Explains all of the steps involved in creating a book with the Anaphora Literary Press. It is designed as a tool for editorial, marketing and design interns of the press. It can also be used by publishing industry professionals who are working for other publishing houses, want to start their own press or want to self-publish their book. This book can be a great tool in editing, marketing and design college classes. The fourth edition of the Guide includes more detailed design and marketing advice, and a long section with marketing lists of book reviewers, libraries, and bookstores that hold readings. You’ll also find instructions for making YouTube book trailers and Smashwords E-Books. Authors shouldn’t set out on new book production and marketing ventures without reviewing the helpful information provided.
These poems are based on the life of Laura Madeline Wiseman’s great-great-great-grandmother, the nineteenth century lecturer, suffragist, and poet, Matilda Fletcher Wiseman (1842-1909) and the men in her life: her brother, George W. Felts (1843-1921), a civil war solider who was later charged with murder, her first husband, John A. Fletcher (1837-1875), a school teacher and a lawyer, and her second husband, William Albert Wiseman (1850-1911), a minister who became her agent. Like her seven brothers who served in the Civil War, Matilda chose the public sphere. After the death of her only child, Matilda joined the lecture circuit. She spoke to support herself and her first husband, until his death. On the stage she spoke among other lecturers of her time, such as Susan B. Anthony.
In 1968, a young, recently ordained Colombian priest leaves behind everything to start a new parish in the jungles of Panama. Father Héctor Gallego soon discovers that his parishioners live as indentured servants. Inspired by liberation theology, he sets into motion a plan to liberate them. Father Gallegos is successful, but his work places him on a collision course with General Omar Torrijos, the nation’s absolute ruler. On January 9, 1971, military operatives abduct the priest. He is never seen or heard from again, but he remains very much alive in the minds of Panamanians who, still today, clamor for his case to be brought to justice. Although The Saint of Santa Fe is a work of fiction, the novel is based on the real-life experiences of Héctor Gallego and the campesinos who worked alongside him to create a just society. This sweeping novel tells many stories, including that of Edilma, the priest’s sister who since age eleven has been searching for the meaning of his death. The Saint of Santa Fe is a story of faith, heroism, and sacrifice that’s reminiscent of Graham Greene’s The Power and the Glory and Miguel de Unamuno’s San Manuel Bueno, mártir.
Neither celebrity-gawk, “misery memoir,” nor confessional melodrama, A Berkshire Boyhood is more reminiscent of such memoirs as Tobias Wolff’s This Boy’s Life and Emily Fox Gordon’s Are You Happy? In fact, A Berkshire Boyhood will strike readers as a parallel universe to Gordon’s book, her own story of growing up in Williamstown, Massachusetts, as a privileged faculty brat and young girl in the 1950s. Berkshire Boyhood is a boy’s story of growing up from working class roots in that same place and time. It explores family troubles arising out of the wounds and separations of World War II, ethnic religiosity, and adolescent sexuality (1950s variety). Its deeper appeal comes from our curiosity about the 1950s and the Boomer generation, from the fraught relations between that generation and their parents, who fought WWII, from our interest in the influence of landscape on human development, and from a vision of post-war years as a decade seething with the anger and dissent of an incipient counterculture that would explode the sixties.
This class offers more engaging topics for research than the repeating political or social topics that fit the formula of a traditional college research writing class.
The trauma of retiring early forces FBI Special Agent B. Clare Ryan to conduct an unsanctioned investigation into one of her first cases for the Bureau back in 1988. After an unfavorable verdict that was the culmination of eight years of litigation over claims of sexual harassment of Ida Callaghan by the management at the Bedford Bank in Manhattan, her father, Bradley, shot the judge over the case, Vincente Brunetti, to death at his suburban residence before committing suicide. The case is outrageous enough on its own, but Ryan is more interested in why her supervisor at the FBI forbade her from investigating it and destroyed the suicide note that Bradley left behind. This clue leads her to a diary that accuses many powerful men in New York of corruption. Now in 2013, the trail might be cold, but Ryan digs up ancient records and does everything possible, including breaking into private vaults and morgues to get to the truth, which turns out to be more explosive than she predicted. Ryan reproduces original diaries, notes, letters, police reports and other documents that finally sufficiently prove the case that both Bradley and his daughter lost. Ryan takes on the burden of persuasion and brings this case to the public at large, hiding under the veil of fiction what she cannot expose in the court of law. What was the connection between this federal Judge and a major bank like Bedford? What drove Bradley to homicide instead of another appeal? Why were there five hundred sparkling-new, but unused, Bronx-made Vachengrais autos parked outside Bradley's precinct in 1969? What was Bradley's boyhood friend, Terry, who later became the Chief of NYPD, doing on a military base in East Germany in 1955 that sent everybody in this story on a violent collision course? This mystery begins after the whodunit is long solved. Only hidden personal confessions can display what corruption has obstructed from the eyes of justice.
