In this captivating memoir, novelist Anne Roiphe shows us what it was really like to grow up rich and Jewish in New York in the 1940s and 1950s. Revisiting the world of her childhood, Roiphe brings alive a cast of characters who are both difficult to love and impossible to forget. Through the eyes of this precocious, loving daughter, we witness the brutalities that lurked behind the mah-jongg tables, cocktail parties, and summer houses of her family. By turns heartbreaking, funny, and mercilessly honest, Roiphe's story exposes the fault lines of misery that exploded in domestic battles on the home front, far overshadowing the war overseas. The locus of the story is 1185 Park Avenue. It is one of the buildings on the northern end of the avenue -- just before the train tracks mark the beginning of Harlem -- that wealthy Jewish families claimed as their own in the first half of the 20th century. Amidst the maids and the governesses and the doormen and the psychiatrists live the members of the Roth family, in Apartment 8C. They include an unfaithful father who uses his wife's fortune to entertain other women and play cards at his club; a misfit son who won't eat his food because he believes his parents are trying to poison him; a disappointed mother who waits all day for her five o'clock scotch and her crossword puzzle; and an eager daughter who tries to negotiate peace at the dinner table. Bound by custom and greed, as well as love, they stay together until their world at 1185 Park has done its damage. Only the daughter escapes whole -- to become the writer we now know as Anne Roiphe. 1185 Park Avenue is both a history of an era and a portrait of the artist as a young woman. Roiphe makes it impossible for us to view the 1940s and 1950s with unabashed nostalgia or to think the same way about the people who were crushed by its lies and deceptions. Her redemption, though bittersweet, stands as a haunting triumph long after we have turned the last page of her compelling story.
Acclaimed author Anne Roiphe evokes the sights and sounds of 1880s Alexandria, Egypt, a bustling center of trade and travel. From teeming docks to overflowing market stalls, from grand homes to grimy narrow alleyways, cholera microbes rise and bob in streams of water and tiny droplets, clinging to moisture as man clings to air. With a keen mind and dedication to his work, young Louis Thuillier has impressed his mentor—famed scientist Louis Pasteur—enough to be sent to Alexandria as one-third of the French mission searching for the source of the cholera that is terrorizing the city. Along with the other members of the French mission—scientists Emile Roux and Edmond Nocard and their enterprising servant Marcus—Louis longs to find the cure, bringing glory to himself and to France. Este Malina is the lovely daughter of a respected Jewish doctor, whose family has lived in Alexandria for hundreds of years. A life of comfort has made Este a romantic, and she hopes to marry a man with the heart of a poet. Neither expects to find a soul mate in the other, but when Este begins to assist at the French mission’s lab, a deep bond forms. Este, though, is engaged to another, and Louis is not Jewish—her family would never allow them to marry. In spite of their many differences, the lovers’ desire grows and their fantasies threaten to distract them from their work. In Alexandria, the disease rages on, as mysterious as it was a thousand years before. Political intrigue threatens to separate Este and Louis permanently. Their love, as fragile as the glass slides they use in the lab, is in danger before it has had a chance to thrive. With An Imperfect Lens, rich with the sights and scents of a different era, Anne Roiphe once again demonstrates the storytelling power for which she has long been hailed.
“[A] raw, painful and yet occasionally comic memoir of the year and a half following the sudden death of [Roiphe’s] husband. . . . [M]oving.” –New York Times Anne Roiphe was not quite seventy years old when her husband of nearly forty years unexpectedly passed away. But it was not until her daughters placed a personal ad in a literary journal that Roiphe began to consider the previously unimagined possibility of a new man. Eloquent and astute, moving between heartbreaking memories of her marriage and the pressing needs of a new day-to-day routine, Epilogue takes us on her journey into the unknown world of life after love. “In poignant flashes of everyday moments and memories, Roiphe tells an unflinching and unsentimental story of widowhood’s stupefying disquiet, of surviving love and living on.” —Publishers Weekly, starred review “As fragile and as haunting as memory itself.” –Kirkus Reviews, starred review
With a clarity that cuts through the confusion surrounding much of society's thinking about modern marriage, Anne Roiphe offers an unfettered view of an institution which continues to play an important role in all our lives one. Where individuals protest their independence, their inability to commit or their lack of faith in the institution, against a culture of bestsellers, films, television and magazines all obsessed with the finding, and keeping, of a mate.With clarity Anne Roiphe gives us an unfettered view of an institution which continues to play an important role in all our lives. In doing so she offers an elegant defence of married life from the perspective of a wife and mother who has survived the fifties, the sexual revolution and the women's movement. Drawing on personal anecdote, history, literature and popular culture, Married explores romantic love, the importance of divorce, the pressures of parenthood, infidelity and its temptations, the changing roles of men and women, and the troubled state of modern courtship. The result is a moving tribute not only to what marriage asks of us, but also to what it gives us.
