When she is assigned to a new search and rescue team, Navy helicopter pilot Lt. Alison Malone meets mountain guide Will during a dangerous mission, a man who shows her that it is never too late to start living.
Helicopter pilot Lt. Sara Denning joins a navy battle group with little fanfare—and that's just the way she likes it. After her brother Ian's tragic death, her career path seemed obvious: step into his shoes and enter the Naval Academy, despite her fear of water. Sara's philosophy is simple—blend in, be competent, and above all, never do anything to stand out as a woman in a man's world. Somewhere along the way, Sara lost herself—her feminine, easygoing soul is now buried under so many defensive layers, she can't reach it anymore. When she meets strong, self-assured Lt. Eric Marxen, her defenses start to falter. Eric coordinates flight operations for a Navy SEAL team that requests Sara as the exclusive pilot. This blatant show of favoritism causes conflict with the other pilots; Sara's sexist boss seems intent on making her life miserable, and her roommate and best friend, the only other woman on the ship, is avoiding her. It doesn't help that her interactions with Eric leave her reeling. The endgame of the SEALs' mission is so secret, even Sara doesn't know the reason behind her mandated participation. Soon, though, the training missions become real, and Sara must overcome her fears before they plunge her into danger. When Sara's life is on the line, can she find her true self again and follow the orders of her heart before it is too late? Anne A. Wilson's Hover is a thrilling, emotional women's journey written by a groundbreaking former navy pilot.
Employing her own voice and the voices of her colleagues and students, Dr. Wilson-Cone invites readers to look deeply into their own souls and spirits to discover the roots of multicultural diversity in their own lives. In the midst of today’s forces which tend to denigrate various cultures and ethnicities, this valuable resource is a light in the darkness and ought to be in the possession of those who seek to explore openness and inclusiveness in the teaching and learning process.” Rev. Cameron Byrd, D.Min. Retired Certified Educator Association for Clinical Pastoral Education
Created specifically for the AQA A/AS level English literature A specification for first teaching from 2015, this print student book is suitable for all abilities, providing stretch opportunities for the more able and additional scaffolding for those who need it. Helping bridge the gap between GCSE and A level, the unique three-part structure focuses on texts within a particular time period and supports students in interpreting texts and reflecting on how writers make meaning.
By carefully examining the biological, genetic, evolutionary, and psychological evidence, a noted biologist finds a shocking lack of substance behind ideas about biologically based sex differences. Features a new chapter and afterward on recent biological breakthroughs.
Why can't a woman be more like a man? What is this thing called "feminine intuition"? Why are men better at reading maps, and women at other people's characters? The answers lie in the basic biological differences between the male and female brain, which, say the authors, make it impossible for the sexes to share equal emotional or intellectual qualities.
Above all, Wilson wants to tell the truth; for him, reality is almost - but not quite - enough. By creating his drama out of his own rich life experiences, he finds little need to exaggerate. Eugene Ionesco once observed that one discovers more than one invents, and that invention is really discovery or rediscovery.
Forced by the post-war boom to leave their shabby Edinburgh tenement for a new bungalow on the outskirts on the city, Madge Gilbride is comforted by the fact that at least she has her family near her. And when her grandsons, Will and Hamish, fall in love with local girls she is delighted. But life is not sailing- especially for Will. In love with the fiery Kate Rossie, he discovers she wants both a husband and a politcal career. Conventional Will makes a choice he will regret for years- a sensible marriage of convenience to the suitable Sara. As she watches her grand-children with their own families joys and troubles, Madge can't help but remember her old tenement home and hope that the new generation of Gilbrides never forget their roots...
An introduction to the mysterious theater role of a dramaturg by a legend in the field "This book is marvelous. . . . Fascinating. . . . An absolute joy to read."--Gil Roth, Virtual Memories podcast Anne Cattaneo was among the first Americans to fill the role of dramaturg, one of theater's best kept secrets. A combination of theater artist, scholar, researcher, play advocate, editor, and writer's friend, it is the job of a dramaturg to "reflect light back on the elements that are already in play," while bringing a work of theater to life. Cattaneo traces the field from its beginnings in the eighteenth century to the present and chronicles the multitude and variety of tasks a dramaturg undertakes before, during, and after a production is brought to the stage. Using detailed stories from her work with theater artists such as Tom Stoppard, Wendy Wasserstein, Robert Wilson, Shi-Zheng Chen, and Sarah Ruhl, as well as the discovery of a "lost" play by Langston Hughes and Zora Neale Hurston, Cattaneo provides an invaluable manual to those studying, working in, and interested in this most fascinating profession.
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