The poetry and prose collected in Plainwater are a testament to the extraordinary imagination of Anne Carson, a writer described by Michael Ondaatje as "the most exciting poet writing in English today." Succinct and astonishingly beautiful, these pieces stretch the boundaries of language and literary form, while juxtaposing classical and modern traditions. Carson envisions a present-day interview with a seventh-century BC poet, and offers miniature lectures on topics as varied as orchids and Ovid. She imagines the muse of a fifteenth-century painter attending a phenomenology conference in Italy. She constructs verbal photographs of a series of mysterious towns, and takes us on a pilgrimage in pursuit of the elusive and intimate anthropology of water. Blending the rhythm and vivid metaphor of poetry with the discursive nature of the essay, the writings in Plainwater dazzle us with their invention and enlighten us with their erudition.
Following her widely acclaimed Autobiography of Red ("A spellbinding achievement" --Susan Sontag), a new collection of poetry and prose that displays Anne Carson's signature mixture of opposites--the classic and the modern, cinema and print, narrative and verse. In Men in the Off Hours, Carson reinvents figures as diverse as Oedipus, Emily Dickinson, and Audubon. She views the writings of Sappho, St. Augustine, and Catullus through a modern lens. She sets up startling juxtapositions (Lazarus among video paraphernalia; Virginia Woolf and Thucydides discussing war). And in a final prose poem, she meditates on the recent death of her mother. With its quiet, acute spirituality, its fearless wit and sensuality, and its joyful understanding that "the fact of the matter for humans is imperfection," Men in the Off Hours shows us "the most exciting poet writing in English today" (Michael Ondaatje) at her best.
Anne Carson's poetry - characterized by various reviewers as "short talks", "essays", or "verse narratives" - combines the confessional and the critical in a voice all her own. Known as a remarkable classicist, Anne Carson in Glass, Irony and God weaves contemporary and ancient poetic strands with stunning style. This collection includes: "The Glass Essay", a powerful poem about the end of a love affair, told in the context of Carson's reading of the Bronte sisters; "Book of Isaiah", a poem evoking the deeply primitive feel of ancient Judaism; and "The Fall of Rome", about her trip to "find" Rome and her struggle to overcome feelings of a terrible alienation there.
An illustrated new translation of Sophokles’ Antigone. Anne Carson has published translations of the ancient Greek poets Sappho, Simonides, Aiskhylos, Sophokles and Euripides. Antigonick is her seminal work. Sophokles’ luminous and disturbing tragedy is here given an entirely fresh language and presentation. This paperback edition includes a new preface by the author, “Dear Antigone.”
A literary event: a follow-up to the internationally acclaimed poetry bestseller Autobiography of Red ("Amazing" -- Alice Munro) that takes its mythic boy-hero into the twenty-first century to tell a story all its own of love, loss, and the power of memory. In a stunningly original mix of poetry, drama, and narrative, Anne Carson brings the red-winged Geryon from Autobiography of Red, now called "G," into manhood, and through the complex labyrinths of the modern age. We join him as he travels with his friend and lover "Sad" (short for Sad But Great), a haunted war veteran; and with Ida, an artist, across a geography that ranges from plains of glacial ice to idyllic green pastures; from a psychiatric clinic to the somber housewhere G's mother must face her death. Haunted by Proust, juxtaposing the hunger for flight with the longing for family and home, this deeply powerful verse picaresque invites readers on an extraordinary journey of intellect, imagination, and soul.
