The Arab region is often perceived in terms of its negatives rather than its achievements. The cradle of Judaism, Christianity and Islam is nowadays mostly discussed in the context of problems related to rising religious fundamentalism, political instability due in part to the Arab-Israeli conflict or the persistent low status of women. The first Arab Human Development Report listed three deficits impeding human advancement in Arab countries, these were: knowledge acquisition and effective utilization; human rights, freedom and good governance; and woman’s empowerment. The demographic perspective on the Arab region again has tended to focused on the negative, with most studies ranging from uncontrollable immigration to untamable high fertility. Our perspective will first of all examine the differences in terms of demographic paths existing in the 22 countries that make up the Arab world, as well as any convergence occurring at different levels. While the notion that there is a unique and unchanging demographic pattern that is specifically Arab – one of universally high fertility that does not decline – is no longer tenable, the countries in the region are sufficiently similar to each other and distinct from their neighbors to be meaningfully discussed together. This is not to lose sight of the fact that “modernity, cultural openness, the relations between men and women, the effects of economic crisis and of development all vary from one sub-population to another, in North Africa and the Middle East, as elsewhere in the world.” The population projections by the United Nations Population Division essentially assume that fertility will steadily decline in the Arab region as it has elsewhere in the world. In the medium term, despite secular trends in declining fertility and mortality, there will in some respects be even greater demographic heterogeneity in the Arab region than is currently the case. As a result of this heterogeneity, the challenges posed by demographic change in the Arab region are more diverse than the attention to “youth bulges” suggests. It should not distract from the fact that a large number of Arab countries, in the GCC area, the Mashreq and North Africa, will within one generation already enter a phase characterized by progressive population ageing. Because of the rapid future growth in the number of elderly, the overall dependency ratio in the GCC area and Arab North Africa as a whole will, despite falling fertility, not drop much below current levels. This throws an under-appreciated light on the problem of very low participation rates in the labor market. Increasing economic opportunities for today’s youth are not just imperative to meet their own current needs for transitioning to productive and fully “adult” members of society, but also to ensure future sustainability.
The Drowned Muse is a study of the extraordinary destiny, in the history of European culture, of an object which could seem, at first glance, quite ordinary in the history of European culture. It tells the story of a mask, the cast of a young girl's face entitled "L'Inconnue de la Seine," the Unknown Woman of the Seine, and its subsequent metamorphoses as a cultural figure. Legend has it that the "Inconnue" drowned herself in Paris at the end of the nineteenth century. The forensic scientist tending to her unidentified corpse at the Paris Morgue was supposedly so struck by her allure that he captured in plaster the contours of her face. This unknown girl, also referred to as "The Mona Lisa of Suicide", has since become the object of an obsessive interest that started in the late 1890s, reached its peak in the 1930s, and continues to reverberate today. Aby Warburg defines art history as "a ghost story for grown-ups." This study is similarly "a ghost story for grown-ups", narrating the aura of a cultural object that crosses temporal, geographical, and linguistic frontiers. It views the "Inconnue" as a symptomatic expression of a modern world haunted by the earlier modernity of the nineteenth century. It investigates how the mask's metamorphoses reflect major shifts in the cultural history of the last two centuries, approaching the "Inconnue" as an entry point to understand a phenomenon characteristic of 20th- and 21st-century modernity: the translatability of media. Doing so, this study mobilizes discourses surrounding the "Inconnue", casting them as points of negotiation through which we may consider the modern age.
Anyone who regularly tackles challenging crossword puzzles will be familiar with the frustration of unanswered clues blocking the road to completion. Together in one bumper volume, Crossword Lists and Crossword Solver provide the ultimate aid for tracking down those final solutions. The Lists section contains more than 100,000 words and phrases, listed both alphabetically and by number of letters, under category headings such as Volcanoes, Fungi, Gilbert & Sullivan, Clouds, Cheeses, Mottoes, and Archbishops of Canterbury. As intersecting solutions provide letters of the unanswered clue, locating the correct word or phrase becomes quick and easy. The lists are backed up with a comprehensive index, which also guides the puzzler to associated tables - e.g. Film Stars; try Stage and Screen Personalities. The Solver section contains more than 100,000 potential solutions, including plurals, comparative and superlative adjectives, and inflections of verbs. The list extends to first names, place names, technical terms, compound expressions, abbreviations, and euphemisms.Grouped according to number of letters - up to fifteen - this section is easy to use and suitable for all levels of crossword puzzle. At the end a further 3,000 words are listed by category, along with an index of unusual words.
