LONGLISTED FOR THE WOMEN'S PRIZE LONGLISTED FOR THE GILLER PRIZE From "this generation's answer to Alice Munro" (Vancouver Sun) comes a sly, sensual, haunting novel about two women whose lives collide when tragedy changes them forever. Saskia and Jenny are twins alike in appearance only: Saskia is a grad student with a single-minded focus on her studies, while Jenny is glamorous, thrill-seeking, and capricious. Still, when Jenny is severely injured in an accident, Saskia puts her life on hold to be with her sister. Sara and Mattie are sisters with another difficult dynamic. Mattie, who is younger, is intellectually disabled. Sara loves nothing more than fine wines, perfumes, and expensive clothing, and leaves home at the first opportunity. But when their mother dies, Sara inherits the duty of caring for her sister. She moves Mattie in with her--but it's not long until tragedy strikes. Now, both Sara and Saskia, having been caregivers for so long, find themselves on their own. Yet through a cascade of circumstances as devastating as they are unexpected, these two women will come together. Razor-sharp and profoundly moving, Consent is a thought-provoking exploration of the complexities of familial duty, and of how love can become entangled with guilt, resentment, and regret.
A smart, mysterious and heartbreaking novel centred on two sets of sisters whose lives are braided together when tragedy changes them forever. From the award-winning author of The Golden Mean. Saskia and Jenny are twins who are alike only in appearance. Saskia is a hard-working grad student whose interests are solely academic, while Jenny, an interior designer, is glamourous, thrill-seeking, capricious and narcissistic. Still, when Jenny is severely injured in an accident, Saskia puts her life on hold to be with her sister. Sara and Mattie are sisters with a difficult relationship. Mattie, the younger sister, is affectionate, curious and intellectually disabled. As soon as Sara is able, she leaves home, in pursuit of a life of the mind and the body: she loves nothing more than fine wines, sensual perfumes, and expensive clothing. But when their mother dies, Sara inherits the duty of caring for her sister. Arriving at the house one day, she finds out that Mattie has married Robert, her wealthy mother's handyman. Though Mattie seems happy, Sara cannot let this go, forcing the annulment of the marriage and the banishment of Robert. With him out of the picture, though, she has no choice but to become her sister's keeper, sacrificing her own happiness and Mattie's too. When Robert turns up again, another tragedy happens. The waves from these events eventually engulf Sara and Saskia, sisters in mourning, in a quest for revenge. Consent is a startling, moving, thought-provoking novel on the complexities of familial duty and on how love can become entangled with guilt, resentment and regret.
Annabel Lyon is one of the country’s most electrifying new literary voices. Written in tough, crystalline prose, these stories explore our need by turns to connect with the people around us, to pull back, to reach out again. When a struggling businessman adds an Adults Only section to his video store, he inadvertently gives his put-upon sister-in-law another chance at happiness. A baffled father does his best to understand the anxiety that keeps his thirteen-year-old daughter awake at night. The facts surrounding a murder become a tangle of contradictions when three teenagers each tell their side of the story. A man’s lifelong devotion to the girl abandoned to his care is not enough to save her from herself. As Lyon bravely delves into the gulf between what is said and what is left unsaid, she reveals to us the awkward and familiar gestures we use to fill our lives.
On the orders of his boyhood friend, now King Philip of Macedon, Aristotle postpones his dreams of succeeding Plato as leader of the Academy in Athens and reluctantly arrives in the Macedonian capital of Pella to tutor the king's adolescent sons. An early illness has left one son with the intellect of a child; the other is destined for greatness but struggles between a keen mind that craves instruction and the pressures of a society that demands his prowess as a soldier. Initially Aristotle hopes for a short stay in what he considers the brutal backwater of his childhood. But, as a man of relentless curiosity and reason, Aristotle warms to the challenge of instructing his young charges, particularly Alexander, in whom he recognizes a kindred spirit, an engaged, questioning mind coupled with a unique sense of position and destiny. Aristotle struggles to match his ideas against the warrior culture that is Alexander's birthright. He feels that teaching this startling, charming, sometimes horrifying boy is a desperate necessity. And that what the boy - thrown before his time onto his father's battlefields - needs most is to learn the golden mean, that elusive balance between extremes that Aristotle hopes will mitigate the boy's will to conquer. Aristotle struggles to inspire balance in Alexander, and he finds he must also play a cat-and-mouse game of power and influence with Philip in order to manage his own ambitions. As Alexander's position as Philip's heir strengthens and his victories on the battlefield mount, Aristotle's attempts to instruct him are honoured, but increasingly unheeded. And despite several troubling incidents on the field of battle, Alexander remains steadfast in his desire to further the reach of his empire to all known and unknown corners of the world, rendering the intellectual pursuits Aristotle offers increasingly irrelevant. Exploring this fabled time and place, Annabel Lyon tells her story in the earthy, frank, and perceptive voice of Aristotle himself. With sensual and muscular prose, she explores how Aristotle's genius touched the boy who would conquer the known world. And she reveals how we still live with the ghosts of both men.