Coming of age on Park Avenue in the 1950s, Anne Roiphe had an adolescence entrenched in privilege, petticoats, and social rules. Young women at the time were expected to give up personal freedom for devotion to home and children. Instead, Roiphe chose Beckett, Proust, Sartre, and Mann as her heroes, and became one of the girls draped across the sofa at parties with George Plimpton, Norman Mailer, and William Styron, sometimes with her young child in tow. For a time she was satisfied to play the muse, but at the age of twenty-seven, divorced and finally freed of the notion that any sacrifice was worth making for art, she began to write. Here, in her clear-sighted, perceptive, and unabashed memoir, Roiphe shares with astonishing honesty the tumultuous adventure of self-discovery that finally led to her redemption.
From the pages of The Forward comes celebrated author Anne Roiphe’s episodic and brilliant novel of a big-city mayor and the struggles that shape the fortunes of his city, the life of his family, and the condition of his soul. Mel Rosenberg is the mayor of a city uncannily similar to New York, which is being terrorized by a string of unusual attacks. Hundreds of ducks are found dead in the park; animals mysteriously die at the zoo; dozens of people are killed by poisoned food; all of the elevator operators in one building are murdered; and the mayor is kidnapped. In addition to handling the city’s multiple crises, Mel must also contend with the pressures of his imperfect family—a daughter-in-law who is a compulsive shoplifter; an ungrateful son obsessed with status; an insecure daughter with a troubled marriage—not to mention a sexy, aggressive newspaper reporter who aims desperately to be his mistress. On top of it all, he becomes entangled in a high-profile political scandal that could ambush his aspirations of being elected the first Jewish president of the United States. With Secrets of the City, Anne Roiphe has delivered a fast-paced, engaging story written with humor, shrewd insight, and tenderness. Her characters explore issues that are as contemporary as they are timeless, and the plot has as many unexpected twists and turns as the West Village streets. This is an insider’s peek at life in the fast lane in the most brilliant and brutal city in the world, with all its secrets laid bare. From the Hardcover edition.
Coming of age on Park Avenue in the 1950s, Anne Roiphe had an adolescence entrenched in privilege, petticoats, and social rules. Young women at the time were expected to give up personal freedom for devotion to home and children. Instead, Roiphe chose Beckett, Proust, Sartre, and Mann as her heroes, and became one of the girls draped across the sofa at parties with George Plimpton, Norman Mailer, and William Styron, sometimes with her young child in tow. For a time she was satisfied to play the muse, but at the age of twenty-seven, divorced and finally freed of the notion that any sacrifice was worth making for art, she began to write. Here, in her clear-sighted, perceptive, and unabashed memoir, Roiphe shares with astonishing honesty the tumultuous adventure of self-discovery that finally led to her redemption.
Acclaimed author Anne Roiphe evokes the sights and sounds of 1880s Alexandria, Egypt, a bustling center of trade and travel. From teeming docks to overflowing market stalls, from grand homes to grimy narrow alleyways, cholera microbes rise and bob in streams of water and tiny droplets, clinging to moisture as man clings to air. With a keen mind and dedication to his work, young Louis Thuillier has impressed his mentor—famed scientist Louis Pasteur—enough to be sent to Alexandria as one-third of the French mission searching for the source of the cholera that is terrorizing the city. Along with the other members of the French mission—scientists Emile Roux and Edmond Nocard and their enterprising servant Marcus—Louis longs to find the cure, bringing glory to himself and to France. Este Malina is the lovely daughter of a respected Jewish doctor, whose family has lived in Alexandria for hundreds of years. A life of comfort has made Este a romantic, and she hopes to marry a man with the heart of a poet. Neither expects to find a soul mate in the other, but when Este begins to assist at the French mission’s lab, a deep bond forms. Este, though, is engaged to another, and Louis is not Jewish—her family would never allow them to marry. In spite of their many differences, the lovers’ desire grows and their fantasies threaten to distract them from their work. In Alexandria, the disease rages on, as mysterious as it was a thousand years before. Political intrigue threatens to separate Este and Louis permanently. Their love, as fragile as the glass slides they use in the lab, is in danger before it has had a chance to thrive. With An Imperfect Lens, rich with the sights and scents of a different era, Anne Roiphe once again demonstrates the storytelling power for which she has long been hailed.
