A funny and profound memoir about trauma healing written by a Reiki Master, witch and tarot reader. The debut non-fiction by a YA, crime and romance novelist, Anna's story is heartbreaking, compelling and hilariously ridiculous. What would you do to heal emotional trauma? Anna was screaming at full volume into a pillow in a grey industrial estate when it dawned on her that maybe this was a slightly unusual way of processing grief. It wasn’t the first time she had done something a little odd to try and make sense of things. There was the time she sobbed along to Elton John with a room full of strangers. Or the very special experience of trying to enact the spirit of a deer in a school hall. She's tried Reiki, reflexology, BodyTalk, shamanic healing, past life regression, breathwork, guided visualization, dreamwork, magick ritual, (disastrous) gong baths and meditation – her journey has been long and twisting, but eventually it led to real understanding, and real healing. This book is about acknowledging our trauma, looking at what it actually is, and feeling our feelings. Interviews with practitioners and experts delve deeper into what alternative therapies offer. Ultimately, Anna hopes to trigger much-needed conversations about emotional health and the non-mainstream ways we can communicate with ourselves and others. Content warning: suicide, child illness, depression, bereavement, explicit medical detail
Danny is a fun-loving 16-year-old looking for a father figure and falling in love with a different girl every day. He certainly doesn't want to follow in his mum's witchy footsteps. Just as his community is being threatened by gangs intent on finding a lucrative power source to sell to the world, Danny discovers he is stunningly powerful. And when he falls for Saba, a gorgeous but capricious girl sorceress, he thinks maybe the witch thing might not be such a bad idea... But what cost will Danny pay as, with his community on the brink of war, he finds that love and sorcery are more dangerous than he ever imagined? Wickedness and passion combine in this coming-of-age adventure.
Seventeen, heartbroken, powerful; Demelza Hawthorne has run away from home and the safety of the Greenworld. In the cities of the Redworld, Melz discovers she's special, and for the first time in her life, desired. And not just for her magical talents. When Melz meets the young but influential Bran, their attraction is instant and electric. In the Redworld, with Bran by her side, Melz believes she can reach her true potential. But the world Bran promises Melz is ravaged by war and violence. Fuel is running out, and people will do anything to gain control of the remaining resources. Melz may be more powerful than ever, but power can be a curse in the wrong hands.
A funny and profound memoir about trauma healing written by a Reiki Master, witch and tarot reader. The debut non-fiction by a YA, crime and romance novelist, Anna's story is heartbreaking, compelling and hilariously ridiculous. What would you do to heal emotional trauma? Anna was screaming at full volume into a pillow in a grey industrial estate when it dawned on her that maybe this was a slightly unusual way of processing grief. It wasn’t the first time she had done something a little odd to try and make sense of things. There was the time she sobbed along to Elton John with a room full of strangers. Or the very special experience of trying to enact the spirit of a deer in a school hall. She's tried Reiki, reflexology, BodyTalk, shamanic healing, past life regression, breathwork, guided visualization, dreamwork, magick ritual, (disastrous) gong baths and meditation – her journey has been long and twisting, but eventually it led to real understanding, and real healing. This book is about acknowledging our trauma, looking at what it actually is, and feeling our feelings. Interviews with practitioners and experts delve deeper into what alternative therapies offer. Ultimately, Anna hopes to trigger much-needed conversations about emotional health and the non-mainstream ways we can communicate with ourselves and others. Content warning: suicide, child illness, depression, bereavement, explicit medical detail
Dowling’s Engineering Your Future: An Australasian Guide, Fourth Edition is used for first year, core subjects across all Engineering disciplines. Building on the previous editions, this text has been updated with new references, while still maintaining a strong and practical emphasis on skills that are essential for problem solving and design. Numerous topical and locally focused examples of projects across engineering disciplines help demonstrate the role and responsibilities of a professional engineer. Themes of sustainability, ethical practice and effective communication are a constant throughout the text. This full-coloured print with interactive e-text resource has a variety of digital media embedded at the point of learning such as videos and knowledge-check questions to engage students and to help consolidate their learning.