Molecular simulation is an emerging technology for determining the properties of many systems that are of interest to the oil and gas industry, and more generally to the chemical industry. Based on a universally accepted theoretical background, molecular simulation accounts for the precise structure of molecules in evaluating their interactions. Taking advantage of the availability of powerful computers at moderate cost, molecular simulation is now providing reliable predictions in many cases where classical methods (such as equations of state or group contribution methods) have limited prediction capabilities. This is particularly useful for designing processes involving toxic components, extreme pressure conditions, or adsorption selectivity in microporous adsorbents. Molecular simulation moreover provides a detailed understanding of system behaviour. As illustrated by their award from the American Institute of Chemical Engineers for the best overall performance at the Fluid Simulation Challenge 2004, the authors are recognized experts in Monte Carlo simulation techniques, which they use to address equilibrium properties. This book presents these techniques in sufficient detail for readers to understand how simulation works, and describes many applications for industrially relevant problems. The book is primarily dedicated to chemical engineers who are not yet conversant with molecular simulation techniques. In addition, specialists in molecular simulation will be interested in the large scope of applications presented (including fluid properties, fluid phase equilibria, adsorption in zeolites, etc.).Contents: 1. Introduction. 2. Basics of Molecular Simulation. 3. Fluid Phase Equilibria and Fluid Properties. 4. Adsorption. 5. Conclusion and Perspectives. Appendix
At the end of the eighteenth century, French geographers faced a crisis. Though they had previously been ranked among the most highly regarded scientists in Europe, they suddenly found themselves directionless and disrespected because they were unable to adapt their descriptive focus easily to the new emphasis on theory and explanation sweeping through other disciplines. Anne Godlewska examines this crisis, the often conservative reactions of geographers to it, and the work of researchers at the margins of the field who helped chart its future course. She tells her story partly through the lives and careers of individuals, from the deposed cabinet geographer Cassini IV to Volney, von Humboldt, and Letronne (innovators in human, physical, and historical geography), and partly through the institutions with which they were associated such as the Encyclopédie and the Jesuit and military colleges. Geography Unbound presents an insightful portrait of a crucial period in the development of modern geography, whose unstable disciplinary status is still very much an issue today.
This collective monograph aims at contributing to an improved understanding of the epistemic presumptions, sociocultural implications and historically backgrounds of the newly emerging and currently expanding approach of systems biology. In doing so, it offers empirically grounded, valuable and reflexive information about a paradigmatic shift in the biosciences for a wide range of scientists working in the interdisciplinary areas of systems biology, synthetic biology, molecular biology, biology, the philosophy of science, the sociology of science and scientific knowledge, science and technology studies, technology assessment and the like. The authors of this monograph share the theoretical methodological premise that science is a culturally and socially embedded practice which characterizes our culture as a scientific one and at the same time draws its innovative potential from its socio-cultural context. This dialectic relationship lies at the heart of the current development of systems biology which is conceived as a so-called successor of ‘-omics’ research and triggered by high-throughput information technologies. At the same time a need for a holistic conceptualization of complex biological processes emerges. The title Contextualizing Systems Biology suggests that this book analyzes the development and advent of systems biology from different theoretical and methodological perspectives. We investigate a variety of contexts ranging from the analysis of cognitive contexts (such as basic theoretical concepts) to regulative contexts (policies) to the concrete application of a systems biology in the socio-scientific context of a European research project. In empirically analyzing these different and interrelated layers and dimensions of systems biology, the scope of the book goes beyond present attempts to investigate the advent of new approaches in the biological sciences as it frames and assesses systems biology from an interdisciplinary and integrated perspective.
