Since the seventeenth century, ethnicity has been the central issue in the American search for a national identity. The articulation of this issue can clearly be seen in the representation of non-white others in the literature of the nineteenth century, specifically in the works of James Fenimore Cooper and Herman Melville. This book examines how both Cooper and Melville manipulated literary images of Native Americans, African Americans, and other non-Europeans, thus revealing how America created the image of the savage - by which it was alternately attracted and repulsed - as a way of defining its own identity.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1922.
Essay from the year 2012 in the subject American Studies - Literature, grade: 1,0, University of Augsburg, language: English, abstract: The novel “Washington Square”, written by Henry James in 1880 takes place during the 1840s in New York, in the neighborhood of Washington Square. The story can be summarized and sub-divided into different actions of drama: Firstly, the reader is provided with the family background of the main characters. The author starts off with a detailed portray of Austin Sloper...
Seminar paper from the year 2013 in the subject Didactics for the subject English - Discussion and Essays, grade: 1,0, Johannes Gutenberg University Mainz, course: Modernism, language: English, abstract: For Gerty McDowell, it is mariolatry that conceals her personal philosophy. It is mariolatry she uses as a hideout and it is mariolatry she uses as a Mask. To see her true face, we must have a look at her mask, for it is what she wants us to think of her, a look at her actions, for it is her most objective description, and finally a look at her dreams, for they are whom she wishes to be. It is her being in all its contradictions, that gives Gerty her purpose in Joyce's "Ulysses". Despite her relatively brief appearance, her character is integral as it represents the aspect of woman that is connected with piety. By looking at the incongruities in Gerty McDowell's self-depiction and her actions, we see Joyce's criticism that women hide their true personality behind the mask of mariolatry.
Throughout his diverse and highly influential career, Hilary Putnam was famous for changing his mind. As a pragmatist he treated philosophical “positions” as experiments in deliberate living. His aim was not to fix on one position but to attempt to do justice to the depth and complexity of reality. In this new collection, he and Ruth Anna Putnam argue that key elements of the classical pragmatism of William James and John Dewey provide a framework for the most progressive and forward-looking forms of philosophy in contemporary thought. The Putnams present a compelling defense of the radical originality of the philosophical ideas of James and Dewey and their usefulness in confronting the urgent social, political, and moral problems of the twenty-first century. Pragmatism as a Way of Life brings together almost all of the Putnams’ pragmatist writings—essays they wrote as individuals and as coauthors. The pragmatism they endorse, though respectful of the sciences, is an open experience-based philosophy of our everyday lives that trenchantly criticizes the fact/value dualism running through contemporary culture. Hilary Putnam argues that all facts are dependent on cognitive values, while Ruth Anna Putnam turns the problem around, illuminating the factual basis of moral principles. Together, they offer a shared vision which, in Hilary’s words, “could serve as a manifesto for what the two of us would like philosophy to look like in the twenty-first century and beyond.”
ARE YOU TIRED OF BEING EMPTY? Do you want to be free from this condition, once and for all? From Empty to Full is a powerful testimony of how life shifted out of emptiness, brokenness, sickness, and sadness and into fullness! As you look inside the windows of this story, take a glimpse into the goodness of God as you are shown exactly how He removes empty places and replaces them with His fullness. Everyone can enter into ALL the fullness of God through the development of an intimate prayer life. By acknowledging and practicing His Word and using the life-giving help that He provides from these sources, that will help you to be full and stay full. Taking these steps seriously will stimulate your faith and unleash the power of the Holy Spirit to illuminate God’s love, mercy, compassion, and grace in your life. God’s desire is for you to receive healing and deliverance that will cause the empty corners in your heart, past, and life to fade away and be filled. Purpose to walk through the road of life’s battles and realize that there is freedom and FULLNESS in Jesus! God’s victory and best for every area of life is available; physically, emotionally, or spiritually. There is a way for ALL to be FULL and it will cause you to veer out of darkness and into light. This new found fullness of God will run off sin, depression, sickness, defeat and the many hindrances that have been holding you back from a life of happiness and fulfillment. It is time to give God your emptiness and let Him fill and launch you to the next level. Are you ready to let God heal your emptiness and pour into you with His FULL healing grace?
In literary studies today, debates about the purpose of literary criticism and about the place of formalism within it continue to simmer across periods and approaches. Anna Kornbluh contributes to—and substantially shifts—that conversation in The Order of Forms by offering an exciting new category, political formalism, which she articulates through the co-emergence of aesthetic and mathematical formalisms in the nineteenth century. Within this framework, criticism can be understood as more affirmative and constructive, articulating commitments to aesthetic expression and social collectivity. Kornbluh offers a powerful argument that political formalism, by valuing forms of sociability like the city and the state in and of themselves, provides a better understanding of literary form and its political possibilities than approaches that view form as a constraint. To make this argument, she takes up the case of literary realism, showing how novels by Dickens, Brontë, Hardy, and Carroll engage mathematical formalism as part of their political imagining. Realism, she shows, is best understood as an exercise in social modeling—more like formalist mathematics than social documentation. By modeling society, the realist novel focuses on what it considers the most elementary features of social relations and generates unique political insights. Proposing both this new theory of realism and the idea of political formalism, this inspired, eye-opening book will have far-reaching implications in literary studies.
Johnston shows how colonial knowledge from Australia influenced global thinking about religion, science, and society. Using a rich variety of sources including botanical illustrations, Victorian literature and convict memoirs, this multi-disciplinary study charts how new ways of identifying ideas were forged and circulated between colonies.
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