This book covers all aspects of research into the welfare of dairy, veal and beef cattle, covering behavior, nutrition and feeding, housing and management, stockmanship, and stress physiology, as well as transport and slaughter. It also offers a detailed and critical analysis of the main indicators of animal welfare and covers the main threats to animal welfare in modern cattle production systems.
Django Reinhardt was perhaps the greatest guitarist to ever live. A Gypsy who made his jazz guitar speak with a human voice, he was dashing, charismatic, childish . . . and doomed to die young after creating a legacy of Gypsy Jazz that remains vibrant today. Gypsy Jazz is a music both joyous and sad, timeless and modern. It was born from a marriage of Louis Armstrong s trumpet with the anguished sound of Romany violin and the fire of flamenco guitar. Created amidst the glamour of Jazz Age Paris and reaching a peak during the horrors of World War II, Gypsy Jazz gave a voice to a dispossessed people. Today, Gypsy Jazz is more popular than ever. It has a legacy as strong as the Cuban sounds of the Buena Vista Social Club, the blues of B. B. King, or the R&B of Ray Charles. "Django Reinhardt and the Illustrated History of Gypsy Jazz" is a stylish collection of more than two hundred illustrations telling Django s story and the history of Gypsy jazz. Running through the Paris Jazz Age of the 1920s to the current worldwide renaissance of Gypsy jazz bands (including Django s grandsons, who are playing today), the images include rare archival photographs, modern images, posters, programs, tickets, guitars, memorabilia, paintings, and more.
At Home in Our Sounds illustrates the effect jazz music had on the enormous social challenges Europe faced in the aftermath of World War I. Examining the ways African American, French Antillean, and French West African artists reacted to the heightened visibility of racial difference in Paris during this era, author Rachel Anne Gillett addresses fundamental cultural questions that continue to resonate today: Could one be both black and French? Was black solidarity more important than national and colonial identity? How could French culture include the experiences and contributions of Africans and Antilleans? Providing a well-rounded view of black reactions to jazz in interwar Paris, At Home in Our Sounds deals with artists from highly educated women like the Nardal sisters of Martinique, to the working black musicians performing at all hours throughout the city. In so doing, the book places this phenomenon in its historical and political context and shows how music and music-making constituted a vital terrain of cultural politics--one that brought people together around pianos and on the dancefloor, but that did not erase the political, regional, and national differences between them.
This book considers dancer, teacher, and choreographer Mary Wigman, a leading innovator in Expressionist dance whose radical explorations of movement and dance theory are credited with expanding the scope of dance as a theatrical art. Now reissued, this book combines: a full account of Wigman’s life and work an analysis of her key ideas detailed discussion of her aesthetic theories, including the use of space as an "invisible partner" and the transcendent nature of performance a commentary on her key works, including Hexentanz and The Seven Dances of Life an extensive collection of practical exercises designed to provide an understanding of Wigman’s choreographic principles and her uniquely immersive approach to dance. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today’s student.
The first in-depth exploration of the rise and evolution of abstract, symbolic, and conceptual portraiture in American art This groundbreaking book traces the history of portraiture as a site of radical artistic experimentation, as it shifted from a genre based on mimesis to one stressing instead conceptual and symbolic associations between artist and subject. Featuring over 100 color illustrations of works by artists from Charles Demuth, Marcel Duchamp, Marsden Hartley, and Georgia O'Keeffe to Janine Antoni, Felix Gonzalez-Torres, Roni Horn, Jasper Johns, and Glenn Ligon, this timely publication probes the ways we think about and picture the self and others. With particular focus on three periods during which non-mimetic portraiture flourished--1912-25, 1961-70, and 1990-the present--the authors investigate issues related to technology, sexuality, artist networks, identity politics, and social media, and explore the emergence of new models for the visual representation of identity. Taking its title from a 1961 work by Robert Rauschenberg--a telegram that stated, "This is a portrait of Iris Clert if I say so"--this book unites paintings, sculpture, photography, and text portraits that challenge the genre in significant, often playful ways and question the convention, as well as the limits, of traditional portrayal.
