Linguist Anna Wierzbicka casts new light on the words of Jesus by taking her theory of universal human concepts and bringing it to bear on Jesus' parables and the Sermon on the Mount. Her approach results in strikingly novel interpretations.
Late in his career, Claude Monet returned to London to paint the fog that had entranced him years before. The resulting sequence of pictures represents some of the fascination that French painters felt for Britain. Similarly, many British collectors and young painters embraced and were influenced by the work of the French Impressionists. This book describes the activities of the French Impressionist painters on their visits to Britain, considers the dissemination of Impressionist painting through British dealers and collectors, explores the response of artists from Britain and Ireland to the Impressionist movement, and sets all of these against the backdrop of late Victorian and Edwardian Britain. McConkey and Robins describe the work of Monet, Pissarro, Sisley, and other Impressionists working in London, showing how this art influenced the community of young British painters disenchanted with British art schools and art exhibiting standards. The authors investigate the role played by two innovative painters who were American expatriates, James McNeill Whistler and John Singer Sargent. And they explain how such artists as William Orpen, George Clausen, Stanhope Forbes, Henry La Thangue, Walter Sickert, and Philip Wilson Steer sought out new and radical approaches to picture making, formed new secessionist art societies, and articulated new concepts of the role of art, rejecting historical pageants and fashionable aestheticism and focusing on modern rural and urban conditions. The book is the catalogue of an exhibition that will be at the Barbican Art Gallery in London from January to March 1995, and then move to Dublin.
Marjorie is the pretty one of the Preston sisters. So pretty that when a performer at her sister's music room breaks her leg, Marjorie is asked to fill in as the assistant to famous singer Denby Sinclair. He offers to take her with him, away from Lancashire and into the exciting world of London theatres. But Denby is not what he seems. He has a dangerous secret which, if it were to be revealed, would ruin her. Marjorie, however, is reckless and will take any risk for a chance to perform on the stage. And when disaster strikes, she finds herself alone and feels further from home than she's ever been. Can she regain her heart's desire and find happiness once more? And what can she do about another danger that arises in Hedderby that threatens her and her entire family? ********************** What readers are saying about STAR OF THE NORTH 'Once again, a great read. Anna Jacobs has a way of writing that draws you into the characters and makes you feel that you are living the story' - 5 stars 'I couldn't put it down' - 5 stars 'Excellent!' - 5 stars 'I did not want to put this book down. Brilliant and enthralling to lose yourself completely' - 5 stars 'Another Fab read from Anna Jacobs' - 5 stars
This book is about Mrs. Hannah More, who had acted as a controversial patron to Ann Yearsley, and had used her own reputation as a poet in support of the abolitionist cause. It is the collaborative effort of Roberts, Bickersteth and Seeley that testifies the complexity of her enduring influence.
In periods of recession, churches frequently respond to social need in practical ways. These responses are often driven by pastoral concern rather than a theology of church and society. But without theological roots, such social action can be vulnerable and episodic. This volume, commissioned by a group of Bishops in hard-hit dioceses, looks to develop strong theological foundations for local social action initiatives by churches, especially for activists who are not familiar with the Church of England’s tradition of social theology, developed by William Temple and others a century ago. In exploring what a renewed Anglican social theology might look like, this also draws on the impact of Catholic Social Teaching and focuses on the core topics of multiculturalism, economics, family patterns, ecology and other key issues.
Gwynna has already fallen from grace once, bearing a stillborn child out of wedlock. Determined to have a respectable future, she finds a position for herself as a nursemaid at Hungerton House. But just as she begins to find her feet, the devastating secrets of her past are revealed. She is swiftly dismissed, but not before she becomes the target of a lascivious groom. And even afterwards she is pursued by Hungerton, an evil old man who wishes to send her back to the gutters. She returns home to Hedderby, only to find the small Lancashire town reeling after an arson attack on the local pub and music hall. Her only ally is a talented carpenter, also once employed by Hungerton. His former employer will stop at nothing, however, to bring him back to the estate. Will money buy revenge and destroy two lives? Or will the young lovers find a way to achieve their dearest dreams? ****************** What readers are saying about BRIGHT DAY DAWNING 'Excellent, as is the whole series' - 5 stars 'Gripping' - 5 stars 'Brilliant saga' - 5 stars 'Great from start to finish' - 5 stars 'I loved it' - 5 stars
Carrie Preston is used to hard work - oldest of ten, with an incompetent mother and a drunken father, she struggles daily to find food for her siblings. But nothing could have prepared her for the day fate deals her family the cruelest of hands, rendering them more desperate than ever. So when Eli Beckett offers Carrie a job at the Dragon pub, she grabs the opportunity with both hands. Things finally seem to be looking up for the Preston family, especially when they find out that Eli's nephew is planning on building a brand new music room in the town. With the great cities of England alive to the sound of music halls, the locals of Hedderby are soon looking forward to their own place of celebration and merriment. Yet not everyone shares this excitement, and some will stop at nothing in the pursuit of selfish gain . . . ****************** What readers are saying about PRIDE OF LANCASHIRE 'A brilliant book' - 5 stars 'Another fab book - thank you Anna Jacobs!' - 5 stars 'Really exciting, could not put it down. You feel the people are so real and you are there with them' - 5 stars 'Brilliant, I just love her books' - 5 stars 'Excellent, as always' - 5 stars
The Story of a Pioneer" was one of the several works written by Anna Howard Shaw in her lifetime and was published in 1915. This work is a powerful and revealing autobiography in which Shaw narrates her journey as a leader in the women's suffrage movement, offering an intimate and profound view of her life and the challenges faced during her advocacy for women's rights. Over time, various biographies have been written and continue to be written about this iconic suffragist and minister, with increasing quality and scope. However, to understand the thoughts and character of a real person, there is nothing better than hearing the story with all its circumstances, mistakes, and successes told by the one who lived it firsthand. This is the purpose of Anna Howard Shaw's autobiography: to bring to the public the determined and visionary woman who, through her perseverance and dedication, became one of the most influential figures in the fight for gender equality. This work is part of the "Voices of America" collection, which aims to highlight the life stories of important figures in American history, told by themselves.
