New, expanded edition: the world's best full-color travel guides just got better. This volume in the award-winning Eyewitness Travel Guides series show Stockholm as it has never been shown before. With the help of this guide, you can explore the sites with 3-D cutaways, and get the inside scoop on the best restaurants, museums, shops markets, festivals, art, and more! Great maps and plenty of hotel and restaurant recommendations make sure your visit is fun and hassle-free.
A collection of essays analyzing the representation of the Arctic region in documentary films. Beginning with Robert Flaherty’s Nanook of the North (1922), the majority of films that have been made in, about, and by filmmakers from the Arctic region have been documentary cinema. Focused on a hostile environment that few people visit, these documentaries have heavily shaped ideas about the contemporary global Far North. In Arctic Cinemas and the Documentary Ethos, contributors from a variety of scholarly and artistic backgrounds come together to provide a comprehensive study of Arctic documentary cinemas from a transnational perspective. This book offers a thorough analysis of the concept of the Arctic as it is represented in documentary filmmaking, while challenging the notion of “The Arctic” as a homogenous entity that obscures the environmental, historical, geographic, political, and cultural differences that characterize the region. By examining how the Arctic is imagined, understood, and appropriated in documentary work, the contributors argue that such films are key in contextualizing environmental, indigenous, political, cultural, sociological, and ethnographic understandings of the Arctic, from early cinema to the present. Understanding the role of these films becomes all the more urgent in the present day, as conversations around resource extraction, climate change, and sovereignty take center stage in the Arctic’s representation. “Highly recommended.” —Choice “A thorough exploration of the inexorable links between the circumpolar regions and historic and contemporary documentary filmmaking. It will b valuable to Arctic humanities specialists, particularly as a welcome addition to scholarship on visual depictions of the Arctic by authors such as Ann Fienup-Riordan, Richard Condon, Russell Potter, and Peter Geller, as well as Mackenzie and Westerstahl Steport’s earlier co-edited volume, Films on Ice. It will also be of use to anyone interested in ways of studying linkages between filmmaking, environments, and local and outsider communities.” —Sarah Pickman, Yale University, H-Environment, January 2020
This book offers a brief but comprehensive overview of the history of sociology in Sweden from the prewar period to the present day. It focuses in particular on scientific boundaries, gender and the relationship between sociology and the Swedish welfare state.
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