This essential new textbook provides cataloguers with the skills needed for transition to Resource Description and Access (RDA). The book builds on John Bowman's highly regarded Essential Cataloguing and gives an introduction to Functional Requirements for Bibliographic Records (FRBR), which provides the conceptual basis for RDA; discusses the differences between AACR2 and RDA; and shows the current state of play in MARC 21. Key topics are: introduction to catalogues and cataloguing standards the FRBRization of the catalogue bibliographic elements access points and headings RDA: the new standard, its development, structure and features AACR and RDA: the similarities and differences between the two standards the MARC21 record bringing it all together the birth of RDA and the death of MARC. The final chapter includes ten records displayed in AACR2 level 1, AACR2 level 2, RDA and MARC 21, making it easy to see the differences at a glance. There is also a fully explained worked example based on RDA Appendix M. Readership: Written at a time of transition in international cataloguing, this book provides cataloguers and students with a background in general cataloguing principles, the current code (AACR2) and format (MARC 21) and the new standard (RDA). The contextual chapters provide library managers with an up-to-date overview of the development of RDA in order to equip them to make the transition. The book will be essential reading for students of library and information studies and practising library and information professionals in all sectors. It will also be of great interest to the archives sector.
Illustrated catalogue of a retrospective exhibition of Anne Ophela Todd Dowden's artwork at Hunt Institute is the only catalogue of her work representing an overview of her career as a botanical illustrator for books, magazine and reproductions. Accompanying many of the illustrations are selections from letters by Anne Ophelia to botanists, curators, colleagues and friends in her search for plants, descriptions of her challenges and delight in observing and painting them, and details about the process of creating books for publication. Included in the catalogue are an autobiographical sketch, portraits of the artist, her family and husband, and exhibition and publication information.
Through this searching overview of Anne Graham's work Joan Ackland leads us to the artist's unique vision, with its particular insight and character. Key factors in its formation have been the artist's background and her personality about which the author writes with the appealing vitality of her subject.
Introducing Aunt Mary The first time that Jack was threatened with expulsion from college his Aunt Mary was much surprised and decidedly vexed -- mainly at the college. His family were less surprised, viewing the young man through a clearer atmosphere than his Aunt Mary ever had, and knowing that he had barely escaped similar experiences earlier in his career by invariably leaving school the day before the board of inquiry convened. . . . * Anne Warner was, while she lived, considered one of the best American humorists, often compared to celebrated New Englander Mary E. Wilkins Freeman. Warner's wit was at its greatest when she spoke of men -- she had a thing or two to say about the subject, as you'll see. . . .
Two Vermont columnists share their unusual money-saving advice for hundreds of day-to-day problems, from kitchen and bath cleaning to gardening and home repair
**Shortlisted for the Man Booker Prize 2015** **Shortlisted for the Baileys Women's Prize for Fiction 2015** **Sunday Times bestseller** 'It was a beautiful, breezy, yellow-and-green afternoon...' This is the way Abby Whitshank always begins the story of how she and Red fell in love that day in July 1959. The whole family on the porch, relaxed, half-listening as their mother tells the same tale they have heard so many times before. And yet this gathering is different. Abby and Red are getting older, and decisions must be made about how best to look after them and their beloved family home. They've all come, even Denny, who can usually be relied on only to please himself. From that porch we spool back through three generations of the Whitshanks, witnessing the events, secrets and unguarded moments that have come to define who and what they are. And while all families like to believe they are special, round that kitchen table over all those years we also see played out our own hopes and fears, rivalries and tensions - the essential nature of family life. OVER A MILLION ANNE TYLER BOOKS SOLD
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