Lady Colin Campbell was born Gertrude Elizabeth Blood in May 1857. She enjoyed a liberal upbringing for the day, and developed into an intelligent, artistic and beautiful young woman. In October 1880 she met Lord Colin Campbell, MP and youngest son of the 8th Duke of Argyll. Within three days they were engaged and, despite his family's objections, they married the following year. Gertrude was launched into an elevated social circle where she enjoyed the company of royalty, eminent politicians and famxous names of the day. But all was not well at home, as the couple's incompatibility became glaringly apparent. The marriage broke down and ended up in the dreaded divorce courts. Lord Colin Campbell accused his wife of adultery with four co-respondents and scandalised society with such a suggestion. After the trial, the couple went their separate ways. Gertrude slowly created a new life for herself as a journalist. Although shunned by much of society, her beauty, intelligence and wit were welcome in the more liberal circles of artists and writers. She was a close friend of the artist and dandy Whistler, and knew the Burne-Jones's. George Bernard Shaw listened to her advice on his early work, and remained a life-long friend, and Henry James used to visit her. But she had her enemies. She exchanged insults with Oscar Wilde, and was disliked by the notorious editor and newspaper proprietor Frank Harris. In her articles Gertrude advocated ideas such as bicycle lanes on roads, cremation as an alternative to burial and equal smoking rights for women. When many in her place would have quietly retired to the country, or found refuge in their nerves, she carved herself a career, threw herself into her sports, and created a new life as an independent woman. Yet little is known of her today; the few references cruelly describe her as a “sex goddess” or “houri”. Anne Jordan’s biography aims to redress the balance and give her life a full and fair hearing. This book tells the story of one of the most gifted women of her day and will appeal to readers interested in history and feminism.
An invaluable handbook, How to Write Art History enables students to get the most from their art history course. In a clear and engaging style, Anne D'Alleva empowers readers to approach their coursework with confidence and energy. The book introduces two basic art historical methods - formal analysis and contextual analysis - revealing how to use these methods in writing papers and in class discussion. The common strengths and weaknesses of an art history essay are highlighted by using real examples of written work, and at each stage of the writing process D'Alleva offers valuable advice on developing an argument convincingly. In addition, she explains the most effective methods of note-taking and outlines strategies for reviewing images - essential tools when preparing for an exam. Providing a fascinating view of the study of art history within its historical context, this book will be particularly helpful for those considering a career in this rewarding discipline.
For students, citizenship education means more than merely learning about citizenship and democracy. Citizenship education means learning through practicing citizenship inside and outside the school. One model for that is service learning, which combines service and learning by linking community service and reflection about it in class.
An expansive collection of texts providing insight into the inner life, creativity, and practice of the innovative American artist Anne Truitt Spanning more than fifty years, this comprehensive volume collects the letters, journal entries, interviews, lectures, reviews, and remembrances of the groundbreaking twentieth-century artist Anne Truitt (1921–2004). Alexandra Truitt, the artist’s daughter and a leading expert on her work, has carefully selected these writings, most of which are previously unpublished, from the artist’s papers at Bryn Mawr College as well as private holdings. Revelations about the artist’s life abound. Among Truitt’s earliest writings are excerpts from journals written more than a decade before her first artistic breakthrough, in which she establishes themes that would occupy her for decades. In later texts she shares uncommon insights into the practices of other artists and writers, both predecessors and peers. Like Truitt’s published journals, these writings offer a compelling narrative of her development as an artist and efforts to find her voice as a writer. They show that Truitt’s creative impulse to translate the inner workings of her mind into a symbolic language, so important to understanding her sculpture, predates her art.
