How many DNA testing companies will show you how to interpret DNA test results for family history or direct you to instructional materials after you have had your DNA tested? Choose a company based on previous customer satisfaction, and whether the company gives you choices of how many markers you want, various ethnic and geographic databases, and surname projects based on DNA-driven genealogy. Before you select a company to test your DNA, find out how many genetic markers will be tested. For the maternal line, 400 base pairs of sequences are the minimum. For the paternal line (men only) 37 markers are great, but 25 markers also should be useful. Some companies offer a 12-marker test for surname genealogy groups at a special price. Find out how long the turnaround time is for waiting to receive your results. What is the reputation of the company? Do they have a contract with a university lab or a private lab? Who does the testing and who is the chief geneticist at their laboratory? What research articles, if any, has that scientist written or what research studies on DNA have been performed by the person in charge of the DNA testing at the laboratory? Who owns the DNA business that contracts with the lab? How involved in genealogy-related DNA projects and databases or services is the owner?
What can you tell me about myself, Dr. Lopez?" Sara asked. "You're doomed to remain idle. You're imprisoned in yourself in a state of nothingness, unless you start teaching what you know online." Anna Kow handed Sara a box of tissues as her tears rolled down into her collar. "Is there any reason for my existing?" Anna asked me. Sara looked at Anna, not at me. There was a pause of silence. "I'm hiring you as my mentor even though you're a visual anthropologist and a journalist," Anna said in a throaty voice. "Do you mind?" "I'll squeeze you into my girdle," Consuelo said. "Mentoring you won't work at this early stage. I'll put you down for one-on-one, starting this evening at seven in my office-without Sara." Consuelo jotted Anna's name and phone number in her appointment book. "How do you like being mother to the world?" Anna asked. "Someone's already asked me that before, when I wrapped a young woman in a blanket and asked her to tell me what she felt like as she confessed her anger at her betrayer." What happens when an extreme liberal meets an extreme conservative? Are they diagnosed with a mental disease or a character disorder? Or is it all a publicity campaign? In a novel of intrigue, will the anthropologist return a tougher soldier than ever? Two females pit their wits in a game and adventure that takes them half way around the world.
Do you want to adapt your poem to a storybook that tells a story in words, and pictures-or only amplify the images that you create with words? Would you rather turn your poem into a picture book that tells a story with pictures? Will words take second place to illustrations? Decide first whether you will write a story book or a picture book. Then use the images in your poem to clarify your writing. You won't be able to read a picture book into a tape recorder or turn it into an audio book or radio play. You will be able to narrate a word book for audio playing. Start with an inspirational poem, proverb, or song lyrics. Ask children what makes them laugh. You can make something out of nothing. You can make a story out of anything intangible, such as an idea with a plan still in your mind. Capture your children's dreams, proverbs, song lyrics, and the surprise elements that make them laugh. Record imagination, "what-if" talk, and personal history. A folktale or story is something that could come from any place in the past, from science, or from nothing that you can put your hands on. What children want in a book, poem, or folklore is a cave where they can go to be themselves. When suspending belief, children still want to be themselves as they navigate fantasy. The story book becomes a den or tree house where children can go inside, shut the door, and play. Introduce children to poetry by showing how you transform your poem into a children's book by expanding and emphasizing significant events in the life story of one child. Poems, memorable experiences, significant life events or turning points are all ways to make something out of nothing tangible. You begin re-working a concept, framework, or vision. Here's how to write, publish, and promote salable material from concept to framework to poem to children's book-step-by-step.
The one thing that we have in common always divides us, Dr. Consuelo Lopez, thought. Known by the inmates as "that Latina forensic 'shrink'" at Folsom, she arrived with several personality classifiers in her briefcase. The Folsom Warden, Don Redling, and Detective Kendall, who guarded the correctional officer escorted Consuelo into anarchist, Lenny Carr's cell. Kendall explained to Lopez, "I didn't follow you here. I'm here on research." "At the same moment of my appointment?" Consuelo smirked as she and Kendall entered the cell, squeezing behind Redling. "I'm not going to leave you alone in here," Kendall said, rolling his eyes in contempt at his colleague, Warden Redling. Carr had the circuit boards spread across the computer shell. "Controller failure." He jabbered at the innards. "Watch those tools," Redling specified. "We count 'em." "The computer is a fetish," Consuelo said. "Watch how Carr is magically influenced by the power of the fetish." Carr was a convicted murderer. The jury judged him a cold-blooded killer. Consuelo wondered whether he felt any empathy, or would the many tests reveal that he is a sociopath without conscience? She turned on her camcorder. "Look into the camera," she said. "I want that unblinking look in your eyes on video tape." "Since when could you resist the power of the media, doctor?" Carr chuckled. " Too bad the power's down, the generator is sputtering, and soon you'll all be locked in here with me, Dr. Lopez.