Anna Howard Shaw was a courageous woman who decided to preach in a time when women were not allowed to speak in public, let alone preach. Gradually over the years she became associated with the women's movement in USA and along with other famous activists like Susan B. Anthony made it her life's mission to work tirelessly for the cause of gender equality. Excerpt: "My father's ancestors were the Shaws of Rothiemurchus, in Scotland, and the ruins of their castle may still be seen on the island of Loch-an-Eilan, in the northern Highlands. It was never the picturesque castle of song and story, this home of the fighting Shaws, but an austere fortress, probably built in Roman times; and even to-day the crumbling walls which alone are left of it show traces of the relentless assaults upon them…
This carefully crafted ebook: “THE STORY OF A PIONEER” is formatted for your eReader with a functional and detailed table of contents. Anna Howard Shaw was a courageous woman who decided to preach in a time when women were not allowed to speak in public, let alone preach. Gradually over the years she became associated with the women's movement in USA and along with other famous activists like Susan B. Anthony made it her life's mission to work tirelessly for the cause of gender equality. Excerpt: “My father's ancestors were the Shaws of Rothiemurchus, in Scotland, and the ruins of their castle may still be seen on the island of Loch-an-Eilan, in the northern Highlands. It was never the picturesque castle of song and story, this home of the fighting Shaws, but an austere fortress, probably built in Roman times; and even to-day the crumbling walls which alone are left of it show traces of the relentless assaults upon them…”
The influence of the women’s movement has long been a scholarly priority in the study of British women’s drama of the late nineteenth and early twentieth centuries, but previous scholarship has largely clustered around two events: the New Woman in the 1890s and the suffrage campaign in the years before the First World War. Women’s Playwriting and the Women’s Movement, 1890–1918 is the first designated study of British women’s drama from a period of exceptional productivity and innovation for female playwrights. Both the British theatre and women’s position within British society underwent fundamental changes in this period, and this book shows how female dramatists carefully negotiated their position in the heated debates about women’s rights that occurred at this time, while staking out a place for themselves in an evolving theatrical landscape. Farkas also identifies the women’s movement as a key influence on the development of female-authored drama between 1890 and 1918, but argues that scholarly prioritizing of the "radicalism" of work associated with the New Woman and the suffrage campaign has had a distorting effect in the past. Ideal for scholars of British and Victorian theatre, Women’s Playwriting and the Women’s Movement, 1890–1918 offers a new perspective which emphasizes the complexity of women playwrights’ engagement with first-wave feminism and links it to the diversification of the British theatre in this period.
This book explores the relationship between nineteenth-century poetry and liberal philosophy. It carries out a reassessment of the aesthetic possibilities of liberalism and it considers the variety of ways that poetry by William Wordsworth, Elizabeth Barrett Browning, Arthur Hugh Clough, George Meredith, Robert Browning, Matthew Arnold and Algernon Charles Swinburne responds to and participates in urgent philosophical, social and political debates about liberty and the rule of law. It provides an account of poetry’s intervention into four different sites where liberalism has a stake: the self, the university, married life and the nation state and it seeks to assert the peculiar capacity of poetry to articulate liberal concerns, proposing poetic language as a means of liberal enquiry.