The award-winning poet reinvents a genre in a stunning work that is both a novel and a poem, both an unconventional re-creation of an ancient Greek myth and a wholly original coming-of-age story set in the present. Geryon, a young boy who is also a winged red monster, reveals the volcanic terrain of his fragile, tormented soul in an autobiography he begins at the age of five. As he grows older, Geryon escapes his abusive brother and affectionate but ineffectual mother, finding solace behind the lens of his camera and in the arms of a young man named Herakles, a cavalier drifter who leaves him at the peak of infatuation. When Herakles reappears years later, Geryon confronts again the pain of his desire and embarks on a journey that will unleash his creative imagination to its fullest extent. By turns whimsical and haunting, erudite and accessible, richly layered and deceptively simple, Autobiography of Red is a profoundly moving portrait of an artist coming to terms with the fantastic accident of who he is. A NEW YORK TIMES NOTABLE BOOK OF THE YEAR National Book Critics Circle Award Finalist "Anne Carson is, for me, the most exciting poet writing in English today." --Michael Ondaatje "This book is amazing--I haven't discovered any writing in years so marvelously disturbing." --Alice Munro "A profound love story . . . sensuous and funny, poignant, musical and tender." --The New York Times Book Review "A deeply odd and immensely engaging book. . . . [Carson] exposes with passionate force the mythic underlying the explosive everyday." --The Village Voice
Named one of the 100 best nonfiction books of all time by the Modern Library Anne Carson’s remarkable first book about the paradoxical nature of romantic love Since it was first published, Eros the Bittersweet, Anne Carson’s lyrical meditation on love in ancient Greek literature and philosophy, has established itself as a favorite among an unusually broad audience, including classicists, essayists, poets, and general readers. Beginning with the poet Sappho’s invention of the word “bittersweet” to describe Eros, Carson’s original and beautifully written book is a wide-ranging reflection on the conflicted nature of romantic love, which is both “miserable” and “one of the greatest pleasures we have.”
Anne Carson’s first original work since Float (Knopf, 2016) Published here in a stunning edition with images created by Carson, several of the twenty-five startling poetic prose pieces have appeared in magazines and journals like The New Yorker and The Paris Review. As Carson writes: “Wrong Norma is a collection of writings about different things, like Joseph Conrad, Guantánamo, Flaubert, snow, poverty, Roget's Thesaurus, my Dad, Saturday night. The pieces are not linked. That's why I've called them ‘wrong.’
Fans of Anne Carson, rejoice!... Carson's depth of knowledge about Greek mythology coupled with her poetic sensibility and illustrations is sure to breathe new life into this oft-told story.' Lit Hub H of H Playbook is an explosion of thought, in drawings and language, about a Greek tragedy called Herakles by the 5th-century BC poet Euripides. In myth Herakles is an embodiment of manly violence who returns home after years of making war on enemies and monsters (his famous "Labours of Herakles") to find he cannot adapt himself to a life of peacetime domesticity. He goes berserk and murders his whole family. Suicide is his next idea. Amazingly, this does not happen. Due to the intervention of his friend Theseus, Herakles comes to believe he is not, after all, indelibly stained by his own crimes, nor is his life without value. It remains for the reader to judge this redemptive outcome. "I think there is no such thing as an innocent landscape," said Anselm Kiefer, painter of forests grown tall on bones.
The ancient Greek lyric poet Simonides of Keos was the first poet in the Western tradition to take money for poetic composition. From this starting point, Anne Carson launches an exploration, poetic in its own right, of the idea of poetic economy. She offers a reading of certain of Simonides' texts and aligns these with writings of the modern Romanian poet Paul Celan, a Jew and survivor of the Holocaust, whose "economies" of language are notorious. Asking such questions as, What is lost when words are wasted? and Who profits when words are saved? Carson reveals the two poets' striking commonalities. In Carson's view Simonides and Celan share a similar mentality or disposition toward the world, language and the work of the poet. Economy of the Unlost begins by showing how each of the two poets stands in a state of alienation between two worlds. In Simonides' case, the gift economy of fifth-century b.c. Greece was giving way to one based on money and commodities, while Celan's life spanned pre- and post-Holocaust worlds, and he himself, writing in German, became estranged from his native language. Carson goes on to consider various aspects of the two poets' techniques for coming to grips with the invisible through the visible world. A focus on the genre of the epitaph grants insights into the kinds of exchange the poets envision between the living and the dead. Assessing the impact on Simonidean composition of the material fact of inscription on stone, Carson suggests that a need for brevity influenced the exactitude and clarity of Simonides' style, and proposes a comparison with Celan's interest in the "negative design" of printmaking: both poets, though in different ways, employ a kind of negative image making, cutting away all that is superfluous. This book's juxtaposition of the two poets illuminates their differences--Simonides' fundamental faith in the power of the word, Celan's ultimate despair--as well as their similarities; it provides fertile ground for the virtuosic interplay of Carson's scholarship and her poetic sensibility.
