Hovels to Highrise traces how governments in five European countries became involved in replacing industrial revolution urban slums with mass high-rise, high density concrete estates. As the book considers each country's housing history and traditions, and analyses the contrasting structures and systems, it finds convergence of problems in the growing tensions of their most disadvantaged communities. Anne Power underlines the continuing drift towards deeper polarization, a problem that the European Community will not be able to ignore with the interlocking but multi-lingual, multi-ethnic, urban societies of the future. The book's detailed coverage of the historical, political amd social changes relating to housing within the various countries make it an important text for students and practitioners concerned with housing, urban affairs, social policy and administration.
RITA Award-winner Anne Stuart kicks off The Ice Series with the story of a young woman swept up into a world of deadly criminals and reckless attraction. Living paycheck to paycheck in Paris, American book translator Chloe Underwood would give anything for some excitement and passion–even a little danger. But when she’s offered a lucrative weekend gig translating at a business conference in a remote chateau, she jumps at the chance to shake things up. When Chloe stumbles onto the discovery that her employers are anything but the entrepreneurs they appeared to be, suddenly she knows far too much. Her clients are illegal arms dealers, and one of them is ordered to kill her. But instead, Bastien Toussaint drags Chloe away, and the next thing she knows she’s on the run with the most terrifying and seductive man she’s ever met. Previously published.
Art Forum’s Best of the Year List A panoramic look at art in America in the second half of the twentieth century, through the eyes of the visionary curator who helped shape it. An innovative, iconoclastic curator of contemporary art, Walter Hopps founded his first gallery in L.A. at the age of twenty-one. At twenty-four, he opened the Ferus Gallery with then-unknown artist Edward Kienholz, where he turned the spotlight on a new generation of West Coast artists. Ferus was also the first gallery ever to show Andy Warhol’s Campbell’s Soup Cans and was shut down by the L.A. vice squad for a show of Wallace Berman’s edgy art. At the Pasadena Art Museum in the sixties, Hopps mounted the first museum retrospectives of Marcel Duchamp and Joseph Cornell and the first museum exhibition of Pop Art--before it was even known as Pop Art. In 1967, when Hopps became the director of Washington’s Corcoran Gallery of Art at age thirty-four, the New York Times hailed him as "the most gifted museum man on the West Coast (and, in the field of contemporary art, possibly in the nation)." He was also arguably the most unpredictable, an eccentric genius who was chronically late. (His staff at the Corcoran had a button made that said WALTER HOPPS WILL BE HERE IN TWENTY MINUTES.) Erratic in his work habits, he was never erratic in his commitment to art. Hopps died in 2005, after decades at the Menil Collection of art in Houston for which he was the founding director. A few years before that, he began work on this book. With an introduction by legendary Pop artist Ed Ruscha, The Dream Colony is a vivid, personal, surprising, irreverent, and enlightening account of his life and of some of the greatest artistic minds of the twentieth century.
Perfect for diehard fans as well as readers discovering McCaffrey for the first time, this dazzling new volume features three classic novels from the early years of Pern–Dragonsdawn, Dragonseye, and Moreta. The spectacular planet Pern seems a paradise to its new colonists–until unimaginable terror turns it into hell. Suddenly deadly spores are falling like silver threads from the sky, destroying everyone and everything they touch. Pern is in mortal danger. The only thing that can stop the Thread is the fire from Pern’s flying dragons. Now, the colonists must join forces with the dragons to burn the Thread before the parasite devours any and all organic life–and turns lush Pern into a barren wasteland. On Dragonwings traces the story of the early generations on Pern. From the colonists who first created the fire-breathing dragons for protection, through the rise of the dragonriders, these three novels set readers on a daring quest to protect a beautiful and extraordinary planet.
NEW YORK TIMES BESTSELLER • Go back in time and visit Pern like it’s never been seen before in this thrilling prequel about the creation of dragons. The beautiful planet Pern seemed a paradise to its new colonists—until unimaginable terror turned it into hell. Suddenly deadly spores were falling like silver threads from the sky, devouring everything—and everyone—on their path. It began to look as if the colony, cut off from Earth and lacking the resources to combat the menace, was doomed. Then some of the colonists noticed that the small, dragonlike lizards that inhabited their new world were joining the fight against Thread, breathing fire on it and teleporting to safety. If only, they thought, the dragonets were big enough for a human to ride and intelligent enough to work as a team with a rider… And so they set their most talented geneticist to work to create the creatures Pern so desperately needed—Dragons!
