When we first meet Mary Kline in God Bless the Child, Book One of The Women of Paradise County series, she is sewing, her main obsession besides eating. It is hard to blame Mary for who she has become. She’s been perpetually hungry since childhood, and as she becomes a woman, she craves something far more delicious—a child of her own. When Pearl Davis turns up pregnant after a church-basement encounter with James Pullman, the pastor’s son, Mary and her parents swoop in and “adopt” Pearl and her baby, Elizabeth. It’s a disastrous move. As a teen, Elizabeth rebuffs Mary’s smothering affection and winds up pregnant. Mary insists on an abortion, which they both keep secret. When she later becomes a young mother, Elizabeth’s depression leads to severe OCD. When her irrationally patient husband, David, learns about the abortion and the harrowing nights Elizabeth witnessed as a child when her birth mother was abused, more secrets are revealed that explain Mary Kline’s insatiable appetite and her desire to be loved. By the time Mary and Elizabeth confront the twisted truths that bind them, their entire family is sucked into grappling with layers of trauma spanning three generations. Everyone in God Bless the Child must reckon with their past as they seek forgiveness and redemption.
A modern presentation of granitic rocks, translated into English and updated from the original French edition. Mineralogical, petrological, structural, and economical aspects are developed in a succession of 14 chapters containing special 'info boxes' discussing topics for those wishing to deepen the subject.
In Pottery and Economy in Old Kingdom Egypt, Leslie Anne Warden investigates the economic importance of utilitarian ceramics, particularly beer jars and bread moulds, in third millennium BC Egypt. The Egyptian economy at this period is frequently presented as state-centric or state-defined. This study forwards new methodology for a bottom-up approach to Egyptian economy, analyzing economic relationships through careful analysis of variation within the utilitarian wares which formed the basis of much economic exchange in the period. Beer jars and bread moulds, together with their archaeological, textual, and iconographic contexts, thus yield a framework for the economy which is fluid, agent-based, and defined by small scale, face-to-face relationships rather than the state.
The year 2008 marks the 150th birth anniversary of Sir Jagadish Chandra Bose who, at a relatively young age, established himself among the ranks of European scientists during the heyday of colonial rule in India. He was one of those great Indian scientists who helped to introduce western science into India. A physicist, a plant electrophysiologist and one of the first few biophysicists in the world, Sir J C Bose was easily 60 years ahead of his time and much of his research that was ignored during his lifetime is now entering the mainstream. As the inventor of millimeter waves and their generation, transmission and reception, and the first to make a solid state diode, he was the first scientist who convincingly demonstrated that plants possess a nervous system of their own and “feel” pain. J C Bose later spent his life's savings to set up the Institute which carries his name in Calcutta and Darjeeling.This book covers Bose's life in colonial India, including the general patriotic environment that pervaded at the time and how he became one of the flag bearers of the Bengal Renaissance. It also examines the scientific achievements of this polymath and his contributions to physics and plant electrophysiology, while highlighting his philosophy of life.
A Preface to Oscar Wilde provides a detailed study of the cultural, personal and political influences that shaped Wilde's writing. The study concentrates primarily on his fiction, critical dialogues and plays that were published between 1890 and 1895, and detailed accounts of Wilde's lesser known works such as his poetry, journalism and letters are also presented. The first section places his work in a variety of cultural contexts: Wilde's family life and his Irish inheritance are examined, the impact of his sexuality on his writing and reputation is considered, and a description is provided of how Wilde became a legendary figure in the arts. Major innovations and successes, such as The Picture of Dorian Gray, Salome and The Importance of Being Earnest are related to avant garde movements of their day such as aestheticism, decadence, and symbolism. Reference sections provide supporting material such as a Wilde chronology, a glossary of terms and a bibliography for further study. Anne Varty sets out in this study to bring to life the work of Wilde, and to make his writing accessible to readers who are unfamiliar with his achievements. In so doing, she confronts the ethical drive of his work, and demonstrates the coherent evolution of his work from the aestheticism of the early poetry, through the sophisticated handling of theatre, to the dark self-scrutiny of autobiography. The comprehensive and accessible approach makes this a useful reference work to all who are studying Oscar Wilde, both at A Level and undergraduate level. The content will also appeal to the general reader who is seeking to gain a greater understanding and appreciation of Wilde's work.