Dr. Tweechig Haroutunian Whisper chaired her small private liberal arts college's Women's Studies Department in the division of Behavioral Sciences until she decided to teach online from home, design a new women's studies curriculum, and broadcast a talk show on her college's Internet audio worldwide to celebrate convergence. Little did she know at first that this would lead to moonlighting teamwork in a new career as a private investigator on an adventure filled with more mystery than mystique. This time, Tweechig took the investigative approach by broadcasting her research on Internet audio around the world hunting for adventure and a team partner. Refusing to retire on command and flaunting white hair tucked under a baseball cap that read, "Sixty-Plus, So Give Me My Senior Discount Already!" Tweechig eagerly taught her Women's Studies courses online at home without having to utter a word in front of a class. A burst of pounding fired from her door. Pickles, her Siamese cat leapt from a chair and scurried behind the bed. Groggy and outraged, Tweechig leapt out of a pre-work nap in the blackness and slipped on a book she had tossed on the floor next to her bed. She skidded into the wall and went down hard. The pounding grew louder as she fumbled for the lamp switch. Doctor Tweechig Haroutunian Whisper's eyes ached at the light's brilliance. This time, the mystery in the Women's Studies Department would be murder to solve.
Sicilian-American Women's, Men's, and Family Studies Professor, psychoanalyst, and night radio talk show personality, Anna Falco's dad always told her that the lower our self esteem, the more we want to be someone different from ourselves, and the more we want someone different from ourselves. He made a point that the higher our self esteem, the more we want someone like ourselves. Anna Falco added something more to that: her belief that couples with self-respect will respect each other. Not one of Anna's clients came from families where the husband and wife or child and parent respected one another. That could be one huge reason why family wars grew into world wars. Now family wars had become full-blown race wars in the streets of Los Angeles. Skip an octave, and old hatreds of differences fanned flames between the 'haves' and 'have-nots.' She offered to trade the wisdom of age for the energy of youth. But it all boiled down to honor between family members. Anna explained the difference between self-esteem and self-respect. Being an older woman reminded Wrenboy (the troubled court-appointed street teen that she had adopted) of a mother hen capable of caging his freedom. Her lined face reminded him of his own mortality at a time when he felt invincible and desperately lonely for a loving family. Would he fear her strident voice hammering him back into childhood? Or would he accept her globetrotting to repair the world with kindness? In his search for power and autonomy, he concluded it is easier to rebel.
The men who came to strangle me were shrinking my world like the most delicately tinted of bubbles, shrinking in ever narrowing circles from the upward gush of my own infancy. You've got to be crazy to see a psychiatrist. Don't call me if you're gnawing on a bad day, and all you want to do is have a discussion. We all marry our mirrors, someone who reflects how we feel about ourselves at the moment. Every wife is a mirror of her own husband's failures, and every husband a reflection of his wife's successes. If you want to make money, you find a void in society and fill it. With more than 60 percent of women being snuffed, it's no wonder a sharp promoter saturated the market with anarchists feeling their inadequacies. Their words fall like an embroidered saddle on a jackass. Remember when only female failures married when career success eluded them? Anarchists' dolls don't expand into motherhood. They're squeezed into silver plated girdles where the only private space is a purse.
Carla Hart shares a story of tenacity, strength and love. Here the reader will see how each day in the life of a child who faces adversity brings about new opportunities for growth, love and learning. Hart's words are a gift to those willing to open themselves up to the emotional messages of courage, strength and determination.