Euripides and the Tragic Tradition asks all the right questions. It forces us to confront the many contradictions in Euripides' work, demonstrates the differences between the literary assumptions of Sophocles and Euripides, and challenges us to respond to Euripidean drama with sophistication and sensitivity. --Francis M. Dunn, Scholia.
Following the events of the high-stakes and propulsive Uncanny Times, Rosemary and Aaron Harker, along with their supernatural hound Botherton, have been given a new assignment to investigate…but the Harkers believe it’s a set-up, and there’s something far more ancient and deadly instead. Rosemary and Aaron Harker have been effectively, unofficially sidelined. There is no way to be certain, but they suspect their superiors know that their report on Brunson was less than complete, that they omitted certain truths. Are they being punished or tested? Neither Aaron nor Rosemary know for certain. It may be simply that they are being given a breather or that no significant hunts have been called in their region. But neither of them believes that. So, when they are sent to a town just outside of Boston with orders to investigate suspicious activity carefully, the Harkers suspect that it is a test. Particularly since the hunt involves a member of the benefactors, wealthy individuals who donate money to the Huntsmen in exchange for certain special privileges and protections. If they screw this up…at best, they’ll be out of favor, reduced to a life of minor hunts and “clean up” for other Huntsmen. At worst, they will be removed from the ranks, their stipend gone—and Botheration, their Hound, taken from them. They can’t afford to screw this up. But what seems like a simple enough hunt—find the uncanny that attacked a man in his office and sent him into a sleep-like state—soon becomes far more complicated as more seemingly unrelated attacks occur. The Harkers must race to find what is shadowing them, before the uncanny strikes again, and sleep turns into murder—and the Huntsmen decide that they have been compromised beyond repair. But their quarry may not be the only uncanny in town. Botheration and Aaron both sense something else, something shadowing them. Something old, dangerous…and fey.
Humor in the Classroom provides practical, research-based answers to questions that educational researchers and language teachers might have about the social and cognitive benefits that humor and language play afford in classroom discourse and additional language learning. The book considers the ways in which humor, language play, and creativity can construct new possibilities for classroom identity, critique prevailing norms, and reconfigure particular relations of power. Humor in the Classroom encourages educational researchers and language teachers to take a fresh look at the workings of humor in today’s linguistically diverse classrooms and makes the argument for its role in building a stronger foundation for studies of classroom discourse, theories of additional language development, and approaches to language pedagogy.
In this volume the authors present an alternative approach to the history of gypsies and travelling groups in western Europe. By focusing on processes of social construction, stigmatization and categorization, they offer new insights into the development of government policies towards itinerants in general and the ethnicization of some of these groups in particular. They analyze the western images and representations of gypsies and other itinerant groups, at the same time focusing on their functions for the labour market. By doing so, they add a new chapter to the field of social history.