The Malice Domestic anthology series returns with a new take on mysteries in the Agatha Christie tradition—original tales with a theatrical bent! Included are: Preface, by Ellen Hart The Rock Star, by Frances Aylor Perfectly Awry, by Anne Louise Bannon The Ghost in Balcony B, by Michele Bazan Reed Drama-Rama Flip Flop, by Cindy Brown It’s Not O.K. Corral, by M. E. Browning Mary-Alice Imagines Her Life as a Movie, by Karen Cantwell The Ghost of Hamnet, by R. M. Chastleton When the Wind is Southerly, by Leone Ciporin Raising Cain, by Carla Coupe Death of Another Hero, by Susan Daly The Stars Are Fire, by Phillip DePoy Death Plays the Palace, by Margaret Dumas The Homicidal Understudy, by Elizabeth Elwood No Final Act, by Daryl Wood Gerber Deus Ex Machina, by B. J. Graf The Nine Deaths in Hamlet?, by A. P. Jamison Heat Wave, by Maureen Jennings Thus With a Kiss, by Margaret Lucke Such Tricks As These, by Jaquelyn Lyman-Thomas Final Curtain, by Sharon Lynn The Mask, by Cheryl Marceau The Ultimate Tie-Breaker, by Deborah Maxey True Crime, by Adam Meyer A Star Goes Dark, by Raquel V. Reyes Not Your Lolita, by Merrilee Robson A Death in Shubert Alley, by Lee Sauer Dance on Fire, by Shawn Reilly Simmons Missed Cue, by Lynn Slaughter You Know How Actresses Are, by C. M. Surrisi Five Words, by Elaine Togneri Ask Fred the Usher, by Arthur Vidro Death Takes a Bow, by Mo Walsh Deal With the Devil, by James Lincoln Warren Method for Murder, by Carol L. Wright
As the future of international law has become a growing site of struggle within and between powerful states, debates over the history of international law have become increasingly heated. International Law and the Politics of History explores the ideological, political, and material stakes of apparently technical disputes over how the legal past should be studied and understood. Drawing on a deep knowledge of the history, theory, and practice of international law, Anne Orford argues that there can be no impartial accounts of international law's past and its relation to empire and capitalism. Rather than looking to history in a doomed attempt to find a new ground for formalist interpretations of what past legal texts really mean or what international regimes are really for, she urges lawyers and historians to embrace the creative role they play in making rather than finding the meaning of international law.
Annotation Describing actors, beliefs, institutions, and policies, this introduction interprets contemporary democratic politics in France and explores why and with what political consequences so many people in France experience globalization as a harbinger of national decline. Special attention is paid to the impact of historical legacies, WWII, and France's role in Europe. The author teaches law and political science at Dartmouth College. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).
Western neoliberalism is a predatory outgrowth of late capitalism that overvalues competition, transferring the laws of the market to human relationships. This book advances the argument that anti-neoliberal cinemas of Europe, the United States, and the Russian Federation imagine and visualize alternatives to the non-sovereign realities of a neoliberal workplace that unequivocally endorses dangerous risk-taking, self-optimizing neoliberal subjects, and corporate 'entrepreneurs of self.' Always at stake in the examination of neoliberalism's consequences is a human being who is indexed by race, gender, nation, ability, and economic performance. Drawing on film theory, transnational social histories, critical race theory, and Marxist and Foucauldian interpretive models, this book rediscovers a cinema that imagines a social contract focused on the common good and ethical standards for the social state. Anti-neoliberal cinema empowers the viewer as agentive through narratives that detail resistance to Western neoliberal modes of living and working. These filmmakers dramatize the labor of making solidarity across different groups.