In the rarefied world of New York City psychoanalysts and their patients, Dr. Estelle Berman belongs to a dying breed. A distinguished analyst who lives and practices on the Upper West Side, she inspires devotion among her patients. But she has started falling asleep during meetings and forgetting her patients' names. Her colleagues Dr. H. and Dr. Z. observe her mental decline with the objectivity of a Greek chorus, but when it comes to the disappointments in their own lives they are far less detached. And then there are the patients themselves: Justine, a movie star with a penchant for stealing things; Edith, who writes poems in secret and eats to subdue feelings of panic; Anna, a self-harming college student whose depression baffles her parents; and Mike Wilson, a widower whose disgraced son has fled the country. Ballad of the Black and Blue Mind is a novel of psychological realities, teeming humanity, and glorious contradictions.
From the pages of The Forward comes celebrated author Anne Roiphe’s episodic and brilliant novel of a big-city mayor and the struggles that shape the fortunes of his city, the life of his family, and the condition of his soul. Mel Rosenberg is the mayor of a city uncannily similar to New York, which is being terrorized by a string of unusual attacks. Hundreds of ducks are found dead in the park; animals mysteriously die at the zoo; dozens of people are killed by poisoned food; all of the elevator operators in one building are murdered; and the mayor is kidnapped. In addition to handling the city’s multiple crises, Mel must also contend with the pressures of his imperfect family—a daughter-in-law who is a compulsive shoplifter; an ungrateful son obsessed with status; an insecure daughter with a troubled marriage—not to mention a sexy, aggressive newspaper reporter who aims desperately to be his mistress. On top of it all, he becomes entangled in a high-profile political scandal that could ambush his aspirations of being elected the first Jewish president of the United States. With Secrets of the City, Anne Roiphe has delivered a fast-paced, engaging story written with humor, shrewd insight, and tenderness. Her characters explore issues that are as contemporary as they are timeless, and the plot has as many unexpected twists and turns as the West Village streets. This is an insider’s peek at life in the fast lane in the most brilliant and brutal city in the world, with all its secrets laid bare. From the Hardcover edition.
In the rarefied world of New York City psychoanalysts and their patients, Dr. Estelle Berman belongs to a dying breed. A distinguished analyst who lives and practices on the Upper West Side, she inspires devotion among her patients. But she has started falling asleep during meetings and forgetting her patients' names. Her colleagues Dr. H. and Dr. Z. observe her mental decline with the objectivity of a Greek chorus, but when it comes to the disappointments in their own lives they are far less detached. And then there are the patients themselves: Justine, a movie star with a penchant for stealing things; Edith, who writes poems in secret and eats to subdue feelings of panic; Anna, a self-harming college student whose depression baffles her parents; and Mike Wilson, a widower whose disgraced son has fled the country. Ballad of the Black and Blue Mind is a novel of psychological realities, teeming humanity, and glorious contradictions.
In Popular Trauma Culture, Anne Rothe argues that American Holocaust discourse has a particular plot structure—characterized by a melodramatic conflict between good and evil and embodied in the core characters of victim/survivor and perpetrator—and that it provides the paradigm for representing personal experiences of pain and suffering in the mass media. The book begins with an analysis of Holocaust clichés, including its political appropriation, the notion of vicarious victimhood, the so-called victim talk rhetoric, and the infusion of the composite survivor figure with Social Darwinism. Readers then explore the embodiment of popular trauma culture in two core mass media genres: daytime TV talk shows and misery memoirs. Rothe conveys how victimhood and suffering are cast as trauma kitsch on talk shows like Oprah and as trauma camp on modern-day freak shows like Springer. The discussion also encompasses the first scholarly analysis of misery memoirs, the popular literary genre that has been widely critiqued in journalism as pornographic depictions of extreme violence. Currently considered the largest growth sector in book publishing worldwide, many of these works are also fabricated. And since forgeries reflect the cultural entities that are most revered, the book concludes with an examination of fake misery memoirs.
