This book is the bible for independent film producers on how to set up, finance, and run a successful and ongoing film development/production company or single-picture film.
Comprehensive coverage of every town and city. Critical reviews of the best places to eat, drink and sleep in all regions of the country and much more.
Jack Prescott's five-star ski resort couldn't be more successful, and he also owns most of Silver Creek, Nevada's prime real estate. For this man who has made it in business, it's time to move on - and maybe find the something that's missing in his life. Moving in...on Jack's property, that is. Jillian O'Shay is in town to uncover information that will help her clients build a bigger and better hotel on the land Jack's about to sell. But as the lovely spy pumps him for secrets, the enigmatic businessman finds one of Jillian's own - she doesn't have a home. Jack wants to do something about that. Because Jillian just might be the someone who makes it feel less lonely at the top.
Gain a comprehensive understanding of the business of entertainment and learn to successfully engage in all aspects of global production with the revised and updated 4th edition of The Producer's Business Handbook. Learn how to cultivate relationships with key industry players including domestic and foreign studios, agencies, attorneys, talent, completion guarantors, banks, and private investors. This edition has been updated to include the latest opportunities presented by changing technology and their impact on the producer’s ability to brand, monetize, finance and globally release content. Also included is new information on audience, earning, distribution and funding opportunities created by the explosive growth of VR, AR, 360 and gaming, as well as the rapid conversion to OTT. Additional features include: Completely updated production financing worksheets – an essential tool for producers; Expanded information for low-budget independent producers, internationally-based producers, producers using government funding, and film school students alike; Coverage of China’s changing entertainment landscape, including their entertainment consumption, their commitment to produce content for the big global territories, and more; New, full-color illustrations and graphics that provide a visual representation of complex topics.
In their new collaboration, Celia Genishi and Anne Haas Dyson celebrate the genius of young children who are learning language and literacy in our diverse times. Despite burgeoning sociocultural diversity, many early childhood classrooms (pre-K to grade 2) offer a one-size-fits-all curriculum in which learning is too often assessed by standardized tests. In contrast, Genishi and Dyson proclaim diversity as the new norm. They feature stories of children whose language learning is impossible to standardize and teachers who do not follow scripts. These master teachers observe, informally assess, respond to, and grow with their students—some of whom are rapid language learners and some of whom become speakers, readers, and writers at “child speed.” Much of this learning, regardless of tempo, is found within the language-rich contexts of play. Chapters focus on children’s ways of communicating through varied modes, including the use of nonverbal expression; languages such as Spanish, English, and the variant of English known as African American Language; and multiple media. Throughout the text there is a resistance to labels such as “at risk” and a much-needed advocacy for child-sensible practices in a world where diversity is indeed the “new norm.”
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