Scott, Clint, Dave and Bob--the Moffatts. They're brothers, friends, and talented musicians. Hailing from Victoria, British Columbia, these four cuties (three of them are triplets!) sing pop music for a new generation. It's a toe-tapping, pop-rock combo that'll knock you off your feet--and keep you wanting more. Find out all about these young hotties--from their favorite bands to their personal goals; what kind of girls catch their eyes to what kind of food makes their mouths water...and everything in between!
A fresh biography of a neglected figure in Southern history who played a pivotal role in the Civil War. In the predawn hours of April 12, 1861, James Chesnut Jr. piloted a small skiff across the Charleston Harbor and delivered the fateful order to open fire on Fort Sumter—the first shots of the Civil War. In The Man Who Started the Civil War, Anna Koivusalo offers the first comprehensive biography of Chesnut and through him a history of honor and emotion in elite white southern culture. Koivusalo reveals the dynamic, and at times fragile, nature of these concepts as they were tested and transformed from the era of slavery through Reconstruction. Best remembered as the husband of Mary Boykin Chesnut, author of A Diary from Dixie, James Chesnut served in the South Carolina legislature and as a US senator before becoming a leading figure in the South's secession from the Union. Koivusalo recounts how honor and emotion shaped Chesnut's life events and the decisions that culminated in the cataclysm of civil war. Challenging the traditional view of honor as a code, Koivusalo illuminates honor's vital but fickle role as a source for summoning, channeling, and expressing emotion in the nineteenth-century South.
Today our fatigue feels chronic; our anxieties, amplified. Proliferating technologies command our attention. Many people complain of burnout, and economic instability and the threat of ecological catastrophe fill us with dread. We look to the past, imagining life to have once been simpler and slower, but extreme mental and physical stress is not a modern syndrome. Beginning in classical antiquity, this book demonstrates how exhaustion has always been with us and helps us evaluate more critically the narratives we tell ourselves about the phenomenon. Medical, cultural, literary, and biographical sources have cast exhaustion as a biochemical imbalance, a somatic ailment, a viral disease, and a spiritual failing. It has been linked to loss, the alignment of the planets, a perverse desire for death, and social and economic disruption. Pathologized, demonized, sexualized, and even weaponized, exhaustion unites the mind with the body and society in such a way that we attach larger questions of agency, willpower, and well-being to its symptoms. Mapping these political, ideological, and creative currents across centuries of human development, Exhaustion finds in our struggle to overcome weariness a more significant effort to master ourselves.
It’s as old as time: the breakup letter. The kiss-off. The Dear John. The big adios. Simple in its premise, stunningly perfect in its effect. From Anne Boleyn to Sex and the City writer/producer Cindy Chupack, from women both well-known and unknown, imaginary and real, the letters here span the centuries and the emotions—providing a stirring, utterly gratifying glimpse at the power, wit, and fury of a woman’s voice. In a never-before-published letter, Anaïs Nin gives her lover, C. L. Baldwin, a piece of her mind. Charlotte Brontë, in formal fashion, refuses the marriage proposal of Henry Nussey. In a previously unpublished letter, Sylvia Plath writes to her childhood friend and brief lover, Phillip McCurdy, expressing her wish to maintain a platonic relationship. And “Susie Q.” lets “Johnny Smack-O” know that she’s onto his philandering. The brilliance of the mad missives, caustic communiqués, downhearted dispatches, sweet send-offs, and every other sort of good-bye that fills these pages will surely resonate with anyone who has ever loved, lost, left, languished, or laughed a hearty last laugh.
Arriving in the U.S. in 1883, Antoni A. Paryski climbed from typesetter to newspaper publisher in Toledo, Ohio. His weekly Ameryka-Echo became a defining publication in the international Polish diaspora and its much-read letters section a public sphere for immigrants to come together as a community to discuss issues in their own language. Anna D. Jaroszyńska-Kirchmann mines seven decades' worth of thoughts expressed by Ameryka-Echo readers to chronicle the ethnic press's role in the immigrant experience. Open and unedited debate harkened back to homegrown journalistic traditions, and Jaroszyńska-Kirchmann opens up the nuances of an editorial philosophy that cultivated readers as content creators. As she shows, ethnic publications in the process forged immigrant social networks and pushed notions of education and self-improvement throughout Polonia. Paryski, meanwhile, built a publishing empire that earned him the nickname ""The Polish Hearst."" Detailed and incisive, The Polish Hearst opens the door on the long-overlooked world of ethnic publishing and the amazing life of one of its towering figures.
