Noah Keller has a pretty normal life until one wild afternoon when his parents pick him up from school and head straight for the airport, telling him on the ride that his name isn't really Noah and he didn't really just turn eleven in March ... As Noah, now 'Jonah Brown,' and his parents head behind the Iron Curtain into East Berlin, the rules and secrets begin to pile up so quickly that he can hardly keep track of the questions bubbling up inside him: who, exactly, is listening--and why?
The Cabinet of Earths, Anne Nesbet’s debut novel for tweens, blends fantasy, science, and horror into an irresistible story in the vein of the classic His Dark Materials series. Twelve-year-old Maya is miserable when she has to move from California to Paris. Not speaking French at a school full of snobby French girls is bad enough, but Maya believes there is something sinister going on in her new city. A purple-eyed man follows Maya and her younger brother, James. Statues seem to have Maya’s face. And an eerie cabinet filled with mysterious colored bottles calls to her. When James becomes the target of dark forces, Maya decides she must answer the call of the Cabinet of Earths, despite the danger.
In an exciting wilderness adventure, three cousins are cut off from their parents by a huge earthquake—and must hike long and treacherous mountain trails back to safety, with only each other to rely on. During a hiking trip with their parents in the mountains of California, cousins Owen, Vivian, and Amy are finally allowed to camp for one night at a little lake all on their own. But when a massive earthquake blocks their return path, there’s only one way home: the long way around, through a wilderness filled with fierce animals, raging rivers, unstable weather, and high passes. The hardest challenges the cousins face, however, are the troubles they’ve brought with them: bold Vivian’s fear of starting middle school and of changes she can’t control, Owen’s lingering emotional scars from a car accident, and Amy’s desire to live in stories rather than in boring regular life. Drawing on courage and humor, the cousins weather storms, make the most of dwindling rations, and face their deepest fears in order to bring each other safely home. This gripping contemporary novel from celebrated author Anne Nesbet is bursting with excitement, rich natural settings, and characters who will have readers rooting for them all the way.
Fans of Anne Ursu will love Anne Nesbet's tale of music and friendship, set against an age-old war between magic and science. In the enchanted village of Lourka, almost-twelve-year-old Linny breaks an ancient law. Girls are forbidden to so much as touch the town's namesake musical instrument before their twelfth birthday or risk being spirited away. But Linny can't resist the call to play a lourka, so she builds one herself. When the punishment strikes her best friend instead, Linny must leave home to try to set things right. With her father's young apprentice, Elias, along for the journey, Linny travels from the magical wrinkled country to the scientific land of the Plain, where she finds herself at the center of a battle between the logical and the magical.
In this exciting sequel to Daring Darleen, Queen of the Screen, a young heiress in hiding and her film star best friend go on a quick-paced caper through early Hollywood. It's 1915, and "missing" heiress Victorine Berryman is living incognito as "Bella Mae Goodwin" with her best friend, Darleen Darling, star of the exciting photoplay serials adventure-loving audiences crave. When the girls travel cross-country to set up roots in Hollywood, California, home of the developing film industry, they find themselves mixed up in a plot as dramatic as anything on the screen, involving switched luggage, stolen artifacts, and nefarious characters hot on their tails. But the stakes are entirely too real! As brave and resourceful Victorine tries to escape the villains' clutches, she meets a slew of early Hollywood Who's Whos and experiences the magic of the movie business--as well as its problems, including the harmful prejudices that can be perpetuated by popular films. Can Victorine thwart the bad guys--and figure out who she truly wants to be? Filled with hijinks, humor, and heart, this edge-of-your-seat sequel to Daring Darleen, Queen of the Screen will have fans both old and new cheering "Bravo!