Democracy’s Medici: The Federal Reserve and the Art of Collecting is a profile of the central bank seen from the perspective of the author’s unorthodox art-historical career as founding Director of the Fine Arts Program of the Board of Governors of the Federal Reserve System. This is an insider’s view by an art historian about the Federal Reserve culture, larger-than-life personalities, and the fine arts function set against the broader backdrop, both of the Fed’s banking and regulatory mission, and the economic, political, and social context. During her 31-year tenure, Goley organized over 110 exhibitions on a range of subjects from New York Graffiti artists to the first U.S. exhibit of Charles Rennie Mackintosh. Adding a diplomatic mission to her portfolio, beginning in 1988, Goley worked with central banks and museums in Austria, Greece, Hungary, Israel, Poland, Romania, Spain, Switzerland, and The Netherlands to bring exhibits to the Federal Reserve. Scholarly contributions included the exhibitions: The Hague School and Its American Legacy, The Paintings of Eduard J. Steichen, AustrianBiedermeier, and Polish Constructivism, among others. Two exhibitions resulted in foreign decorations from The Netherlands and Luxembourg. In 2006 Goley organized The Face of Contemporary Art in China, the first of its kind in Washington, DC, for the Federal Reserve Board. She was twice knighted, in 1982 by Queen Beatrix of The Netherlands and in 1988 by the Grand Duke of Luxembourg. With little guidance, she built a remarkable art collection where there was none. J. Carter Brown, Director of the National Gallery of Art, wrote of the Fed’s program, "It is a model for others in our field to see someone take a challenge and make so much of it." You can find an interview with the author herehttps://www.youtube.com/watch?v=m40d0sTQEec.
This eBook features the unabridged text of ‘Poems by Currer, Ellis, and Acton Bell’ from the bestselling edition of ‘The Complete Works of The Brontes’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Brontes includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Poems by Currer, Ellis, and Acton Bell’ * Beautifully illustrated with images related to Brontes’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
A new, quantitative architecture simulation approach to software design that circumvents costly testing cycles by modeling quality of service in early design states. Too often, software designers lack an understanding of the effect of design decisions on such quality attributes as performance and reliability. This necessitates costly trial-and-error testing cycles, delaying or complicating rollout. This book presents a new, quantitative architecture simulation approach to software design, which allows software engineers to model quality of service in early design stages. It presents the first simulator for software architectures, Palladio, and shows students and professionals how to model reusable, parametrized components and configured, deployed systems in order to analyze service attributes. The text details the key concepts of Palladio's domain-specific modeling language for software architecture quality and presents the corresponding development stage. It describes how quality information can be used to calibrate architecture models from which detailed simulation models are automatically derived for quality predictions. Readers will learn how to approach systematically questions about scalability, hardware resources, and efficiency. The text features a running example to illustrate tasks and methods as well as three case studies from industry. Each chapter ends with exercises, suggestions for further reading, and “takeaways” that summarize the key points of the chapter. The simulator can be downloaded from a companion website, which offers additional material. The book can be used in graduate courses on software architecture, quality engineering, or performance engineering. It will also be an essential resource for software architects and software engineers and for practitioners who want to apply Palladio in industrial settings.
Although almost forgotten today, Ina Lohr played a significant role in Basel's 20th-century musical world. In 1930, she became Paul Sacher's musical assistant, helping in the preparations for performances of the Basel Chamber Orchestra, of which he was the director. Just three years later, she was one of the courageous pioneers who under the direction of Paul Sacher founded the now internationally renowned Schola Cantorum Basiliensis. As Ina Lohr was instrumental in creating its program, her work indirectly had an enormous impact on the Early Music Movement. Through her biography, we learn to see Early Music within the complex cultural and religious matrix of her time, forcing ourselves to transcend our own boundaries to understand her life.
In its most basic form, the rosary is a series of prayers and meditations designed to bring the worshiper closer to God through the Virgin Mary. But, as Anne Winston-Allen shows, there was no single text of the rosary prayer: different versions, some in German and some in Latin, evolved over the course of the late Middle Ages as communities of believers experimented with their own forms. She also finds that rosary prayers were influenced by secular, even courtly literature that used images of the rose and rose garden; in the rosary, Mary is the Mystical Rose.".
What does it mean to imitate another person? What relationships are possible and necessary, or unthinkable, because of exhortation advising people to imitate Paul? What are the effects of giving special status to likeness? Questions such as these are posed in this thought-provoking book that addresses the notion of mimesis (imitation) and how it functions in Paul's letters as a strategy of power. The Literary Currents in Biblical Interpretation series explores current trends within the discipline of biblical interpretation by dealing with the literary qualities of the Bible: the play of its language, the coherence of its final form, and the relationships between text and readers. Biblical interpreters are being challenged to take responsibility for the theological, social, and ethical implications of their readings. This series encourages original readings that breach the confines of traditional biblical criticism.
For as long as she could remember, Gertrude Kueshner had never wanted anything but to create beautiful hats that would one day be worn by the high society ladies of New York City. She endured the teasing of her four brothers and the lectures of her disapproving father, an immigrant who published a small socialist newspaper and thought little of the rich and fashionable society people of the big, bustling city. That was until she had the misfortune to meet a handsome, cynical detective. Alexander Marshall was the most exasperating man she had ever met, and Gertrude wanted nothing more to do with him despite the strange fluttering sensations she felt when he was near. But then two murders occur near Gertrude's father's print shop, and she finds herself once again in the company of the determined detective. When the happiness of Gertrude's large, loving family is threatened, Gertrude makes up her mind to find whoever was responsible for the murders, even if it means risking her own life, as well as her heart.