What are the components of great editing? Are there differences in editorial practices between the United States, Canada, and Australia? What kind of preparation should those hoping to become editors later in their careers obtain? What are the rewards and challenges of working as an editor or as a director of a press or poetry association? In this issue on Editing Technique of the Pennsylvania Literary Journal, I conducted interviews with four outstanding editors of critical and creative magazines to answer these questions. Interviewed Editors: Janet Brennan Croft, Editor of Mythlore; Professor Maria Mazziotti Gillan, Editor of Paterson Literary Review; Dr. Gillian Dooley, Editor of the Transnational Literature Journal; and Dr. Dina Ripsman Eylon, Editor of Women in Judaism: A Multidisciplinary Journal.
The events depicted incorporate historical incidents to create an alternate history of a violent anti-corruption rebellion in the fictional town of Sparta, Tennessee, in the aftermath of World War II. It is based in part on the rebellion by veterans against the Mayor’s office in Athens, Tennessee, as well as on the Chicago Haymarket Riot. In Sparta, thousands of veterans return to the States from the War, and are confronted by crippling corruption, as they attempt to drink away the trauma of the War. Faced with bribes and a heap of misdemeanor tickets, the GIs try to retaliate by aggressively supporting the Democratic ticket, but soon discover that elections are not won by voters in Sparta. The Sheriff and his army of untrained deputies go on a killing spree, as they work to steal the election, until the Democrats are compelled to pick up arms to defend their lives and their civil rights. “A riveting account of corruption in politics from the interesting mindset of disgruntled post-war veterans. A combination that will intrigue readers throughout the story.” —David Walpuck, Administrator for the National Registry of Food Safety Professionals “Naive, impressionable, patriotic young men from Anna Faktorovich’s fictitious Sparta, Tennessee joined the fight against Fascism during World War II. They confronted death, cruelty, deprivation and returned home not as heroes but outsiders. Sparta had no use for them—no jobs, no place in society, only bars and the local jail. Finally enough became too much. Outrage triggered rebellion and a new war began. Like the one the returned G.I.s had left in Europe and Asia this one also was for freedom from oppression. “The novel is based on events that occurred in southern Tennessee in 1946. Faktorovich populates The Battle for Democracy with variety of characters—rich, poor, white, African-American—and glimpses of shantytown life, Southern mansions, trips to Hawaii. Among the most fascinating personalities are the members of a Cherokee family that migrated to Sparta after their Oklahoma house was razed to make room for a military installation. Another is Giorgio, whose wilder instincts are tamed by his relationship with the sensible and attractive Haley. Less agreeable are the Ku Klux Klansmen the author describes, the opulence of the town mayor reigning over his miniature fiefdom, the bartender turned cop with an eye for profit at whatever cost. The novel is told with journalistic veracity and with vivid descriptions of places and events. Reading it one believes in what is taking place and participates along with the characters and their struggles to achieve equality and justice.” —Robert Joe Stout, winner of national journalism awards for news writing, author of Hidden Dangers: Mexico on the Brink of Disaster “An intriguing and often funny depiction of widespread governmental corruption in a mid-1940s southern city and the political efforts of a band of World War II veterans and their allies to address it.” —Jere Krakoff, retired civil rights attorney with the ACLU National Prison Project in Washington, D.C. “The Battle for Democracy, Anna Faktorovich’s second historical novel, focuses on events that transpired in Athens, Tennessee, in the wake of World War II, when returning veterans revolted against a corrupt city government. Athens becomes the mythical town of Sparta in Faktorovich’s riveting narrative. She takes a number of liberties with historical fact, reflecting her intent, as she puts it in her provocative introduction to the novel, to ‘step away from historical accuracy and into symbolic truth.’ In doing so she explores the frontier of historical fiction and the critical issue of how far an author can stretch or embroider historical truth in order to create a more artistic and meaningful story. Her characters, especially the returning veterans, are vividly rendered and her style in general is inventive and engaging. As the title indicates, The Battle for Democracy is representative of all those points on the historical timeline when democratic forces have battled greed and corruption, while also speaking directly and forcefully to our world today.” —Lucas Carpenter, C.H. Candler Professor Emeritus of English, Oxford College of Emory University “Anna Faktorovich’s historical novel The Battle for Democracy illuminates a little-known but highly representative incident in American labor history—the battle of returning World War II veterans