A scientist awakes in a theater with her memory erased, rain-soaked clothing, someone else’s underwear, a new face, pregnant, and no identification, money, or shoes. Her only connection to reality is the business card she finds crumpled in the corner of her pocket that leads her to the molecular genetics department of a university medical school where the professor, a scientist and law man is rushing to save the life of a man on Death Row whose name was tagged on another’s DNA twenty years ago. New DNA technology has allowed former detectives to return to their cold cases decades later and use the new DNA technology to solve the old cases with new evidence. Now she must work with him in a race against time to save an innocent man whose DNA was tagged by clerical error or purpose to crime evidence DNA, landing him in prison for decades.
Put direct experience in a small package and launch it worldwide. Write your life story in short vignettes of 1,500 to 1,800 words. Write eulogies and anecdotes or vignettes of life stories and personal histories for mini-biographies and autobiographies. Then condense or contract the life stories or personal histories into PowerPoint presentations and similar slide shows on disks using lots of photos and one-page of life story. Finally, collect lots of vignettes and flesh-out the vignettes, linking them together into first-person diary-style novels and books, plays, skits, or other larger works. Write memoirs or eulogies for people or ghostwrite biographies and autobiographies for others. The vignette can be read in ten minutes. So fill magazine space with a direct experience vignette. Magazine space needs only 1,500 words. When you link many vignettes together, each forms a book chapter or can be adapted to a play or script. Included are a full-length diary-format first person novel and a three-act play, including a monologue for performances. There's a demand for direct life experiences written or produced as vignettes and presented in small packages. Save those vignettes electronically. Later, they can be placed together as chapters in a book or adapted as a play or script, turned into magazine feature, specialty, or news columns, or offered separately as easy-to-read packages.
This is an extensive listing of almost everything published about the fourteenth century Spanish "Libro de buen amor" by Juan Ruiz, Archpriest of Hita. It is essentially the same as the online bibliography at http: //my-lba.com but it also contains a history of this project starting in the 1970's and a listing of other bibliographies on this work of literature. In addition, it can be used in conjunction with the e-book version (which has a search engine) "A Bibliography for the Book of Good Love, Third Edition" found at Lulu.com.
World War II dominates world history today as it dominated world attention over 60 years ago. In spite of the alliances that bound many of the same participants, the war was essentially two separate but simultaneous conflicts: one involved Japan as the major antagonist and took place mostly in Asia and Pacific; and the other, initiated by Germany and Italy, was contested mainly in Europe, North Africa, the Mediterranean, and the Atlantic. The A to Z of World War II: The War Against Japan traces the brutal conflict from Japan's seizure of Chinese territory in 1931, through the onset of war with the Western Allies in 1941, to the use of atomic weapons by the United States in 1945. It also addresses the aftermath of the war including the formation of the United Nations and the American occupation of Japan. As the first of two volumes covering World War II, this volume concentrates on the war in Asia and the Pacific so the user benefits from the comprehensive explanations of the people, places, and events that shaped much of that region's 20th-century history.
Yogurt is a fermented food that has existed for centuries with bioactive properties that have long been thought to be beneficial to health. The first commercial yogurts, sold over a hundred years ago in pharmacies, were recommended to treat digestive disorders. Yogurt: Roles in Nutrition and Impacts on Health compiles the scientific research to date into a comprehensive reference book that explores yogurt's role in diet and health, its composition in micro- and macronutrients, and the potential mechanisms underlying its health benefits. Yogurt’s composition as a unique blend of macronutrients, vitamins, minerals, and ferments makes yogurt a nutrient-dense food that is included by health authorities in food-based dietary guidelines. This book shows how regular yogurt consumption contributes to the intake of key nutrients, such as calcium and protein, and is associated with healthy dietary patterns and lifestyles. The authors review the current evidence linking yogurt consumption to cardiometabolic health and other health conditions, including its established benefits in lactose digestion, its promising role in the prevention of weight management and type 2 diabetes, and its potential impact on cardiometabolic risk factors. This reference book is a key resource for nutrition scientists, dairy researchers, dietitians, health professionals, and educational institutions looking for a state-of-the-art review of the scientific evidence on the role of yogurt in nutrition and health.
In 1931, Emily Thornhill, one of the few women in the Chicago press, covers the murders of Asta Eicher and her three children and, obsessed with finding out what happened to this beautiful family, allies herself with the man funding the investigation.
