Reading Holinshed's Chronicles is the first major study of the greatest of the Elizabethan chronicles. Holinshed's Chronicles—a massive history of England, Scotland, and Ireland—has been traditionally read as the source material for many of Shakespeare's plays or as an archaic form of history-writing. Annabel Patterson insists that the Chronicles be read in their own right as an important and inventive cultural history. Although we know it by the name of Raphael Holinshed, editor and major compiler of the 1577 edition, the Chronicles was the work of a group, a collaboration between antiquarians, clergymen, members of parliament, poets, publishers, and booksellers. Through a detailed reading, Patterson argues that the Chronicles convey rich insights into the way the Elizabethan middle class understood their society. Responding to the crisis of disunity which resulted from the Reformation, the authors of the Chronicles embodied and encouraged an ideal of justice, what we would now call liberalism, that extended beyond the writing of history into the realms of politics, law, economics, citizenship, class, and gender. Also, since the second edition of 1587 was called in by the Privy Council and revised under supervision, the work constitutes an important test case for the history of early modern censorship. An essential book for all students of Tudor history and literature, Reading Holinshed's Chronicles brings into full view a long misunderstood masterpiece of sixteenth-century English culture.
Inspired by "The Secret, Click!" is designed to teach teens that they have the power to change their lives and manifest what they want, whether its an A in chemistry or a date to the prom.
Buildings are not benign; rather, they commonly manipulate and abuse their human users. Architectural Agents makes the case that buildings act in the world independently of their makers, patrons, owners, or occupants. And often they act badly. Treating buildings as bodies, Annabel Jane Wharton writes biographies of symptomatic structures in order to diagnose their pathologies. The violence of some sites is rooted in historical trauma; the unhealthy spatial behaviors of other spaces stem from political and economic ruthlessness. The places examined range from the Cloisters Museum in New York City and the Palestine Archaeological Museum (renamed the Rockefeller Museum) in Jerusalem to the grand Hostal de los Reyes Católicos in Santiago de Compostela, Spain, and Las Vegas casino resorts. Recognizing that a study of pathological spaces would not be complete without an investigation of digital structures, Wharton integrates into her argument an original consideration of the powerful architectures of video games and immersive worlds. Her work mounts a persuasive critique of popular phenomenological treatments of architecture. Architectural Agents advances an alternative theorization of buildings’ agency—one rooted in buildings’ essential materiality and historical formation—as the basis for her significant intervention in current debates over the boundaries separating humans, animals, and machines.
Annabel Patterson tackles the hottest topic in literary studies today - `the Great Books debate - providing a superbly formulated moderate stance between the Western canon's radical oppponents and its zealous protectors.
In this imaginative and illuminating work, Annabel Patterson traces the origins and meanings of the Aesopian fable, as well as its function in Renaissance culture and subsequently. She shows how the fable worked as a medium of political analysis and communication, especially from or on behalf of the politically powerless. Patterson begins with an analysis of the legendary Life of Aesop, its cultural history and philosophical implications, a topic that involves such widely separated figures as La Fontaine, Hegel, and Vygotsky. The myth’s origin is recovered here in the saving myth of Aesop the Ethiopian, black, ugly, who began as a slave but become both free and influential, a source of political wisdom. She then traces the early modern history of the fable from Caxton, Lydgate, and Henryson through the eighteenth century, focusing on such figures as Spenser, Sidney, Lyly, Shakespeare, and Milton, as well as the lesser-known John Ogilby, Sir Roger L’Estrange, and Samuel Croxall. Patterson discusses the famous fable of The Belly and the Members, which, because it articulated in symbolic terms some of the most intransigent problems in political philosophy and practice, was still going strong as a symbolic text in the mid-nineteenth century, where it was focused on industrial relations by Karl Marx and by George Eliot against electoral reform.