When a publicity stunt goes terribly wrong, twelve-year-old Darleen Darling, star of the silent film era, must defeat villains both on screen and off in this edge-of-your-seat adventure. Lights! Camera! Kidnapping? It’s 1914, and Darleen Darling’s film adventures collide with reality when a fake kidnapping set up by her studio becomes all too real. Suddenly Darleen finds herself in the hands of dastardly criminals who have just nabbed Miss Victorine Berryman, the poor-little-rich-girl heiress of one of America’s largest fortunes. Soon real life starts to seem like a bona fide adventure serial, complete with dramatic escapes, murderous plots, and a runaway air balloon. Will Darleen and Victorine be able to engineer their own happily-ever-after, or will the villains be victorious?
Fans of Philip Pullman’s The Golden Compass will love Anne Nesbet’s middle-grade fantasy A Box of Gargoyles. In this sequel to The Cabinet of Earths, twelve-year-old Maya is feeling more at home in Paris, a city filled with old magic. Her little brother, James, is safe, and the terrible man with purple eyes is gone. At least Maya believed he was until a person-sized column of dust and leaves with hints of purple where its eyes should be begins following her. Maya suspects the strange, shadowy column is what’s left of the purple-eyed man, and that it—he—is behind the eerie changes in Paris, including the appearance of flying, talking stone gargoyles. She’s right. Worse, he has bound Maya to make him whole again, even if it kills her.
Eisenstein delighted in unlikely juxtapositions, being apt to cite from Stalin and Disney in one breath. The heterogeneity underlying his work is breathtaking and his lack of decorum and refusal to be categorised tend to make critics uneasy but not Anne Nesbet. Based on extensive research in the Eisenstein archives, her book is an original, beautifully written exploration of Eisenstein's omnivorous consumption of high and low culture and his wide-ranging experiments in 'thinking in pictures'. Savage Junctures provides fresh insights into Eisenstein's films and writings. It examines the multiple contexts within which his films evolved and Eisenstein's appropriation of all of world culture as his source. Like Eisenstein himself, Anne Nesbet is particularly interested in the possibilities of visual image making and each chapter addresses the problem of his image-based thinking from a different perspective. Each chapter also offers a fundamentally new interpretation of the films and writings that make up his oeuvre. This is a major new contribution to studies in Soviet cinema and culture and to the field of film studies.
In this exciting sequel to Daring Darleen, Queen of the Screen, a young heiress in hiding and her film star best friend go on a quick-paced caper through early Hollywood. It's 1915, and "missing" heiress Victorine Berryman is living incognito as "Bella Mae Goodwin" with her best friend, Darleen Darling, star of the exciting photoplay serials adventure-loving audiences crave. When the girls travel cross-country to set up roots in Hollywood, California, home of the developing film industry, they find themselves mixed up in a plot as dramatic as anything on the screen, involving switched luggage, stolen artifacts, and nefarious characters hot on their tails. But the stakes are entirely too real! As brave and resourceful Victorine tries to escape the villains' clutches, she meets a slew of early Hollywood Who's Whos and experiences the magic of the movie business--as well as its problems, including the harmful prejudices that can be perpetuated by popular films. Can Victorine thwart the bad guys--and figure out who she truly wants to be? Filled with hijinks, humor, and heart, this edge-of-your-seat sequel to Daring Darleen, Queen of the Screen will have fans both old and new cheering "Bravo!
When a publicity stunt goes terribly wrong, twelve-year-old Darleen Darling, star of the silent film era, must defeat villains both on screen and off in this edge-of-your-seat adventure. Lights! Camera! Kidnapping? It’s 1914, and Darleen Darling’s film adventures collide with reality when a fake kidnapping set up by her studio becomes all too real. Suddenly Darleen finds herself in the hands of dastardly criminals who have just nabbed Miss Victorine Berryman, the poor-little-rich-girl heiress of one of America’s largest fortunes. Soon real life starts to seem like a bona fide adventure serial, complete with dramatic escapes, murderous plots, and a runaway air balloon. Will Darleen and Victorine be able to engineer their own happily-ever-after, or will the villains be victorious?