against the corrupt political machinery of Athens, Tennessee. A timely reminder that the greatest threats to democracy come not from abroad but from our homegrown ideologues and zealots, whether of party, creed, or avarice.” —Robert Begiebing, founding director of the Low-Residency MFA in Fiction and Nonfiction, and Professor of English Emeritus at Southern New Hampshire University “…Veterans of World War II returned from the front and were caught in a storm of wild corruption at home. Two conflicting morals cannot coexist. As a result, they stage a revolt of front-line soldiers against the corrupt Mayor and Sheriff. Social conflict heats up until they are forced to use weapons, and people are killed and injured. The President of the United States and the Governor of the State do not intervene because it is a battle for democracy. The insurgency is victorious. The novel is brilliant and enlightening.” –Vasyl Baziv, organizer of the Ukrainian National Democratic movement (1989-1990), professor at the “Ukraine” International University, and ambassador
When three of Britain's best-loved and best-selling authors each publish at least two novels with a historical rebellion theme, there might be an interesting pattern worth examining. This is a long overdue study of the previously overlooked rebellion novel genre, with a close look at the works of Sir Walter Scott (Waverly and Rob Roy), Charles Dickens (A Tale of Two Cities and Barnaby Rudge), and Robert Louis Stevenson (Kidnapped and The Young Chevalier). The linguistic and structural formulas that these novels share are presented, along with a comparative study of how these authors individualized the genre to adjust it to their needs. Scott, Dickens and Stevenson were led to the rebellion genre by direct radical interests. They used the tools of political literary propaganda to assist the poor, disenfranchised and peripheral people, with whom they identified and hoped to see free from oppression and poverty.
Examines gender bias from the perspective of readers, writers and publishers, with a focus on the top two bestselling genres in modern fiction. It is a linguistic, literary stylistic, and structurally formalist analysis of the male and female “sentences” in the genres that have the greatest gender divide: romances and mysteries. The analysis will search for the historical roots that solidified what many think of today as a “natural” division. Virginia Woolf called it the fabricated “feminine sentence,” and other linguists have also identified clear sexpreferential differences in AngloAmerican, Swedish and French novels. Do female mystery writers adopt a masculine voice when they write mysteries? Are femalepenned mysteries structurally or linguistically different from their male competitors’, and vice versa among male romance writers? The first part can be used as a textbook for gender stylistics, as it provides an indepth review of prior research. The second part is an analysis of the results of a survey on readers’ perception of gender in passages from literature. The last part is a linguistic and structural analysis of actual statistical differences between the novels in the two genres, considering the impact of the author’s gender.
This book creates a taxonomy for the major bestselling fictional genres: romance (e.g., authors Heyer, Cartland, Woodiwiss and Roberts), religious and inspirational (Corelli and Douglas), mystery and detective (Conan Doyle, Christie and Mankell), and science fiction, horror and fantasy (Wells, Tolkien, Orwell, Niven, King and Rowling). Chapters look at a genre from its roots to its most recent works. The structural patterns in the plot, characters and setting of these genres are then explained. The book also provides a critique of currently popular hyper-formulaic, hack, unliterary writings that have multiplied in recent decades. Special topics such as the publishing oligopoly and the resulting homogeneity among bestselling works and the steady movement from literary to unliterary fiction are also examined.
This is a comparative study of Wendell Berry’s theory of New Agrarian economics in contrast with other agrarian proposals, as well as communist, capitalist and feudal economic theories. The argument for an agrarian world has both similarities and sharp contrasts with Marxist communism, industrial capitalism, and classic feudalism. Agrarianism can be seen more clearly when it is contrasted and shown as having existed in parallel with each of these stages of economic world development. As the world quickly grows in the direction of overpopulation and pollution, a re-evaluation is needed of the previously used sustainability methods that have kept humanity in balance with the earth for millennia. As resources continue to become scarcer, those who can support themselves independently from mass-agricultural ventures might have a survival advantage. And this advantage should be explored before the world reaches a catastrophic phase. As the American farming population shrinks further below one percent of the overall population, this is a crucial moment to consider if agrarianism and agriculture itself should retain a central role in American political theory or if it should fade into the past.
