Ecologist Anne LaBastille created the life that many people dream about. When she and her husband divorced, she needed a place to live. Through luck and perseverance, she found the ideal spot: a 20-acre parcel of land in the Adirondack mountains, where she built the cozy, primitive log cabin that became her permanent home. Miles from the nearest town, LaBastille had to depend on her wits, ingenuity, and the help of generous neighbors for her survival. In precise, poetic language, she chronicles her adventures on Black Bear Lake, capturing the power of the landscape, the rhythms of the changing seasons, and the beauty of nature’s many creatures. Most of all, she captures the struggle to balance her need for companionship and love with her desire for independence and solitude. Woodswoman is not simply a book about living in the wilderness, it is a book about living that contains a lesson for us all.
If you’re looking for a real declaration of independence, and a deeper social experiment, try a woman living alone in the Adirondacks for decades." —Megan Mayhew Bergman, Guardian Anne LaBastille found peace and solitude in the log cabin she built for herself at Black Bear Lake. But as the years passed, the outside world intruded in various ways: curious fans, after reading her best-selling book Woodswoman, tracked her down; land developers arrived; there was air and noise pollution and the damages of acid rain. Woodswoman II is the story of the author's decision to retreat farther, a half-mile behind her main cabin, and build a tiny cabin—fashioned after the one in Thoreau's Walden—in which she could write and contemplate. In this book (originally published under the title Beyond Black Bear Lake) she writes movingly of her life with two German shepherds as companions, of a sustaining relationship with a man as independent as herself, and her renewed bond with nature.
After her bestselling book, Woodswoman, Anne LaBastille retreated even farther into the wilderness and built a tiny cabin fashioned after Thoreau's Walden. Her renewed bond with nature makes for another "eloquent, witty, and inspirational volume".--Booklist.
The bestselling author of Woodswoman and Beyond Black Bear Lake relates her own attempts to halt the decline of a single species of bird found only in Guatemala.
The bestselling author of Woodswoman and Beyond Black Bear Lake relates her own attempts to halt the decline of a single species of bird found only in Guatemala.
If you’re looking for a real declaration of independence, and a deeper social experiment, try a woman living alone in the Adirondacks for decades." —Megan Mayhew Bergman, Guardian Anne LaBastille found peace and solitude in the log cabin she built for herself at Black Bear Lake. But as the years passed, the outside world intruded in various ways: curious fans, after reading her best-selling book Woodswoman, tracked her down; land developers arrived; there was air and noise pollution and the damages of acid rain. Woodswoman II is the story of the author's decision to retreat farther, a half-mile behind her main cabin, and build a tiny cabin—fashioned after the one in Thoreau's Walden—in which she could write and contemplate. In this book (originally published under the title Beyond Black Bear Lake) she writes movingly of her life with two German shepherds as companions, of a sustaining relationship with a man as independent as herself, and her renewed bond with nature.
Ecologist Anne LaBastille created the life that many people dream about. When she and her husband divorced, she needed a place to live. Through luck and perseverance, she found the ideal spot: a 20-acre parcel of land in the Adirondack mountains, where she built the cozy, primitive log cabin that became her permanent home. Miles from the nearest town, LaBastille had to depend on her wits, ingenuity, and the help of generous neighbors for her survival. In precise, poetic language, she chronicles her adventures on Black Bear Lake, capturing the power of the landscape, the rhythms of the changing seasons, and the beauty of nature’s many creatures. Most of all, she captures the struggle to balance her need for companionship and love with her desire for independence and solitude. Woodswoman is not simply a book about living in the wilderness, it is a book about living that contains a lesson for us all.
While the marquis de Sade was drafting The 120 Days of Sodom in the Bastille, another libertine marquis in a nearby cell was also writing a novel—one equally outrageous, full of sex and slander, and more revealing for what it had to say about the conditions of writers and writing itself. Yet Sade's neighbor, the marquis de Pelleport, is almost completely unknown today, and his novel, Les Bohémiens, has nearly vanished. Only a half dozen copies are available in libraries throughout the world. This edition, the first in English, opens a window into the world of garret poets, literary adventurers, down-and-out philosophers, and Grub Street hacks writing in the waning days of the Ancien Régime. The Bohemians tells the tale of a troupe of vagabond writer-philosophers and their sexual partners, wandering through the countryside of Champagne accompanied by a donkey loaded with their many unpublished manuscripts. They live off the land—for the most part by stealing chickens from peasants. They deliver endless philosophic harangues, one more absurd than the other, bawl and brawl like schoolchildren, copulate with each other, and pause only to gobble up whatever they can poach from the barnyards along their route. Full of lively prose, parody, dialogue, double entendre, humor, outrageous incidents, social commentary, and obscenity, The Bohemians is a tour de force. As Robert Darnton writes in his introduction to the book, it spans several genres and can be read simultaneously as a picaresque novel, a roman à clef, a collection of essays, a libertine tract, and an autobiography. Rediscovered by Darnton and brought gloriously back to life in Vivian Folkenflik's translation, The Bohemians at last takes its place as a major work of eighteenth-century libertinism.
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