The spellbinding story, part fairy tale, part suspense, of Gustav Klimt’s Portrait of Adele Bloch-Bauer, one of the most emblematic portraits of its time; of the beautiful, seductive Viennese Jewish salon hostess who sat for it; the notorious artist who painted it; the now vanished turn-of-the-century Vienna that shaped it; and the strange twisted fate that befell it. The Lady in Gold, considered an unforgettable masterpiece, one of the twentieth century’s most recognizable paintings, made headlines all over the world when Ronald Lauder bought it for $135 million a century after Klimt, the most famous Austrian painter of his time, completed the society portrait. Anne-Marie O’Connor, writer for The Washington Post, formerly of the Los Angeles Times, tells the galvanizing story of the Lady in Gold, Adele Bloch-Bauer, a dazzling Viennese Jewish society figure; daughter of the head of one of the largest banks in the Hapsburg Empire, head of the Oriental Railway, whose Orient Express went from Berlin to Constantinople; wife of Ferdinand Bauer, sugar-beet baron. The Bloch-Bauers were art patrons, and Adele herself was considered a rebel of fin de siècle Vienna (she wanted to be educated, a notion considered “degenerate” in a society that believed women being out in the world went against their feminine “nature”). The author describes how Adele inspired the portrait and how Klimt made more than a hundred sketches of her—simple pencil drawings on thin manila paper. And O’Connor writes of Klimt himself, son of a failed gold engraver, shunned by arts bureaucrats, called an artistic heretic in his time, a genius in ours. She writes of the Nazis confiscating the portrait of Adele from the Bloch-Bauers’ grand palais; of the Austrian government putting the painting on display, stripping Adele’s Jewish surname from it so that no clues to her identity (nor any hint of her Jewish origins) would be revealed. Nazi officials called the painting, The Lady in Gold and proudly exhibited it in Vienna’s Baroque Belvedere Palace, consecrated in the 1930s as a Nazi institution. The author writes of the painting, inspired by the Byzantine mosaics Klimt had studied in Italy, with their exotic symbols and swirls, the subject an idol in a golden shrine. We see how, sixty years after it was stolen by the Nazis, the Portrait of Adele Bloch-Bauer became the subject of a decade-long litigation between the Austrian government and the Bloch-Bauer heirs, how and why the U.S. Supreme Court became involved in the case, and how the Court’s decision had profound ramifications in the art world. A riveting social history; an illuminating and haunting look at turn-of-the-century Vienna; a brilliant portrait of the evolution of a painter; a masterfully told tale of suspense. And at the heart of it, the Lady in Gold—the shimmering painting, and its equally irresistible subject, the fate of each forever intertwined.
As a contribution to the emerging healthcare quality movement, Patient Advocacy for Healthcare Quality: Strategies for Achieving Patient-Centered Care is distinct from any others of its kind in its focus on the consumer’s perspective and in its emphasis on how advocacy can influence change at multiple social levels. This introductory volume synthesizes patient advocacy from a multi-level approach and is an ideal text for graduate and professional students in schools of public health, nursing and social work.Important Notice: The digital edition of this book is missing some of the images or content found in the physical edition.
From 1989 to 1994, more than 200 m2 were excavated at the Saqqaq site of Nipisat, situated on a small island 15 km south of Sisimiut. The excellent preservation conditions for organic material, and the fact that some of the stone artefacts were not previously known from the Saqqaq Culture, were the main reasons for the excavation. More than 70,000 bone fragments, 20,000 flakes and 1,000 artefacts were recovered. A total of 33 dates, making this site one of the best dated in the entire Arctic, reveal that Nipisat was occupied continuously for nearly 1,500 years. Although protruding bedrock disturbed the stratigraphy and several lenses of crushed shells interrupted the layers, three different chronological phases could be identified. Phase 1 is dated by eight 14C dates ranging from 2020 to 1740 BC (cal). Phase 2 partly overlaps, but is mainly younger than phase 1 and dated by five 14C dates to 1860-1325 BC (cal). Phase 3 is dated by 16 14C dates to 1310-810 BC (cal). One date was very young (520 BC (cal)) and problematic because of extreme oscillations of the 14C curve. From phase 1 there is a mid-passage structure with a box-hearth. A ring of flagstones surrounds the structure. From phase 2 there is a well-defined