum to be held July 5 to September 24, 2006, the catalogue features twenty-six color plates of such Rubens/Brueghel paintings as The Return from War, The Feast of Achelo�s, and Madonna and Child in a Garland of Flowers, along with Rubens and Brueghel's collaborations with important contemporaries such as Frans Snyders and Hendrick van Balen. This is the first such publication to fully address and reproduce these works in depth.
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