Thomas Dekker (c.1572-1632) was a prolific playwright and pamphleteer chiefly remembered for his vivid and witty portrayals of everyday London life. This book uses Dekker’s prose pamphlets (published between 1613 and 1628) as a way in to a crucial and relatively neglected period of the history of pamphleteering. Under James I, after the aggressive Elizabethan exploitation of the new media, pamphleteers carved out a discursive space in which claims about truth and authority could be deconstructed. Avoiding the dangerous polemic employed by the Marprelate pamphleteers, they utilised playful, deliberately ambiguous language that drew readers’ attention to their own literary devices and games. Dekker shows pamphlets to be unstable and roguish, and the nakedly commercial imperatives of the book trade to be central to the world of Jacobean cheap print, as he introduces us to a world in which overlapping and competing discourses jostled for position in London’s streets, markets and pulpits. Contributing to the history of print and to the history of Jacobean London, this book also provides an appraisal of the often misunderstood prose works of an author who deserves more attention, especially from historians, than he has so far received. Critics are slowly becoming aware that Dekker was not the straightforward, simple hack writer of so many accounts; his works are complex and richly reward study in their own right as well as in the context of his more famous predecessors and contemporaries. As such this book will further contribute to a post-revisionist historiography of political consciousness and print cultures under the early Stuarts, as well as illuminate the career of a neglected writer.
What counted as good and bad manners in the sixteenth and seventeenth centuries? Anna Bryson explores what is often entertaining evidence for Tudor and Stuart ideas of bodily decency and decorum, table manners and polite conversation, and also shows the crucial importance of the values of "courtesy" and "civility" in an aristocratic society.
Waste Paper in Early Modern England argues that rhetorical commonplaces referring to waste paper are indicative of everyday, material experience - of an author's, reader's, housewife's, or city-dweller's immersion in an environment brimming with repurposed scraps and sheets.
The distinctive point of the book is its innovative interdisciplinary approach to business communication, with interconnections between linguistics, sociology, and critical organisational studies as applied to the corporate world. It offers a first-hand insight into primary business discourse with a deeper understanding and analysis of business processes and mechanisms underlying and reflected in enterprise software-mediated communication. It answers the question what ‘doing business’ in the digital age is about and illustrates ‘business discourse’ from practitioners’ point of view. Grounded in the analysis of empirical data, pertaining both to internal and external business communication, the author reflects on the reality of accelerated and pressurised communication in global IT corporations. Following a communication-centred approach, this monograph puts the topic of enterprise software-mediated business discourse into a multi-layered perspective of how global corporations operate, what their primary goals are, and what kind of (political) power they execute. Moreover, it demonstrates how profit-driven corporations can be viewed and interpreted as strategically acting systems within a specific sociological framework.
Discover an invigorating new perspective on the life and work of William Shakespeare The Life of the Author: William Shakespeare delivers a fresh and exciting new take on the life of William Shakespeare, offering readers a biography that brings to the foreground his working life as a poet, playwright, and actor. It also explores the nature of his relationships with his friends, colleagues, and family, and asks important questions about the stories we tell about Shakespeare based on the evidence we actually have about the man himself. The book is written using scholarly citations and references, but with an approachable style suitable for readers with little or no background knowledge of Shakespeare or the era in which he lived. The Life of the Author: William Shakespeare asks provocative questions about the playwright-poet’s preoccupation with gender roles and sexuality, and explores why it is so challenging to ascertain his political and religious allegiances. Conservative or radical? Misogynist or proto-feminist? A lover of men or women or both? Patriot or xenophobe? This introduction to Shakespeare’s life and works offers no simple answers, but recognizes a man intensely responsive to the world around him, a playwright willing and able to collaborate with others and able to collaborate with others, and, of course, his exceptional, perhaps unique, contribution to literature in English. The book covers the entirety of William Shakespeare’s life (1564-1616), taking him from his childhood in Stratford-upon-Avon to his success in the theatre world of London and then back to his home town and comfortable retirement. The Life of the Author: William Shakespeare sets his achievement as a writer within the dangerous, vibrant cultural world that was Elizabethan and Jacobean England, revealing a writer’s life of frequent collaboration, occasional crisis, but always of profound creativity. Perfect for undergraduate students in Literature, Drama, Theatre Studies, History, and Cultural Studies courses, The Life of the Author: William Shakespeare will also earn a place in the libraries of students interested in Gender Studies and Creative Writing.