A marriage born of passion and scandal turns into something more from the bestselling author of Marry in Secret. When a duke denied . . . The proud and arrogant Duke of Everingham is determined to secure a marriage of convenience with heiress, Lady Georgiana Rutherford. He's the biggest prize on the London marriage mart, pursued by young unmarried ladies and their match-making mamas, as well as married women with a wandering eye. He can have any woman he wants. Or so he thinks. . . ...Hunts an independent lady . . . Lady Georgiana Rutherford--irreverent and unconventional--has no plans to marry. Having grown up poor, Lady George has no intention of giving up her fortune to become dependent on the dubious and unreliable goodwill of a man. Especially a man as insufferable as the Duke of Everingham, whose kisses stirs unwelcome and unsettling emotions . . . ...Sparks are sure to fly The more she defies him, the more the duke wants her, until an argument at a ball spirals into a passionate embrace. Caught in a compromising position, the duke announces their betrothal. George is furious and when gossip claims she deliberately entrapped the duke--when she was the one who was trapped--she marches down the aisle in a scarlet wedding dress. But the unlikely bride and groom may have found love in the most improbable of places--a marriage of convenience.
This book considers the relationship between proportionality and facts in constitutional adjudication. Analysing where facts arise within each of the three stages of the structured proportionality test – suitability, necessity, and balancing – it considers the nature of these 'facts' vis-à-vis the facts that arise in the course of ordinary litigation. The book's central focus is on how proportionality has been applied by courts in practice, and it draws on the comparative experience of four jurisdictions across a range of legal systems. The central case study of the book is Australia, where the embryonic and contested nature of proportionality means it provides an illuminating study of how facts can inform the framing of constitutional tests. The rich proportionality jurisprudence from Germany, Canada, and South Africa is used to contextualise the approach of the High Court of Australia and to identify future directions for proportionality in Australia, at a time when the doctrine is in its formative stages. The book has three broad aims: First, it considers the role of facts within proportionality reasoning. Second, it offers procedural insights into fact-finding in constitutional litigation. Third, the book's analysis of the dynamic Australian case-law on proportionality means it also serves to clarify the nature and status of proportionality in Australia at a critical moment. Since the 2015 decision of McCloy v New South Wales, where four justices supported the introduction of a structured three-part test of proportionality, the Court has continued to disagree about the utility of such a test. These developments mean that this book, with its doctrinal and comparative approach, is particularly timely.
The Trinidadian guppy represents a uniguely tractable vertebrate system, which has raised key questions in evolutionary ecology and supplied many of the answers. This work discusses this study and incorporates significant new findings and insights.
Recent constitutional thinking has directed its attention to the profound impact of ‘soft’ norms on the way legislation is made. This book identifies the European Union’s impact assessment regime as a source of these norms. In 2002 the European Commission – later followed by the European Parliament and the Council of Ministers – committed to performing rigorous assessment of the economic, social and environmental impacts of policy options before adopting (legislative) proposals. Applying a ‘constitutional lens’ to this ‘regulatory’ topic, Anne Meuwese examines both the details and the framework of IA in EU lawmaking to date, drawing attention to its strengths, its contradictions, and its power to enhance the deliberative quality of legislative debates. Integrating the perspectives of political scientists and economists with the concerns of legal scholars and practitioners, Dr Meuwese describes and interrelates such aspects of the subject as the following: the potential role of impact assessment as a catalyst of legal principles, by emphasising or overriding norms that govern both the procedural and the substantive aspects of the EU legislative process; the ‘constitutional tasks’ of impact assessment as applied to European legislative proposals, especially relating to subsidiarity, proportionality, and the precautionary principle; the formal and informal extension of the scope of impact assessment beyond the co-decision procedure; the question whether impact assessment crosses the line between informing the legislator and fettering legislative discretion. In the course of her analysis Dr Meuwese develops models for possible usages of IA in EU lawmaking, analyses the implementation of impact assessment processes in the European Commission, the European Parliament and the Council as well as the roles of relevant ‘co-actors’, and offers results of empirical research in the forms of a survey of EU legislative practice and in-depth case studies of four EU legislative dossiers.
A contract for a Middle-Eastern style family honor killing follows a daring Arab career woman and her Finnish lover from Northern California to Central Asia and back in this thriller.
