“The cement slabs and decaying fountains obscured by vegetation at the site of Camp Hearne echo a time forgotten of a bustling city of nearly 5,000 men brought together by world conflict.” The oral histories, archival research, and archaeological data compiled by author Michael Waters and his team of researchers tells the story of 5,000 German soldiers held as prisoners of war in rural Texas during World War II. Camp Hearne, located on the outskirts of Hearne, Texas, was one of the first and largest POW camps in the United States. Between 1943 and 1945 nearly 50,000 German prisoners, mostly from the German Afrika Korps lived and worked at seventy POW camps across Texas. The story of Camp Hearne told here offers the first in-depth look at one of these camps and includes an archaeological study of the treatment and conditions of the German prisoners. Drawing on newspaper accounts and official records from the time, and the recollections of surviving POWs, guards, and local residents, Waters and his team have constructed a detailed description of life in the camp: educational opportunities, recreation, mail call, religious practices, work details, and the food provided. Also revealed are the more serious issues that faced the Americans inside the POW compounds: illegal alcohol distillation, suicides, escapes, hidden secret shortwave radios, and the subversion of postal services. Fascinating artifacts recovered from the site and from the collections of local residents add concrete details. Waters also discusses the national policies and motivations for the treatment of prisoners that prescribed the particulars of camp life. The shadow world of Nazism in the camp is revealed, adding darkness to a story that is otherwise optimistic and in places humorous. The most sinister and brutal example of Nazi activity was the murder of Corporal Hugo Krauss, a German-born New York–raised volunteer in the German army. Captured in North Africa after service in Russia, Krause was attacked seven months later by six to ten fellow prisoners and beaten with clubs, nail–studded boards and a lead pipe. The dramatic recounting of the murder and the ensuing investigation illustrate much about the underlying political tensions of camp existence. This book makes a unique and notable contribution to Texas history. The narrative is enriched by numerous photographs and drawings. It will engage those interested in Texas history and World War II and hold particular interest for avocational and professional historical archaeologists.
From short-lived celebrity marriages to athlete nicknames, here is a trivia book that eclipses all others. It isnt useless information, nor is it the conventional trivia that you might expect to find anywhere else. In short, it is all the stuff that you didnt even know that you wanted to know. Fortunately we have made it our business to know what you didnt know that you wanted to know in order to include it into this book. Choosing material that we anticipate you didnt know you wanted to know was a significant challenge. We were required to make a distinction between four things: stuff you wanted to know, but knew you wanted to know; things that you didnt know but knew you didnt know and didnt want to; things you didnt know, didnt know you didnt know, but wouldnt want to even if you did; and most elusive of all, things you didnt know you even wanted to know, but would soon discover that you wanted to, once you knew them. It is this stuff that appears in this book. If there is anything that you feel strongly that you now know you didnt know you wanted to know that isnt here, please let us know.
Born Joan Boniface Winnifrith on January 2, 1913, Anna Lee is best known for her portrayal of General Hospital's Lila Quartermaine, a character who she brought to life for over two decades. From her early years in England to her final days in Hollywood, she recounts details of her extraordinary life in her memoir. Expressed in her energetic style, Anna Lee tells of her childhood as the daughter of an English clergyman and her early determination to become an actress. She writes of her teenage struggles to realize her dream, two failed marriages, and the difficulties she faced raising a family while maintaining her career. Finally, we see the picture of a mature Anna Lee--a successful actress playing a role she loved while enjoying an ideal marriage to writer Robert Nathan. Personal remembrances from her family and General Hospital co-stars round out this touching, entertaining self-portrait of the actress' life. A complete filmography and list of television appearances is also included.
Based upon Cantometrics: An Approach to the Anthropology of Music (1976), by Alan Lomax, Songs of Earth: Aesthetic and Social Codes in Music is a contemporary guide to understanding and exploring Cantometrics, the system developed by Lomax and Victor Grauer for analyzing the formal elements of music related to human geography and sociocultural patterning. This carefully constructed cross-cultural study of world music revealed deep-rooted performance patterns and aesthetic preferences and their links with environmental factors and ancient socioeconomic practices. This new and updated edition is for anyone wishing to understand and more deeply appreciate the forms and sociocultural contexts of the musics of the world’s peoples, and it is designed to be used by both scholars and laypeople. Part One of the book consists of a practical guide to using the Cantometrics system, a course with musical examples to test one’s understanding of the material, a theoretical framework to put the methodology in context, and an illustration of the method used to explore the roots of popular music. Part Two includes guides to four other analytical systems that Lomax developed, which focus on orchestration, phrasing and breath management, vowel articulation, instrumentation, and American popular music. Part Three provides resources for educators who wish to use the Cantometrics system in their classrooms, a summary of the findings and hypotheses of Lomax’s original research, and a discussion of Cantometrics’ criticisms, applications, and new approaches, and it includes excerpts of Lomax’s original writings about world song style and cultural equity.
Life is short. Vacations are shorter. Relax!. Trust your trip to Frommer's. Choose the Only Guide That Gives You: Exact prices, so you can plan the perfect trip no matter what your budget. The latest, most reliable information—all completely up-to-date! Lots of easy-to-read color maps. The widest and best selection of hotels and restaurants in every price range, with candid, in-depth reviews. All the practical details you need to make the most of your time and money. One-of-a-kind experiences and undiscovered gems, plus a new take on all the top attractions. Outspoken opinions on what's worth your time and what's not. A fresh, personal approach that puts the fun and excitement back into travel! It's a Whole New World with Frommer's. Find us online at www.frommers.com
Debate has long raged over whether graffiti can be considered an art form. Its illegal nature has caused many people to denounce it, while others contend that a work does not have to be legal to be art. The heart of the question is, what defines art? Informative text discusses competing views on the issue, presenting all sides of the debate to help readers form their own opinions. Engaging sidebars spotlight graffiti artists such as the famous Banksy, while eye-catching photographs provide examples of some of the most original graffiti designs.
This book addresses an under-researched area within populism studies: the discourse of supporters of populist parties. Taking the 2019 European elections as their case study, the authors analyse how supporters in eleven different countries construct identities and voting motivations on social media. The individual chapters comprise a range of methods to investigate data from different social media platforms, defining populism as a political strategy and/or practice, realised in discourse, that is based on a dichotomy between “the people”, who are unified by their will, and an out-group whose actions are not in the interest of the people, with a leader safeguarding the interests of the people against the out-group. The book identifies what motivates people to vote for populist parties, what role national identities and values play in those motivations, and how the social media postings of populist parties are recontextualised in supporters’ comments to serve as a voting motivation.
Most historical and theoretical work on school administration choice has focused on the importance of race and class, with increased attention to gender during the past two decades. Rarely has geography been a consideration and, when it appears at all, it is used only to distinguish the unique conditions of urban school settings. The Social Construction of Educational Leadership: Southern Appalachian Ceilings addresses decisions about who is chosen to lead public schools, and how they do it. Using their research on senior-level public school leaders in the southern mountains of North Carolina as a representative case study, the authors construct an argument for a reconsideration of the role of place - both in decisions about who becomes a school leader, and in how those leaders behave professionally. The authors describe the changes in a leadership system grounded in race, class, geographic, and gender preferences that dating back to colonial systems of deference, describing the pattern of those changes, and exploring their implications for school leadership, and the preparation of prospective leaders in the region and elsewhere.
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