National Humor Month won't be the same with this huge, classic collection of side-splitting, groan-worthy, family-friendly jokes, puns, and riddles. Guaranteed LOLs at a time we can all use a laugh. Between these covers are a staggering 3650 entries - at a joke a day that's 10 full years of comedy! With chapters on everything from Modern Romance, the Working World and Aging to Pop Culture, Money, and much more, 3650 Jokes, Puns and Riddles contains the most ridiculous quip for every conceivable occasion. There are gibes, barbs, and insults, knock-knock jokes, and one-liners, doctor jokes and lawyer jokes, animal jokes and family jokes, and throughout a seemingly endless supply of bad puns. 3650 Jokes, Puns and Riddles will have you chuckling, chortling, giggling, grinning, and groaning in spite of yourself.
National Humor Month won't be the same with this huge, classic collection of side-splitting, groan-worthy, family-friendly jokes, puns, and riddles. Guaranteed LOLs at a time we can all use a laugh. Between these covers are a staggering 3650 entries - at a joke a day that's 10 full years of comedy! With chapters on everything from Modern Romance, the Working World and Aging to Pop Culture, Money, and much more, 3650 Jokes, Puns and Riddles contains the most ridiculous quip for every conceivable occasion. There are gibes, barbs, and insults, knock-knock jokes, and one-liners, doctor jokes and lawyer jokes, animal jokes and family jokes, and throughout a seemingly endless supply of bad puns. 3650 Jokes, Puns and Riddles will have you chuckling, chortling, giggling, grinning, and groaning in spite of yourself.
Drawing upon previously unpublished archival materials as well as historical accounts, Gere traces the history of writing groups in America, from their origins over a century ago to their recent reappearance in the works of Macrorie, Elbow, Murray, and others. From this historical perspective Gere examines the theoretical foundations of writing groups, challenging the traditional concept of writing as an individual performance. She offers instead a broader view of authorship that includes both individual and social dimensions, with implications not only for the teaching of composition but also for theories of rhetoric and literacy.
Featured here is a modern translation of a medieval herbal, with a study showing how this technical treatise on herbs was turned into a literary curiosity in the nineteenth century. The contours of this second edition replicate the first; however, it has been revised and updated throughout to reflect new scholarship and new findings. New information is presented on Oswald Cockayne, the nineteenth-century philologist who first translated the Old English medical texts for the modern world. Here the medieval text is read as an example of technical writing (i.e., intended to convey instructions/information), not as literature. The audience it was originally aimed at would know how to diagnose and treat medical conditions and knew or was learning how to follow its instructions. For that reason, while working on the translation, specialists in relevant fields were asked to shed light on its terse wording, for example, herbalists and physicians. Unlike many current studies, this work discusses the Herbarium and other medical texts in Old English as part of a tradition developed throughout early-medieval Europe associated with monasteries and their libraries. The book is intended for scholars in cross-cultural fields; that is, with roots in one field and branches in several, such as nineteenth-century or medieval studies, for historians of herbalism, medicine, pharmacy, botany, and of the Western Middle Ages, broadly and inclusively defined, and for readers interested in the history of herbalism and medicine.
It was the most providential escape yet. It will probably have the effect of making them think that I am even more mysterious than they believe me to be, and that is saying a good deal.' Michael Collins knew the power of his persona, and capitalised on what people wanted to believe. The image we have of him comes filtered through a sensational lens, exaggerated out of all proportion. We see what we have come to expect: 'the man who won the war', the centre of a web of intelligence that 'brought the British Empire to its knees'. He comes to us as a mixture of truth and lies, propaganda and misunderstanding. The willingness to see him as the sum of the Irish revolution, and in turn reduce him to a caricature of his many parts, clouds our view of both the man and the revolution. Drawing on archives in Ireland, Britain and the United States, the authors question our traditional assumptions about Collins. Was he the man of his age, or was he just luckier, more brazen, more written about and more photographed than the rest? Despite the pictures of him in uniform during the last weeks of his life, Collins saw very little of the actual fight. He was chiefly an organiser and a strategist. Should we remember him as a master of the mundane rather than the romantic figure of the blockbuster film? The eight thematic, highly illustrated chapters scrutinise different aspects of Collins' life: origins, work, war, politics, celebrity, beliefs, death and afterlives. Approaching him through the eyes of contemporaries and historians, friends and enemies, this provocative book reveals new insights, challenging what we think we know about him and, in turn, what we think we know about the Irish revolution.
Forced to give up her posh life and move to a tiny Manhattan apartment when her husband loses his job, Lucy unexpectedly falls in love with her new home and forges close friendships with three women who are also struggling with the disparities between the ambitions of their youth and middle age.
Why can't a woman be more like a man? What is this thing called "feminine intuition"? Why are men better at reading maps, and women at other people's characters? The answers lie in the basic biological differences between the male and female brain, which, say the authors, make it impossible for the sexes to share equal emotional or intellectual qualities.
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