A stunning, new translation by the poet and classicist Anne Carson, first performed in 2015 at the Almeida Theatre in London Anne Carson writes, “Euripides was a playwright of the fifth century BC who reinvented Greek tragedy, setting it on a path that leads straight to reality TV. His plays broke all the rules, upended convention and outraged conservative critics. The Bakkhai is his most subversive play, telling the story of a man who cannot admit he would rather live in the skin of a woman, and a god who seems to combine all sexualities into a single ruinous demand for adoration. Dionysos is the god of intoxication. Once you fall under his influence, there is no telling where you will end up.”
COUNT ON A COP In Florida's Everglades, Carson Ward is the law. As a ranger, he's sworn to protect the land. But Carson's taken a private oath, too—that he will track down the poachers who killed his father. Alisha Jamison is a well-known wildlife photographer. This assignment in the Evergaldes will be her last—the poachers who attacked her have seen to that. Carson and Alisha team up to search for poachers…and find strength in their partnership of two. They're alike in their independence, their willingness to take risks; they're also alike in their capacity for deep love—and for passion. Danger in the Everglades brings them together. Will it also tear them apart?
It's October, 1870, and once again, violence has errupted on the streets of Los Angeles. This time, City Marshal gets into a gunfight with his deputy Joseph Dye, and is severely wounded. Fortunately, winemaker and physician Maddie Wilcox is on the scene to take care of the marshal. But the next day, she finds that the marshal has been smothered in his bed. The morning after the marshal's death, red paint is splashed all over the front porch of his home, and a list of his sins posted on the front.The list of people with grievances against the fiery-tempered marshal is long. But then another prominent citizen has his sins posted and house front splattered. Maddie takes an interest in the vandalism in the hopes of finding Marshal Warren's killer. But she soon finds out that she is up against a killer driven by a profound longing, and who is prepared to do the worst to keep that most basic of human desires: a home.
Stepping Off the Edge addresses the question of literary edges and endings in contemporary works of literature from France, the United States, Canada, and Latin America. The book includes discussion of works by nine different authors, including Anne Carson, Marie NDiaye, Paul Auster, and César Aira. It considers the way that specific texts identify and interrogate textual boundaries, and also draw attention to questions of closure. Each of these texts also reflects on the way we experience and write about edges and endings in our lives.
When the unmentionable stalks the pueblo It starts when the inheritance that Lavina Gaines was to receive is stolen by her brother Timothy. Then an old Indian healing woman is murdered. Winemaker and physician Maddie Wilcox wants to find the person responsible for Mama Jane's death, but is also occupied with another killer - the measles. When Lavina's friend Julia Carson dies trying to rid herself of a pregnancy, Lavina asks Maddie's help finding the man responsible for Julia's child. Soon after, Lavina is killed and her murder bears an uncanny resemblance to that of Mama Jane's. The only motive Maddie can find involves Julia's death, which is not the sort of thing one talks about. Not only that, Lavina’s nether garments are missing. How does a proper lady in 1872 get the answers she needs to stop a killer determined to stop her first?
