I tender these tales of the Jazz Age into the hands of those who read as they run and run as they read.' Tales of the Jazz Age (1922) was Fitzgerald's second collection of short stories, and it contains some of the best examples of his talent as a writer of short fiction. Often overshadowed by his major novels, Fitzgerald's short stories demonstrate the same originality and inventive range, as he chronicles with wry and astute observation the temper of the hedonistic 1920s. In 'May Day' and 'The Diamond as Big as the Ritz', two of his greatest stories, he conjures up the spirit of the age; in other stories he adopts a variety of forms - parody, a one-act play, fantasy - with unrivalled versatility. 'The Curious Case of Benjamin Button', a tale of a man living his life backwards, features among the 'Fantasies' in Fitzgerald's self-deprecatory Table of Contents, alongside the groupings 'My Last Flappers' and 'Unclassified Masterpieces'. Fitzgerald chose the stories for his second collection when he was just twenty-five years old, and in the full flush of wild literary success. Tales of the Jazz Age is a quirky, electrifying selection reaching back into his college days, showing Fitzgerald's strengths not only as one of America's leading short story authors in the early 1920s, but as a playwright, farcical satirist, melodramatist, and fantastical novella-writer. He went in all these directions with equal ease and flash in 1922. Tales of the Jazz Age was a sensation then, and remains so now. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
This radical re-evaluation of some standard debates surrounding Peirce’s theory of signs presents new interpretations of his work by studying his writings genealogically. Freadman uses the term genre to access Peirce’s work, and expands this original theoretical approach by proposing that “genre” interacts with “sign” and that this interaction is central to the study of the semiotic in general.
Enable students to achieve their best grade in AS/A-level English Literature with this year-round course companion; designed to instil in-depth textual understanding as students read, analyse and revise The Great Gatsby throughout the course. This Study and Revise guide: - Increases students' knowledge of The Great Gatsby as they progress through the detailed commentary and contextual information written by experienced teachers and examiners - Develops understanding of characterisation, themes, form, structure and language, equipping students with a rich bank of textual examples to enhance their coursework and exam responses - Builds critical and analytical skills through challenging, thought-provoking questions and tasks that encourage students to form their own personal responses to the text - Extends learning and prepares students for higher-level study by introducing critical viewpoints, comparative references to other literary works and suggestions for independent research - Helps students maximise their exam potential using clear explanations of the Assessment Objectives, sample student answers and examiner insights - Improves students' extended writing techniques through targeted advice on planning and structuring a successful essay
Asheville, North Carolina has a long history with beer, one that is still easily seen in this city today, from moonshine to craft beers and breweries. Drinking local harks back to the founding of Asheville in 1798. Whether it be moonshine or craft beer, the culture of local hooch is deeply ingrained in the mountain dwellers of Western North Carolina. Both residents and visitors alike enjoy Asheville's wealth of breweries, brewpubs, beer festivals and dedicated retailers. That enthusiasm earned the city the coveted Beer City, USA title year after year and prompted West Coast beer giants Sierra Nevada, New Belgium and Oskar Blues to establish production facilities here. Beer writer and educator Anne Fitten Glenn recounts this intoxicating history, from the suds-soaked saloons of "Hell's Half Acre" to the region's explosion into a beer Mecca.
This book examines the justice gap and trial process for sexual assault against both adults and children in two jurisdictions: England and Wales and New South Wales, Australia. Drawing on decades of research, it investigates the reality of the policing and prosecution of sexual assault offences – often seen as one of the ‘hardest crimes to prosecute’ – across two similar jurisdictions. Despite the introduction of the many reform options detailed in the book, satisfactory outcomes for victims and the public are still difficult to obtain. Cossins takes a new approach by examining the nature and effects of adversarialism on vulnerable witnesses, jury decision-making and the structures of power within the trial process, to show how, and at what points, that process is weighted against complainants of sexual assault, in order to make evidence-based suggestions for reform. She argues that this justice gap is a result of a moralistic adversarial culture which fosters myths and misconceptions about rape and child sexual assault, thus requiring the prosecution to prove a complainant’s moral worthiness. She argues this culture can only be eliminated by a radical replacement of the adversarial system with a trauma-informed system. By reviewing the relevant psychological literature, this book documents the triggers for re-traumatisation within an adversarial trial, and discusses the reform measures that would be necessary to transform the sexual assault trial from one where the complainant’s moral worthiness is ‘on trial’ to a fully functioning trauma-informed system. It speaks to students and academics across subjects including law, criminology, gender studies and psychology, and practitioners in law and victim services, as well as policy-makers.