Explains all of the steps involved in creating a book with the Anaphora Literary Press. It is designed as a tool for editorial, marketing and design interns of the press. It can also be used by publishing industry professionals who are working for other publishing houses, want to start their own press or want to self-publish their book. This book can be a great tool in editing, marketing and design college classes. The fourth edition of the Guide includes more detailed design and marketing advice, and a long section with marketing lists of book reviewers, libraries, and bookstores that hold readings. You’ll also find instructions for making YouTube book trailers and Smashwords E-Books. Authors shouldn’t set out on new book production and marketing ventures without reviewing the helpful information provided.
Liberation from Tyranny": is a collection of poems that covers nature, famous leaders, animals, relationships, emotional states, sports and inspirations. It paints a picture window into the soul. An enlightening, captivating and exhilarating collection with a musical beat.
The hereditary retinopathy, retinitis pigmentosa (RP), which affects 1 in 3,500 people worldwide, is the most common cause of registered visual handicap among those of the working age in developed countries. RP is a highly variable disorder where patients may develop symptomatic visual loss in early childhood, while others may remain asymptomatic until mid-adulthood. Most cases of RP segregate in autosomal dominant, recessive or X-linked recessive modes, with approximately 41 genes being implicated in disease pathology to date (RetNet). The extensive genetic heterogeneity associated with autosomal dominant RP (adRP) is an undisputed hindrance to the development of genetically based therapeutics.
The Romances of George Sand takes the heroine from a childhood in the aristocracy amidst the Napoleonic Wars, to an unhappy early marriage and eventual divorce, to her careers as a country doctor, pharmacist, lawyer, and most successfully as a romance novelist. This is a story about the revolutions in a woman’s heart as she goes through dozens of love affairs. It is also about George’s involvement in violent, political revolutions of her time, including the July and June Revolutions and the 1848 Revolution; in the latter, she served as the unofficial Minister of Propaganda. The story is full of military battles, coup d’etat maneuvers, duels, malevolent plots, infidelity, artistic discussions, monumental legal cases, and reflections on the nature of love, family, romance, rebellion, and femininity. The history behind each of the events depicted is researched with biographical precision, but liberty is taken with some events that have been contested by historians, including the lesbian affair George had with Marie Dorval and the identity of the real father of her second child. Students of literature and history will recognize many of the central characters, as George befriended Napoleon I and III, Alexander Dumas pere and fils, Frederic Chopin, Alfred de Musset, and a long list of other notables.
This book creates a taxonomy for the major bestselling fictional genres: romance (e.g., authors Heyer, Cartland, Woodiwiss and Roberts), religious and inspirational (Corelli and Douglas), mystery and detective (Conan Doyle, Christie and Mankell), and science fiction, horror and fantasy (Wells, Tolkien, Orwell, Niven, King and Rowling). Chapters look at a genre from its roots to its most recent works. The structural patterns in the plot, characters and setting of these genres are then explained. The book also provides a critique of currently popular hyper-formulaic, hack, unliterary writings that have multiplied in recent decades. Special topics such as the publishing oligopoly and the resulting homogeneity among bestselling works and the steady movement from literary to unliterary fiction are also examined.
Fabrications: is a spritely love story that in its odd way recapitulates Henry James's The Wings of the Dove. A young man and a young woman are in love but don't have the financial resources they know they will need not just to be comfortable but to avoid the resentment either one would feel about having made a great sacrifice for their lives together. In James's story, Merton Densher married a wealthy young woman at death's door so he can inherit the money he needs in order to marry Kate Croy. Here, it is Nadine, the starlet, who marries the elderly producer with heart trouble so that she and Abner, the writer, can look forward to a life of comfort and ease. Slavitt notices what James didn't, or couldn't in 1902--that the situation is inherently comic. And he has written a novel that is sprightlier than its model but, because of its humor, closer to the texture of life.