An argument against treating our bodies as commodities No one wants to be treated like an object, regarded as an item of property, or put up for sale. Yet many people frame personal autonomy in terms of self-ownership, representing themselves as property owners with the right to do as they wish with their bodies. Others do not use the language of property, but are similarly insistent on the rights of free individuals to decide for themselves whether to engage in commercial transactions for sex, reproduction, or organ sales. Drawing on analyses of rape, surrogacy, and markets in human organs, Our Bodies, Whose Property? challenges notions of freedom based on ownership of our bodies and argues against the normalization of markets in bodily services and parts. Anne Phillips explores the risks associated with metaphors of property and the reasons why the commodification of the body remains problematic. What, she asks, is wrong with thinking of oneself as the owner of one's body? What is wrong with making our bodies available for rent or sale? What, if anything, is the difference between markets in sex, reproduction, or human body parts, and the other markets we commonly applaud? Phillips contends that body markets occupy the outer edges of a continuum that is, in some way, a feature of all labor markets. But she also emphasizes that we all have bodies, and considers the implications of this otherwise banal fact for equality. Bodies remind us of shared vulnerability, alerting us to the common experience of living as embodied beings in the same world. Examining the complex issue of body exceptionalism, Our Bodies, Whose Property? demonstrates that treating the body as property makes human equality harder to comprehend.
One part The Beauty Myth . . . and one part Backlash"*--a provocative exploration of who and what a wife really is. There is a wife crisis in North America, a brewing storm of conflicting forces swirling around what it means to be a wife at the beginning of the 21st Century. The word is so fraught with ambiguity that it has become a litmus test, eliciting from women emotions ranging from longing to antipathy, anxiety to derision. This crisis is at the heart of Anne Kingston's The Meaning of Wife. Delving into the complex, troubling, and sometimes humorous contradictions, illusions, and realities of contemporary wifehood, Kingston takes the reader on a fascinating journey into the wedding industrial complex, which elevates the bride to a potent consumer icon; through the recent romanticization of domesticity; and across the conflicted terrain of wifely sexuality. She looks at "wife backlash," and the new wave of neo-traditionalism that urges women to marry before their "best-before" dates expire; explores the apotheosis of abused wives and the strange celebration of wives who kill; and muses on the fact that Oprah Winfrey and Martha Stewart, two of the world's wealthiest and most influential women, are both non-wives whose success has hinged on thier understanding of wives. The result is an entertaining mix of social, sexual, historical, and economic commentary that is bound to stir debate even as it reframes our view of both women and marriage.
The acclaimed textbook for navigating the practice and challenges of public health, now updated and completely revised "It should be recommended or assigned to all students in public health." -American Journal of Epidemiology This fully revised and updated edition Evidence-Based Public Health offers an essential primer on how to choose, carry out, and evaluate evidence-based programs and policies in public health settings. It addresses not only how to locate and utilize scientific evidence, but also how to implement and evaluate interventions in a way that generates new evidence.
Featuring ten new articles by experts in the field, this up-to-date reader emphasizes the ways that forensic psychologists apply psychological knowledge, concepts, and principles on a day-to-day basis. Drawing on cutting-edge research to demonstrate the ways that forensic psychology has contributed to the understanding of criminal behavior and crime prevention, the Third Edition addresses key topics in each of the five major subareas of the field—police psychology, legal psychology, the psychology of crime and delinquency, victimology and victim services, and correctional psychology.
Streisand: A Biography is much more than the story of the world's greatest living performer, how she got there, and why she remains at the top after three decades, it is also, in Anne Edward's sure hands, a compelling chronicle of a woman's fight to validate her appearance, her talent, and her right to love and be loved. Time and time again Streisand has demonstrated the ability to reinvent herself to keep pace with the continuing changes in musical taste. This updated edition of Edwards's pioneering biography chronicles her public life as a political activist as well as her private life as Mrs. James Brolin.