This study analyzes the impact of color-making technologies on the visual culture of nineteenth-century France, from the early commercialization of synthetic dyes to the Lumière brothers’ perfection of the autochrome color photography process. Focusing on Impressionist art, Laura Anne Kalba examines the importance of dyes produced in the second half of the nineteenth century to the vision of artists such as Edgar Degas, Pierre-Auguste Renoir, and Claude Monet. The proliferation of vibrant new colors in France during this time challenged popular understandings of realism, abstraction, and fantasy in the realms of fine art and popular culture. More than simply adding a touch of spectacle to everyday life, Kalba shows, these bright, varied colors came to define the development of a consumer culture increasingly based on the sensual appeal of color. Impressionism—emerging at a time when inexpensively produced color functioned as one of the principal means by and through which people understood modes of visual perception and signification—mirrored and mediated this change, shaping the ways in which people made sense of both modern life and modern art. Demonstrating the central importance of color history and technologies to the study of visuality, Color in the Age of Impressionism adds a dynamic new layer to our understanding of visual and material culture.
The book rethinks the means of harmonization of prima facie norm conflicts in light of the multitude of international agreements across regimes. The methodology deployed in this book, which is referred to as complementation or complementary application, represents a novel approach by focusing on commonly shared objectives and a unifying ordre public transnational across fields of public international law that allow for a harmonization beyond traditional treaty interpretation. Fields of public international law, mainly the laws of armed conflict, international environmental law, and human rights law, apply simultaneously to questions regarding the environment and war. Such a coexistence challenges the unity of the international legal order, and it also challenges the means of harmonization across fields of public international law. However, eventually, the co-existence of several fields of public international law can result in a refinement of international law and enhanced legal protection. Diversification can also contribute to clarification or normative intensification in areas of parallel application of various fields and multilayered legal protection, demonstrating a counter-option to fragmentation.
This volume presents new analytical approaches, which combine tools from dynamical systems theory and statistical physics with tools from graph theory to address the principles behind adaptive self-organization. It is the first class of approaches that is applicable to continuous networks.
This title integrates the conceptual, empirical and evidence-based threads of mental health as an area of study, research and practice. It approaches mental health from two perspectives - firstly as a positive state of well-being and secondly as psychological difference or abnormality in its social context.
The entertaining tale of Robert Barnet (1853-1933) and the enormously popular musicals he produced as fundraisers for a volunteer militia group in Boston.
William Lyon Mackenzie King / René Lévesque / Samuel de Champlain / John Grierson / Lucille Teasdale / Maurice Duplessis / David Thompson / Mazo de la Roche / Susanna Moodie / Gabrielle Roy
William Lyon Mackenzie King / René Lévesque / Samuel de Champlain / John Grierson / Lucille Teasdale / Maurice Duplessis / David Thompson / Mazo de la Roche / Susanna Moodie / Gabrielle Roy
Presenting ten titles in the Quest Biography series that profiles prominent figures in Canada’s history. The important Canadian lives detailed here are: influential politicians Prime Minister William Lyon Mackenzie King and Premiers René Lévesque and Maurice Duplessis; intrepid explorers Samuel de Champlain and David Thompson; National Film Board founder John Grierson; medical humanitarian Lucille Teasdale; and renowned writers Mazo de la Roche, Susanna Moodie, and Gabrielle Roy. Includes Willam Lyon Mackenzie King René Lévesque Maurice Duplessis Samuel de Champlain David Thompson John Grierson Lucille Teasdale Susanna Moodie Gabrielle Roy Mazo de la Roche
