This book reveals the unique contribution made by the three founding fathers of British fantasy—Lord Dunsany, E. R. Eddison and J. R. R. Tolkien—to our culture’s perennial reassessment of the meanings of time, death and eternity. It traces the poetic, philosophical and theological roots of the striking preoccupation with mortality and temporality that defines the imagined worlds of early fantasy fiction, and gives both the form of such fiction and its ideas the attention they deserve. Dunsany, Eddison and Tolkien raise some of the oldest questions in existence: about the limits of nature, human and divine; cosmic creation and destruction; the immortality conferred by art and memory; and the paradoxes and uncertainties generated by the universal experience of transience, the fear of annihilation and the desire for transcendence. But they respond to those questions by means of thought experiments that have no precedent in modern literary history. This book has won the '2021 Mythopoeic Scholarship Award' for Myth and Fantasy Studies.
The great polymath William Morris and his contemporaries and followers--from H. Rider Haggard to H. G. Wells--are the focus of this study. Anna Vaninskaya draws upon a wide array of primary sources: from working-class fiction and articles in fringe socialist newspapers to historical treatises, autobiographies and diaries, in order to explore the many ways Victorians and Edwardians talked about community and modernity. Vaninskaya's narrative moves from the realm of romance bestsellers and sniggering reviews to debates in weighty historical tomes, and then to the headquarters of revolutionary parties, to street-corners and shabby lecture halls. She demonstrates how in each domain the dream of community clashed with the reality of the modern state and market.
Anna Vaninskaya's study of three major fantasists offers an important new perspective on the origins of the genre as a vehicle for philosophical speculation. By grouping J.R.R. Tolkien with his contemporaries Lord Dunsany and E.R. Eddison rather than with C.S. Lewis and the Inklings, she shows how these writers similarly use fantasy to explore time, death, love, and change.-Prof. Brian Attebery, Professor of English, Idaho State University, Editor, Journal of the Fantastic in the Arts, Author of Stories about Stories: Fantasy and the Remaking of Myth This important book makes a major contribution to our understanding of the impulse to create fantasy. Through a detailed study of three writers working in the first half of the twentieth century - Lord Dunsany, E.R. Eddison and J.R.R. Tolkien - Vaninskaya demonstrates how their invented worlds showcase their very different philosophies, providing them with an experimental testing ground as vibrant and complex as anything created by their modernist contemporaries. Ambitiously conceived, beautifully written and convincingly argued, her narrative helps explain as well as any book in recent memory why so many authors have turned to world creation as a means of expressing 'the nature of mortal existence' at a time of unprecedented global change.-Dr. Robert Maslen, Senior Lecturer, University of Glasgow, Convener of the MLitt in Fantasy "This is an important piece of scholarship that offers much-needed critical explorations of the works of Dunsany and Eddison alongside highly original readings of Tolkien's legendarium and manages to help the reader navigate very complex philosophical questions with lucidity. I can see this book being read and enjoyed by general readers too, which is quite an achievement."--Dr. Dimitra Fimi, University of Glasgow, author of Tolkien, Race and Cultural History and Celtic Myth in Contemporary Children's Fantasy This book reveals the unique contribution made by the three founding fathers of British fantasy-Lord Dunsany, E.R. Eddison and J.R.R. Tolkien-to our culture's perennial reassessment of the meanings of time, death and eternity. It traces the poetic, philosophical and theological roots of the striking preoccupation with mortality and temporality that defines the imagined worlds of early fantasy fiction, and gives both the form of such fiction and its ideas the attention they deserve. Dunsany, Eddison and Tolkien raise some of the oldest questions in existence: about the limits of nature, human and divine; cosmic creation and destruction; the immortality conferred by art and memory; and the paradoxes and uncertainties generated by the universal experience of transience, the fear of annihilation and the desire for transcendence. But they respond to those questions by means of thought experiments that have no precedent in modern literary history. Anna Vaninskaya is Senior Lecturer in English Literature at the University of Edinburgh, UK. She is the author of William Morris and the Idea of Community (Edinburgh University Press, 2010) and over forty articles and book chapters on nineteenth and twentieth-century literature, politics and history.