A powerful debunking of First Amendment orthodoxy that critiques "reckless speech," which endangers vulnerable groups, and elevates "fearless speech," which seeks to advance equality and democracy. Freedom of speech has never been more important—or more controversial. From debates about what's permissible on social media, to the politics of campus speakers and corporate advertisements, the First Amendment is incessantly in the news and constantly being held up as the fundamental principle of American democracy. Yet, in reality, it has contributed more to eroding our democracy than supporting it. In Fearless Speech, Dr. Mary Anne Franks emphasizes the distinction between what speech a democratic society should protect and what speech a democratic society should promote. While the First Amendment in theory is politically neutral, in practice it has been legally deployed most visibly and effectively to promote powerful antidemocratic interests: misogyny, racism, religious zealotry, and corporate self-interest, in other words, reckless speech. Instead, Franks argues, we need to focus on fearless speech—speakers who have risked their safety, their reputations, and in some cases their lives, to call out injustice and hold the powerful accountable. Whether it be civil rights leaders, the women of the #MeToo movement, or pro-choice advocates, Franks shows us how their cases and their voices can allow us to promote a more democratic version of free speech. Told through an accessible narrative and ending with a call for change that urges us to reevaluate the legal precedents and uses of the First Amendment, Fearless Speech is a revelatory new argument that urges us to reimagine what our society could look like.
A first-of-its-kind study that explores the intersections of performance and aging. Playwright and scholar Anne Davis Basting explores both aging actors and aging AS acting in a cross-section of American theatrical representations that hope to catalyze shifts in our understanding of age. Illustrations.
We live in a world where the concept of marriage is an unfashionable one. Where individuals protest their independence, their inability to commit or their lack of faith in the institution, against a culture of bestsellers, films, television series and magazines all obsessed with the finding, and keeping, of a mate. With clarity Anne Roiphe gives us an unfettered view of an institution which continues to play an important role in all our lives. In doing so she offers an elegant defence of married life from the perspective of a wife and mother who has survived the fifties, the sexual revolution and the woman's movement.
The story of Ollie, a high school English teacher and guardian for his sister Sally, and his love for Leah, a biologist who comes to spend the winter at her beach house.
In this captivating memoir, novelist Anne Roiphe shows us what it was really like to grow up rich and Jewish in New York in the 1940s and 1950s. Revisiting the world of her childhood, Roiphe brings alive a cast of characters who are both difficult to love and impossible to forget. Through the eyes of this precocious, loving daughter, we witness the brutalities that lurked behind the mah-jongg tables, cocktail parties, and summer houses of her family. By turns heartbreaking, funny, and mercilessly honest, Roiphe's story exposes the fault lines of misery that exploded in domestic battles on the home front, far overshadowing the war overseas. The locus of the story is 1185 Park Avenue. It is one of the buildings on the northern end of the avenue -- just before the train tracks mark the beginning of Harlem -- that wealthy Jewish families claimed as their own in the first half of the 20th century. Amidst the maids and the governesses and the doormen and the psychiatrists live the members of the Roth family, in Apartment 8C. They include an unfaithful father who uses his wife's fortune to entertain other women and play cards at his club; a misfit son who won't eat his food because he believes his parents are trying to poison him; a disappointed mother who waits all day for her five o'clock scotch and her crossword puzzle; and an eager daughter who tries to negotiate peace at the dinner table. Bound by custom and greed, as well as love, they stay together until their world at 1185 Park has done its damage. Only the daughter escapes whole -- to become the writer we now know as Anne Roiphe. 1185 Park Avenue is both a history of an era and a portrait of the artist as a young woman. Roiphe makes it impossible for us to view the 1940s and 1950s with unabashed nostalgia or to think the same way about the people who were crushed by its lies and deceptions. Her redemption, though bittersweet, stands as a haunting triumph long after we have turned the last page of her compelling story.
This text evaluates the role of feminism and motherhood, declaring that there has been a silence around the subject of mothering as if it were almost embarrassing for real feminists to be concerned with themselves as mothers. Now, with growing children herself, Anne Roiphe says how motherhood became, despite my work, the landscape, the bone, the marrow of myself. A political argument, told from an intimate and personal approach, this book studies the role of both mother and father, and goes to the heart of feminist issues embedded within the experience of mothering.
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