Minton loves anything that moves - boats, planes, cars, trucks, submarines and hot-air balloons - and he's always ready for action! His friend Turtle is not so brave, but together they have wild adventures. And you can make your own models of Minton's vehicles. Also, meet Hector, the Hottest Boy Who Ever Lived, who shot out of a volcano and is almost too hot to handle. A Big Book of 7 adventure stories, from the creators of Tashi! 'Minton makes everything seem possible. The kids will love this one.' West Australian
In Getting Started in Ballet, A Parent's Guide to Dance Education, authors Anna Paskevska and Maureen Janson comprehensively present the realities that parents can anticipate during their child's training and/or career in ballet. It can be daunting and confusing when parents discover their child's desire to dance. Parental guidance and education about dance study typically comes from trial by fire. This book expertly guides the parental decision-making process by weaving practical advice together with useful information about dance history and the author's own memoir. From selecting a teacher in the early stages, to supporting a child through his or her choice to dance professionally, parents of prospective dancers are lead through a series of considerations, and encouraged to think carefully and to make wise decisions. Written primarily as a guide book for parents, it is just as useful for teachers, and this exemplary document would do well to have a place on the bookshelf in every dance studio waiting room. Not only can dance parents learn from this informative text, but dance teachers can be nudged toward a greater understanding and anticipation of parents needs and questions. Getting Started in Ballet fills a gap, conveniently under one cover, welcoming parents to regard every aspect of their child's possible future in dance. Without this book, there would be little documentation of the parenting aspect of dance. Dance is unlike any other training or field and knowing how to guide a young dancer can make or break them as a dancer or dance lover.
Anne Pascale Amodeo had every reason to succumb to the despair caused by the emotional suffering of her circumstances. Born in a small town in upstate New York, Anne was the youngest child of first-generation Italian immigrants. Life was simple and good in the beginning. The young Pascale family lived a peaceful, hard-working life on their fruit farm in the beautiful New York countryside. Even so, tragedy wasn't as far away as it seemed. Anne was very lucky to survive the fire that claimed her family's home shortly after her birth, but this was only the first of a series of the many heartbreaks to come. Through her unwavering faith in God, Anne found the strength to love. In her love for those around her her family and friends Anne was able to avoid despair and take control of her life, never losing sight of the happiness she knew God wanted for her. Now she shares the story of a challenging life saved by love and the sacred grace of God.
Wonderful, thoughtful, practical' - Cariad Lloyd, Griefcast 'Encouraging and inspiring' - Dr Kathryn Mannix, author of Amazon bestseller With the End in Mind End-of-life doula Anna Lyons and funeral director Louise Winter have joined forces to share a collection of the heartbreaking, surprising and uplifting stories of the ordinary and extraordinary lives they encounter every single day. From working with the living, the dying, the dead and the grieving, Anna and Louise reveal the lessons they've learned about life, death, love and loss. Together they've created a profound but practical guide to rethinking the one thing that's guaranteed to happen to us all. We are all going to die, and that's ok. Let's talk about it. This is a book about life and living, as much as it's a book about death and dying. It's a reflection on the beauties, blessings and tragedies of life, the exquisite agony and ecstasy of being alive, and the fragility of everything we hold dear. It's as simple and as complicated as that.