Web services technologies are advancing fast and being extensively deployed in many di?erent application environments. Web services based on the eXt- sible Markup Language (XML), the Simple Object Access Protocol (SOAP), andrelatedstandards,anddeployedinService-OrientedArchitectures(SOAs) are the key to Web-based interoperability for applications within and across organizations. Furthermore, they are making it possible to deploy appli- tions that can be directly used by people, and thus making the Web a rich and powerful social interaction medium. The term Web 2.0 has been coined to embrace all those new collaborative applications and to indicate a new, “social” approach to generating and distributing Web content, characterized by open communication, decentralization of authority, and freedom to share and reuse. For Web services technologies to hold their promise, it is crucial that - curity of services and their interactions with users be assured. Con?dentiality, integrity,availability,anddigitalidentitymanagementareallrequired.People need to be assured that their interactions with services over the Web are kept con?dential and the privacy of their personal information is preserved. People need to be sure that information they use for looking up and selecting s- vicesiscorrectanditsintegrityisassured.Peoplewantservicestobeavailable when needed. They also require interactions to be convenient and person- ized, in addition to being private. Addressing these requirements, especially when dealing with open distributed applications, is a formidable challenge.
Essay from the year 2017 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Paderborn (Institut für Anglistik und Amerikanistik), course: Essay Writing, language: English, abstract: One cannot not communicate. Of course, communication does require words that are spoken, but there is more to it than that, such as intonation, the speed of your language, breaks, laughter, sighs, your appearance and your body language. According to Paul Watzlawick, any kind of behavior belongs in the category of communication. Since it is not possible to not behave, it is also impossible to not communicate, even without words. Needless to say, the spoken word is what most conversations depend on and which represents a major part of communication. However, language is not innocent and has often been used by many people to manipulate or offend someone else. People with a low self-esteem often appear quiet and hardly share their actual opinion. They fear the negative consequences that could occur after saying something critical. Also, they neither believe in themselves, nor that anyone cares about what they say. The issue of a low self-perception forms a major idea of Young Adult Fiction which is the genre that particularly addresses the youth as it copes with subject matters adolescents can relate to. The author of Speak, Laurie Halse Anderson, positions the main character Melinda very clearly towards communication in the beginning of the book with the following statement: “It is easier to not say anything. Shut your trap, button your lip, can it. All that crap you hear on TV about communication and expressing feelings is a lie. Nobody really wants to hear what you have to say.” Not speaking even if you were able to means breaking up with the ability of communication and severing all your contacts. This is how the character Melinda completely isolates herself from her surroundings when she is not speaking which is a consequence to the trauma she suffers after being raped. Anderson makes Melinda avoid most trouble and public embarrassments and puts her into a state of shock. Although Melinda’s inner voice often appears very sarcastic and humorous, she hardly speaks to other people around her. Still, the reader is a witness to the events in Melinda’s everyday high school life and learns a lot about her life only from the images that Anderson is describing in each chapter. Through a reference structure, the author makes sure that the reader constantly perceives Melinda’s wellbeing on different levels when she creates images and atmosphere rather than telling the actual meaning of certain subjects.
Seminar paper from the year 2018 in the subject Didactics for the subject English - Literature, Works, grade: 2,3, University of Paderborn (Anglistik / Amerikanistik), course: The Body in American Poetry, language: English, abstract: Earvin “Magic” Johnson shocked the world when he announced his HIV infection and immediately retired from the L.A. Lakers in 1991 (Stevenson). Up to this point, HIV/AIDS was popularly believed to be a disease that only occurred among homosexual men which was heavily stigmatized. The former basketball star had to face discrimination from his own team mates when they did not want to play with him anymore and rejected him from their team (Moughty). Even though Johnson took a break from basketball and was hurt by his team mates reactions, he became one of the most important spokesmen for HIV/AIDS education (Moughty). His case helped the public understand that the virus does not only occur among gay communities and should be of everyone’s concern (Moughty). The AIDS epidemic began in the U.S. in the early 80’s when the first few reported cases of gay men were made public. The number of infections increased rapidly and the majority of the people living with AIDS were gay. Because of this, stereotypes and stigma for the sick people developed quickly which had a very negative impact on their quality of life and their health status. Isolation, depression and self-harm were among consequences to the society’s rejection of these gay men as well as other people with HIV/AIDS. Stigma and stigmatization has many levels. It does not only involve discrimination from people who are not affected, but also refers to self-perception of the infected person, metaphors of the illness and intersection with other prejudices. Apart from the strong stigmatization of the illness, the medical condition itself is already a great burden for the infected persons. Although today, symptoms can be medicated effectively so that an unrestricted life is possible, this was not the case in the early years of the epidemic when medical experts could not even determine the way of transmission. This interrelates with the great fear that society developed and the resulting social distance to sufferers. This issue was picked up by filmmakers, art and literature. In this term paper, I investigate upon the question how HIV/AIDS related stigma is represented in poetry in the time from the beginning of the epidemic up to the early 1990’s in the United States. [...]
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