Anaphora Literary Press was founded in 2009, and to-date it has released over 250 creative and non-fiction books. Jere Krakoff's novel, Something Is Rotten in Fettig, is a finalist in 2016 Foreword Indies: Humor (Adult Fiction) competition. John Paul Jaramillo's collection of short stories, The House of Order, received an honorable mention for the Latino Literacy Now's Mariposa Award Best First Fiction Book Award. Anaphora books have been featured in national newspapers and on major network broadcasts. The Pennsylvania Literary Journal and Cinematic Codes Review have published interviews with best-selling and award-winning writers and filmmakers, such as Geraldine Brooks and Larry Niven. Dr. R. Joseph Rodríguez received the 2015 CCCC Lavender Rhetorics Award for Excellence in Queer Scholarship's Award for his PLJ article, "There Are Many Rooms.
“Dr. Leonard provides readers with a groundbreaking new perspective on the psychology of bullying. Using the concept of projective identification, Dr. Leonard masterfully explores the common misperceptions of bullying in order to demonstrate why most anti-bullying campaigns today aren’t successful. Dr. Leonard’s eye-opening text teaches us that it is only by first understanding the true psychological structure of a bully that we can prevent and put an end to bullying in homes, schools, and workplaces. Dr. Leonard uses a diverse range of real-life examples from her clinical practice in order to reveal some of the dominant characteristics of bullies, showcase the painful effects that bullying behaviors have on victims, and provide a insightful step-by-step process about how to successfully outsmart and stop bullies. Dr. Leonard has delivered a must-read book that will help parents, educators, and other professionals strategize how they can help put an end to bullies and support their victims.” –Hailey Sheets, Communications Professor, Southwestern Michigan College
The first accurate quantitative re-attribution of all central texts of the British Renaissance. Describes and applies the first unbiased and accurate method of computational-linguistics authorial-attribution. Covers 303 texts with 8,106,059 words, 123 authorial bylines, a range of genres, and a timespan between 1510 and 1662. Includes helpful diagrams that visually show the quantitative-matches and the identical most-frequent phrases between the texts in each linguistic-signature-group. Detailed chronologies for each of the six ghostwriters and the bylines they wrote under, including their dates of birth, death, publications, and other biographical markers that explain why each of them was the only logical attribution. A full bibliography of the 303 tested texts. All of the raw and processed data, not only in summary-tables inside of the book, but also in-full on a publicly-accessible website: https://github.com/faktorovich/Attribution. One table includes all of the data from the first-edition title-pages (byline, printer, bookseller, date, proverbs), and the first-performance (date, troupe). A table on structural elements across all “Shakespeare”-bylined texts summarizes their plot-movements, character-types, settings, slang-usage, primary sources, and poetic design (percentage of rhyme and hendiadys). To explain why these are the first truly accurate re-attributions, numerous reasons for discrediting previous attribution claims are provided throughout. Re-Attribution of the British Renaissance Corpus describes a newly invented for this study computational-linguistics authorial-attribution method and applies it and several other approaches to the central texts of the British Renaissance. All of the attribution steps are described precisely to give readers replicable instructions on how they can apply them to any text from any period that they are interested in determining an attribution for. This method can be applied to solving criminal linguistic mysteries such as who wrote the Unabomber Manifesto, or theological mysteries such as if any of the Dead Sea Scrolls might have been forged by a modern author. This method is uniquely accurate because it uses 27 different quantitative tests that measure a text’s dimensions and its similarity or divergence to other texts automatically, without the statisticians being able to skew the outcome by altering the experiment’s analytical design. Re-Attribution guides researchers not only on how to perform the basic calculations, but also how to perform the biographical and documentary research to derive who among the potential bylines in a single signature-group is the ghostwriter, while the others are merely ghostwriter-contractors or pseudonyms. Reliable accuracy is achieved by also performing other types of attribution tests to check if these alternative approaches validate or contradict the 27-tests’ findings. Non-quantitative tests discussed include deciphering the hidden implications of contemporary pufferies, as well as comparing structural elements such as characters, plot, and element borrowings. Part II presents a revised version of the history of the birth of the theater in Britain by reviewing forensic accounting evidence in Philip Henslowe’s Diary, and the documented history of homicidal lending practices and government corruption connected with troupes