Sono nata a Villamassargia, il 24 settembre del 1941. Città di adozione Oristano, dove ho vissuto i primi ventiquattro anni della mia vita. Sposata con Nello Murtas dal 1964, ho sei figli e sei nipoti, sono bisnonna. Quasi priva di istruzione scolastica, devo quello che ho appreso alla mia curiosità, Sono stata un dirigente ad alto livello (segretaria del Consiglio Nazionale) per venticinque anni, quando il P.S.D'Az era guidato da persone di fede e non da sardisti per caso. Oggi piango il suo destino. Condivido pensieri che, archiviati nel cuore, ogni tanto visito, salgono nella mente e scivolano nelle mani per essere trascritti. Personalmente non credo valgano tanto, io non posso essere definita una poetessa, ma solo una persona che ha ricevuto tantissimo e ora vorrebbe che altri prendessero un po'... delle cose che mi sono state regalate.
Broken Time, Fragmented Space: A Cultural Map for Post-war Italy examines how the artists and intellectuals of post-war Italy dealt with the 'shameful' heritage of their fascist upbringing and education by trying to craft a new cultural identity for themselves and the country. The continuities between the culture of the fascist and post-fascist periods were, however, far greater than what intellectuals were ready to admit, creating an uncomfortable, sometimes schizophrenic relation to time, as a painful urge to erase the past. Drawing on a variety of critical approaches, Torriglia investigates the efforts to reconstruct a personal as well as a collective self by analyzing both canonical and lesser-known cinematic and literary texts. Organized around four main themes - the use of language, the interaction between personal and public spheres, the perceptual categories of history and memory, and the reconstruction of the female identity - the study also includes historical introductions and sociological commentary that provides an extensive and captivating picture of the cultural production in 1950s Italy, a period that has not yet been extensively studied.
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