In Works Righteousness, Anna L. Peterson examines the place of practice in contemporary ethical theory. Peterson argues that rather than assuming that pre-established moral ideas guide action, ethicists should acknowledge and explore the relationship between ideas, actions, and results. Both an analysis of alternative models in which practice plays a stronger role and an argument for taking practice more seriously in broad questions of ethics as well as in concrete case studies, Works Righteousness contends that what we do generates and alters our values, just as often as expressed values motivate or guide the ways we act. Peterson here challenges prevailing philosophical and religious theories that ideas are what truly matter, underlining the value of attention to people's concrete experiences and highlighting the relevance of theoretical insights to contemporary social issues such as climate change, euthanasia, and hate speech. Through examinations of pragmatism, Marxism, and religious pacifism, all of which significantly highlight a practice-focused approach, Works Righteousness addresses the way social structures condition moral ideas and actions, the dangers of thinking about moral problems as polarized dilemmas, and the complex mutual shaping of ideas and actions.
This book presents the most effective instructional strategies for promoting vocabulary growth in the early grades, when the interdependence of word learning and oral language development is especially strong. The authors guide teachers in choosing the best materials and in fostering home-school connections, and share six key principles for building vocabulary. Included are guiding questions; text boxes connecting vocabulary to the Common Core State Standards; examples from real teachers; reproducible checklists, rubrics, and other tools; and an appendix of additional vocabulary resources. Purchasers get access to a Web page where they can download and print the reproducible materials in a convenient 8 1/2" x 11" size.
Feminist Theatre Then & Now – Celebrating 50 Years of women theatre makers in the UK and Ireland and their battle to make their voices heard, have their work produced professionally, and promote social justice. Here, the pioneers and leading lights of the newly energised feminist theatre movement continue to fight for an equitable, diverse and inclusive theatre which speaks for all. In 30+ essays, covering three generations, the interviews and essays in this book give important insight into the lived experience of women working in theatre and what it takes to rise in an industry where race, gender, class and parenthood can be serious obstacles to success. Interviews and essays by playwrights, directors, producers and actors including: Asian Women’s Theatre in Britain by Rukhsana Ahmad Derby Theatre by Sarah Brigham Interview with Moira Buffini Intersectional Feminism at Work by Kelly Burke The Personal was very Political by Clair Chapwell Behind The Lines by Alison Child How Feminism has Influenced my Playwriting by April de Angelis Interview with Suzanne Gorman Clean Break by Anna Herrmann Interview with Hannah Khalil The Women in Theatre Lab by Polly Kemp and Jennifer Tuckett Persistence, Expression and Evolution by Peta Lily Interview with Roberta Livingston Ecofeminism by Bibi Lucille The Third World of Irish Women by Jaki McCarrick Monstrous Regiment by Mary McCusker Open Clasp Theatre by Catrina McHugh Interview with Suzie Miller Interview with Ann Mitchell Interview with Rebecca Mordan Interview with Amy Ng Untold Stories by Maeve O’Neill Girls’ Night Out by Rachel O’Regan Interview with Kaite O’Reilly Sphinx by Sue Parrish and Susan McGoun Interview with Julia Pascal Out of the Attic – WTW by Cheryl Robson and Anna Birch Scylla’s Bite by Rebekah Smith and Abbie Lowe Interview with Dame Rosemary Squire Women in their own Words by Lucy Stevens Stella Quines & After by Gerda Stevenson Differences Matter by SuAndi Theatre from a Lesbian Perspective by Clare Summerskill Interview with Imy Wyatt Corner Index Reviews “On the 50th anniversary of the first Women’s Theatre festival and the explosion of work by women that has built in quantity, wealth and diversity since then this is an important new book celebrating and giving voice to many of the key contributors to that rich history and exciting present. “ – Susan Croft, Director – Unfinished Histories “Fascinating histories and perspectives from a selection of feminist theatre practitioners fighting to achieve equality over half a century of patriarchy.” – Lisa Goldman, Writer & Director “A necessary read for drama students and anyone interested in our cultural history. Highly recommended.” – Beatie Edney, Actor & Director “The interview and essay structure of the book makes its near 300 pages easily digestible and the editor has quite carefully avoided a chronological structure. The intermingled ‘then’ and ‘now’ approach works remarkably well, a continual reminder of how past, present and future are feeding into one another all the time. While the book is strong on the impacts of earlier feminist theatremakers, the very similar or partially evolved restrictions that today’s women are still facing are given equivalent weight. It becomes a meaningful arrangement in which a wide range of voices are heard without singling out or forgetting eras or areas of the industry, making room for everything from clowning to lesbian theatre, exploring how all forms of feminist theatre from West End platforms to grassroots activism always blends the political and the personal onstage and off.” – Maryam Philpott, The Reviews Hub
In Design for Services, Anna Meroni and Daniela Sangiorgi articulate what Design is doing and can do for services, and how this connects to existing fields of knowledge and practice. Designers previously saw their task as the conceptualisation, development and production of tangible objects. In the twenty-first century, a designer rarely 'designs something' but rather 'designs for something': in the case of this publication, for change, better experiences and better services. The authors reflect on this recent transformation in the practice, role and skills of designers, by organising their book into three main sections. The first section links Design for Services to existing models and studies on services and service innovation. Section two presents multiple service design projects to illustrate and clarify the issues, practices and theories that characterise the discipline today; using these case studies the authors propose a conceptual framework that maps and describes the role of designers in the service economy. The final section projects the discipline into the emerging paradigms of a new economy to initiate a reflection on its future development.
This title is a fascinating guide to the world of rivers and lakes - children will delight in the fish, birds and other wildlife on extraordinary river journeys.
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