This eBook features the unabridged text of ‘The Tenant of Wildfell Hall’ from the bestselling edition of ‘The Complete Works of The Brontes’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Brontes includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘The Tenant of Wildfell Hall’ * Beautifully illustrated with images related to Brontes’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
Across Europe, more than three hundred houses and museums commemorate the composers who lived and worked in them. In Calling on the Composer, two distinguished musicologists guide the musically curious traveler or reader to these sites and provide essential information on their content and significance. Whether lakeside hut or moated castle, clock tower or cave, village school or fine town house, the physical context for musical genius and the artefacts of day-to-day existence have a powerful impact on how we perceive the figure behind the music we know and love. Julie and Stanley Sadie have journeyed to thirty-one countries to compile this unique travel companion and reference source. They offer practical information for the visitor, seasoned insights, and lively commentary. Richly illustrated and supported by thorough maps, the entries on individual composers trace their steps through the practicalities of life and reveal to us the context of creativity.
A comprehensive history of the women architects who left their enduring mark on American Modernism In the decades preceding World War II, professional architecture schools enrolled increasing numbers of women, but career success did not come easily. Women Architects at Work tells the stories of the resilient and resourceful women who surmounted barriers of sexism, racism, and classism to take on crucial roles in the establishment and growth of Modernism across the United States. Mary Anne Hunting and Kevin D. Murphy describe how the Cambridge School of Architecture and Landscape Architecture in Massachusetts evolved for the professional education of women between 1916 and 1942. While alumnae such as Eleanor Agnes Raymond, Victorine du Pont Homsey, and Sarah Pillsbury Harkness achieved some notoriety, others like Elizabeth-Ann Campbell Knapp and Louisa Vaughan Conrad have been largely absent from histories of Modernism. Hunting and Murphy describe how these innovative practitioners capitalized on social, educational, and professional ties to achieve success and used architecture to address social concerns, including how modernist ideas could engage with community and the environment. Some joined women-led architectural firms while others partnered with men or contributed to Modernism as retailers of household furnishings, writers and educators, photographers and designers, or fine artists. With stunning illustrations, Women Architects at Work offers new histories of recognized figures while recovering the stories of previously unsung women, all of whom contributed to the modernization of American architecture and design.
Anyone who regularly tackles challenging crossword puzzles will be familiar with the frustration of unanswered clues blocking the road to completion. Together in one bumper volume, Crossword Lists and Crossword Solver provide the ultimate aid for tracking down those final solutions. The Lists section contains more than 100,000 words and phrases, listed both alphabetically and by number of letters, under category headings such as Volcanoes, Fungi, Gilbert & Sullivan, Clouds, Cheeses, Mottoes, and Archbishops of Canterbury. As intersecting solutions provide letters of the unanswered clue, locating the correct word or phrase becomes quick and easy. The lists are backed up with a comprehensive index, which also guides the puzzler to associated tables - e.g. Film Stars; try Stage and Screen Personalities. The Solver section contains more than 100,000 potential solutions, including plurals, comparative and superlative adjectives, and inflections of verbs. The list extends to first names, place names, technical terms, compound expressions, abbreviations, and euphemisms.Grouped according to number of letters - up to fifteen - this section is easy to use and suitable for all levels of crossword puzzle. At the end a further 3,000 words are listed by category, along with an index of unusual words.
Race, in the early modern period, is a concept at the crossroads of a set of overlapping concerns of lineage, religion, and nation. In Bad Humor, Kimberly Anne Coles charts how these concerns converged around a pseudoscientific system that confirmed the absolute difference between Protestants and Catholics, guaranteed the noble quality of English blood, and justified English colonial domination. Coles delineates the process whereby religious error, first resident in the body, becomes marked on the skin. Early modern medical theory bound together psyche and soma in mutual influence. By the end of the sixteenth century, there is a general acceptance that the soul's condition, as a consequence of religious belief or its absence, could be manifest in the humoral disposition of the physical body. The history that this book unfolds describes developments in natural philosophy in the early part of the sixteenth century that force a subsequent reconsideration of the interactions of body and soul and that bring medical theory and theological discourse into close, even inextricable, contact. With particular consideration to how these ideas are reflected in texts by Elizabeth Cary, John Donne, Ben Jonson, William Shakespeare, Edmund Spenser, Mary Wroth, and others, Coles reveals how science and religion meet nascent capitalism and colonial endeavor to create a taxonomy of Christians in Black and White.
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