One inoffensive drunkard. So many reasons to kill him. A bold shooting ends the life of Mr. Hewitt, the buggy manufacturer on a cold night in December, 1872. Physician and winemaker Maddie Wilcox is particularly puzzled, since it was clear that Mr. Hewitt was soon to die of his own dissipation. Nonetheless, she is drawn into searching out his killer by the grieving widow. Maddie soon finds out that there were several people who might have been offended by Mr. Hewitt, including those hoping to bring the Southern Pacific railroad to Los Angeles. As Maddie battles the usual winter colds and her own homesickness, the local men begin vying for her affections. Soon, Maddie realizes that she is searching for a killer determined to win the prize, no matter what the cost.
A night of chaos leads to more murders Physician and winemaker Maddie Wilcox has always despaired of how violent Los Angeles is. But one night, in October 1871, the pueblo explodes in a riot and eighteen Chinese men are lynched. Shaken to her core and frustrated that she couldn't have done more to stop the violence, Maddie throws herself into her work, grateful that her three Chinese field hands were safe on her rancho that most terrible of nights. Until one of them is found strangled in her vineyard. At first, the murder seems like a random act against the scapegoated Chinese. Then a second of the three Chinese hands is murdered in the same way. Is the killer acting out against the Chinese, in general, or only those working on Maddie's rancho? And if the latter, what does the killer expect to get? A distinctive boot print and a bit of jewelry are all Maddie and her friends have to go on, as Maddie continues to battle the usual panoply of injuries and rampant diseases that plague the pueblo. Surrounded by prejudice, daunted by her own limitations, Maddie's hold on her passions starts slipping. Can she keep her temper in check long enough to find the killer?
What happens when Pastor Josh Allen is transplanted from Seattle to the Deep South and discovers his daughter is involved with a sexual addict? At the same time, one of his congregants deals with age discrimination, and he and his wife, Leah, discover a problem that will change their lives forever. As his world falls apart around him, Josh must build a new life in a town far from his Boston roots. Allen's Christian faith upholds him while he endures attacks on his simple life of helping others. Each week on the church's stage, he leads his flock, while behind the stage he fights the good fight for his family and his church.
Harlequin® Heartwarming celebrates wholesome, heartfelt relationships that focus on home, family, community and love. Experience all that and more with four new novels in one collection! This Harlequin Heartwarming box set includes: WYOMING CHRISTMAS REUNION The Blackwells of Eagle Springs by USA TODAY bestselling author Melinda Curtis Horse trainer Nash Blackwell’s life-altering accident was…well, just that. He wants to rebuild. The first step is winning back his ex-wife, Helen Blackwell. Can trust once broken be regained? THE CHRISTMAS WEDDING CRASHERS Stop the Wedding! by USA TODAY bestselling author Amy Vastine Jonah Drake’s grandmother will marry Holly Hayward’s great-uncle—unless Holly and Jonah can stop them! The family feud is too unyielding for peace now, even at Christmas. Working together is their only option…but love brings new possibilities. THE DOC’S HOLIDAY HOMECOMING Back to Adelaide Creek by Virginia McCullough Jeff Stanhope’s focus is family. He’s the new guardian to a teenager—and trying to mend things with his estranged sister. The last thing he needs is to start falling for her best friend, single mom Olivia Donoghue. A COWBOY’S CHRISTMAS JOY Flaming Sky Ranch by Mary Anne Wilson Caleb Donovan needs Harmony Gabriel. The event planner can throw his parents a wedding anniversary like no other, though she shows up for the job with her baby girl. Caleb has all the family he needs…but soon he wants more. Look for 4 compelling new stories every month from Harlequin® Heartwarming!