What's a nice Brooklyn Jewish girl novelist with a fiddle doing married to an Arab Sheik dressed like a Queen of Egypt in the deserts? Playing the G-string. Comparing Mizrahi music to Klezmer and Taksim to Magham Seekah. Poetry found its mood here. At dawn I rose on October 25, 1963 to see the salmon slit that ripped the East. My eyes were weary, but the day had to begin. Above, a jet cracked the sky, leaving a feathery trail of scattering wisps of smoke. These clouds soon parted. And by the time the sun melted into the hot winds and its streams radiated to push the thermometer up to 120 degrees, I had packed and unfolded the first flaps of tent to start the new day. Between ethnomusicology, anthropology, and creative writing research, I had my hands full and two toddlers riding camelback.
NEW! Clinical Debriefs are case-based review questions at the end of each chapter that focus on issues such as managing conflict, care prioritization, patient safety, and decision-making. NEW! Streamlined theory content in each chapter features a quick, easy-to-read bullet format to help reduce repetition and emphasize the clinical focus of the book. NEW! Sample documentation for every skill often includes notes by exception in the SBAR format. NEW! SI units and using generic drug names are used throughout the text to ensure content is appropriate for Canadian nurses as well.
Where there's smoke. . . Sydney Teague makes her living by using her head, not her heart. But when it came to Seth Bolick, she couldn't help herself. He was a man obsessed, plunging his life and soul into one remarkable invention: a safe synthetic-nicotine substitute. When she agreed to take him on as a client of her small Charlotte, North Carolina, ad agency, Sydney could not imagine the work she would end up doing for Seth: It's her job to find his killer. The police call it a suicide, and so does Seth's family. Sydney knows they're wrong. When she starts investigating Seth's last days and the forces that were gathering against him, she exposes a pattern of lies and murderous violence amid the tobacco-rich fields of North Carolina. Now Sydney Teague is not just another hard-driving businesswoman who doesn't know when to quit: She's the next, best candidate for murder. . . .
How to Create Salable Ethnographic Plays, Monologues, & Skits from Life Stories, Social Issues, and Current Eventsýfor All Ages with Samples for Performance
How to Create Salable Ethnographic Plays, Monologues, & Skits from Life Stories, Social Issues, and Current Eventsýfor All Ages with Samples for Performance
Here's how to write salable plays, skits, monologues, or docu-dramas from life experiences, social issues, or current events. Write plays/skits using the technique of ethno-playography which incorporates traditions, folklore, and ethnography into dramatizing real events. The sample play and monologues portray events as social issues. One true life example for a skit is the scene in the sample play written from first-person point-of-view about a 1964 five-minute train interlude when a male passenger commands the protagonist not to cross between cars while the train is in motion. The passenger stands between the cars next to his wife who says timorously, "Let her go, dear," after the wife notices the young protagonist wears a wedding ring. The protagonist tells him she's pregnant, returning from the john, and needs to get back to her family. Instead, he squeezes her head in a vise-like grip, crushing her between his knee and the wall of the train. He kicks at the base of her spine, yelling stereotypical ethnic epithets while passengers ignore events. After the sample play and three monologues for performance, you will have learned how to write ethnographic dialogue and select appropriate scene settings. Also included are e-interviews with popular fiction writers.
I tender these tales of the Jazz Age into the hands of those who read as they run and run as they read.' Tales of the Jazz Age (1922) was Fitzgerald's second collection of short stories, and it contains some of the best examples of his talent as a writer of short fiction. Often overshadowed by his major novels, Fitzgerald's short stories demonstrate the same originality and inventive range, as he chronicles with wry and astute observation the temper of the hedonistic 1920s. In 'May Day' and 'The Diamond as Big as the Ritz', two of his greatest stories, he conjures up the spirit of the age; in other stories he adopts a variety of forms - parody, a one-act play, fantasy - with unrivalled versatility. 'The Curious Case of Benjamin Button', a tale of a man living his life backwards, features among the 'Fantasies' in Fitzgerald's self-deprecatory Table of Contents, alongside the groupings 'My Last Flappers' and 'Unclassified Masterpieces'. Fitzgerald chose the stories for his second collection when he was just twenty-five years old, and in the full flush of wild literary success. Tales of the Jazz Age is a quirky, electrifying selection reaching back into his college days, showing Fitzgerald's strengths not only as one of America's leading short story authors in the early 1920s, but as a playwright, farcical satirist, melodramatist, and fantastical novella-writer. He went in all these directions with equal ease and flash in 1922. Tales of the Jazz Age was a sensation then, and remains so now. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
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