Annabel Christie is wracked by guilt. It was rediscovering her late father’s letter after thirty years, which finally did it. A thunderbolt to Annabel’s conscience, the letter was a reminder of her idyllic childhood spent in a wonderful, wild garden, her lost love for nature, and the broken bond between father and daughter.
A personal recollection of the lives and works of Donovan Maule, a former Army Major, and his wife, Mollie, who emigrated from England to Mombasa during the inter-war period, and built a repertory, colonial theatre in Kenya. The story tells in considerable detail of the pre-independence and Second World War periods, of what happened to the theatre during independence and how it finally receded in 1984.
Buildings are not benign; rather, they commonly manipulate and abuse their human users. Architectural Agents makes the case that buildings act in the world independently of their makers, patrons, owners, or occupants. And often they act badly. Treating buildings as bodies, Annabel Jane Wharton writes biographies of symptomatic structures in order to diagnose their pathologies. The violence of some sites is rooted in historical trauma; the unhealthy spatial behaviors of other spaces stem from political and economic ruthlessness. The places examined range from the Cloisters Museum in New York City and the Palestine Archaeological Museum (renamed the Rockefeller Museum) in Jerusalem to the grand Hostal de los Reyes Católicos in Santiago de Compostela, Spain, and Las Vegas casino resorts. Recognizing that a study of pathological spaces would not be complete without an investigation of digital structures, Wharton integrates into her argument an original consideration of the powerful architectures of video games and immersive worlds. Her work mounts a persuasive critique of popular phenomenological treatments of architecture. Architectural Agents advances an alternative theorization of buildings’ agency—one rooted in buildings’ essential materiality and historical formation—as the basis for her significant intervention in current debates over the boundaries separating humans, animals, and machines.
The International Killer Thriller focuses on the extremely successful novels of Daniel Silva, who has pulled off the daunting task of writing, in short order, a series of novels with the same protagonist—Gabriel Allon, a world-famous assassin whom we are to regard as our hero. Originally hired by Israel on the order of Golda Meir to avenge the assassination of the Jewish athletic team at the Munich Olympics, Gabriel has been called upon subsequently by his government and then by those of Britain, Italy, France, and the United States either to mastermind or to assist in the operations against the assassins or master criminals of other countries. What makes him more interesting than most top guns is his other career—restoring masterpieces of painting from either old age or criminal damage. Taken as a series, the fifteen Allon novels take the reader all over the world, including Putin’s Russia. The series requires us to evaluate the role of violence and especially revenge in the world we and our political leaders are forced to engage in. They all take place in almost real time and are up-to-date or even prescient about the dangers we face.
ANNABEL K. BROOME The importance of psychological processes in the experience of health and sickness is being increasingly recognized. There is mounting evidence for the role of personal behaviour in current trends of morbidity and mortality, which is reflected in rapid and significant developments in psychological research. Patterns of illness and death have changed in recent years, with concurrent changes in demands on health services, the skills of carers and the adjustments of the sick person. It is within this changing scene that clinical and health psychologists are becoming increasingly involved in applied research into the prevention or alleviation of current health problems. These changes are also influencing the training of health professionals, with behavioural sciences now forming a substantial component of basic curricula in medical schools and other areas of professional training. This book has arisen from this chan ging clinical scene and the need to convey useful psychological principles to care givers. Part One con centrates on the general psychological processes that have relevance in many health settings, in the prevention, alleviation and management of illness, as weIl as current practices in health care delivery. As these developments have been patchy, Part Two focuses on selected specialties that have received attention. This book is not a comprehensive review of work done in all medical specialties, although the structure has been chosen to reflect the prevalent sub divisions of medical teamwork.
52 Ways to Walk is a short, user-friendly guide to attaining the full range of benefits that walking has to offer--physical, spiritual, and emotional--backed by the latest scientific research to inspire readers to develop a fulfilling walking lifestyle. We think we know how to walk. After all, walking is one of the very first skills we learn. But many of us are stuck in our walking routines, forever walking in the same place, in the same way, for the same time, with the same people. With its thought-provoking and evidence-backed weekly walk routine, 52 Ways to Walk will encourage everyone to improve how they walk, while also encouraging them to seek out new locations (many on their own doorsteps), new walking companions (our brains age better when we mix up our fellow walkers), new times of the day and night, and new skills to acquire while walking. Inspirational, backed by science, illuminated with human anecdote, and bolstered with how-to tips, 52 Ways to Walk will inspire, challenge, support, and encourage everyone to become more ambitious with their walking practice, revealing how walking may be the best-kept secret of the supremely healthy and happy, the creative and well-slept--those with the best posture and sharpest memories. Just about everything, it appears, can be improved and enhanced by clever and judicious walking. It turns out you actually can get more from life, one step at a time.