Created specifically for the AQA A/AS level English literature A specification for first teaching from 2015, this print student book is suitable for all abilities, providing stretch opportunities for the more able and additional scaffolding for those who need it. Helping bridge the gap between GCSE and A level, the unique three-part structure focuses on texts within a particular time period and supports students in interpreting texts and reflecting on how writers make meaning.
Six centuries ago Polynesian explorers, who inhabited a cosmos in which islands sailed across the sea and stars across the sky, arrived in Aotearoa New Zealand where they rapidly adapted to new plants, animals, landscapes and climatic conditions. Four centuries later, European explorers arrived with maps and clocks, grids and fences, and they too adapted to a new island home. In this remote, beautiful archipelago, settlers from Polynesia and Europe (and elsewhere) have clashed and forged alliances, they have fiercely debated what is real and what is common sense, what is good and what is right. In this, her most ambitious book to date, Dame Anne Salmond looks at New Zealand as a site of cosmo-diversity, a place where multiple worlds engage and collide. Beginning with a fine-grained inquiry into the early period of encounters between Maori and Europeans in New Zealand (1769–1840), Salmond then investigates such clashes and exchanges in key areas of contemporary life – waterways, land, the sea and people. We live in a world of gridded maps, Outlook calendars and balance sheets – making it seem that this is the nature of reality itself. But in New Zealand, concepts of whakapapa and hau, complex networks and reciprocal exchange, may point to new ways of understanding interactions between peoples, and between people and the natural world. Like our ancestors, Anne Salmond suggests, we too may have a chance to experiment across worlds.
It’s as old as time: the breakup letter. The kiss-off. The Dear John. The big adios. Simple in its premise, stunningly perfect in its effect. From Anne Boleyn to Sex and the City writer/producer Cindy Chupack, from women both well-known and unknown, imaginary and real, the letters here span the centuries and the emotions—providing a stirring, utterly gratifying glimpse at the power, wit, and fury of a woman’s voice. In a never-before-published letter, Anaïs Nin gives her lover, C. L. Baldwin, a piece of her mind. Charlotte Brontë, in formal fashion, refuses the marriage proposal of Henry Nussey. In a previously unpublished letter, Sylvia Plath writes to her childhood friend and brief lover, Phillip McCurdy, expressing her wish to maintain a platonic relationship. And “Susie Q.” lets “Johnny Smack-O” know that she’s onto his philandering. The brilliance of the mad missives, caustic communiqués, downhearted dispatches, sweet send-offs, and every other sort of good-bye that fills these pages will surely resonate with anyone who has ever loved, lost, left, languished, or laughed a hearty last laugh.
An introduction to the mysterious theater role of a dramaturg by a legend in the field Anne Cattaneo was among the first Americans to fill the role of dramaturg, one of theater’s best kept secrets. A combination of theater artist, scholar, researcher, play advocate, editor, and writer’s friend, it is the job of a dramaturg to “reflect light back on the elements that are already in play,” while bringing a work of theater to life. Cattaneo traces the field from its beginnings in the eighteenth century to the present and chronicles the multitude and variety of tasks a dramaturg undertakes before, during, and after a production is brought to the stage. Using detailed stories from her work with theater artists such as Tom Stoppard, Wendy Wasserstein, Robert Wilson, Shi-Zheng Chen, and Sarah Ruhl, as well as the discovery of a ‘lost’ play by Langston Hughes and Zora Neale Hurston, Cattaneo provides an invaluable manual to those studying, working in, and interested in this most fascinating profession.
Written by experienced A-level examiners and teachers who know exactly what students need to succeed, and edited by a chief examiner, Philip Allan Literature Guides (for A-level) are invaluable study companions with exam-specific advice to help you to get the grade you need. This guide includes: detailed scene summaries and sections on themes, characters, form, structure, language and contexts; a dedicated 'Working with the text' section on how to write about texts for coursework and controlled assessment and how to revise for exams; Taking it further boxes on related books, film adaptations and websites; Pause for thought boxes to get you thinking more widely about the text; Task boxes to test yourself on transformation, analysis, research and comparison activities; and Top 10 quotes.
How has the recession affected the conduct of human resource management? How have HR departments and managers fared? Have leading firms taken measures to sustain and revive their businesses through innovative HR measures? How have union representation and influence been affected? Is the recession reshaping work and employment practices? These are among the questions answered in Recession at Work, the first systematic study in Europe to deal with the effects of the economic crisis on people at work. Drawing on survey data for Ireland provided by nearly 500 managers responsible for human resources, on focus groups of HR managers and trade union officials, and on detailed case studies of six major firms, the book provides an unrivalled picture of the effects of the current recession on how people are managed and how they are represented by trade unions. Examining the effects of the Irish recession on work and employment in the context of international experience and commentary, this book provides detailed information and analysis on the ways in which firms have sought to handle the challenges that have arisen since the severe reverse in Ireland’s economic fortunes in 2008.