box-hearth. There was no clear outline of a tent ring surrounding the hearth, which could be due to later disturbances in phase 3. No dwelling structures were recognised from phase 3. Instead several sherds of soapstone were recorded, indicating the use of blubber for light or cooking. From phase 1 and 2 the tool types are well known from other Saqqaq sites in Greenland and Arctic Canada e.g. small harpoon endblades, projectile points, knife blades, scrapers, burins etc. and needles, flint flakers, harpoon heads, wedges etc. But from phase 3 previously unknown types were recorded. A new tool kit for sea mammal hunting is seen in the very sturdy harpoon or lance head made of antler. In addition there are many different kinds of barbed leisters or spears. New types of bevelled harpoon heads, bevelled knife blades and bevelled projectile points, all made of killiaq (silicified slate), were also registered. The faunal assemblage of Nipisat yielded 28,823 identified bone fragments representing at least 42 species of fish, birds and mammals. The fish remains, comprising c. 2% of the faunal material, consisted nearly entirely (98%) of fairly large sized cod (). The bird remains comprise c. 47% of the material and derive from at least 24 bird species. Gulls are the dominant group (c. 54% of the bird remains) followed by eider ducks (spp.) (24%) and spp. (13%) presumably barnacle geese (), while auks () were found in lower frequencies. The most spectacular finds, however, were skeletal remains of subadult great auks () from the oldest phase. A total of 60 presumed whooper swan () remains constitute the hitherto largest, northernmost and oldest occurrence in Greenland. At least 14 mammalian species were identified revealing a surprisingly large proportion of caribou () (51% of the mammal remains) for a coastal site. Seals accounted for 45%, with the common seal () as the absolutely dominant component. Other marine mammals were walrus () and harbour porpoise (), which played an important but minor role. Polar bear () hunting was documented by the presence of four fragments from the youngest phase. Saqqaq people were accompanied by fairly large and robust dogs (). Nipisat, the first larger Saqqaq site to be excavated from the Open Water Area was a coastal site and through all occupation phases the game animals of the surrounding waters and fjords were hunted. For more than a millennium, the site was visited briefly from time to time, at least during spring, summer and early autumn. Staging geese were captured during spring. In June and July the breeding birds were exploited for their eggs and easily accessible young, as documented by large numbers of juvenile gull bones in particular. The common seal hunting specialised on immature individuals caught primarily during their first summer on the breeding grounds. The inhabitants at Nipisat also hunted caribou on the mainland. The age structure and sex distribution of the caribou remains primarily reflect stalking. Selected body parts, especially the fore and hind legs and the heads, were transported to the island for raw material, meat filleting and further processing for marrow extraction and fat rendering. The exploitation of fauna through the entire occupation period was remarkably constant with respect to choice of game animal and the selected age groups. Although eiders were more abundant in phase 1 (36%) than in phase 3 (17%) while gulls increased from 43 to 61% in the same time period. The same trend was found valid for geese, which increased over time while the importance of auks decreased. Harbour porpoise seem to have decreased while walrus increased in relative importance through time. Caribou seem to be of greater importance in phase 3 with 55% compared to 45% in phase 1. The slight shift in preferred resources may be explained by fluctuating abundance and availability of the game species combined with the development of new hunting tools. Based on the new investigations in the Sisimiut District, the gap between Saqqaq and Dorset Culture in Central West Greenland has been diminished. Although resource exploitation at the site seems to have been very stable through all three phases, there are aspects of cultural change bridging the transition from Saqqaq to Dorset Cultures. The introduction of bevelled tools, sturdy harpoon or lance heads and the abandonment of the bow and arrow in phase 3, show cultural affiliation with Dorset technology. This is also true in terms of lithic raw material preference, the introduction of soapstone artefacts and the absence of dwelling structures with a well-defined box-hearth. At the same time it looks like, the central occupation area for the Saqqaq Culture shifted southwards from the Qeqertarsuup Tunua area towards Sisimiut and Nuuk.
