This book is the first to connect global labor history and the history of human rights: By focusing on democratic labor oppositions in Spain and Poland between 1960 and 1990, it shows how workers in authoritarian regimes addressed repression and whether they developed a language of rights in the light of a globally dynamic human rights discourse. The study argues that the democratic labor oppositions in Spain and Poland were both variants of emancipatory and democracy-oriented social movements with global interconnections that emerged in the 1960s. It reveals that the demands for free and independent trade unions, which in both countries became a flashpoint in the fight for broader democratic demands, was not always discussed in rights terms, but rather presented as an inevitable necessity. At the same time, these labor movements and their intellectual allies morally delegitimized state repression against workers and thereby employed the concepts of democracy, participation, solidarity, progress and eventually, rights. Integrating the history of two European semi-peripheric societies into a broader narrative, this book is relevant for readers interested in global labor history, human rights history and the history of democratization in Europe in the late twentieth century.
This book is the first to connect global labor history and the history of human rights: By focusing on democratic labor oppositions in Spain and Poland between 1960 and 1990, it shows how workers in authoritarian regimes addressed repression and whether they developed a language of rights in the light of a globally dynamic human rights discourse. The study argues that the democratic labor oppositions in Spain and Poland were both variants of emancipatory and democracy-oriented social movements with global interconnections that emerged in the 1960s. It reveals that the demands for free and independent trade unions, which in both countries became a flashpoint in the fight for broader democratic demands, was not always discussed in rights terms, but rather presented as an inevitable necessity. At the same time, these labor movements and their intellectual allies morally delegitimized state repression against workers and thereby employed the concepts of democracy, participation, solidarity, progress and eventually, rights. Integrating the history of two European semi-peripheric societies into a broader narrative, this book is relevant for readers interested in global labor history, human rights history and the history of democratization in Europe in the late twentieth century.
Scandinavian art songs are a unique expression of the cultures of Sweden, Norway, and Denmark. Although these three countries are distinct from one another, their languages and cultures share many similarities. Common themes found in art and literature include a love of nature, especially of the sea, feelings of longing and melancholy, the contrast between light and dark, the extremes of the northern climate, and lively folk traditions. These shared sensibilities are reflected and expressed in a tangible way through music. Scandinavian art song has faced several challenges over the years in North America (even in the American Midwest, where descendants of Scandinavian immigrants are concentrated). But matters have changed recently with the recent expansion of diction curricula to cover languages other than English, French, German, and Italian. The primary obstacle remains practical resources for the study of art songs and lyric diction of Sweden, Norway, and Denmark. This guide remedies this problem. Scandinavian Song is a practical guide to the art songs of Sweden, Norway, and Denmark. Unlike other sources that give at best a cursory overview of lyric diction in the Scandinavian languages, this guide provides practical information, enabling teachers and students to render transcriptions of Swedish, Norwegian, and Danish texts into the International Phonetic Alphabet (IPA)—an absolute necessity for any study of repertoire. An extensive survey of available music, sample IPA transcriptions and translations, as well as a website link with native speakers reciting selected song texts, make this book an invaluable resource for students and professors in North American college, university, and conservatory voice programs.
Democracy, prosperity and self-rule, this was the vision of African independence. Across the continent, however, the 'optimism' that characterized the immediate post-independence period has largely faded. Meanwhile, ordinary Africans lurch between undemocratic, unaccountable and unresponsive governments and a decaying traditional African past. How did things go so wrong? Why has the continent lagged behind others in economic development despite its potential natural resources? Why are so many African states prone to conflict? And why has democracy been slow to take root in a majority of the countries? Covering everything from African economies to the role of the state, rural livelihoods to issues of gender, 'Politics in Africa' offers a fresh perspective in answering these questions, making the continent's problems more understandable, less wretched and even intensely hopeful. Up-to-date, concise and provocative, this is indispensable reading for anyone interested in African politics.
Between Luther’s Ninety-Five Theses in 1517 and his excommunication from the church in 1520, he issued twenty-five sermons and treatises on Christian piety, most of them in German. These pastoral writings extended his criticisms of the church beyond indulgences to the practices of confession, prayer, clerical celibacy, the sacraments, suffering, and death. These were the issues that mattered most to Luther because they affected the faith of believers and the health of society. Luther’s conflict with Rome forced him to address the issue of papal authority, but on his own time, he focused on encouraging lay Christians to embrace a simpler, self-sacrificing faith. In these pastoral writings, he criticized theologians and church officials for leading people astray with a reliance on religious works, and he began to lay the foundation for a reformed Christian piety.
Everything you need to know about opera in one handy guide. Part of our best-selling Pocket Guide series, The Pocket Guide to Opera contains A-Z synopses of operas and biographies of the characters, lyricists and composers. The book features the history of opera, setting it in the context of its day and discussing the influence of world events and influences such as the Freemasons and the composers patrons. With factboxes highlighting surprising, little known and often quirky operatic facts, this fascinating book is a must-buy guide for everyone who loves opera.
Decolonizing the Memory of the First World War contributes to the imperial turn in First World War studies. This book provides an exploration of the ways in which war memory can be appropriated, neglected and disabled, but also “unlearned” and “decolonized”. The book offers an analysis of the experience of soldiers of colour in five novels published at the centenary of the First World War by David Diop, Raphaël Confiant, Fred Khumalo, Kamila Shamsie and Abdulrazak Gurnah, examining the poetics and the politics of the conflict’s commemoration. It explores continuities between WWI and earlier and later eruptions of violence, thus highlighting the long-lasting sequels of the first global conflict in the former French, British and German empires. It thereby asks important questions about the decolonization of the memory of the First World War, its tools, critical potential and limitations. The book will appeal to academics and postgraduate students working in postcolonial literatures, postcolonial and decolonial studies, First World War studies, colonial history, human and political geography, as well as readers interested in cultural memory and overlapping legacies of violence.
Who was Jacob Latomus? What did he write in the series of lectures to which Luther penned an answer in 1521, an answer which is now so central to many interpretations of the great reformer? And how is the reading of that answer affected when it is preceded by an interpretation of what Latomus wrote?The study goes through the most important parts of Latomus' treatise against Luther (1521). The aim is to identify Latomus' theological convictions and thus to pin down who and what Luther was up against. The second and major part of the book is a reading of Luther's pamphlet against Latomus (1521). Parallels are drawn with Latomus' theology in order to facilitate as much as possible an appreciation of the differences between the two.The comparison between the two theologians shows that they speak completely different languages and that their viewpoints do not square at all. Basically their ways depart in their understanding of God's word and how it is communicated to man. This generates two ways of perceiving the matter of theology, and of speaking theologically –: and prevents mutual understanding. Latomus cannot understand Luther's view of the autonomy of God's word and the special character of proclamation, and hence a theology which is incompatible with natural reason. Even though he accepts a division between a natural and a supernatural rationality, and thus admits that natural reason has a limit, he grants the very same natural reason an important role in the ascent of cognition towards revelation. Everything else – such as Luther's theology – is a dehumanization of the human being. Luther, on the other hand, regards Latomus' theology as a result of the impulse in sinful man towards ruling and controlling the word of God with his own inadequate natural abilities. In Luther's eyes that proclamation of Christ, which in the shape of a human being comes to man in contradiction of everything human, here disappears in the twinkling of an eye.
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