Anna Vaninskaya's study of three major fantasists offers an important new perspective on the origins of the genre as a vehicle for philosophical speculation. By grouping J.R.R. Tolkien with his contemporaries Lord Dunsany and E.R. Eddison rather than with C.S. Lewis and the Inklings, she shows how these writers similarly use fantasy to explore time, death, love, and change.-Prof. Brian Attebery, Professor of English, Idaho State University, Editor, Journal of the Fantastic in the Arts, Author of Stories about Stories: Fantasy and the Remaking of Myth This important book makes a major contribution to our understanding of the impulse to create fantasy. Through a detailed study of three writers working in the first half of the twentieth century - Lord Dunsany, E.R. Eddison and J.R.R. Tolkien - Vaninskaya demonstrates how their invented worlds showcase their very different philosophies, providing them with an experimental testing ground as vibrant and complex as anything created by their modernist contemporaries. Ambitiously conceived, beautifully written and convincingly argued, her narrative helps explain as well as any book in recent memory why so many authors have turned to world creation as a means of expressing 'the nature of mortal existence' at a time of unprecedented global change.-Dr. Robert Maslen, Senior Lecturer, University of Glasgow, Convener of the MLitt in Fantasy "This is an important piece of scholarship that offers much-needed critical explorations of the works of Dunsany and Eddison alongside highly original readings of Tolkien's legendarium and manages to help the reader navigate very complex philosophical questions with lucidity. I can see this book being read and enjoyed by general readers too, which is quite an achievement."--Dr. Dimitra Fimi, University of Glasgow, author of Tolkien, Race and Cultural History and Celtic Myth in Contemporary Children's Fantasy This book reveals the unique contribution made by the three founding fathers of British fantasy-Lord Dunsany, E.R. Eddison and J.R.R. Tolkien-to our culture's perennial reassessment of the meanings of time, death and eternity. It traces the poetic, philosophical and theological roots of the striking preoccupation with mortality and temporality that defines the imagined worlds of early fantasy fiction, and gives both the form of such fiction and its ideas the attention they deserve. Dunsany, Eddison and Tolkien raise some of the oldest questions in existence: about the limits of nature, human and divine; cosmic creation and destruction; the immortality conferred by art and memory; and the paradoxes and uncertainties generated by the universal experience of transience, the fear of annihilation and the desire for transcendence. But they respond to those questions by means of thought experiments that have no precedent in modern literary history. Anna Vaninskaya is Senior Lecturer in English Literature at the University of Edinburgh, UK. She is the author of William Morris and the Idea of Community (Edinburgh University Press, 2010) and over forty articles and book chapters on nineteenth and twentieth-century literature, politics and history.
The great polymath William Morris and his contemporaries and followers--from H. Rider Haggard to H. G. Wells--are the focus of this study. Anna Vaninskaya draws upon a wide array of primary sources: from working-class fiction and articles in fringe socialist newspapers to historical treatises, autobiographies and diaries, in order to explore the many ways Victorians and Edwardians talked about community and modernity. Vaninskaya's narrative moves from the realm of romance bestsellers and sniggering reviews to debates in weighty historical tomes, and then to the headquarters of revolutionary parties, to street-corners and shabby lecture halls. She demonstrates how in each domain the dream of community clashed with the reality of the modern state and market.
This book reveals the unique contribution made by the three founding fathers of British fantasy—Lord Dunsany, E. R. Eddison and J. R. R. Tolkien—to our culture’s perennial reassessment of the meanings of time, death and eternity. It traces the poetic, philosophical and theological roots of the striking preoccupation with mortality and temporality that defines the imagined worlds of early fantasy fiction, and gives both the form of such fiction and its ideas the attention they deserve. Dunsany, Eddison and Tolkien raise some of the oldest questions in existence: about the limits of nature, human and divine; cosmic creation and destruction; the immortality conferred by art and memory; and the paradoxes and uncertainties generated by the universal experience of transience, the fear of annihilation and the desire for transcendence. But they respond to those questions by means of thought experiments that have no precedent in modern literary history. This book has won the '2021 Mythopoeic Scholarship Award' for Myth and Fantasy Studies.
Dartington Hall was a social experiment of kaleidoscopic vitality, founded in Devon in 1925, where ambitious ideals were turned into a reality. Practical Utopia explores its compelling history, through the lives of its founders and participants, and opens a window onto British and international social reform between the wars.
Examines cultural representations of women's experience of the railway in a period of heightened mobility Women's experiences of locomotion during a period of increased physical mobility and urbanisation are explored in this monograph. The 5 chapters analyse Victorian and early Modernist texts which concentrate on women in transit by train, including Wilkie Collins's No Name, George Meredith's Diana of the Crossways, Elizabeth Gaskell's North and South, Henry James's The Spoils of Poynton and The Wings of the Dove, and stories by Rhoda Broughton, Margaret Oliphant, Charles Dickens and Katherine Mansfield. They highlight the tension between women's boundless physical, emotional, and sexual aspiration - often depicted as closely related to the freedom and speed of train travel - and Victorian gender ideology which constructed the spaces of the railway as geographies of fear or manipulation. Key features: The first full-length examination of texts by and about women which explore the railway as a gendered space within a British and European context Explores a variety of cultural discourses which deal with women and the railway: fiction, poetry, news stories and commentaries, essays, paintings, and philosophical writings Proposes a reconceptualization of the public/private binary
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