and theaters. Parts III-VIII explain precisely how this series derived that the British Renaissance was ghostwritten by only six linguistic-signatures: Richard Verstegan, Josuah Sylvester, Gabriel Harvey, Benjamin Jonson, William Byrd and William Percy. The parts on each of these ghostwriters, not only explain how their biographies fit with the timelines of the texts being attributed to them, but also provide various types of evidence that explains their motives for ghostwriting. And Part IX returns for an intricate analysis of a few pseudonyms or ghostwriting-contractors who were uniquely difficult to exclude as potential ghostwriters; in parallel, these chapters question the reasons these individuals would have needed to purchase ghostwriting services. “The complete series on British Renaissance Re-Attribution and Modernization by Anna Faktorovich is a remarkable accomplishment. Based on her own unbiased method of computational-linguistic authorial-attribution, she has critically examined an entire collection of texts, many previously inaccessible and untranslated to modern English. From a variety of distinct factors that have been ignored or unnoticed in the past, she identifies a group of ghost writers behind many miss-attributed Renaissance works. Of particular interest are works traditionally attributed to William Shakespeare. Dr. Faktorovich is a prolific writer, very well informed in English literature, philology, and literary criticism, and she is clearly thorough and detail-oriented. Her re-attribution and modernization series demonstrates solid scholarship, fresh perspective, and willingness to challenge conventional thought and methodology.” —Midwest Book Review, Lesly F. Massey (December 2021) “I have long had an interest in linguistics and enjoy reading the frequent ‘Who really wrote Shakespeare’s works?’ Therefore, this book was extremely interesting to me… So, my recommendation is that if you have an interest in linguistics and scholarly research you will love this book… Very interesting and well laid out book. *****” —LibraryThing, Early Reviewers, February 2022 Anna Faktorovich, PhD, is an English professor who previously published Rebellion as Genre and Formulas of Popular Fiction. She is also the Director and Founder of Anaphora Literary Press.
When three of Britain's best-loved and best-selling authors each publish at least two novels with a historical rebellion theme, there might be an interesting pattern worth examining. This is a long overdue study of the previously overlooked rebellion novel genre, with a close look at the works of Sir Walter Scott (Waverly and Rob Roy), Charles Dickens (A Tale of Two Cities and Barnaby Rudge), and Robert Louis Stevenson (Kidnapped and The Young Chevalier). The linguistic and structural formulas that these novels share are presented, along with a comparative study of how these authors individualized the genre to adjust it to their needs. Scott, Dickens and Stevenson were led to the rebellion genre by direct radical interests. They used the tools of political literary propaganda to assist the poor, disenfranchised and peripheral people, with whom they identified and hoped to see free from oppression and poverty.
This is the 2014 Catalog for Anaphora Literary Press's current and forthcoming titles. Anaphora has published over 70 creative and non-fiction books. Professors have agreed to teach from a few Anaphora books. Several writers have scheduled readings at major local book stores. Anaphora books have also had several articles published about them in regional newspapers.
Because There Was No Sea": “combines a mastery of simile (the ‘jaws’ of bicycle brakes snapping at the wind ‘like two dogs’; a golf ball hit ‘like a semibreve into/ the staff of phone lines’) with a Blake-like ability to build whole worlds from a grain of sand (or a phone, which ‘may as well be a conch/from off the beach’). This is a restless, Janus-faced collection, simultaneously looking back on childhood memories of Bermuda (‘alive, fresh as raw meat’) and thirstily drinking in the details of the wider world.” –Jacob Silkstone, editor of The Missing Slate
This is the 2014 Catalog for Anaphora Literary Press's current and forthcoming titles. Anaphora has published over 100 creative and non-fiction books. Professors have taught from Anaphora books. Many Anaphora writers have scheduled readings at major local book stores. Anaphora books have also had several articles published about them in regional newspapers.
Herculaneum’s Fortune": poems examine how Herculaneum and Pompeii’s destruction and excavation offer insight to our experience with chaos, loss, and transition.
Poetry and masquerade have always resided in me. I know them to be inspired, and when well rendered, magical. From San Fernando to Brooklyn, poetry is the Carnival, and the Trinidad Carnival finds its way into my poetry---as visual and oral experience--everyday living, a painted face J'ouvert morning. Many of the poems in this volume have aged with me and over that time, and again like my own life, been transformed into some measure of sustained lucidity. The heart of these poems speaks to ordinary men and women and the world about them. From this landscape, language and experience comes A Mural by the Sea.