For years, the history of the anti-Nazi resistance in Germany was hidden and distorted by Cold War politics. Providing a much-needed corrective, Red Orchestra presents the dramatic story of a circle of German citizens who opposed Hitler from the start, choosing to stay in Germany to resist Nazism and help its victims. The book shines a light on this critical movement which was made up of academics, theatre people, and factory workers; Protestants, Catholics and Jews; around 150 Germans all told and from all walks of life. Drawing on archives, memoirs, and interviews with survivors, award-winning scholar and journalist Anne Nelson presents a compelling portrait of the men and women involved, and the terrifying day-to-day decisions in their lives, from the Nazi takeover in 1933 to their Gestapo arrest in 1942. Nelson traces the story of the Red Orchestra (Rote Kapelle) resistance movement within the context of German history, showing the stages of the Nazi movement and regime from the 1920s to the end of the Second World War. She also constructs the narrative around the life of Greta Kuckhoff and other female figures whose role in the anti-Nazi resistance fight is too-often unrecognised or under appreciated. This revised edition includes: * A new introduction which explores elements of the Red Orchestra's experience that resonate with our times, including: the impact of new media technologies; the dangers of political polarization; and the way the judiciary can be shaped to further the ends of autocracy. The introduction will also address the long-standing misconception that the German Resistance only took action when it was clear that Germany was losing the war. * Historiographic updates throughout the book which take account of recent literature and additional archival sources
This agricultural history explores the transformation of the Santa Clara Valley over the past one hundred years from America's largest fruit-producing region into the technology capital of the world. In the latter half of the twentieth century, the region's focus shifted from fruits—such as apricots and prunes—to computers. Both personal and public rhetoric reveals how a sense of place emerges and changes in an evolving agricultural community like the Santa Clara Valley. Through extensive archival research and interviews, Anne Marie Todd explores the concepts of place and placelessness, arguing that place is more than a physical location and that exploring a community's sense of place can help us to map how individuals experience their natural surroundings and their sense of responsibility towards the local environment. Todd extends the concept of sense of place to describe Silicon Valley as a non-place, where weakened or disrupted attachment to place threatens the environment and community. The story of the Santa Clara Valley is an American story of the development of agricultural lands and the transformation of rural regions.
Doctor-assisted suicide is legal in Oregon, Washington, Colorado, California, Washington D.C., and Vermont. As of January 2016, 991 patients have died by taking legally-backed drugs under supervision in Oregon according to CNN. This timely edition examines issues surrounding the right to die. The book takes a critical look at topics such as euthanasia, assisted suicide, the refusal of medical treatment, and life-sustaining treatment.
This volume constitutes the proceedings of the Third International Conference in Broadband Services and Networks, IS&N '95, held in Heraclion, Greece, in October 1995; this book summarizes at the same time the main results of a group of RACE projects sponsored by the European Commission for several years. To meet the new challenges in broadband communication, service engineering has now emerged as a new discipline strongly related to software engineering; particularly the concepts of object-orientation and open distributed processing are being adopted. The book presents 44 full papers and 8 posters selected from 88 submissions. Among the issues addressed are service architecture, usability, communications management, advanced communication services, security, and service creation.
Uses a systems-based approach to for rapid access to symptoms commonly experienced during and after treatment Written in an easy-to-read format for use in daily practice, this evidence-based resource delivers the most current, comprehensive clinical guidelines for key pharmaceutical and supportive interventions with patients suffering from cancer. The book is distinguished by its systems-based approach which addresses--from head-to-toe--the symptoms commonly experienced by cancer patients during and after treatment. Each section of the book offers a comprehensive examination of common cancer symptoms along with clinical guidance on the most effective means of management. Sections cover general symptoms (fatigue, pain, alopecia) as well as those experienced in specific areas including gastrointestinal, genitourinary, pulmonary, neurological, cutaneous, and psychosocial. Chapters within each section consistently address such salient issues as prevalence, contributing factors, assessment, and management, along with a supporting case study and review questions to reinforce information. Textboxes and callouts pinpoint critical information throughout. Additionally, the book is accompanied by PowerPoint slides. Key Features: Delivers evidence-based guidance for oncology specialists and for those who care for individuals with cancer in their general practice Provides the most up-to-date information on key pharmaceutical and supportive interventions Highlights critical information with textboxes and callouts Includes a case study and review questions in each chapter to reinforce content Presents information based on established and validated guidelines from NCCN, ONS, ASCO, NCI, and others Includes PowerPoint slides for use by staff educators
Efficient and effective transportation networks are backbones to modern societies. Methodologically, their design has mainly been driven by optimization approaches oftentimes with a strong cost focus. Their strategic planning, however, should go beyond detailed cost analysis and identify other key decision drivers. Transportation network centrality describes the appearance of a network; hence is crucial for network design. Anne Paul develops a strategic approach to transportation network design by conceptualizing transportation network centrality and relating it to the performance and quality of transportation networks. Consequently, the concept of network centrality serves to support decisions in strategic network design. A practical implementation of this approach is provided, demonstrating its feasibility. Potential readers include scholars and practitioners from logistics, supply chain management, and operational research with an interest in strategic transportation network design.