From the award-winning author of The Golden Mean, a captivating, wholly transporting new novel that follows Aristotle’s strong-willed daughter as she shapes her own destiny: an unexpected love story, a tender portrait of a girl and her father, and an astonishing journey through the underbelly of a supposedly enlightened society. Aristotle has never been able to resist a keen mind, and Pythias is certainly her father’s daughter: besting his brightest students, refusing to content herself with a life circumscribed by the kitchen, the loom, and, eventually, a husband. Into her teenage years, she is protected by the reputation of her adored father, but with the death of Alexander the Great, her fortunes suddenly change. Aristotle’s family is forced to flee Athens for a small town, where the great philosopher soon dies, and orphaned Pythias quickly discovers that the world is not a place of logic after all, but one of superstition. As threats close in on her—a rebellious household, capricious gods and goddesses—she will need every ounce of wit she possesses, and the courage to seek refuge where she least expects it. This ebook edition includes a Reading Group Guide.
Keenly intelligent and brilliantly rendered, The Golden Mean is a bold reimagining of one of history’s most intriguing relationships—that between the legendary philosopher Aristotle and his most famous pupil, Alexander the Great. Aristotle is initially reluctant to set aside his own ambitions in order to tutor the rebellious son of his boyhood friend, Philip of Macedon. Still, the philosopher soon realizes that teaching this charming, surprising, and sometimes horrifying teenager is a necessity amid the ever more sinister intrigues of Philip’s court. But as Alexander grows older and becomes a man who will transform the world for better or for worse, Aristotle, like any teacher, ponders his own culpability.
It’s Edie Snow’s first year of high school and she’s already struggling to find a group of friends to fit in with. To make matters worse, her mom is making her walk her cousin Merry, who has Down Syndrome, home from school every day. Edie joins the school musical thinking it will solve her problems—she’ll meet new friends and get out of looking after Merry—only Edie isn’t sure she can pull off the play by the time the curtains open. Surprisingly, the person who saves the day is someone Edie couldn’t have even dreamed of.
Keenly intelligent and brilliantly rendered, The Golden Mean is a bold reimagining of one of history’s most intriguing relationships—that between the legendary philosopher Aristotle and his most famous pupil, Alexander the Great. Aristotle is initially reluctant to set aside his own ambitions in order to tutor the rebellious son of his boyhood friend, Philip of Macedon. Still, the philosopher soon realizes that teaching this charming, surprising, and sometimes horrifying teenager is a necessity amid the ever more sinister intrigues of Philip’s court. But as Alexander grows older and becomes a man who will transform the world for better or for worse, Aristotle, like any teacher, ponders his own culpability.
From the award-winning author of The Golden Mean, a captivating, wholly transporting new novel that follows Aristotle’s strong-willed daughter as she shapes her own destiny: an unexpected love story, a tender portrait of a girl and her father, and an astonishing journey through the underbelly of a supposedly enlightened society. Aristotle has never been able to resist a keen mind, and Pythias is certainly her father’s daughter: besting his brightest students, refusing to content herself with a life circumscribed by the kitchen, the loom, and, eventually, a husband. Into her teenage years, she is protected by the reputation of her adored father, but with the death of Alexander the Great, her fortunes suddenly change. Aristotle’s family is forced to flee Athens for a small town, where the great philosopher soon dies, and orphaned Pythias quickly discovers that the world is not a place of logic after all, but one of superstition. As threats close in on her—a rebellious household, capricious gods and goddesses—she will need every ounce of wit she possesses, and the courage to seek refuge where she least expects it. This ebook edition includes a Reading Group Guide.