An expansive collection of texts providing insight into the inner life, creativity, and practice of the innovative American artist Anne Truitt Spanning more than fifty years, this comprehensive volume collects the letters, journal entries, interviews, lectures, reviews, and remembrances of the groundbreaking twentieth-century artist Anne Truitt (1921–2004). Alexandra Truitt, the artist’s daughter and a leading expert on her work, has carefully selected these writings, most of which are previously unpublished, from the artist’s papers at Bryn Mawr College as well as private holdings. Revelations about the artist’s life abound. Among Truitt’s earliest writings are excerpts from journals written more than a decade before her first artistic breakthrough, in which she establishes themes that would occupy her for decades. In later texts she shares uncommon insights into the practices of other artists and writers, both predecessors and peers. Like Truitt’s published journals, these writings offer a compelling narrative of her development as an artist and efforts to find her voice as a writer. They show that Truitt’s creative impulse to translate the inner workings of her mind into a symbolic language, so important to understanding her sculpture, predates her art.
Can an Irish Lass with a Dream for America Find True Love? Maggie Montgomery's long-held wish to see America is finally coming true. She'll visit her beloved brother Rylan and his wife, Colleen, and at the same time, escape Neill Fitzgerald's unwanted attention. In addition, Maggie has a secret! She plans to remain in America to seek her fortune and to hopefully find love. While visiting Irish Meadows, she meets an intriguing man whom she thinks is a stable hand. Only when Rylan demands she stay away from Adam O'Leary does she realize he's Colleen's brother, recently released from prison. Nonetheless, Maggie can't seem to make her heart conform to her brother's request. Adam O'Leary has never felt worthy of his place in the family. Spending time in jail only reinforces his belief. Now that he's free, Adam hopes to make amends and earn back his family's trust. Falling in love with Maggie Montgomery, however, was never in his plans. Despite everyone's effort to keep them apart, the two develop a bond nothing can break--but has Adam truly changed, or will the sins of his past prove too much for Maggie to overcome?
There are many ways to show our devotion to an author besides reading his or her works. Graves make for popular pilgrimage sites, but far more popular are writers' house museums. What is it we hope to accomplish by trekking to the home of a dead author? We may go in search of the point of inspiration, eager to stand on the very spot where our favorite literary characters first came to life—and find ourselves instead in the house where the author himself was conceived, or where she drew her last breath. Perhaps it is a place through which our writer passed only briefly, or maybe it really was a longtime home—now thoroughly remade as a decorator's show-house. In A Skeptic's Guide to Writers' Houses Anne Trubek takes a vexed, often funny, and always thoughtful tour of a goodly number of house museums across the nation. In Key West she visits the shamelessly ersatz shrine to a hard-living Ernest Hemingway, while meditating on his lost Cuban farm and the sterile Idaho house in which he committed suicide. In Hannibal, Missouri, she walks the fuzzy line between fact and fiction, as she visits the home of the young Samuel Clemens—and the purported haunts of Tom Sawyer, Becky Thatcher, and Injun' Joe. She hits literary pay-dirt in Concord, Massachusetts, the nineteenth-century mecca that gave home to Hawthorne, Emerson, and Thoreau—and yet could not accommodate a surprisingly complex Louisa May Alcott. She takes us along the trail of residences that Edgar Allan Poe left behind in the wake of his many failures and to the burned-out shell of a California house with which Jack London staked his claim on posterity. In Dayton, Ohio, a charismatic guide brings Paul Laurence Dunbar to compelling life for those few visitors willing to listen; in Cleveland, Trubek finds a moving remembrance of Charles Chesnutt in a house that no longer stands. Why is it that we visit writers' houses? Although admittedly skeptical about the stories these buildings tell us about their former inhabitants, Anne Trubek carries us along as she falls at least a little bit in love with each stop on her itinerary and finds in each some truth about literature, history, and contemporary America.