This third edition of Barbara McPake and Charles Normand’s textbook confirms it as providing the only properly international treatment of health economics on the market. A key tenet of the book is its analysis of comparative health systems across borders, and the text has been updated and revised to take account of changes in a host of countries. Barack Obama’s reforms in the United States are considered alongside the provision of healthcare in China, providing a unique overview of these different approaches. The introduction of performance related payment in various forms is appraised, with the experience of developing countries such as Cambodia, Rwanda and Uganda important in this regard. An overview of the range of mathematical techniques available to perform economic evaluation in healthcare is also introduced, although the text avoids becoming too technical. In all, the text builds on the success of the first edition and provides the perfect introduction to the fast changing world of health economics.
An introduction to the mysterious theater role of a dramaturg by a legend in the field Anne Cattaneo was among the first Americans to fill the role of dramaturg, one of theater’s best kept secrets. A combination of theater artist, scholar, researcher, play advocate, editor, and writer’s friend, it is the job of a dramaturg to “reflect light back on the elements that are already in play,” while bringing a work of theater to life. Cattaneo traces the field from its beginnings in the eighteenth century to the present and chronicles the multitude and variety of tasks a dramaturg undertakes before, during, and after a production is brought to the stage. Using detailed stories from her work with theater artists such as Tom Stoppard, Wendy Wasserstein, Robert Wilson, Shi-Zheng Chen, and Sarah Ruhl, as well as the discovery of a ‘lost’ play by Langston Hughes and Zora Neale Hurston, Cattaneo provides an invaluable manual to those studying, working in, and interested in this most fascinating profession.
Advanced Practice Nursing is the perfect text for any course that serves as an introduction to the profession. It follows the nation nursing accreditation standards and ensures that curriculum is built on professional standards.
Rediscovering Mordecai Gorelik explores the life and work of the pioneering scene designer whose career spanned decades in American theatre. Anne Fletcher’s insightful volume draws intriguing parallels and contrasts between Gorelik’s productions and the theatrical movements of the twentieth century, exposing the indelible mark he left on the stage. Through in-depth analysis of his letters, diaries, designs, and theoretical works, Fletcher examines the ways in which Gorelik’s productions can be used as a mirror to reflect the shifting dramatic landscapes of his times. Fletcher places Gorelik against the colorful historical backdrops that surrounded him—including the avant-garde movement of the 1920s, World War II, the Cold War, and absurdism—using the designer’s career as a window into the theatre during these eras. Within these cultural contexts, Gorelik sought to blaze his own unconventional path through the realms of theatre and theory. Fletcher traces Gorelik’s tenures with such companies as the Provincetown Players, the Theatre Guild, and the Theatre Union, as well as his relationships with icons such as Bertolt Brecht, revealing how his interactions with others influenced his progressive designs and thus set the stage for major dramatic innovations. In particular, Fletcher explores Gorelik’s use of scenic metaphor: the employment of stage design techniques to subtly enhance the tone or mood of a production. Fletcher also details the designer’s written contributions to criticism and theory, including the influential volume New Theatres for Old, as well as other articles and publications. In addition to thorough examinations of several of Gorelik’s most famous projects, Rediscovering Mordecai Gorelik contains explications of productions by such legends as John Howard Lawson, Clifford Odets, and Arthur Miller. Also included are numerous full-color and black-and-white illustrations of Gorelik’s work, most of which have never been available to the public until now. More than simply a portrait of one man, this indispensable volume is a cultural history of American theatre as seen through the career of a visionary designer and theoretician.