Discover an invigorating new perspective on the life and work of William Shakespeare The Life of the Author: William Shakespeare delivers a fresh and exciting new take on the life of William Shakespeare, offering readers a biography that brings to the foreground his working life as a poet, playwright, and actor. It also explores the nature of his relationships with his friends, colleagues, and family, and asks important questions about the stories we tell about Shakespeare based on the evidence we actually have about the man himself. The book is written using scholarly citations and references, but with an approachable style suitable for readers with little or no background knowledge of Shakespeare or the era in which he lived. The Life of the Author: William Shakespeare asks provocative questions about the playwright-poet’s preoccupation with gender roles and sexuality, and explores why it is so challenging to ascertain his political and religious allegiances. Conservative or radical? Misogynist or proto-feminist? A lover of men or women or both? Patriot or xenophobe? This introduction to Shakespeare’s life and works offers no simple answers, but recognizes a man intensely responsive to the world around him, a playwright willing and able to collaborate with others and able to collaborate with others, and, of course, his exceptional, perhaps unique, contribution to literature in English. The book covers the entirety of William Shakespeare’s life (1564-1616), taking him from his childhood in Stratford-upon-Avon to his success in the theatre world of London and then back to his home town and comfortable retirement. The Life of the Author: William Shakespeare sets his achievement as a writer within the dangerous, vibrant cultural world that was Elizabethan and Jacobean England, revealing a writer’s life of frequent collaboration, occasional crisis, but always of profound creativity. Perfect for undergraduate students in Literature, Drama, Theatre Studies, History, and Cultural Studies courses, The Life of the Author: William Shakespeare will also earn a place in the libraries of students interested in Gender Studies and Creative Writing.
**The first book in the gripping, uplifting Gibson Family saga, perfect for fans of Dilly Court, Lizzie Page and Lorna Cook** 1820. Annie Gibson's family is one of the first to move into the brand new terraced houses on Salem Street, built by a mill owner for his workers. Annie's is a happy childhood - until her mother dies, leaving her to bring up her brother and sister. And then her jealous new stepmother throws her out of the house. But she finds work in the local doctor's household, and when her adored childhood friend Matt asks her to marry him, Annie thinks her dreams are coming true. Then suddenly everything turns upside-down. Abandoned and pregnant, will Annie ever be able to move into the wider world again? ******** Praise for Anna Jacobs 'Anna Jacobs' books are deservedly popular. She is one of the best writers of Lancashire sagas around' - Historical Novels Reviews 'Catherine Cookson fans will cheer!' - Peterborough Evening Telegraph 'Anna Jacobs' books have an impressive grasp of human emotions' - Sunday Times
Readers of this book receive an overview of the main perspectives and research of recent decades in the fruitful collaboration between Classics and Cognitive studies. It is intended as a stocktaking of various branches of Classics, such as literary criticism and poetics, linguistics, ancient history and archaeology. Four major research areas or clusters have been chosen for the presentation of the chapters. Chapter one discusses recent studies of 'cognitive' materiality and material agency in relation to the human mind, chapter two the so-called 'spatial turn' and cognition and the perception of space in place in relation to antiquity, chapter three imagination and vision and cognitive approaches to seeing, while chapter four considers experience and experientiality and the 'sensory turn' as applied to ancient sources. Finally, the fifth chapter is a special case and a different medium: it consists of three interviews with three well-known pioneers of the study of emotions in antiquity, David Konstan, Angelos Chaniotis and Douglas Cairns, who in various direct and indirect ways have greatly influenced the interplay and dialogue between classical studies and cognitive approaches in recent decades. This book takes stock of a rapidly developing and highly controversial field that is currently in full bloom.
Most medical schools in the US, Canada and UK now incorporate some form of arts and humanities-based teaching into their curricula. What happens in residency is another story. Most postgraduate programs do not continue the thread of such teaching although many residents would like to deepen their understanding of the medical humanities before they move into practice. The humanities emphasize "the human side of medicine", and can provide a counterpoint to the reductionism of evidence-based medicine and technological hubris for young doctors as they apply new knowledge and skills in ambiguous, real-life encounters with patients who are living with complicated health problems. Humanities-based education can help both sides of the relationship: programs are shown to reduce burnout and mental health issues in young physicians, and can also help learning practitioners grapple with the most difficult aspects of their craft: how does one persuade patients on a course of treatment, while respecting informed consent? How does one work with families? How does one listen to and treat patients exhibiting self-harm tendencies? Available research may demonstrate the efficacy of such exposures, but provide little practical advice or resources for setting up programs across specialty and sub-specialty disciplines. Health Humanities in Post-Graduate Medical Education will fill this gap in knowledge translation for the thousands of residency programs worldwide, allowing educators, supervisors, and residents themselves to create robust and educationally sound workshops, seminars, study groups, lecture series, research and arts-based projects, publications and events.