As the older populations grow, an increasing number of people are faced with the challenges of caring for frail, older family members. Since the causes of frailty, and especially the causes of cognitive impairment, in late life can last for several years, caregiving can often be experienced as a chronic stressor. Caregiving is often associated with higher rates of depression and anxiety, and with lowered subjective health in the care provider. With this in mind, Stress Reduction for Caregivers addresses the issue of how to help caregivers manage and reduce their stress level. The book is unique in that it bridges the gap between research and practice. It includes a discussion of the stress and coping theories of caregiving developed by researchers in recent years. It also lays out a simple, practical training approach that utilizes four stress reduction techniques to assist professionals in adapting the theories to their practice: Stress Level Monitoring; Relaxation Training; Scheduling Relaxing Events and Cognitive Restructuring. Each technique is accompanied by case studies that demonstrate both the effectiveness and the challenges of applying the overall approach. With its strong base in research and its practical concern for the management and reduction of caregiver stress, this book is a must for professionals who desire to stay abreast of the latest techniques. It will also be of great benefit to advanced students examining the issues of caregiving.
In a climate of increasing emphasis on testing, measurable outcomes, competition and efficiency, the real lives of children and their teachers are often neglected or are too messy and intricate to legislate and quantify. As such, curricula are designed without including the very people that compose the identities of schools. Here Clandinin takes issue with this tendency, bringing together a collection of narratives from seven writers who spent a year in an urban school, exploring the experiences and contributions of children, families, teachers and administrators. These stories show us an alternative way of attending to what counts in schools, shifting away from the school as a business model towards an idea of schools as places to engage citizenship and to attend to the wholeness of people’s lives. Articulating the complex ethical dilemmas and issues that face people and schools every day, this fascinating study puts school life under the microscope raises new questions about who and what education is for.
Cuddle up and fall in love with this collection of five wonderful romances. Whether you’re in the mood for saucy or sweet, small town or big fame, sports or cooking, this anthology has it all, featuring a novella from New York Times bestselling author Melody Anne and your new favorite debut authors: Sara Rider, Samantha Joyce, L. E. Bross, and Rachel Goodman. Once Taken by Melody Anne: A new lodge has opened in the hills of Montana and its owner, Jenna Pine, just wants to make it through another lonely Christmas. One night she says a prayer out loud on her balcony, never imagining that anyone would be listening, or that she’s about to get more than she could ever hope for. For the Win by Sara Rider: What happens when you fall for your biggest competition? Sara Rider scores with this charming romance about soccer stars battling their tough opponents and playing the field of love. Flirting with Fame by Samantha Joyce: Elise Jameson is the secret author behind the bestselling Viking Moon series. But when a stranger poses as Elise, the painfully shy, deaf nineteen-year-old starts to see how much she’s missing. Can she really hide in the shadows forever? This clever, coming-of-age debut is for anyone who has ever felt unsure in her own skin. Right Where You Are by L. E. Bross: In this smart, snappy romance—the first in the Second Chances series—a college senior finds herself sentenced to community service, where she happens to meet a bad boy who might just be exactly what she needs. From Scratch by Rachel Goodman: This critically acclaimed novel, hailed as “smart, sexy, and funny” (Publishers Weekly) is a down-home, feel-good Southern romance that explores one woman’s journey back home to Dallas, Texas, where her family is cooking up a plan that doesn’t quite suit her tastes…
In Los Angeles in 1870, life was cheap and water could cost you everything. Then, the most powerful man in town was the Zanjero, or water overseer. And he was often the most corrupt, as well. When Zanjero Bert Rivers turns up dead in the irrigation ditch, or zanja, leading to young widow Maddie Wilcox's vineyards, Maddie has the odd feeling he was murdered. Then the undertaker's wife, Mrs. Sutton, confirms that Rivers was shot, and not just hit on the head. Maddie finds herself drawn into finding the killer, first to see justice done, and then to save the skin of the one person she knows did not do it - the town's most infamous madam, Regina Medina. Maddie quickly discovers that Mr. Rivers was not the kind, upstanding civic benefactor he presented himself as, but a most despicable man who preyed on the weak and vulnerable, and cheated everyone else. With nearly everyone having a reason to kill the zanjero, Maddie stumbles on more than a few secrets and the terrible truth about the people she thought were her friends.
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