Annabel Lyon is one of the country’s most electrifying new literary voices. Written in tough, crystalline prose, these stories explore our need by turns to connect with the people around us, to pull back, to reach out again. When a struggling businessman adds an Adults Only section to his video store, he inadvertently gives his put-upon sister-in-law another chance at happiness. A baffled father does his best to understand the anxiety that keeps his thirteen-year-old daughter awake at night. The facts surrounding a murder become a tangle of contradictions when three teenagers each tell their side of the story. A man’s lifelong devotion to the girl abandoned to his care is not enough to save her from herself. As Lyon bravely delves into the gulf between what is said and what is left unsaid, she reveals to us the awkward and familiar gestures we use to fill our lives.
A reprint of this title which was first published in 1988. Arranged thematically, its clear explanations link basic scientific principles with everyday life. Illustrated throughout in full colour.
This is a book about the theory of the city or commonwealth, what would come to be called the state, in early modern natural law discourse. Annabel Brett takes a fresh approach by looking at this political entity from the perspective of its boundaries and those who crossed them. She begins with a classic debate from the Spanish sixteenth century over the political treatment of mendicants, showing how cosmopolitan ideals of porous boundaries could simultaneously justify the freedoms of itinerant beggars and the activities of European colonists in the Indies. She goes on to examine the boundaries of the state in multiple senses, including the fundamental barrier between human beings and animals and the limits of the state in the face of the natural lives of its subjects, as well as territorial frontiers. Drawing on a wide range of authors, Brett reveals how early modern political space was constructed from a complex dynamic of inclusion and exclusion. Throughout, she shows that early modern debates about political boundaries displayed unheralded creativity and virtuosity but were nevertheless vulnerable to innumerable paradoxes, contradictions, and loose ends. Changes of State is a major work of intellectual history that resonates with modern debates about globalization and the transformation of the nation-state.
First published in 1932. This title is a first-person account of growing up in Victorian England. The book examines many aspects of the British Empire, and the family life and education of the poet, writer and high society hostess Claire Annabel Caroline Grant Duff. A Victorian Childhood will be of interest to students of history.
Public Library Collection Development in the Information Age discusses the increasing amounts of information that are used in collection development. Case studies, interviews, and research are the basis for this book's suggestions to improve your collection methods without straining your library's budget. It will help you acquire the most useful materials while sharing information with collaborating libraries to offer patrons the latest and largest variety of resources. Discussing a topic that is scarcely addressed in collection literature, this book explores ways in which one informational medium—the Internet—impacts materials budgets, selection tools, and alternative sources of information during the selection process. Offering methods that apply to libraries of different sizes and financial capability, Public Library Collection Development in the Information Age provides you with ideas and suggestions for the improvement of collection development methods, including: examining how libraries use information to plan and budget for collection development developing a budget method that takes several factors into consideration, such as population impact, property tax revenues, circulation, reference needs, and client needs centralizing selections in order to allocate additional staff time and to choose resources patrons want without sacrificing the utility of local collections building public library collections with the assistance of vendors and the five levels of vendor participation using the conspectus method to assess and organize the collections of small libraries for easier access researching three public libraries in the United Kingdom to determine how varying levels of automation affect patron resources and services To help you integrate the appropriate electronic resources into collection development policies and procedures, Public Library Collection Development in the Information Age discusses which formats, access methods, pricing schemes, and differences in scope will best meet your selection needs. Containing proven strategies that will target your collection priorities and criteria to evaluate the use and effectiveness of electronic resources, this book will help revise your collection development methods to satisfy the informational needs of patrons.
Marvell: The Writer in Public Life is substantially revised from Professor Patterson's well received 1978 study, including a new introduction and new chapter on Marvell and secret history. This important study provides an up to date perspective on a writer still thought of merely as the author of lyric and pastoral poems. It looks at both Marvell's political poetry and his often neglected political prose, revealing Marvell's life long commitment to writing about the values and standards of public life and follows his often dangerous writerly activities on behalf of freedom of conscience and constitutional government.