**Book two in the gorgeously heartwarming Gibson Family series, perfect for fans of Catherine Cookson, Dilly Court and 'Call the Midwife'** Lancashire, 1845. Annie Gibson can finally leave Salem Street. At long last she's realised her dream of opening an elegant dressmaking salon in the mill town of Bilsden - and she is determined to take her father and his second family with her, away from poverty. But Annie's troubles are far from over. Someone is trying to undermine her business; her family have their own ideas about what they want to do with their lives; and several men are persistently trying to win her favour, including Frederick, the mill owner, and Daniel, her childhood friend. As Annie gets better acquainted with both, she becomes increasingly confused about her feelings. Can she really be in love? And can she risk trusting any man ever again? ************** Praise for Anna Jacobs: 'Catherine Cookson fans will cheer!' - Peterborough Evening Telegraph 'Anna Jacobs' books are deservedly popular. She is one of the best writers of Lancashire sagas around' - Historical Novels Reviews 'Anna Jacobs' books have an impressive grasp of human emotions' - Sunday Times
According to its members, exiled political leaders from nine east European countries, the ACEN was an umbrella organization—a quasi-East European parliament in exile—composed of formerly prominent statesmen who strove to maintain the case of liberation of Eastern Europe from the Soviet yoke on the agenda of international relations. Founded by the Free Europe Committee, from 1954 to 1971 the ACEN tried to lobby for Eastern European interests on the U.S. political scene, in the United Nations and the Council of Europe. Furthermore, its activities can be traced to Latin America, Asia and the Middle East. However, since it was founded and sponsored by the Free Europe Committee (most commonly recognized as the sponsor of the Radio Free Europe), the ACEN operations were obviously influenced and monitored by the Americans (CIA, Department of State). This book argues that despite the émigré leadership's self-restraint in expressing criticism of the U.S. foreign policy, the ACEN was vulnerable to, and eventually fell victim of, the changes in the American Cold War policies. Notwithstanding the termination of Free Europe’s support, ACEN members reconstituted their operations in 1972 and continued their actions until 1989. Based on a through archival research (twenty different archives in the U.S. and Europe, interviews, published documents, memoirs, press) this book is a first complete story of an organization that is quite often mentioned in publications related to the operations of the Free Europe Committee but hardly ever thoroughly studied.
Many children dream of being a ballerina. Chin raised with purpose, arms high above head, they twirl clumsily around the living room and leap tirelessly in the air. Sooner or later they're bound to say, "I want to dance." Now what do you do? How do you know if the time is right? Where's the best place to start? In Getting Started in Ballet, Anna Paskevska draws from her training at the Paris Opera Ballet School and and the Royal Ballet School in London and her career as a professional dancer and teacher to offer a step-by-step introduction to dance education for parents with children starting ballet. Paskevska begins with a historical overview of dance and discusses the fundamental virtues and many life-long skills it imparts. Dance teaches children how to cooperate and support each other's efforts; encourages them to work in harmony with others; helps establish a child's spatial relationships; and promotes discipline and responsibility. Paskevska outlines the proper sequence for training in ballet based on a child's physical and mental development. She clearly demonstrates how ballet's early training, focusing on repetition of simple motion such as exercises at the barre and basic jumps, establish pathways for all later movements not only in ballet, but in modern dance, jazz, and tap as well. Written in a clear and accessible style and full of anecdotes from Paskevska's long professional dance-related career, Getting Started in Ballet offers helpful information on types of dance schools and how to select the right school for your child. Included is valuable information on choosing a dance instructor, the role both parents and teachers should play in a child's learning experience, and the qualities the ideal teacher should possess. Also discussed are more practical matters such as the appropriate clothing to wear while practicing, the importance of shoes that fit properly, how to secure pointe shoes, tips for avoiding injury, and how to balance training and performing experience during the formative years. A special chapter covers proper diet, eating disorders, and ways to recognize symptoms of imbalance. Finally, Paskevska touches upon the professional world of dance, attending college as a dance major, and advice on choosing careers that benefit from a background in dance. With forewords by Violette Verdy, a preeminent ballerina affiliated with the New York City Ballet and the Paris Opera Ballet, and Sybil Shearer, a pioneer of American modern dance, as well as an extensive appendix of performing arts schools and dance programs throughout the United States, Getting Started in Ballet gives parents the advice they need to make their child's dance experiences both enjoyable and constructive.
