Presents the findings of a project that was designed to assess current practices & procedures used in the handling of criminal court cases involving children as victims/witnesses. Project utilized case reviews & interviews of participants in recently adjudicated cases to describe current approaches to children in the criminal justice system.
Modern Crescenta Valley practically defines the notion of quiet suburbia with its lovely homes and tree-lined streets. Yet the communities that lie north of Los Angeles between the Verdugo and San Gabriel Mountains once formed a vast, isolated, treeless, windstorm-swept dell. The settlers who stayed in this valley found day-to-day subsistence challenging. They farmed, hunted, tried bee ranching, gathered greasewood, cultivated vineyards and dodged rattlesnakes. As settlement in the area continued to develop, such refinements as literature and photography flourished. Join author Jo Anne Sadler as she brings the Valley's frontier days to life, recounting such quirks as a visit from a "rainmaker" and the reasons behind the construction of the gaudy local landmark the Gould Castle.
The Shenandoah Valley conjures up a beautiful landscape and a resonant Civil War history. This guide delivers the best experiences in the area, peak to peak, from wonderful mountain flowers and streams, to rolling farmlands and white clapboard chapels to tales of invention, scholarship, and military encounters. Maps. Photos.
Two Vermont columnists share their unusual money-saving advice for hundreds of day-to-day problems, from kitchen and bath cleaning to gardening and home repair
Through this searching overview of Anne Graham's work Joan Ackland leads us to the artist's unique vision, with its particular insight and character. Key factors in its formation have been the artist's background and her personality about which the author writes with the appealing vitality of her subject.
Illustrated catalogue of a retrospective exhibition of Anne Ophela Todd Dowden's artwork at Hunt Institute is the only catalogue of her work representing an overview of her career as a botanical illustrator for books, magazine and reproductions. Accompanying many of the illustrations are selections from letters by Anne Ophelia to botanists, curators, colleagues and friends in her search for plants, descriptions of her challenges and delight in observing and painting them, and details about the process of creating books for publication. Included in the catalogue are an autobiographical sketch, portraits of the artist, her family and husband, and exhibition and publication information.
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