Including 6 Volume History of Women's Suffrage (Elizabeth Cady Stanton, Susan B. Anthony, Emmeline Pankhurst, Anna Howard Shaw, Millicent G. Fawcett, Jane Addams, Lucy Stone, Carrie Catt, Alice Paul)
Including 6 Volume History of Women's Suffrage (Elizabeth Cady Stanton, Susan B. Anthony, Emmeline Pankhurst, Anna Howard Shaw, Millicent G. Fawcett, Jane Addams, Lucy Stone, Carrie Catt, Alice Paul)
This meticulously edited collection presents the most prominent figures of the Women's suffrage movement in the United States of America and the United Kingdom: Elizabeth Cady Stanton, Susan B. Anthony, Emmeline Pankhurst, Anna Howard Shaw, Millicent Garrett Fawcett, Jane Addams, Lucy Stone, Carrie Chapman Catt, Alice Paul. This edition includes as well the complete 6 volume history of the movement - from its beginnings through the ratification of the Nineteenth Amendment to the U.S. Constitution, which enfranchised women in the U.S. in 1920. Elizabeth Cady Stanton (1815-1902) was an American suffragist, social activist, abolitionist, and leading figure of the early women's rights movement. Susan Brownell Anthony (1820-1906) was an American social reformer and women's rights activist who played a pivotal role in the women's suffrage movement. Emmeline Pankhurst (1858-1928) was a British political activist and leader of the British suffragette movement who helped women win the right to vote. Anna Howard Shaw (1847-1919) was a leader of the women's suffrage movement in the United States. She was also a physician and one of the first ordained female Methodist ministers in the United States. Dame Millicent Garrett Fawcett (1847-1929) was a British feminist, intellectual, political and union leader, and writer. Jane Addams (1860-1935), known as the "mother" of social work, was a pioneer American settlement activist, public philosopher, sociologist, protestor, author, and leader in women's suffrage and world peace. Lucy Stone (1818-1893) was a prominent U.S. orator, abolitionist, and suffragist, and a vocal advocate and organizer promoting rights for women. Carrie Chapman Catt (1859-1947) was an American women's suffrage leader who campaigned for the Nineteenth Amendment to the United States Constitution, which gave U.S. women the right to vote in 1920. Alice Stokes Paul (1885-1977) was an American suffragist, feminist, and women's rights activist.
Most people avoid teaching from Ezekiel. Not only is it a book full of strange and (sometimes) disturbing imagery, but it also presents a vivid depiction of a God that won’t fit neatly into the categories we typically have in mind for him. It’s because of these reasons that Ezekiel is an important book to study. But don’t be afraid. Creative Bible Lessons in Ezekiel makes it a little easier to bring this bizarre and often confusing book to your students. Following the history of the bestselling Creative Bible Lessons series, this book introduces some new elements into your teaching. Because Ezekiel is so unfamiliar to many people, there is extensive background for leaders, including research from several commentaries and other books. There’s enough information there for you to understand the passage enough to be able to teach it confidently. In addition to the background, you’ll find a combination of illustrations, activities, movie clips, and song suggestions to help bring the passage to life. Each section ends with a journaling exercise for your students to make the passage personal. Since many adults steer clear of this imaginative book of the Bible, this resource will not only help you teach your students—you’ll learn something yourself! Help your students uncover this book, and lead them closer to the God of Ezekiel—the God who surprises us frequently and loves us completely.
This book analyses how Evangelical Anglicans study the Bible. It explores the relationship between the doctrine of Scripture and hermeneutics as it happens ‘on the ground’, asking how Bible beliefs influence and affect the interpretative activity and conclusions that Bible readers make.
This volume is a review of the autobiographical account Alicia LeFanu, Memoirs of the Life and Writings of Mrs. Frances Sheridan, which sheds light on the controversial role of the female writers in the early nineteenth century.
The Mireces worship the bloodthirsty Red Gods. Exiled from Rilpor a thousand years ago, and left to suffer a harsh life in the cold mountains, a new Mireces king now plots an invasion of Rilpor’s thriving cities and fertile earth. Dom Templeson is a Watcher, a civilian warrior guarding Rilpor’s border. He is also the most powerful seer in generations, plagued with visions and prophecies. His people are devoted followers of the god of light and life, but Dom harbors deep secrets, which threaten to be exposed when Rillirin, an escaped Mireces slave, stumbles broken and bleeding into his village. Meanwhile, more and more of Rilpor’s most powerful figures are turning to the dark rituals and bloody sacrifices of the Red Gods, including the prince, who plots to wrest the throne from his dying father in the heart of the kingdom. Can Rillirin, with her inside knowledge of the Red Gods and her shocking ties to the Mireces King, help Rilpor win the coming war?
The years 1890-1945 saw an unprecedented outpouring of fiction focused on British university life, much of it reflecting the drastic change that had swept through the higher education system in the late nineteenth century. Among these narratives, a significant subgroup focused on the lives of women students, newly admitted to the structures of higher education system, their presence still stridently, and sometimes even violently, opposed, especially at Oxbridge. These novels and short stories collected here, largely unknown today, were widely discussed and debated in the public sphere during the early twentieth century, contributing not only to the formation of public knowledge and opinion about education through cultural figures like the ‘Girton Girl’ or the ‘undergraduette,’ but also sparking debate about many wider social and cultural issues, from the place of the women writer in the literary scene to the emergence of new discourses around psychology and the body. The majority have not been reprinted since their original publication, and until now have been rarely available to scholars. The publication of Women’s University Narratives, 1890-1945, therefore, provides a major new resource for scholarship in many areas, including women’s studies, educational history, and literary and cultural modernism.
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