A través de Poemas De Mi Corazón la autora comparte sus poemas, sencillos y bellos. Cada poema trasmite profundas emociones y genera sentimientos que tocan lo más profundo del corazón. Reflejos de personas que alguna vez amaron y no fueron correspondidas pero también de aquellas que encontraron el amor para toda la vida.
Drawing on cinema and media studies, art history, American studies, and postcolonial studies, this innovative book offers a fresh way of thinking about Hollywood film aesthetics. It explores how eighteenth- and nineteenth-century Western colonial formations of vision influenced classical Hollywood film style, and thus provides a new and unique perspective on the origins of the cinematic gaze. Classical Hollywood cinema constructs global spaces as an imaginative dreamworld, subsuming geographical and cultural differences into utopian fantasy. Yet, this characteristically Hollywoodian aesthetic has rarely been explored in detail. How are such representations constructed within film texts? Is this utopian aesthetic really as uniform and transparent as it appears? What is its relationship to the United States' status as an imperial power? In The American Abroad, Anna Cooper explores how postwar Hollywood cinema adopted elements of British and French imperial visual culture, transforming them to suit a new United Statesian context. Cooper argues that four visual discourses in particular-the sublime, the ethnographic, the picturesque, and glamour-became building blocks in the development of a new American visual language.
**The third book in the stunning Gibson Family series, perfect for fans of 'Call the Midwife', Dilly Court and Catherine Cookson** Lancashire, 1848. Preparations are under way for Annie Gibson's wedding to Bilsden's wealthy mill owner, Frederick Hallam. But not everyone is as pleased as they are. Frederick's daughter is horrified at the prospect of a new, attractive stepmother arriving at the house on Ridge Hill. Even Annie's own family feels threatened. The only person who seems pleased is Annie's brother Tom. And soon, real troubles begin to pile up for the Gibsons. Tom's happiness is jeopardised bya shocking revelation that turns his world upside down. Annie's son, William, finds out some devastating news about his own father. And even Annie's joy cannot last. Because someone has uncovered the secrets she has fought so hard to keep hidden . . . *********** Praise for Anna Jacobs: 'Anna Jacobs' books have an impressive grasp of human emotions' - Sunday Times 'Catherine Cookson fans will cheer!' - Peterborough Evening Telegraph 'Anna Jacobs' books are deservedly popular. She is one of the best writers of Lancashire sagas around' - Historical Novels Reviews
It's time to face the music. Seventeen-year-old Mira has always danced to her own beat. A music prodigy in a family of athletes, she'd rather play trumpet than play ball—and with her audition to a prestigious jazz conservatory just around the corner (and her two best friends at music camp without her), she plans to spend the summer focused on jazz and nothing else. She only goes to the warehouse party in a last-ditch effort to bond with her older sister. Instead, she falls in love with dance music, DJing... and Derek, a gorgeous promoter who thinks he can make her a star. Suddenly, trumpet practice and old friendships are taking a back seat to packed dance floors and sun-soaked music festivals, outsized personalities and endless beats. But when a devastating tragedy plunges her golden summer into darkness, Mira discovers just how little she knows about her new boyfriend, her old friends, and even her own sister. Music brought them together. Will it also tear them apart?
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