As a child growing up in the once-beautiful city of Budapest, Anna Porter’s grandfather told her stories of heroes and strife and survival, some as old as the Carpathian basin, some still holding the sting of recent war and hardship. Some were fanciful, most were true, and all gave her a personal sense of history, both national and familial. This compulsively readable saga blends one family’s story with that of its homeland during one of the 20th century’s most tumultuous periods.
In the vein of Kate AtkinsonÕs Jackson Brodie novels comes this yearÕs smart new thriller with literary chops When wealthy octogenarian Geza Marton hires art expert Helena Marsh to buy back his familyÕs Titian painting, Helena flies to Budapest to close what she expects will be a reasonably simple sale. But nothing is ever simple in this beautiful, flawed city where corruption abounds. Helena discovers that there are multiple bidders for the painting, including some dangerous Slavs. Soon there are also dead bodies, and a complicated history that leads her to men Marton knew in Vorkuta, one of StalinÕs notorious gulags. As she works to unravel the truth of the paintingÕs ownership and dodges her tail, the dogged ex-detective Attila Feher, Helena is forced to call on all her considerable skills to stay alive and out of jail. Smart, fast-paced, and wildly entertaining, The Appraisal is a terrific thriller set against BudapestÕs corruption and lost promise.
Seminar paper from the year 2011 in the subject Business economics - Accounting and Taxes, grade: 1,7, Linnaeus University (-), language: English, abstract: Rachel Branckowitz and Rick Young are two dentists who are merging their offices together. They are faced with finding an Accounting Information System that fulfils their requirements e.g. the extended number of clients. The merging and system implementation is due in six month. Therefore Porter's Value Chain will be derived as a solution after having explained the Value Chain concept. From there on a REA Analysis will be developed, which will be explained in detail. The Case used in this paper "Designing and Implementing an Information System for the Dental Office of Branckowitz & Young" by Alex Nikitkov and Barbara Sainty can be found in "ACCOUNTING PERSPECTIVES Instructional Cases Teaching Notes and Supplementary Materials" Volume 7, Issue 4.
This book argues that rather than denying the existence and continued relevance of the cultural 'baggage' embedded in English ('Anglo' English), it is important to explore the contents of that baggage - important for practical, as well as intellectual, reasons.
Sound Systems features separate sections on phonics instruction in pre-K, K, first-, and second-grade classrooms, detailing how instructional needs in phonics change over time as students acquire new skills throughout the primary years."--Jacket.
The first accurate quantitative re-attribution of all central texts of the British Renaissance. Describes and applies the first unbiased and accurate method of computational-linguistics authorial-attribution. Covers 303 texts with 8,106,059 words, 123 authorial bylines, a range of genres, and a timespan between 1510 and 1662. Includes helpful diagrams that visually show the quantitative-matches and the identical most-frequent phrases between the texts in each linguistic-signature-group. Detailed chronologies for each of the six ghostwriters and the bylines they wrote under, including their dates of birth, death, publications, and other biographical markers that explain why each of them was the only logical attribution. A full bibliography of the 303 tested texts. All of the raw and processed data, not only in summary-tables inside of the book, but also in-full on a publicly-accessible website: https://github.com/faktorovich/Attribution. One table includes all of the data from the first-edition title-pages (byline, printer, bookseller, date, proverbs), and the first-performance (date, troupe). A table on structural elements across all “Shakespeare”-bylined texts summarizes their plot-movements, character-types, settings, slang-usage, primary sources, and poetic design (percentage of rhyme and hendiadys). To explain why these are the first truly accurate re-attributions, numerous reasons for discrediting previous attribution claims are provided throughout. Re-Attribution of the British Renaissance Corpus describes a newly invented for this study computational-linguistics authorial-attribution method and applies it and several other approaches to the central texts of the British Renaissance. All of the attribution steps are described precisely to give readers replicable instructions on how they can apply them to any text from any period that they are interested in determining an attribution for. This method can be applied to solving criminal linguistic mysteries such as who wrote the Unabomber Manifesto, or theological mysteries such as if any of the Dead Sea Scrolls might have been forged by a modern author. This method is uniquely accurate because it uses 27 different quantitative tests that measure a text’s dimensions and its similarity or divergence to other texts automatically, without the statisticians being able to skew the outcome by altering the experiment’s analytical design. Re-Attribution guides researchers not only on how to perform the basic calculations, but also how to perform the biographical and documentary research to derive who among the potential bylines in a single signature-group is the ghostwriter, while the others are merely ghostwriter-contractors or pseudonyms. Reliable accuracy is achieved by also performing other types of attribution tests to check if these alternative approaches validate or contradict the 27-tests’ findings. Non-quantitative tests discussed include deciphering the hidden implications of contemporary