Anne de Courcy, the author of Husband Hunters and Chanel's Riviera, examines the controversial life of legendary beauty, writer and rich girl Nancy Cunard during her thirteen years in Jazz-Age Paris. Paris in the 1920s was bursting with talent in the worlds of art, design and literature. The city was at the forefront of everything new and exciting; there was no censorship; life and love were there for the taking. At its center was the gorgeous, seductive English socialite Nancy Cunard, scion of the famous shipping line. Her lovers were legion, but this book focuses on five of the most significant and a lifelong friendship. Her affairs with acclaimed writers Ezra Pound, Aldous Huxley, Michael Arlen and Louis Aragon were passionate and tempestuous, as was her romance with black jazz pianist Henry Crowder. Her friendship with the famous Irish novelist George Moore, her mother’s lover and a man falsely rumored to be Nancy’s father, was the longest-lasting of her life. Cunard’s early years were ones of great wealth but also emotional deprivation. Her mother Lady Cunard, the American heiress Maud Alice Burke (who later changed her name to Emerald) became a reigning London hostess; Nancy, from an early age, was given to promiscuity and heavy drinking and preferred a life in the arts to one in the social sphere into which she had been born. Highly intelligent, a gifted poet and widely read, she founded a small press that published Samuel Beckett among others. A muse to many, she was also a courageous crusader against racism and fascism. She left Paris in 1933, at the end of its most glittering years and remained unafraid to live life on the edge until her death in 1965. Magnificent Rebel is a nuanced portrait of a complex woman, set against the backdrop of the City of Light during one of its most important and fascinating decades.
Toni Wolff was at first the patient, and later the friend, mistress for a time, long-term colleague and personal analyst of Swiss Psychiatrist Carl Jung. In addition to her work as the founder, leader and teacher for the Psychological Society in Z rich which led to the establishment of the world-renowned C.G. Jung Institute in Z rich/K snacht, she published a seminal but little known work called "Structural Forms of the Feminine Psyche" ("Der Psychologie," Berne, 1951). This treatise, certainly one of the first studies in Analytical Psychology, has been the subject of the authors' investigation, attention, research and study for the past twelve years. Toni Wolff's original outline of her four archetypes barely filled fifteen pages of the journal, and was written in the academic style of professional publications of that period, sans illustration or commentary. While Wolff's work has been mentioned in short form in the work of several writers, Four Eternal Women is the first full and serious archetypal delineation of her original thesis, and examines each of her four feminine archetypes from several perspectives: Wolff's Own Words; An Overview of History and Myth; Familiar Characteristics; Lesser-Known (Shadow) Possibilities; Career Inclinations; Relationships to Men; Relationships to Children; Relationships to Each of the Other Types; The tension of the opposites set up by Wolff's own diagrammatic representation of these archetypes provided an additional dynamic to this study. Those who have followed Jung's individuation path will recognize aspects of Jung's 'Transcendent Function.' All readers may well become personally sensitized to discover their own type preferences, and how some aspects of shadow may be present in their 'opposite' partner.
Dazzlingly beautiful, highly intelligent and an extraordinary force of energy, Nancy Cunard was an icon of the Jazz Age, said to have inspired half the poets and novelists of the twenties. Born into a life of wealth and privilege, yet one in which she barely saw her parents, Nancy rebelled against expectations and pursued a life in the arts. She sought the constant company of artists, writers, poets and painters, first in London's Soho and Mayfair, and then in the glamorous cafes of 1920s Paris. This is the remarkable story of Nancy's Paris life, filled with art, sex and alcohol. She became a muse to Wyndham Lewis, Constantin Brâncusi sculpted her, Man Ray photographed her and she played tennis with Ernest Hemingway. She had many love affairs, the most significant of which are included in this book: the American poet Ezra Pound, the novelists Aldous Huxley and Michael Arlen, the French poet Louis Aragon and finally and controversially the black American pianist Henry Crowder, with whom she ran her printing press in Paris. She was also shaped by her lifelong friendship with George Moore, her mother's lover. This tempestuous tale of passion and intrigue is as much a portrait of twenties Paris as it is the story of an extraordinary woman who defined her age.
After civil war, can the winners commemorate their victory, hailing their conquering heroes with the blood of their former comrades still fresh on their boots? Or should they cover themselves in shame and hope that the nation soon forgets? In this book, Anne Dolan explores the tensions between memory and forgetting in twentieth-century Ireland. By examining the memory of winning the Irish Civil War, she discusses the extent to which it has been used to serve party political ends, where private grief finds consolation when the dead have fallen from political favour, and how the dead are remembered when no one wanted to fight the war. The book addresses the Irish Civil War at its most public point: at the statues and crosses, and in the ritual and rhetoric of commemoration. It will be of central interest to all students and scholars of European history and politics.