Specializing in the most-prized gemstones, from Colombian emeralds to sapphires found in the remote hills of Kashmir, David Morris celebrates color, flawless craftsmanship, and unique creativity in jewelry design. This is the jewelry house’s first major book. David Morris established his eponymous fine jewelry house in 1962 at the height of the Swinging Sixties and quickly gained a global reputation for his opulent use of the rarest, most extraordinary gemstones and for innovative design sought by jewelry connoisseurs the world over. The house’s creations—now overseen by his son Jeremy Morris—are all designed and handcrafted to exacting standards in the New Bond Street atelier. This sumptuous slipcased tome, featuring brand-new photography and newly commissioned gouaches created especially for the book, delves into the enchanting history of David Morris, aka the London Jeweler, whose legacy shines as brilliantly as the gemstones the house atelier transforms into objects of art. Over the years the house has gained a reputation for adorning Hollywood, British, and European royals from Elizabeth Taylor to Diana, Princess of Wales. Today, a David Morris jewel still radiates star quality, connecting the brand’s storied past to its future. This first major monograph debuts some of the house’s latest, most innovative designs as well as a large selection of its most famous pieces, and beautifully showcases the sophistication and creativity of one of the most masterful jewelers working today.
Andrew Marvell (1621-78) is best known today as the author of a handful of exquisite lyrics and provocative political poems. In his own time, however, Marvell was famous for his brilliant prose interventions in the major issues of the Restoration, religious toleration, and what he called "arbitrary" as distinct from parliamentary government. This is the first modern edition of all Marvell's prose pamphlets, complete with introductions and annotation explaining the historical context. Four major scholars of the Restoration era have collaborated to produce this truly Anglo-American edition. From the Rehearsal Transpros'd, a serio-comic best-seller which appeared with tacit permission from Charles II himself, through the documentary Account of the Growth of Popery and Arbitrary Government, Marvell established himself not only as a model of liberal thought for the eighteenth century but also as an irresistible new voice in political polemic, wittier, more literary, and hence more readable than his contemporaries.
Volume III of the present work on Statius' Thebaid and Achilleid is divided into two parts. The first part offers a sketch of the history of the textual transmission, a complete list of manuscripts, discussion of various previous editions, exposition of the views about the manuscripts which underly the present edition, and an orthographical index. The second part comprises a secondary apparatus, which tabulates further evidence from the manuscripts and all conjectures not recorded in the primary apparatus.
In postwar Europe and the Middle East, Hilton hotels were quite literally "little Americas." For American businessmen and tourists, a Hilton Hotel—with the comfortable familiarity of an English-speaking staff, a restaurant that served cheeseburgers and milkshakes, trans-Atlantic telephone lines, and, most important, air-conditioned modernity—offered a respite from the disturbingly alien. For impoverished local populations, these same features lent the Hilton a utopian aura. The Hilton was a space of luxury and desire, a space that realized, permanently and prominently, the new and powerful presence of the United States. Building the Cold War examines the architectural means by which the Hilton was written into the urban topographies of the major cities of Europe and the Middle East as an effective representation of the United States. Between 1953 and 1966, Hilton International built sixteen luxury hotels abroad. Often the Hilton was the first significant modern structure in the host city, as well as its finest hotel. The Hiltons introduced a striking visual contrast to the traditional architectural forms of such cities as Istanbul, Cairo, Athens, and Jerusalem, where the impact of its new architecture was amplified by the hotel's unprecedented siting and scale. Even in cities familiar with the Modern, the new Hilton often dominated the urban landscape with its height, changing the look of the city. The London Hilton on Park Lane, for example, was the first structure in London that was higher than St. Paul's cathedral. In his autobiography, Conrad N. Hilton claimed that these hotels were constructed for profit and for political impact: "an integral part of my dream was to show the countries most exposed to Communism the other side of the coin—the fruits of the free world." Exploring everything the carefully drafted contracts for the buildings to the remarkable visual and social impact on their host cities, Wharton offers a theoretically sophisticated critique of one of the Cold War's first international businesses and demonstrates that the Hilton's role in the struggle against Communism was, as Conrad Hilton declared, significant, though in ways that he could not have imagined. Many of these postwar Hiltons still flourish. Those who stay in them will learn a great deal about their experience from this new assessment of hotel space.
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