Anne Clifford, in her Great Books of Records, places herself within the dynamic 600 year history of the Clifford family. This book is unique, including a wide variety of records that provide an unbroken view into life on the Clifford estates in England, (as well as the borders of Wales,Ireland, and Scotland) for centuries, as well as the family's involvement at the centre of political life. Here we glimpse the lives of simple widows, traders, farmers, and labourers juxtaposed with the adventures of soldiers, lords and ladies, princes and princesses. We see how rebellions,crusades, and foreign wars impacted both the great and the humble. And we witness changes in the practices of justice and custom. In this book Anne Clifford asserts the centrality of women to the success of the Clifford and other noble families, including the monarchy.Anne Clifford writes herself into this history, asserting her own rights to govern the lands of her father after her decades long inheritance dispute. Anne Clifford's composition of the Great Books draws upon medieval traditions and early modern scholarship and builds upon these through theinclusion of biographies of all the Clifford lords and ladies, along with an extended biography of her mother Margaret Russell and her own autobiographical, "The Life of Mee". Those interested in the lives of medieval and early modern women, changes in culture, the effect of the political uponindividuals, and the inspiring life of Anne Clifford will find this a rich and rewarding book.
Anne Clifford’s memoir for the year 1603 and her diary of 1616-1619 are invaluable records of the daily life and social and family relationships of a noblewoman of her time. In them she records her travels, her reading, her religious observances, her relationships with her mother, her husband, and her child, and the progress—or lack thereof—of her legal efforts to obtain what she viewed as her inheritance, extensive estates in the north of England. The two texts offer a unique view of the life, feelings, experience, and self-fashioning of this extraordinary woman, and they bring to life the history and literary culture of the period in a refreshing and direct way. This Broadview edition includes an illuminating introduction that places these texts in their historical and literary context. The appendices include poems dedicated and addressed to Clifford, her funeral sermon, and the “Great Picture” of the Clifford family.
Anne Clifford’s memoir for the year 1603 and her diary of 1616-1619 are invaluable records of the daily life and social and family relationships of a noblewoman of her time. In them she records her travels, her reading, her religious observances, her relationships with her mother, her husband, and her child, and the progress—or lack thereof—of her legal efforts to obtain what she viewed as her inheritance, extensive estates in the north of England. The two texts offer a unique view of the life, feelings, experience, and self-fashioning of this extraordinary woman, and they bring to life the history and literary culture of the period in a refreshing and direct way. This Broadview edition includes an illuminating introduction that places these texts in their historical and literary context. The appendices include poems dedicated and addressed to Clifford, her funeral sermon, and the “Great Picture” of the Clifford family.
Anne Clifford describes the dramatic and tragic events of her life in the seventeenth century. Of how she danced in the masques of Inigo Jones, experienced both joy and abuse in her two marriages, lost and gained an inheritance, and successfully defended her rights against kings and armies. All told in rich detail amidst the backdrop of daily life.
Our built environment inspires writers to reflect on the human experience, discover its history, or make it up. Buildings tell stories. Castles, country homes, churches, and monasteries are “documents” of the people who built them, owned them, lived and died in them, inherited and saved or destroyed them, and recorded their histories. Literature and Architecture in Early Modern England examines the relationship between sixteenth- and seventeenth-century architectural and literary works. By becoming more sensitive to the narrative functions of architecture, Anne M. Myers argues, we begin to understand how a range of writers viewed and made use of the material built environment that surrounded the production of early modern texts in England. Scholars have long found themselves in the position of excusing or explaining England’s failure to achieve the equivalent of the Italian Renaissance in the visual arts. Myers proposes that architecture inspired an unusual amount of historiographic and literary production, including poetry, drama, architectural treatises, and diaries. Works by William Camden, Henry Wotton, Ben Jonson, Andrew Marvell, George Herbert, Anne Clifford, and John Evelyn, when considered as a group, are texts that overturn the engrained critical notion that a Protestant fear of idolatry sentenced the visual arts and architecture in England to a state of suspicion and neglect.
Drawing on a wide range of recent research, WOMEN IN ENGLAND is an intimate social history of women who experienced life between the Reformation and the Industrial Revolution. Anne Laurence writes about marriage, sex, childbirth, work within and outside the household, education, religion and women's activity in the community and the wider world. 'A marvellously rich and fresh survey of English women from the Reformation to the dawn of the Industrial Revolution' Roy Porter, The Sunday Times
Anne Clifford’s memoir for the year 1603 and her diary of 1616-1619 are invaluable records of the daily life and social and family relationships of a noblewoman of her time. In them she records her travels, her reading, her religious observances, her relationships with her mother, her husband, and her child, and the progress—or lack thereof—of her legal efforts to obtain what she viewed as her inheritance, extensive estates in the north of England. The two texts offer a unique view of the life, feelings, experience, and self-fashioning of this extraordinary woman, and they bring to life the history and literary culture of the period in a refreshing and direct way. This Broadview edition includes an illuminating introduction that places these texts in their historical and literary context. The appendices include poems dedicated and addressed to Clifford, her funeral sermon, and the “Great Picture” of the Clifford family.
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