The events depicted incorporate historical incidents to create an alternate history of a violent anti-corruption rebellion in the fictional town of Sparta, Tennessee, in the aftermath of World War II. It is based in part on the rebellion by veterans against the Mayor’s office in Athens, Tennessee, as well as on the Chicago Haymarket Riot. In Sparta, thousands of veterans return to the States from the War, and are confronted by crippling corruption, as they attempt to drink away the trauma of the War. Faced with bribes and a heap of misdemeanor tickets, the GIs try to retaliate by aggressively supporting the Democratic ticket, but soon discover that elections are not won by voters in Sparta. The Sheriff and his army of untrained deputies go on a killing spree, as they work to steal the election, until the Democrats are compelled to pick up arms to defend their lives and their civil rights. “A riveting account of corruption in politics from the interesting mindset of disgruntled post-war veterans. A combination that will intrigue readers throughout the story.” —David Walpuck, Administrator for the National Registry of Food Safety Professionals “Naive, impressionable, patriotic young men from Anna Faktorovich’s fictitious Sparta, Tennessee joined the fight against Fascism during World War II. They confronted death, cruelty, deprivation and returned home not as heroes but outsiders. Sparta had no use for them—no jobs, no place in society, only bars and the local jail. Finally enough became too much. Outrage triggered rebellion and a new war began. Like the one the returned G.I.s had left in Europe and Asia this one also was for freedom from oppression. “The novel is based on events that occurred in southern Tennessee in 1946. Faktorovich populates The Battle for Democracy with variety of characters—rich, poor, white, African-American—and glimpses of shantytown life, Southern mansions, trips to Hawaii. Among the most fascinating personalities are the members of a Cherokee family that migrated to Sparta after their Oklahoma house was razed to make room for a military installation. Another is Giorgio, whose wilder instincts are tamed by his relationship with the sensible and attractive Haley. Less agreeable are the Ku Klux Klansmen the author describes, the opulence of the town mayor reigning over his miniature fiefdom, the bartender turned cop with an eye for profit at whatever cost. The novel is told with journalistic veracity and with vivid descriptions of places and events. Reading it one believes in what is taking place and participates along with the characters and their struggles to achieve equality and justice.” —Robert Joe Stout, winner of national journalism awards for news writing, author of Hidden Dangers: Mexico on the Brink of Disaster “An intriguing and often funny depiction of widespread governmental corruption in a mid-1940s southern city and the political efforts of a band of World War II veterans and their allies to address it.” —Jere Krakoff, retired civil rights attorney with the ACLU National Prison Project in Washington, D.C. “The Battle for Democracy, Anna Faktorovich’s second historical novel, focuses on events that transpired in Athens, Tennessee, in the wake of World War II, when returning veterans revolted against a corrupt city government. Athens becomes the mythical town of Sparta in Faktorovich’s riveting narrative. She takes a number of liberties with historical fact, reflecting her intent, as she puts it in her provocative introduction to the novel, to ‘step away from historical accuracy and into symbolic truth.’ In doing so she explores the frontier of historical fiction and the critical issue of how far an author can stretch or embroider historical truth in order to create a more artistic and meaningful story. Her characters, especially the returning veterans, are vividly rendered and her style in general is inventive and engaging. As the title indicates, The Battle for Democracy is representative of all those points on the historical timeline when democratic forces have battled greed and corruption, while also speaking directly and forcefully to our world today.” —Lucas Carpenter, C.H. Candler Professor Emeritus of English, Oxford College of Emory University “Anna Faktorovich’s historical novel The Battle for Democracy illuminates a little-known but highly representative incident in American labor history—the battle of returning World War II veterans against the corrupt political machinery of Athens, Tennessee. A timely reminder that the greatest threats to democracy come not from abroad but from our homegrown ideologues and zealots, whether of party, creed, or avarice.” —Robert Begiebing, founding director of the Low-Residency MFA in Fiction and Nonfiction, and Professor of English Emeritus at Southern New Hampshire University “…Veterans of World War II returned from the front and were caught in a storm of wild corruption at home. Two conflicting morals cannot coexist. As a result, they stage a revolt of front-line soldiers against the corrupt Mayor and Sheriff. Social conflict heats up until they are forced to use weapons, and people are killed and injured. The President of the United States and the Governor of the State do not intervene because it is a battle for democracy. The insurgency is victorious. The novel is brilliant and enlightening.” –Vasyl Baziv, organizer of the Ukrainian National Democratic movement (1989-1990), professor at the “Ukraine” International University, and ambassador
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