This illustrated catalog of Thomas Moran’s field sketches includes an interpretive essay tracing the artist’s seventy-year career in the field; a chronological, stylistic, and geographical survey of his fieldwork; an illustrated checklist of the 1080 sketches in public collections. Moran is best known for his work in the American West during the post-Civil War expansion, particularly in what would become Yellowstone, Grand Canyon, and Yosemite national parks. Yet this virtuoso painter and draftsman also traveled in search of inspiration in Pennsylvania, New York’s Long Island, Florida, Wisconsin, Mexico, England, Scotland, Wales, France, and Italy, returning repeatedly to favorite subjects. An almost compulsive desire to sketch refined his innate skill as one of America’s finest landscape artists. Most of Moran’s known field sketches are reproduced here. As described in the introduction, “their range encompasses summary contour drawings of the spectacular topography of the American West, luminous watercolors that simultaneously fix local color and evoke the artist’s rapturous response to the natural world, and fully realized works that nevertheless preserve the intensity of Moran’s firsthand experience of his plein air subjects.” No serious formal study of Thomas Moran can be made without reference to this volume.
Focusing on Thomas Burke's bestselling collection of short stories, Limehouse Nights (1916), Anne Witchard's interdisciplinary book contextualises the burgeoning cult of Chinatown in turn-of-the-century London. Witchard shows that Burke's immensely popular Chinatown stories destabilize social orthodoxies in highly complex ways, forcing us to rethink his influence on both sides of the Atlantic. She shows that China and chinoiserie served as mirrors that reveal the disquietudes of western art and culture.
This first full-length study fosters a greater understanding of Hovenden's gifts as a painter and of his stylistic contribution to art. Chronologically organized, it is both a retrospective of Hovenden's work and a critical biography of the artist.
In this book, Anne Alexander examines the grounds for considering the 'dream-country' approach to Hardy's fiction. She shows how the 'dream-country' environment may suggest the awakening of unconscious thoughts and feelings and how Hardy uses this to suggest the extent to which these unconscious thoughts and feelings affect the behavior of individual characters as well as the relationships between men and women.
Becket's life was lived on a European stage, his cause was conducted in a European setting, and the cult of the new martyr spread with extraordinary rapidity to the furthest reaches of Latin Christendom before the end of the twelfth century. The fifteen studies collected here reflect not only the global reach of the subject but the diverse expertise of their author, whose edition and translation of the Correspondence of Archbishop Thomas Becket (2000) and acclaimed biography (Thomas Becket, 2004) have established her place in Becket studies. Based on the critical examination of manuscripts and texts, this collection focuses first on the papal curia and Becket's household in exile. The following studies deal with Becket's letters and their authorship, the coronation of the young King Henry (1170), and Henry II's reconciliation at Avranches (1172). The final part traces the explosion of Becket's cult, the transmission of hagiographical and liturgical texts to France, Germany, and Portugal, and the role of diverse agencies of dissemination: Henry II's daughters, for example, in Saxony, Castile, and Sicily, and the Cistercian and Augustinian orders whose networks of houses embraced the whole of Europe.
This book is the first full-scale study of interactions between Italy's religious reform and English reformations, which were notoriously liable to pick up other people's ideas and run. Anne Overell adopts an inclusive approach, retaining within the group of Italian reformers those spirituali who left the church and those who remained within it, and exploring commitment to reform, whether 'humanist', 'protestant' or 'catholic'. The book is of fundamental importance for those whose work includes revisionist themes of ambiguity, opportunism and interdependence in sixteenth century religious chan.
Presents the life story of the third president of the United States, who authored the Declaration of Independence and is known for his ability as an inventor and architect.
Thomas Bradford, a Persian/Siamese odd-eyed, white kitten and Dash Collins, a handsome, self-centered college man, both have delusions of grandeur and set out on their glory paths. Through some comical, and some heartbreaking adventures, each comes to understand that kind hearts are more valuable than coronets.
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