Art historian Wagner looks at the imagery and careers of three important figures in the history of twentieth-century art: Eva Hesse, Lee Krasner, and Georgia O'Keeffe, relating their work to three decisive moments in the history of American modernism: the avant-garde of the 1920s, the New York School of the 1940s and 1950s, and the modernist redefinition undertaken in the 1960s. Their artistic contributions were invaluable, Wagner demonstrates, as well as hard-won. She also shows that the fact that these artists were women--the main element linking the three--is as much the index of difference among their art and experience as it is a passkey to what they share.--From publisher description.
In 1931, Irma S. Rombauer, a recent widow, took her life savings and self-published a cookbook that she hoped might support her family. Little did she know that her book would go on to become America's most beloved cooking companion. Thus was born the bestselling Joy of Cooking, and with it, a culinary revolution that continues to this day. In Stand Facing the Stove, Anne Mendelson presents a richly detailed biographical portrait of the two remarkable forces behind Joy -- Irma S. Rombauer and her daughter, Marion Rombauer Becker -- shedding new light on the classic kitchen mainstay and on the history of American cooking. Mendelson weaves together three fascinating stories: the affectionate though often difficult relationship between Joy's original creator, Irma, and her eventual coauthor, Marion; the bitter dealings between the Rombauers and their publisher, Bobbs-Merrill (at whose hands the Rombauers likely lost millions of dollars); and the enormous cultural impact of the beloved book that Irma and Marion devoted their lives to refining, edition after edition. Featuring an accessible new recipe format and an engaging voice that inspired home cooks, Joy changed the face of American cookbooks. Stand Facing the Stove offers an intimate look at the women behind this culinary bible and provides a marvelous portrait of twentieth-century America as seen through the kitchen window.
In this posthumous volume Jill Anne Kowalik analyzes pathological grief in 17th and 18th-century Germany. Early chapters outline the methodological prerequisites and the main theoretical underpinnings for her multidisciplinary study of mentality and give an overview of the theories and practices of consolation in the Western tradition. She traces the origins of pathological grief to the trauma of the Thirty Years War, and analyzes mourning practices as evidenced by funeral sermons for their punitive theological content. Rather than helping, these practices actually intensified the trauma of loss. The second part of the volume addresses the work of German writers such as Moritz, Nietzsche, Freud, and Goethe for their psychologically acute depiction of the effects of pathological mourning.
The paper intends to highlight challenges in Asian housing markets linked to fast price rises especially in the advanced economies since COVID, and more broadly including many EMs in the period leading up to COVID. It aims to draw policy lessons on how to manage stability aspects through macroprudential and other policies and how to support affordability through structural policies and targeted government support.
Foundations of Low Vision: Clinical and Functional Perspectives, the ground-breaking text that highlighted the importance of focusing on the functional as well as the clinical implications of low vision, has been completely updated and expanded in this second edition. The revised edition goes even further in its presentation of how best to assess and support both children and adults with low vision and plan programs and services that optimize their functional vision and ability to lead productive and satisfying lives, based on individuals' actual abilities. Part 1, Personal and Professional Perspectives, provides the foundations of this approach, with chapters focused on the anatomy of the eye, medical causes of visual impairment, optics and low vision devices, and clinical low vision services, as well as psychological and social implications of low vision and the history of the field. Part 2 focuses on children and youths, providing detailed treatment of functional vision assessment, instruction, use of low vision devices, orientation and mobility, and assistive technology. Part 3 presents rehabilitation and employment issues for working-age adults and special considerations for older adults.
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