Intermediate filaments (IFs), in concert with microfilaments (MFs) and microtubules (MTs), form the cytoskeleton, and each of these fibrillar networks exhibits rather unique structural and functional characteristics. Intermediate filaments were discovered in eukaryotic cells in the late 1960s, and their name comes from the fact that their diameter is intermediate between MFs and MTs. In contrast to the latter, IFs constitute a network that extends from the nuclear envelope throughout the cytoplasm, and in many cases, interact with cell surface domains involved in cell-cell and cell- matrix interactions. Several key features of their expression, assembly, structure and dynamics are highlighted in this eBook. For instance, IF proteins are encoded by several genes, which are classified into six types reflecting the tissues (cells) of origin. Moreover, IF proteins contain a conserved central α-helical (rod) domain flanked by N-terminal (head) and C-terminal (tail) globular domains that enables assembly of fibrous IFs exhibiting a tripartite structure. Although the rod domain is responsible for the formation of the coiled-coil framework and yields the main driving force during the IF protein assembly, the head and tail domains contribute to most of the structural heterogeneity of IF organization and undergo several types of post-translational modifications. Furthermore, the development of gene targeting methods to genetically knockout the expression of the IF genes in mice has uncovered the mechanical versus non-mechanical features of the IF networks, namely, their involvement in cell response to diverse forms of stress, growth stimulation, migration, or death insults. Finally, there is accumulating evidence revealing that the tissue and cell-type expression of IF genes reflects itself in the presence of causal or predisposition mutations responsible for numerous human tissue-specific diseases, known as IF-pathies. Table of Contents: List of Abbreviations / Introduction / IFs as a Multigene Family of Filamentous Proteins / Nuclear Lamina / IF Functional Interplay with Cell Surface Domains and Organelles / IFs and Cell Specialization / IF Relevance to Human Diseases / Conclusion / References / Author Biographies
Clinical Drug Therapy for Canadian Practice, Second Edition provides unique coverage of nursing interventions for drug therapy, explaining the "why" behind each nursing action and emphasizing how drugs work differently in different patients. This edition incorporates a dynamic, full-color design and art program, key terms, CRNE questions, and more Canadian references and research.
Django Reinhardt was perhaps the greatest guitarist to ever live. A Gypsy who made his jazz guitar speak with a human voice, he was dashing, charismatic, childish . . . and doomed to die young after creating a legacy of Gypsy Jazz that remains vibrant today. Gypsy Jazz is a music both joyous and sad, timeless and modern. It was born from a marriage of Louis Armstrong s trumpet with the anguished sound of Romany violin and the fire of flamenco guitar. Created amidst the glamour of Jazz Age Paris and reaching a peak during the horrors of World War II, Gypsy Jazz gave a voice to a dispossessed people. Today, Gypsy Jazz is more popular than ever. It has a legacy as strong as the Cuban sounds of the Buena Vista Social Club, the blues of B. B. King, or the R&B of Ray Charles. "Django Reinhardt and the Illustrated History of Gypsy Jazz" is a stylish collection of more than two hundred illustrations telling Django s story and the history of Gypsy jazz. Running through the Paris Jazz Age of the 1920s to the current worldwide renaissance of Gypsy jazz bands (including Django s grandsons, who are playing today), the images include rare archival photographs, modern images, posters, programs, tickets, guitars, memorabilia, paintings, and more.
Bound by centuries of bad blood, England's two most powerful families maintain a veneer of civility . . . until the heir to the staggering Redmond fortune disappears, reviving rumors of an ancient curse: a Redmond and an Eversea are destined to fall disastrously in love once per generation. An Enduring Legend Rumor has it she broke Lyon Redmond's heart. But while many a man has since wooed the dazzling Olivia Eversea, none has ever won her—which is why jaws drop when she suddenly accepts a viscount's proposal. Now London waits with bated breath for the wedding of a decade . . . and wagers on the return of an heir. An Eternal Love It was instant and irresistible, forbidden . . . and unforgettable. And Lyon—now a driven, dangerous, infinitely devastating man—decides it's time for a reckoning. As the day of her wedding races toward them, Lyon and Olivia will decide whether their love is a curse destined to tear their families apart . . . or the stuff of which legends are made.
Now in paperback, the scandalous international sensation: brash, candid, and utterly hilarious, Luciano Pavarotti’s longtime manager tells all. The name “Luciano Pavarotti” is as central to the world of opera as high C’s and dueling sopranos. Pavarotti has had, quite inarguably, the most successful career in the history of the operatic profession, having gone from a once-reserved but brilliant tenor to a media-stupefying superstar. In The King and I, Herbert Breslin, Pavarotti’s publicist, manager, and friend for thirty-six years, reveals, in a fashion that is witty and bitingly frank, the truth about that white-hot career in all its delicious grandeur. Full of jaw-dropping anecdotes about the most famous divas and disputes of the past three decades, The King and I even features an afterword by the famed tenor himself. A one-of-a-kind read, The King and I is the ultimate backstage book about the greatest opera star ever.
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