Milton's Words approaches John Milton in both an old and a new way, focusing on his genius with words: keywords - the keys to a text or a theory; words of sexual avoidance and distress; words of abuse; words of privilege because 'Scripture'; big learned words; and cunning little words, easily overlooked. After a short account of Milton's life as a writer, Patterson guides us through most of the poetry and polemical prose, all too often kept in separate compartments. She shows how new challenges and crises required shifts in vocabulary, as well as changes in Milton's views. What do Milton's words look like when we acknowledge their freight of personal and political history; when we track them from text to text; when we consider not only the big, important, learned words but also the very small ones, such as 'perhaps', which Milton deployed with consummate skill at some crucial moments in both poetry and prose, or the phrase 'he who', which replicates the Latinate 'ille qui', but to which Milton gives a psychological twist; when we consider not only word frequency, but infrequency, uniqueness or near uniqueness, as a signal of Milton's interest in a word; when we tackle these issues in the Latin texts for which there is not, as yet, a concordance; when we consider the possibility that certain words gain or lose value for Milton as he proceeds through his writer's life, and that certain words become keywords to a particular text, as 'book' becomes to Areopagitica; when we reconsider the question of Milton's coinages not from the stern legalistic perspective as to whether he should have made them, but why he needed them? No one person could complete all these tasks, and nobody would wish to read a book that appeared to have completed them. Understanding Milton's words is, and should remain, a work in progress. But close attention to Milton's words is not all that this book offers. It tells a slightly different story about Milton himself than the ones we have been used to. Starting with an abbreviated 'writer's life', it explains the shape of Milton's writing career, the life-long tension between his literary ambitions and the pressure of exhilarating political circumstances. The Milton you will find here walked no straight path from his Cambridge degree to the epic he had been talking of writing when he was still at university, but instead cut his teeth as a writer in an entirely different field, political controversy. The effect on his vocabulary of his campaign to reform his country's church government and its divorce laws was galvanic, not least because he had to reconstitute his own image from that of a shy and bookish person to that of a crusader. He discovered that he enjoyed not only verbal conflict, but also mudslinging, and rude words became part of his arsenal in his very first prose tract. 'Marriage' and 'divorce', on the other hand, became loaded words for Milton for personal reasons, and he developed a new set of verbal resources, which Patterson calls 'words of avoidance', to help him tackle the subject. He never got over the experience of writing the divorce tracts. It was still on his mind when at the end of his life he revised his Latin treatise on theology, De Doctrina Christiana. Then, for about a decade, he was called upon to justify the Long Parliament's execution of Charles I, which forced him to come to terms with the political keywords of his generation, words such as 'king', 'liberty', 'tyranny', and 'the people'. When the republican experiment collapsed on the death of Oliver Cromwell, after one last brave salvo against the restoration of the monarchy Milton retired back into the role of private intellectual and poet.
Annabel Patterson explores the effects of censorship on both writing and reading in early modern England, drawing analogies and connections with France during the same period.
This collection of selected writings represents the best of recent critical work on Milton. The essays cover all stages of his career, from the early poems through to the later poems of the Restoration period, especially Paradise Lost. Professor Patterson includes British and American critics such as Michael Wilding, Victoria Kahn, James Grantham Turner and Mary Ann Radzinowicz and guides the reader through the varied ways Milton's achievement has been explored and debated by modern criticism.
Marvell: The Writer in Public Life is substantially revised from Professor Patterson's well received 1978 study, including a new introduction and new chapter on Marvell and secret history. This important study provides an up to date perspective on a writer still thought of merely as the author of lyric and pastoral poems. It looks at both Marvell's political poetry and his often neglected political prose, revealing Marvell's life long commitment to writing about the values and standards of public life and follows his often dangerous writerly activities on behalf of freedom of conscience and constitutional government.
Andrew Marvell (1621-78) is best known today as the author of a handful of exquisite lyrics and provocative political poems. In his own time, however, Marvell was famous for his brilliant prose interventions in the major issues of the Restoration, religious toleration, and what he called "arbitrary" as distinct from parliamentary government. This is the first modern edition of all Marvell's prose pamphlets, complete with introductions and annotation explaining the historical context. Four major scholars of the Restoration era have collaborated to produce this truly Anglo-American edition. From the Rehearsal Transpros'd, a serio-comic best-seller which appeared with tacit permission from Charles II himself, through the documentary Account of the Growth of Popery and Arbitrary Government, Marvell established himself not only as a model of liberal thought for the eighteenth century but also as an irresistible new voice in political polemic, wittier, more literary, and hence more readable than his contemporaries.
Andrew Marvell (1621-78) is best known today as the author of a handful of exquisite lyrics and provocative political poems. In his own time, however, Marvell was famous for his brilliant prose interventions in the major issues of the Restoration, religious toleration, and what he called "arbitrary” as distinct from parliamentary government. This is the first modern edition of all Marvell’s prose pamphlets, complete with introductions and annotation explaining the historical context. Four major scholars of the Restoration era have collaborated to produce this truly Anglo-American edition. From the Rehearsal Transpros’d, a serio-comic best-seller which appeared with tacit permission from Charles II himself, through the documentary Account of the Growth of Popery and Arbitrary Government, Marvell established himself not only as a model of liberal thought for the eighteenth century but also as an irresistible new voice in political polemic, wittier, more literary, and hence more readable than his contemporaries.
This new study of Andrew Marvell offers a state-of-the-art guide to one of the most intriguing and elusive poets of the seventeenth century. Hero to the eighteenth century for his published defences of parliamentary government and religious toleration, Marvell was friend and defender of Milton, underground author of satires against the Restoration court, paradoxically, promoted by T.S. Eliot for a diametrically opposite set of qualities and achievements - poise, detachment, an ethos both world-excluding and hypercivilised, not to mention the most perfect poems we have on the figure in the landscape. Annabel Patterson, known for her ability to make serious scholarship engaging, explains how Marvell's complex personality and beliefs produce these contradictory responses. The book provides comprehensive introductions to Marvell's different self-representations, and places the most famous poems, such as The Garden and Horatian Ode, in the dialectic they lose when read only in anthologies.