pufferies, as well as comparing structural elements such as characters, plot, and element borrowings. Part II presents a revised version of the history of the birth of the theater in Britain by reviewing forensic accounting evidence in Philip Henslowe’s Diary, and the documented history of homicidal lending practices and government corruption connected with troupes and theaters. Parts III-VIII explain precisely how this series derived that the British Renaissance was ghostwritten by only six linguistic-signatures: Richard Verstegan, Josuah Sylvester, Gabriel Harvey, Benjamin Jonson, William Byrd and William Percy. The parts on each of these ghostwriters, not only explain how their biographies fit with the timelines of the texts being attributed to them, but also provide various types of evidence that explains their motives for ghostwriting. And Part IX returns for an intricate analysis of a few pseudonyms or ghostwriting-contractors who were uniquely difficult to exclude as potential ghostwriters; in parallel, these chapters question the reasons these individuals would have needed to purchase ghostwriting services. “The complete series on British Renaissance Re-Attribution and Modernization by Anna Faktorovich is a remarkable accomplishment. Based on her own unbiased method of computational-linguistic authorial-attribution, she has critically examined an entire collection of texts, many previously inaccessible and untranslated to modern English. From a variety of distinct factors that have been ignored or unnoticed in the past, she identifies a group of ghost writers behind many miss-attributed Renaissance works. Of particular interest are works traditionally attributed to William Shakespeare. Dr. Faktorovich is a prolific writer, very well informed in English literature, philology, and literary criticism, and she is clearly thorough and detail-oriented. Her re-attribution and modernization series demonstrates solid scholarship, fresh perspective, and willingness to challenge conventional thought and methodology.” —Midwest Book Review, Lesly F. Massey (December 2021) “I have long had an interest in linguistics and enjoy reading the frequent ‘Who really wrote Shakespeare’s works?’ Therefore, this book was extremely interesting to me… So, my recommendation is that if you have an interest in linguistics and scholarly research you will love this book… Very interesting and well laid out book. *****” —LibraryThing, Early Reviewers, February 2022 Anna Faktorovich, PhD, is an English professor who previously published Rebellion as Genre and Formulas of Popular Fiction. She is also the Director and Founder of Anaphora Literary Press.
Provides an international forum for the exchange of ideas related to multiculturalism; multi-ethicity; cross-cultural perspectives in literature, the arts, and politics; integration versus cultural shock; as well as racial, ethnic, and religious problems of the world in the 21st century. The editors hope that the articles selected for the volume will prove stimulating and inspiring to their readers, be they blooming researchers or specialists in Anglophone literature, culture, linguistics, and didactics. PART I. LITERATURE AND CULTURE PART II. LINGUISTICS AND METHODOLOGY LCCN: 2017962609
Annie and her two year old daughter travel to America to join up with Joe, the love of her life. Come with her and experience the numerous trials of a 1912 Atlantic crossing, the many tests and exams that Ellis Island demands and the long three day journey by train... taking them to their new home in Utah, over 4,000 miles from her home in Italy. What was life like back then? What could an immigrant from Sicily expect to find in a state like Utah? Experience what she experiences as you follow her through her everyday life in America. See for yourself, the many new discoveries and changes that took place during the Industrial Revolution and how it affected the common folk. Learn about great inventions and how electricity changed lives. See what people had to do to survive. Feel for yourself how WWI interrupted the lives of the entire nation and learn why this war was fought. Over twenty two million immigrants came to America through Ellis Island between 1892-1924. Chances are your ancestors were among them. See for yourself how they lived, what they had to endure, how they survived.
For anyone faced with the challenge of making strategic decisions, this book will show readers how to choose the strategic models best suited to their needs.
Deception is omnipresent throughout the evolution of life, inseparable from the development of various modes of communication. By effectively manipulating the behavior of others, apparently by taking advantage of recipients’ own rules, communicators are able to gain an advantage while negotiating meaning in a cross-cultural environment. Even though much research related to deceptive behavior and its detection has been conducted in recent years, little of it has concentrated on deception outside of a North American context. This monograph addresses that lacuna. Consistently, most research on deception has examined face-to-face verbal communication and ignored computer-mediated communication. In response, this book also provides detailed insights into how computer-mediated communication and adopted cultural values affect deceptive communication and deception detection across cultures, namely in Poland and the USA. It focuses on discussing theories about why cues to deception exist, theories specific to verbal cues to deception, and theories about computer mediation in communication. The book also proposes a research model postulating relationships between computer-mediated communication media, cue detection, media familiarity, national culture, espoused cultural values, veracity judgment success, and deceptive communicative behavior.