**DAILY MAIL BOOKS OF THE YEAR 2019** **SUNDAY TELEGRAPH CHRISTMAS BOOKS OF THE YEAR 2019** 'So blissfully good that I'd give it to a reader of any age . . . deeply touching, unforgettable family memoir' ALLISON PEARSON, SUNDAY TELEGRAPH 'Uplifting and enlightening . . . Venning has a good eye for what makes the Walker story both unique and universal . . . Thrilling' MAIL ON SUNDAY 'Superb . . . With its sweeping narrative, readable style, sense of humanity and breadth of research, the saga casts a highly personal light on some of the most significant episodes of [the Second World War]' DAILY EXPRESS 'A heart-pounding narrative that feels fresh . . . this marvellous book also depicts a world that was soon to vanish' DAILY MAIL 'A moving book . . . This account of one family's experience takes us to hidden crannies of the war that more official accounts might not bother with . . . Once read, never forgotten' THE TIMES 'A sensationally good book . . . I see reflections of my own family, and beyond them, like those mirrors tilted slightly into infinity, I can see literally miles of others lined up, inexorably linked forever by a shared experience . . . this is an exceptional book and should be required reading in modern history classes' JOANNA LUMLEY 'An extraordinary, compelling picture of a family entwined in the Second World War . . . at turns funny, sad, redemptive and tragic. Fabulous' JAMES HOLLAND 'A loving tribute . . . Brimming with anecdote and rich in fascinating detail' KEGGIE CAREW ~ How would it feel if all your sons and daughters were caught up in war? What would it be like to spend six years fearing what a telegram might bring? That was the heart-wrenching reality faced by so many families throughout the Second World War, including the parents of the Walker children. From the Blitz to the battlefields of Europe and the Far East, this is the remarkable story of four brothers and two sisters who were swept along by the momentous events of the war. Harold was a surgeon in a London hospital alongside his sister Ruth, a nurse, when the bombs began to fall in 1940. Peter was captured in the fall of Singapore. Edward fought the Germans in Italy, and Walter the Japanese in Burma, while in London, glamorous Bee hoped for lasting happiness with an American airman. In To War With the Walkers, Annabel Venning, Walter's granddaughter, tells the enthralling and moving tales of her relatives, six ordinary young men and women, who each faced an extraordinary struggle for survival.
Buildings are not benign; rather, they commonly manipulate and abuse their human users. Architectural Agents makes the case that buildings act in the world independently of their makers, patrons, owners, or occupants. And often they act badly. Treating buildings as bodies, Annabel Jane Wharton writes biographies of symptomatic structures in order to diagnose their pathologies. The violence of some sites is rooted in historical trauma; the unhealthy spatial behaviors of other spaces stem from political and economic ruthlessness. The places examined range from the Cloisters Museum in New York City and the Palestine Archaeological Museum (renamed the Rockefeller Museum) in Jerusalem to the grand Hostal de los Reyes Católicos in Santiago de Compostela, Spain, and Las Vegas casino resorts. Recognizing that a study of pathological spaces would not be complete without an investigation of digital structures, Wharton integrates into her argument an original consideration of the powerful architectures of video games and immersive worlds. Her work mounts a persuasive critique of popular phenomenological treatments of architecture. Architectural Agents advances an alternative theorization of buildings’ agency—one rooted in buildings’ essential materiality and historical formation—as the basis for her significant intervention in current debates over the boundaries separating humans, animals, and machines.
In this imaginative and illuminating work, Annabel Patterson traces the origins and meanings of the Aesopian fable, as well as its function in Renaissance culture and subsequently. She shows how the fable worked as a medium of political analysis and communication, especially from or on behalf of the politically powerless. Patterson begins with an analysis of the legendary Life of Aesop, its cultural history and philosophical implications, a topic that involves such widely separated figures as La Fontaine, Hegel, and Vygotsky. The myth’s origin is recovered here in the saving myth of Aesop the Ethiopian, black, ugly, who began as a slave but become both free and influential, a source of political wisdom. She then traces the early modern history of the fable from Caxton, Lydgate, and Henryson through the eighteenth century, focusing on such figures as Spenser, Sidney, Lyly, Shakespeare, and Milton, as well as the lesser-known John Ogilby, Sir Roger L’Estrange, and Samuel Croxall. Patterson discusses the famous fable of The Belly and the Members, which, because it articulated in symbolic terms some of the most intransigent problems in political philosophy and practice, was still going strong as a symbolic text in the mid-nineteenth century, where it was focused on industrial relations by Karl Marx and by George Eliot against electoral reform.
Annabel Patterson explores the effects of censorship on both writing and reading in early modern England, drawing analogies and connections with France during the same period.