Whether you need a spectacular venue to f te a big event or you just don't want to do the dishes, Capital Dining has a suggestion for you. From celebrated to underrated, haute cuisine to come-as-you-are, this guide is an up-to-date compilation of over 100 reviews of some of the Ottawa-Gatineau region's best restaurants by Anne DesBrisay, Ottawa's most authoritative dining voice. The restaurants are identified by a number of useful categories, including type of food, neighbourhood, price range, outdoor dining, family-friendly, open Sunday, and late-night feasting. Each review features capsule notes on the establishment's key features: accessibility, cost, and hours of operation. Insightful and informative, these reviews reflect the objective opinion of a professionally trained and passionately engaged expert in all things edible. The first restaurant guide to the area in over a decade, this book is invaluable for anyone living in or visiting Ottawa, whether they have a serious interest in dining out, or are simply in need of advice on where to spend their restaurant dollar.
A unique and incisive exploration of the place and nature of friendship in both its personal and civic dimensions In Towards Friendship-Shaped Communities: A Practical Theology of Friendship, distinguished theological researcher Anne-Marie Ellithorpe delivers a constructive and insightful exploration of the place and nature of friendship as innate to being human, to the human vocation, and to life within the broader community. Of particular interest to members and leaders of faith communities, this book responds to contemporary concerns regarding relationality and offers a comprehensive theology of friendship. The author provides an inclusive and interdisciplinary study that brings previous traditions and texts into dialogue with contemporary contexts and concerns, including examples from Indigenous and Euro-Western cultures. Readers will reflect on the theology of friendship and the interrelationship between friendship and community, think critically about their own social and theological imagination, and develop an integrative approach to theological reflection that draws on Don Browning’s Fundamental Practical Theology. Integrating philosophical, anthropological, and theological perspectives on the study of friendship, this book presents: A thorough introduction to contemporary questions on friendship and discussions of co-existing friendship worlds Comprehensive explorations of friendship in first and second testament writings, as well as friendship within classical and Christian traditions Practical discussions of theology, friendship, and the social imagination, including explorations of mutuality and spirit-shaped friendships Considerations for outworking friendship ideals within communities of practice, from the perspective of strategic (or fully) practical theology Perfect for graduate and advanced undergraduate students taking courses on friendship or practical theology, Towards Friendship-Shaped Communities: A Practical Theology of Friendship will also earn a place in the libraries of scholars of practical theology and community practitioners, including ministers, priests, pastors, spiritual advisors, and counselors.
For the past forty years Anne Taylor has studied how schools, classrooms, playgrounds, homes, museums, and parks affect children and how they learn. As a result, she has developed a holistic, sustainable philosophy of learning environment design. She argues persuasively that architects must integrate their design knowledge with an understanding of the developmental needs of learners, while at the same time educators, parents, and students must broaden their awareness of the built, natural, and cultural environment to maximize the learning experience. In other words, schools and other environments can themselves become "three-dimensional textbooks." When architects are cognizant of newer models of education and educators view the environment as more than a box in which to teach prescribed lessons, the result is an informed architecture that enables children to discover the power of their own learning. The book presents numerous examples of dynamic designs that are the result of interdisciplinary understanding of place. Taylor includes designer perspectives, forums derived from commentary by outside contributors involved in school planning, and a wealth of photographs of thoughtful and effective solutions to create learning environments from comprehensive design criteria. Because the concept of "school" is enlarged to a community campus, the book also spawns a new model of teaching and learning. This book is essential reading for educators, architects, and community members who are anxious to transform education in America and elsewhere. "Anne Taylor is the most outstanding educator, leading proponent, and practitioner in the three-dimensional textbook field. Her work is the finest resource available for connecting students (young and old) to their learning environments, and visa versa."--Edward E. Kirkbride, NCARB, REFP "Before Western man divided the universe into discrete subject matter areas, the order in the universe was (and still is) both interdisciplinary and holistic. The branching of trees, spiraling of shells, meandering of streams, and the radial designs of flowers, for example, represent an analogy of mathematics, biology, and art. The current artificial separation of subject matter is in contrast to the way the world is constructed and the way children perceive it. Architecture and the study of the built, natural, and cultural environment synthesize the world of material things and the world of ideas. Further more, it helps us to realize that we are a part of not apart from the environment. This book is a tool and a gift to designers, educators, and students everywhere to assist them in seeing the meaning behind all that we view and use for living on earth. To know our precious relationship to our surroundings is the intent of this book. In this way, life is a work of art and each of us is an artist."--Anne Taylor
In rural South African clinics, Black nurses were charged with administering life-saving health care measures despite a lack of equipment and personnel, often while navigating the intersections of traditional African healing practices and changing gender relations. A Bold Profession is an homage to their dedication to the well-being of their communities.
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