With this book, Anna Case-Winters provides a reconstruction of the doctrine of God based on process theology and feminist thought. She takes a fresh approach to the problem of theodicy (the justification of God's goodness and omnipotence in view of the existence of evil) and contends that traditional attempts to address this problem are unsuccessful because they do not discuss the meaning of omnipotence. Once the dispute is recast, it is not a question of how much power is attributed to God, but what kind. Case-Winters provides a coherent and theologically viable doctrine of omnipotence that avoids the pitfalls of traditional beliefs.
In Problem Novels, Anna Maria Jones argues that, far from participating "invisibly" in disciplinary regimes, many Victorian novels articulate sophisticated theories about the role of the novel in the formation of the self. In fact, it is rare to find a Victorian novel in which questions about the danger or utility of novel reading are not embedded within the narrative. In other words, one of the stories that the Victorian novel tells, over and over again, is the story of what novels do to readers. This story occurs in moments that call attention to the reader's engagement with the text." "In chapters on Wilkie Collins, Anthony Trollope, and George Meredith, Jones examines "problem novels" - that is, novels that both narrate and invite problematic reading as part of their theorizing of cultural production. Problem Novels demonstrates that these works posit a culturally embedded, sensationally susceptible reader and, at the same time, present a methodology for critical engagement with cultural texts. Thus, the novels theorize, paradoxically, a reader who is both unconsciously interpellated and critically empowered. And, Jones argues, it is this paradoxical construction of the unconscious/critical subject that re-emerges in the theoretical paradigms of Victorian cultural studies scholarship. Indeed, as Problem Novels shows, Victorianists' attachments to critical "detective work" closely resemble the sensational attachments that we assume shaped Victorian novel readers."--BOOK JACKET.
Addressing the urgency of radical decarbonization as a mitigative response to climate risk, this book explores how business can respond to the challenges of climate risk, through various transformational processes. Those processes involve cognitive transformations, organizational changes, climate risk integration into risk management practices, shifts in corporate reporting and disclosure as well as futuristic scenario-based planning beyond normal business planning cycles. Though much has already been written on corporate sustainability efforts, there is a greater need now for building mitigative capacity at the firm level, in alignment with shifting policy and regulatory regimes. Theoretical and empirical work on these areas is addressed in the novel thought experiment approach of this book. A research agenda for future work is provided.
Short-term prisoners have exceptionally high reconviction rates. Growing recognition of this and of deficiencies in prison-probation coordination has accelerated 'resettlement' of ex-prisoners up the penal agenda. This report looks at the effectiveness of these strategies in detail through three case studies of 'Resettlement Pathfinders' projects.
Taking seriously Ireland’s euphemism for World War II, “the Emergency,” Anna Teekell’s Emergency Writing asks both what happens to literature written during a state of emergency and what it means for writing to be a response to an emergency. Anchored in close textual analysis of works by Samuel Beckett, Elizabeth Bowen, Flann O’Brien, Louis MacNeice, Denis Devlin, and Patrick Kavanagh, and supported by archival material and historical research, Emergency Writing shows how Irish late modernism was a response to the sociopolitical conditions of a newly independent Irish Free State and to a fully emerged modernism in literature and art. What emerges in Irish writing in the wake of Independence, of the Gaelic Revival, of Yeats and of Joyce, is a body of work that invokes modernism as a set of discursive practices with which to counter the Free State’s political pieties. Emergency Writing provides a new approach to literary modernism and to the literature of conflict, considering the ethical dilemma of performing neutrality—emotionally, politically, and rhetorically—in a world at war.
Bram Deagan dreams of bringing his family from Ireland to join him in Australia, where he now runs a successful trading business. But when a typhus epidemic strikes Ireland, it leaves the Deagan family decimated. And, with other family members scattered round the world, it is left to Maura Deagan to look after her orphaned nieces and nephew. Forced to abandon her own ambitions, and unsure whether she is ready to become a mother to three young children, Maura makes a drastic decision: to join Bram in far-away Australia. They set sail on the SS Delta, anxious for their futures. It is only when a storm throws Maura and fellow passenger Hugh Beaufort together that she realises this journey may also give her a chance to pursue a dream she set aside long ago: to have a family of her own. That is, until someone from Hugh's past threatens to jeopardise everything . . . **************** What readers are saying about THE TRADER'S DREAM 'Anna Jacobs is the best storyteller bar none!' - 5 stars 'A wonderful book . . . Very engaging and engrossing' - 5 stars 'Another must-read' - 5 stars 'Yet again couldn't put this book down' - 5 stars 'Excellent read from start to finish, couldn't put it down' - 5 stars
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