A FINALIST FOR THE ORWELL PRIZE FOR POLITICAL WRITING 2023 A FINANCIAL TIMES BEST SUMMER BOOK OF 2023 'Important and ambitious' Observer, Book of the Day 'An illuminating and powerful intersectional analysis of health inequalities and racism' i-D Magazine 'Prepare to be blown away' Chikwe Ihekweazu, Assistant Director General at WHO In the wake of the Covid-19 pandemic, we are all too aware of the urgent health inequalities that plague our world. But these inequalities have always been urgent: modern medicine has a colonial and racist history. Here, in an essential and searing account, Annabel Sowemimo unravels the colonial roots of modern medicine. Tackling systemic racism, hidden histories and healthcare myths, Sowemimo recounts her own experiences as a doctor, patient and activist. Divided exposes the racial biases of medicine that affect our everyday lives and provides an illuminating - and incredibly necessary - insight into how our world works, and who it works for. This book will reshape how we see health and medicine - forever. 'A vital call to action' Leah Hazard, author of Womb 'Urgent examination of how modern medicine is intertwined with colonial histories and racist ideas ... compelling story-telling' Joanna Wolfarth, author of Milk 'Outstanding ... beautifully written and erudite, yet highly accessible ... should be mandatory reading for all medical practitioners' Jacqueline Roy, author of The Fat Lady Sings 'Necessary. In the right hands, this book will save lives' Nova Reid, author of The Good Ally
Selling Jerusalem' offers an introduction to the explosive combination of piety and capital at work in religious objects and global politics. It is sure to interest students and scholars of art history, economic history, popular culture, religion, and architecture.
LONGLISTED FOR THE WOMEN'S PRIZE LONGLISTED FOR THE GILLER PRIZE From "this generation's answer to Alice Munro" (Vancouver Sun) comes a sly, sensual, haunting novel about two women whose lives collide when tragedy changes them forever. Saskia and Jenny are twins alike in appearance only: Saskia is a grad student with a single-minded focus on her studies, while Jenny is glamorous, thrill-seeking, and capricious. Still, when Jenny is severely injured in an accident, Saskia puts her life on hold to be with her sister. Sara and Mattie are sisters with another difficult dynamic. Mattie, who is younger, is intellectually disabled. Sara loves nothing more than fine wines, perfumes, and expensive clothing, and leaves home at the first opportunity. But when their mother dies, Sara inherits the duty of caring for her sister. She moves Mattie in with her--but it's not long until tragedy strikes. Now, both Sara and Saskia, having been caregivers for so long, find themselves on their own. Yet through a cascade of circumstances as devastating as they are unexpected, these two women will come together. Razor-sharp and profoundly moving, Consent is a thought-provoking exploration of the complexities of familial duty, and of how love can become entangled with guilt, resentment, and regret.
Written by pioneering and internationally-renowned specialists in the field, this text provides clinically-orientated information on osteopathy as a treatment for horses. It explains the scientific rationale of how osteopathy works in animals, as well as providing a detailed working guide to the technical skills and procedures you need to know to perform safe and effective osteopathic procedures. Drawing on well established practices for humans this book provides details on the full variety of diagnostic and therapeutic osteopathic procedures that can be used on horses. Full of practical information, it demonstrates how professionals treating equine locomotor problems can adapt different procedures in different clinical settings. Over 350 colour images and detailed step-by-step instructions demonstrate the procedures and practice of osteopathy. Covers treatment both with and without sedation and general anaesthetic. This comprehensive text is written for students and practitioners of osteopathy with an interest in treating horses. It will also be useful to other allied therapists, and to veterinary practitioners who want to know more about the treatment of musculoskeletal problems.
Exploring why there is so much fecal matter in literary works that matter Cacaphonies takes fecal matter and its place in literature seriously. Readers and critics have too long overlooked excrement’s vital role in the twentieth- and twenty-first-century French canon. In a stark challenge to the tendency to view this literature through sanitizing abstractions, Annabel L. Kim undertakes close readings of key authors to argue for feces as a figure of radical equality, both a literary object and a reflection on literature itself, without which literary studies is impoverished and sterile. Following the fecal through line in works by Céline, Beckett, Genet, Sartre, Duras, and Gary and the contemporary authors Anne Garréta and Daniel Pennac, Kim shows that shit, far from vanishing from the canon after the early modern period, remains present in the modern and contemporary French literature that follows. She argues that all the shit in the canon expresses a call to democratize literature, making literature for all, just as shit is for (or of) all. She attends to its presence in this prized element of French identity, treating it as a continually uttered desire to manifest the universality France aspires to—as encapsulated by the slogan Liberté, égalité, fraternité—but fails to realize. In shit there is a concrete universalism that traverses bodies with disregard for embodied differences. Cacaphonies reminds us that literature, and the ideas to be found therein, cannot be separated from the corporeal envelopes that create and receive them. In so doing, it reveals the aesthetic, political, and ethical potential of shit and its capacity to transform literature and life.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.