Christopher Ross and his brothers board the newest cruise ship owned by their family completely unaware of a sinister plan that is at work on the ship with a plot to kill the Ross boys. Christopher has heeded the captain’s warning and the mysterious letters from a friend. Christopher has a choice to make: he can either sit back and do nothing after he learns how an old friend on board the ship, with whom he’s just been reunited, is being abused by her father, or he can try to help her when everyone tells him to stay out of it and just worry about staying alive. Will Christopher find out who’s behind the letters he’s been receiving? This cruise will turn into one of love and loss. Will all three boys make it out unscathed, or will they all die? Joe Nelson has always despised the Ross boys, and now is the time to put his plan into action. But what happens after he hires the shipyard’s hit man, Connor Morris? Joe suddenly has a change of heart. After all, murder isn’t something to be messed with. It’s not only wrong. It’s a sin. Will Joe fully change his mind, or will he allow things to pan out? Will Connor change his ways and repent of his sins? 1
Seminar paper from the year 2016 in the subject Business economics - Offline Marketing and Online Marketing, grade: 1,0, Linnaeus University, course: Innovation through Business, Engineering and Design, language: English, abstract: This report will critically analyse the design concepts for the case company by competiveness and customer expectations. Finally it will be critically reflected up on the case company’s current situation and opportunities for the future. How does rivalry in a market as well as customer expectations influence the process of a design concept from a business perspective? To create a meaningful, successful product, market insights and knowledge about customer expectations are needed. Knowing the customer’s desires helps to develop meaningful products that meet market demands. Besides being aware of the motivation for a product introduction, knowing the products market is crucial. Competition can make or break a products future. The desire to expand or enter a new market can lead to many avoidable mistakes. These hurdles can be circumvented by doing a thorough competitor analysis so that no unpleasant surprise waits around the corner.
How does the state system measure up to today's realitites when it comes to managing conflict? To what extent are efforts to manage conflict successful, and for whom? Prevailing structures designed to deal with conflict between collectives -- sovereign states supported by militaries, military industry, and the United Nations -- operate mainly on principles that are hundreds of years old. Conditions for conflict and its management have changed radically since this state system was constructed. There is a risk that institutional inertia produces growing disparity between real-world problems and the institutions that are supposed to manage them. Realism and legalism are found to form a double idological support for the state system. The study compares the state system's realist and legalist premises to different cases of post cold war intercollective conflict: the 1990-91 Gulf War, the 1990-95 break-up of Yugoslavia, and the 1992 Los Angeles riots. These cases present important challenges to the pravailing system's premises -- mismatches between idea and reality that are clearly connected to failures in conflict management. In addition, findings suggest that the state system not only fails to deal with important aspects of modern-day conflict, but that it increasingly produces problems that it cannot manage. This suggests that the prevailing state system is not in harmony with crucial conflict-related aspects of global impact, indicating a serious systemic problem.
Played out under the bright lights of the US Open semifinals, THE LAST MATCH pits rising Russian star Sergei Sergeyev against American great Tim Porter in an epic showdown that follows two tennis titans through pivotal moments in their lives both on and off the court. This gripping, fast-paced story captures the intense world of competitive sports, and human rivalry, and what it means to want something—and the lengths we will go to in order to feel relevant, important, and young.
From the late nineteenth century women began to enter British universities. Their numbers were small and their gains hard won and fiercely contested, yet they inspired a whole new genre of fiction. This collection of largely forgotten and rare texts forms a valuable primary resource for scholars of literature, social history and women’s education.
An adventure, a black comedy, a fairy tale of sorts and a romance, Little Gods tells the story of larger-than-life Jean Clocker, whose birth challenges the very balance of nature and whose body resists all attempts to contain it. A girl – and later, woman – of unusual size and strength, fitting in is never an option for Jean, but it takes the chaos of war – and, later, America – to persuade her to fully appreciate her extraordinary stature. ‘A gorgeous, sprawling novel and a rich, colourful tale’ Metro ‘Four hundred and thirty-one pages of glory’ HELEN OYEYEMI ‘A wonderfully inventive ode to being different’ FT ‘Rich, gaudy, clever and irrepressible' ALI SMITH ‘A startlingly original first novel by a remarkable new talent’ Independent
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