How do we currently preserve and access texts, and will our current methods be sustainable in the future? In From Handwriting to Footprinting, Anne Baillot seeks to answer this question by offering a detailed analysis of the methods that enable access to textual materials, in particular, access to books of literary significance. Baillot marshals her considerable expertise in the field of digital humanities to establish a philological overview of the changing boundaries of ‘access’ to literary heritage over centuries, deconstructing the western tradition of archiving and how it has led to current digital dissemination practices. Rigorously examining the negative environmental impact of digital publishing and archiving, Baillot proposes an alternative model of preservation and dissemination which reconciles fundamental traditions with the values of social responsibility and sustainability in an era of climate crisis. Integrating historical, archival and environmental perspectives, From Handwriting to Footprinting illuminates the impact that digitisation has had on the dissemination and preservation of textual heritage and reflects on what its future may hold. It is invaluable reading for anyone interested in textual history from a linguistic or philological perspective, as well as those working on publishing, archival and infrastructure projects that require the storing and long-term preservation of texts, or who want to know how to develop a more mindful attachment to digitised material.
Once upon a time: the forgotten female fabulists whose heroines flipped the fairy tale script. People often associate fairy tales with Disney films and with the male authors from whom Disney often drew inspiration—notably Charles Perrault, the Brothers Grimm, and Hans Christian Andersen. In these portrayals, the princess is a passive, compliant figure. By contrast, The Lost Princess shows that classic fairy tales such as “Cinderella,” “Rapunzel,” and “Beauty and the Beast” have a much richer, more complex history than Disney’s saccharine depictions. Anne E. Duggan recovers the voices of women writers such as Marie-Catherine d’Aulnoy, Marie-Jeanne L’Héritier, and Charlotte-Rose de La Force, who penned popular tales about ogre-killing, pregnant, cross-dressing, dynamic heroines who saved the day. This new history will appeal to anyone who wants to know more about the lost, plucky heroines of historic fairy tales.
Django Reinhardt was perhaps the greatest guitarist to ever live. A Gypsy who made his jazz guitar speak with a human voice, he was dashing, charismatic, childish . . . and doomed to die young after creating a legacy of Gypsy Jazz that remains vibrant today. Gypsy Jazz is a music both joyous and sad, timeless and modern. It was born from a marriage of Louis Armstrong s trumpet with the anguished sound of Romany violin and the fire of flamenco guitar. Created amidst the glamour of Jazz Age Paris and reaching a peak during the horrors of World War II, Gypsy Jazz gave a voice to a dispossessed people. Today, Gypsy Jazz is more popular than ever. It has a legacy as strong as the Cuban sounds of the Buena Vista Social Club, the blues of B. B. King, or the R&B of Ray Charles. "Django Reinhardt and the Illustrated History of Gypsy Jazz" is a stylish collection of more than two hundred illustrations telling Django s story and the history of Gypsy jazz. Running through the Paris Jazz Age of the 1920s to the current worldwide renaissance of Gypsy jazz bands (including Django s grandsons, who are playing today), the images include rare archival photographs, modern images, posters, programs, tickets, guitars, memorabilia, paintings, and more.
How do we currently preserve and access texts, and will our current methods be sustainable in the future? In From Handwriting to Footprinting, Anne Baillot seeks to answer this question by offering a detailed analysis of the methods that enable access to textual materials, in particular, access to books of literary significance. Baillot marshals her considerable expertise in the field of digital humanities to establish a philological overview of the changing boundaries of ‘access’ to literary heritage over centuries, deconstructing the western tradition of archiving and how it has led to current digital dissemination practices. Rigorously examining the negative environmental impact of digital publishing and archiving, Baillot proposes an alternative model of preservation and dissemination which reconciles fundamental traditions with the values of social responsibility and sustainability in an era of climate crisis. Integrating historical, archival and environmental perspectives, From Handwriting to Footprinting illuminates the impact that digitisation has had on the dissemination and preservation of textual heritage and reflects on what its future may hold. It is invaluable reading for anyone interested in textual history from a linguistic or philological perspective, as well as those working on publishing, archival and infrastructure projects that require the storing and long-term preservation of texts, or who want to know how to develop a more mindful attachment to digitised material.
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