Taking a new approach to consideration of the sculpture created in France during the seventeenth and eighteenth centuries, this book is concerned with its societal roles and the ways in which it was received. The author draws on an extensive range of texts by artists, critics, art theoreticians and other writers as well as on images, setting contemporary conceptions of the nature and purposes of sculpture and individual works into the contexts of the elite and popular cultures of the time. Among topics included are investigations of the employment of statuary for political and religious communication, pictorial representations of sculpture, the comparative roles of painting and sculpture, and the social status of various kinds of sculptors. Previous treatments have dealt with these productions primarily in terms of stylistic developments or of the accomplishments of individual sculptors. This study however approaches its subject thematically rather than chronologically or biographically, while nevertheless acknowledging developments and variations that occurred during the period.
Drawing on a wide range of primary sources, Anne M. Wagner offers a new view of artist education and patronage, and a new definition of what 'academic' meant within the assumptions and expectations in the modern art in nineteenth-century France. Above all she shows what comprised success in the nineteenth-century world of art..
In the first major study of representations of World War II in French crime fiction, Margaret-Anne Hutton draws on a corpus of over a hundred and fifty texts spanning more than sixty years. Included are well-known writers (male and female) such as Aubert, Simenon, Boileau-Narcejak, Vargas, Daeninckx, and Jonquet, as well as a broad range of lesser-known authors. Hutton's introduction situates her study within the larger framework of literary representations of World War II, setting the stage for her discussions of genre; the problem of defining crimes and criminals in the context of the war; the epistemological issues that arise in the relationship between World War II historiography and the crime novel; and the temporal textures linking past crimes to the present. Filling a gap in the fields of crime fiction and fictional representations of the War, Hutton's book calls into question the way both crime fiction and the French theatre of World War II have been conceptualized and codified.
What were the consequences if prerevolutionary and "bourgeois" culture and social relations could not be transformed into new socialist forms of behavior and belief?".
The long and illustrious career of Edouard Vuillard spans the fin-de-siecle and the first four decades of the twentieth century, during which time the French painter, printmaker, and photographer created an extraordinary body of work. This is the first volume to explore Vuillard's rich and varied career in its totality, presenting nearly 350 works that demonstrate the full range of his subject matter and reveal both the public and private sides of this quintessentially Parisian artist." "In a series of illustrated essays and catalogue entries, the authors explore Vuillard's complex and diverse artistic development, beginning with his academic training in Paris in the late 1880s and the innovative Nabi paintings of the 1890s for which he is best known, including his provocative, disquieting middle-class interiors and his work associated with the avant-garde theatre. The authors also examine Vuillard's splendid but lesser known large-scale decorations, his luminous landscapes, and the elegant portraits from the last decades of his career. In addition to paintings, the volume includes a substantial selection of drawings and graphics, together with a large group of striking photographs by the artist, many of which are published here for the first time." "This illustrated catalogue accompanies the most comprehensive exhibition ever devoted to the work of Edouard Vuillard (1868-1940). The exhibition opens at the National Gallery of Art in Washington and travels to the Montreal Museum of Fine Arts, the Galeries nationales du Grand Palais in Paris, and the Royal Academy of Arts, London."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Marshalling historical materials to make a descriptive argument in social theory, this wide-ranging book compares the liberal revolution in France to the liberal revolutions in England and America and argues that the causes and outcomes of these upheavals were decisive in shaping later patterns of politics. "Conflict is the stuff of politics," writes Anne Sa'adah, and liberal politics, because of its emphasis on the individual and its legitimation of self-interest, complicates the task of creating political community in a particularly interesting way. In England and America, the tension between conflict and community was resolved in a manner consistent with political stability. In France, the tension produced an instability that has surfaced periodically throughout subsequent French history. Why this is so is the subject of a work that treats the making of the modern political world in an unusually systematic way. In France, England, and America, the relationship of the state to society under the prerevolutionary regime limited revolutionary options. Sa'adah focuses on how this relationship created a politics of exclusion in France, while allowing a politics of transaction in England and America. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
First-time visitors to the Louvre can hardly fail to be overwhelmed: how to choose among so many treasures? This guide, like the visitor, is necessarily selective. Its aim is not to show everything, but to cover everything. Through a choice of some 600 masterpieces from antiquity to the mid-nineteenth century, the reader is given as comprehensive as possible an idea of all the departments. Accompanying the commentaries on the Louvre's foremost masterpieces, presentations of the various periods and collections situate each in its artistic context and throw light on the personalities of its most famous artists. Visitors can consult this book as a prelude to their visit and return to it afterwards to learn more about their discoveries. --From publisher description.
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