With the United States on the verge of World War II, eleven-year-old Gusta is sent from New York City to Maine, where she discovers small-town prejudices — and a huge family secret. It’s 1941, and tensions are rising in the United States as the Second World War rages in Europe. Eleven-year-old Gusta’s life, like the world around her, is about to change. Her father, a foreign-born labor organizer, has had to flee the country, and Gusta has been sent to live in an orphanage run by her grandmother. Nearsighted, snaggletoothed Gusta arrives in Springdale, Maine, lugging her one precious possession: a beloved old French horn, her sole memento of her father. But in a family that’s long on troubles and short on money, how can a girl hang on to something so valuable and yet so useless when Gusta’s mill-worker uncle needs surgery to fix his mangled hand, with no union to help him pay? Inspired by her mother’s fanciful stories, Gusta secretly hopes to find the coin-like “Wish” that her sea-captain grandfather supposedly left hidden somewhere. Meanwhile, even as Gusta gets to know the rambunctious orphans at the home, she feels like an outsider at her new school — and finds herself facing patriotism turned to prejudice, alien registration drives, and a family secret likely to turn the small town upside down.
Slip behind the Iron Curtain into a world of smoke, secrets, and lies in this stunning novel where someone is always listening and nothing is as it seems. Noah Keller has a pretty normal life, until one wild afternoon when his parents pick him up from school and head straight for the airport, telling him on the ride that his name isn’t really Noah and he didn’t really just turn eleven in March. And he can’t even ask them why — not because of his Astonishing Stutter, but because asking questions is against the newly instated rules. (Rule Number Two: Don’t talk about serious things indoors, because Rule Number One: They will always be listening). As Noah—now “Jonah Brown”—and his parents head behind the Iron Curtain into East Berlin, the rules and secrets begin to pile up so quickly that he can hardly keep track of the questions bubbling up inside him: Who, exactly, is listening — and why? When did his mother become fluent in so many languages? And what really happened to the parents of his only friend, Cloud-Claudia, the lonely girl who lives downstairs? In an intricately plotted novel full of espionage and intrigue, friendship and family, Anne Nesbet cracks history wide open and gets right to the heart of what it feels like to be an outsider in a world that’s impossible to understand.
The metaphor of the nomad may at first seem surprising for Russia given its history of serfdom, travel restrictions, and strict social hierarchy. But as the imperial center struggled to tame a vast territory with ever-expanding borders, ideas of mobility, motion, travel, wandering, and homelessness came to constitute important elements in the discourse about national identity. For Russians of the nineteenth century national identity was anything but stable. This rootlessness is at the core of A Nation Astray. Here, Ingrid Anne Kleespies traces the image of the nomad and its relationship to Russian national identity through the debates and discussion of literary works by seminal writers like Karamzin, Pushkin, Chaadaev, Goncharov, and Dostoevsky. Appealing to students of Russian Romanticism, nationhood, and identity, as well as general readers interested in exile and displacement as elements of the human condition, this interdisciplinary work illuminates the historical and philosophical underpinnings of a basic aspect of Russian self-determination: the nomadic constitution of the Russian nation.
As the country to the north of Australia was being explored and taken up by men from Victoria and New South Wales hoping to make their fortune, other men were making their way out west, also keen to make good. Sesbania was one of the earliest selections taken up by John and James Nisbett. Douglas Harper was working on Sesbania, when he shot himself, whether accidentally or purposely is unknown. He was an Overseer, and died on 12th November, 1878. This is the earliest recorded death in this book. William Russel Myers was a shearer probably working on Manuka, or making his way there. He died from exhaustion and thirst on 3rd December, 1878. George Laxton who was a blacksmith, died at Mills Creek, also from thirst and exhaustion. He was probably walking to the next job, but died on 16th February, 1879, and was buried at Mills Creek, on Manuka. These three were just the beginning of dozens of men, women and children who lost their lives through thirst, exhaustion, accident, fever and murder. This book was written to record their lives and deaths in the Winton area of western Queensland.
What were the consequences if prerevolutionary and "bourgeois" culture and social relations could not be transformed into new socialist forms of behavior and belief?".
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