The first accurate quantitative re-attribution of all central texts of the British Renaissance. Describes and applies the first unbiased and accurate method of computational-linguistics authorial-attribution. Covers 303 texts with 8,106,059 words, 123 authorial bylines, a range of genres, and a timespan between 1510 and 1662. Includes helpful diagrams that visually show the quantitative-matches and the identical most-frequent phrases between the texts in each linguistic-signature-group. Detailed chronologies for each of the six ghostwriters and the bylines they wrote under, including their dates of birth, death, publications, and other biographical markers that explain why each of them was the only logical attribution. A full bibliography of the 303 tested texts. All of the raw and processed data, not only in summary-tables inside of the book, but also in-full on a publicly-accessible website: https://github.com/faktorovich/Attribution. One table includes all of the data from the first-edition title-pages (byline, printer, bookseller, date, proverbs), and the first-performance (date, troupe). A table on structural elements across all “Shakespeare”-bylined texts summarizes their plot-movements, character-types, settings, slang-usage, primary sources, and poetic design (percentage of rhyme and hendiadys). To explain why these are the first truly accurate re-attributions, numerous reasons for discrediting previous attribution claims are provided throughout. Re-Attribution of the British Renaissance Corpus describes a newly invented for this study computational-linguistics authorial-attribution method and applies it and several other approaches to the central texts of the British Renaissance. All of the attribution steps are described precisely to give readers replicable instructions on how they can apply them to any text from any period that they are interested in determining an attribution for. This method can be applied to solving criminal linguistic mysteries such as who wrote the Unabomber Manifesto, or theological mysteries such as if any of the Dead Sea Scrolls might have been forged by a modern author. This method is uniquely accurate because it uses 27 different quantitative tests that measure a text’s dimensions and its similarity or divergence to other texts automatically, without the statisticians being able to skew the outcome by altering the experiment’s analytical design. Re-Attribution guides researchers not only on how to perform the basic calculations, but also how to perform the biographical and documentary research to derive who among the potential bylines in a single signature-group is the ghostwriter, while the others are merely ghostwriter-contractors or pseudonyms. Reliable accuracy is achieved by also performing other types of attribution tests to check if these alternative approaches validate or contradict the 27-tests’ findings. Non-quantitative tests discussed include deciphering the hidden implications of contemporary pufferies, as well as comparing structural elements such as characters, plot, and element borrowings. Part II presents a revised version of the history of the birth of the theater in Britain by reviewing forensic accounting evidence in Philip Henslowe’s Diary, and the documented history of homicidal lending practices and government corruption connected with troupes and theaters. Parts III-VIII explain precisely how this series derived that the British Renaissance was ghostwritten by only six linguistic-signatures: Richard Verstegan, Josuah Sylvester, Gabriel Harvey, Benjamin Jonson, William Byrd and William Percy. The parts on each of these ghostwriters, not only explain how their biographies fit with the timelines of the texts being attributed to them, but also provide various types of evidence that explains their motives for ghostwriting. And Part IX returns for an intricate analysis of a few pseudonyms or ghostwriting-contractors who were uniquely difficult to exclude as potential ghostwriters; in parallel, these chapters question the reasons these individuals would have needed to purchase ghostwriting services. “The complete series on British Renaissance Re-Attribution and Modernization by Anna Faktorovich is a remarkable accomplishment. Based on her own unbiased method of computational-linguistic authorial-attribution, she has critically examined an entire collection of texts, many previously inaccessible and untranslated to modern English. From a variety of distinct factors that have been ignored or unnoticed in the past, she identifies a group of ghost writers behind many miss-attributed Renaissance works. Of particular interest are works traditionally attributed to William Shakespeare. Dr. Faktorovich is a prolific writer, very well informed in English literature, philology, and literary criticism, and she is clearly thorough and detail-oriented. Her re-attribution and modernization series demonstrates solid scholarship, fresh perspective, and willingness to challenge conventional thought and methodology.” —Midwest Book Review, Lesly F. Massey (December 2021) “I have long had an interest in linguistics and enjoy reading the frequent ‘Who really wrote Shakespeare’s works?’ Therefore, this book was extremely interesting to me… So, my recommendation is that if you have an interest in linguistics and scholarly research you will love this book… Very interesting and well laid out book. *****” —LibraryThing, Early Reviewers, February 2022 Anna Faktorovich, PhD, is an English professor who previously published Rebellion as Genre and Formulas of Popular Fiction. She is also the Director and Founder of Anaphora Literary Press.
While preparing for a long migration, Alexandra Crane's family is concerned that she prefers wandering to staying in formation, but all are surprised when she proves an excellent leader.
Novel portraying the absurdities and eccentricities of small-town American life. When Joelene Mathieson agrees to move from California to upstate New York to look after her ailing Uncle Percy she thinks her cares are left behind.
Agatha's cousin Marie Antoinette has come to stay. She can speak two languages, has lovely manners and wears a stylish blue beret. Agatha thinks Marie Antoinette is perfect. So why does Agatha have a stormy feeling in her tummy? This is a story about overcoming jealousy and gaining empathy (because nobody is perfect, not even glamorous little cousins!) The third title in the popular Agatha series with be enjoyed by children and parents alike. Beautifully illustrated by Anna Pignataro
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