Is history driven more by principle or interest? Are ideas of historical progress obsolete? Is it unforgivable to change one's mind or political allegiance? Did the eighteenth century really exchange the civilizing force of commercial advantage for political conflict? In this new account of liberal thought from its roots in seventeenth-century English thinking to the end of the eighteenth century, Annabel Patterson tackles these important historiographical questions. She rescues the term "whig" from the low regard attached to it; denies the primacy of self-interest in the political struggles of Georgian England; and argues that while Whigs may have strayed from liberal principles on occasion (nobody's perfect), nevertheless many were true progressives. In a series of case studies, mainly from the reign of George III, Patterson examines or re-examines the careers of such prominent individuals as John Almon, Edmund Burke, Sir Joshua Reynolds, Thomas Erskine, and, at the end of the century, William Wordsworth. She also addresses a host of secondary characters, reshaping our thinking about both well-known and lesser figures of the time. Tracking a coherent, sustained, and adaptable liberalism throughout the eighteenth century, Patterson overturns common assumptions of political, cultural, and art historians. The author delivers fresh insights into the careers of those who called themselves Whigs, their place in British political thought, and the crucial ramifications of this thinking in the American political arena. Book jacket.
Many conventional survival analysis methods, such as the Kaplan-Meier method for survival function estimation and the partial likelihood method for Cox model regression coefficients estimation, were developed under the assumption that survival times are subject to right censoring only. However, in practice, survival time observations may include interval-censored data, especially when the exact time of the event of interest cannot be observed. When interval-censored observations are present in a survival dataset, one generally needs to consider likelihood-based methods for inference. If the survival model under consideration is fully parametric, then likelihood-based methods impose neither theoretical nor computational challenges. However, if the model is semi-parametric, there will be difficulties in both theoretical and computational aspects. Likelihood Methods in Survival Analysis: With R Examples explores these challenges and provides practical solutions. It not only covers conventional Cox models where survival times are subject to interval censoring, but also extends to more complicated models, such as stratified Cox models, extended Cox models where time-varying covariates are present, mixture cure Cox models, and Cox models with dependent right censoring. The book also discusses non-Cox models, particularly the additive hazards model and parametric log-linear models for bivariate survival times where there is dependence among competing outcomes. Features Provides a broad and accessible overview of likelihood methods in survival analysis Covers a wide range of data types and models, from the semi-parametric Cox model with interval censoring through to parametric survival models for competing risks Includes many examples using real data to illustrate the methods Includes integrated R code for implementation of the methods Supplemented by a GitHub repository with datasets and R code The book will make an ideal reference for researchers and graduate students of biostatistics, statistics, and data science, whose interest in survival analysis extend beyond applications. It offers useful and solid training to those who wish to enhance their knowledge in the methodology and computational aspects of biostatistics.
Selling Jerusalem' offers an introduction to the explosive combination of piety and capital at work in religious objects and global politics. It is sure to interest students and scholars of art history, economic history, popular culture, religion, and architecture.
BOOK 1: SATAN'S SLAVE Sailing toward America, Lady Caroline Kendrick is awakened from a sound sleep to a commotion. She is hauled to the top deck where she finds herself immediately the prisoner of the infamous pirate, Satan. Lo and behold, she is startled to realize the notorious rogue is none other than Charles Somerset, a man she thought a courtier and a gentleman back in London. It appears that his polite manners were a façade, her abduction the entire purpose of the raid, and he is determined to have her one way or the other... Charles would have preferred to woo the lovely Caroline in a conventional way, but there is an advantage to having another identity and the flamboyant Satan would never deign to accept no for an answer. Her capture is just the beginning in a campaign to ultimately win the woman of his dreams in the most carnal way possible... BOOK 2: BETWEEN A RAKE AND A HARD PLACE Kidnapped and locked in a harem, Lady Cassandra is bewildered by the turn of events in her formerly ordered life, and even more so when a stranger appears and manages a daring rescue from her sexual imprisonment. Back on her way to England, she has no idea what to make of the enigmatic Mr. Ives, but she does know one thing....he is the most fascinating man she has ever encountered. Christopher Ives walks the line between two worlds. Of aristocratic birth, he still has made his own way by both necessity and inclination. Yes, his occupation involves danger, but bedding the daughter of a powerful man is pushing the edge of even his recklessness. Yet the earl's daughter is too ravishing to resist... A rakish buccaneer and a headstrong beauty battle an attraction that might just ruin them both... BOOK 3: THE DEVIL'S LAGOON Beau Fallon, Lord Auberville, has decided to flee England. It is much easier than facing his ever-growing fascination with the beautiful Lady Hannah. He isn't interested in marriage—far from it—and she is a very eligible young woman. Instead he has decided to pursue the legend of the Devil's Lagoon, a place so deadly none have ever returned... Stowing away on Lord Auberville's ship is the most audacious thing she's ever done, but Hannah is determined to find out once and for all how he feels about her. Can she seduce him and break that cool exterior? An innocent, she has no idea, but she has always craved an adventure and tropical seas and a handsome lord might just fulfill her romantic dreams... One independent aristocratic lady and an enigmatic spy travel south together into an erotic journey of both love and danger.
Inspired by "The Secret, Click!" is designed to teach teens that they have the power to change their lives and manifest what they want, whether its an A in chemistry or a date to the prom.
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