This six-volume collection brings together key documents on women’s suffrage from Britain and the Empire in the century between 1767 and 1867. With a particular focus on voting rights and political representation, the collection includes excerpts of works from renowned writers such as Edmund Burke and John Stuart Mill, as well as rare and insightful texts from less prominent authors. This collection provides a valuable reference to students of various disciplines, including British and imperial history, gender studies, literature, politics, and the history of feminism.
Anna Bruic nee Arndt, was born in 1938 into a working class family in Berlin. During her childhood, small pleasures are increasingly overshadowed by the horrors and atrocities of war - a highlight is a 1943 Christmas party in a bunker deep below the Reich's Chancellery where she meets both Santa Claus and Adolf Hitler. Somehow she and her family survive, only to find themselves part of the post-war Soviet empire. After escaping Communist-occupied East Berlin, Anna eventually immigrates to Canada and later the United States where her adventures include scrapes with international drug traffickers, a stint as a "palmetto queen," and run-ins with members of the Ku Klux Klan. Along the way she chronicles her entrepreneurial ventures and her quest for true love and financial security. The Refugee is not only a valuable historical document, but an inspiring story of one woman's courage in the face of both extraordinary hardship and life's ordinary tragedies. Brimming with emotion, pathos, insight, and humour, The Refugee is a tale artfully told.
How the medieval church drove state formation in Europe Sacred Foundations argues that the medieval church was a fundamental force in European state formation. Existing accounts focus on early modern warfare or contracts between the rulers and the ruled. In contrast, this major study shows that the Catholic Church both competed with medieval monarchs and provided critical templates for governing institutions, the rule of law, and parliaments. The Catholic Church was the most powerful, wealthiest, and best-organized political actor in the Middle Ages. Starting in the eleventh century, the papacy fought for the autonomy of the church, challenging European rulers and then claiming authority over people, territory, and monarchs alike. Anna Grzymała-Busse demonstrates how the church shaped distinct aspects of the European state. Conflicts with the papacy fragmented territorial authority in Europe for centuries to come, propagating urban autonomy and ideas of sovereignty. Thanks to its organizational advantages and human capital, the church also developed the institutional precedents adopted by rulers across Europe—from chanceries and taxation to courts and councils. Church innovations made possible both the rule of law and parliamentary representation. Bringing to light a wealth of historical evidence about papal conflict, excommunications, and ecclesiastical institutions, Sacred Foundations reveals how the challenge and example of powerful religious authorities gave rise to secular state institutions and galvanized state capacity.
Winner, Miles Franklin Literary Award Winner, ABIA Book of the Year and Literary Fiction Book of the Year Winner, Barbara Jefferis Award Winner, Independent Bookseller Award for Best Debut Fiction and Indie Book of the Year Shortlisted, Prime Minister ’s literary award for fiction Shortlisted , Western Australian Premier's Award for Fiction Ruth Becker, defiant and cantankerous, is living out her days in the eastern suburbs of Sydney. She has made an uneasy peace with the ghosts of her past—and a part of history that has been all but forgotten. Another lifetime away, it’s 1939 and the world is going to war. Ernst Toller, self-doubting revolutionary and poet, sits in a New York hotel room, settling up the account of his life. When Toller’s story arrives on Ruth’s doorstep, their shared past slips under her defences, and she’s right back among them—those friends who predicted the brutality of the Nazis and gave everything they had to stop them. Those who were tested—and in some cases found wanting—in the face of hatred, of art, of love and of history. Based on real people and events, All That I Am is a masterful and exhilarating exploration of bravery and betrayal, of the risks and sacrifices some people make for their beliefs and of heroism hidden in the most unexpected places.
This book explores the politics behind “de-liberalization”, defined as policy reforms that constrain markets and their underlying mechanisms. By offering a comparative study on the governmental reform strategies and policy choices of Austria, Germany and Switzerland, it demonstrates that de-liberalization processes are a common reform option for governments. Utilizing a novel dataset on liberalization covering policy reform trajectories in 38 industrialized countries between 1973 and 2013, it shows that governments often draw on strategies of de-liberalization in the fields of social, welfare and labor market policy, where they can be used as compensation for the electorate in the context of liberalizing reforms. As such, the book makes an important contribution to the field of political economy by capturing the turning of the tide in scholarly and policy attention, away from liberalization and towards a re-embedding and re-regulation of economic activity.
In Murder by Misrule, Francis Bacon must catch a killer to regain Queen Elizabeth’s favor. He recruits handsome Thomas Clarady to chase witnesses from Whitehall to the London streets, where everyone has something up his pinked and padded sleeve. In Death by Disputation, Francis Bacon sends Thomas Clarady to Cambridge to spy on radical Puritans. When Tom finds his tutor hanging from the rafters, his first suspect is the volatile poet, Christopher Marlowe. Chased by three lusty women and spurred by the exacting Bacon, Tom risks his very soul to catch the criminals. London, 1588. The Widows Guild. Someone is turning Catholics into widows, masking the crimes under armada fever. Francis Bacon is charged with the investigation by a widows’ guild led by his formidable aunt. He must untangle multiple crimes driven by patriotism, greed, lunacy — or all three.
The absorbing tale of how this legendary rogue became the champion of parliamentary monarchy and changed the course of English history. At first light on July 6, 1685, the last battle ever fought on English soil was almost over. On one side of the watery pasture at Sedgemoor was the dashing thirty-six-year-old Duke of Monmouth, the charismatic son of Charles II, adored by the people. A reformer, a romantic, and a Protestant, he was fighting the army he had once commanded, in opposition to his uncle, King James II. Yet even before he launched his attack, Monmouth knew he would die. Born in the backstreets of Rotterdam in the year his grandfather Charles I was executed, Monmouth was the child of a turbulent age. His mother, the first of Charles II's famous liaisons, played courtesan to the band of raw and restless young royalists forced abroad by the changing political current. Conceived during a revolution and born into a republic, Monmouth, by the time he was twelve, was the sensation of the most licentious and libertine court in Europe. Adored by the king and drenched in honors, he became the greatest rake and reprobate of the age. On his path to becoming "the last royal rebel," Monmouth consorted with a spectacular list of contemporaries: Louis XIV was his mentor, William of Orange his confidant, Nell Gwyn his friend, the future Duke of Marlborough his pupil, D'Artagnan his lieutenant, John Dryden his censor, and John Locke his comrade. Anna Keay expertly chronicles Monmouth's life and offers splendid insight into this crucial and dramatic period in English history.
Thomas Clarady is recruited to spy on a group of radical Puritans at Cambridge University. Francis Bacon is his spymaster; his tutor in both tradecraft and religious politics. Their commission gets off to a deadly start when Tom finds his chief informant hanging from the roof beams. Now he must catch a murderer as well as a seditioner. His first suspect is volatile poet Christopher Marlowe, who keeps turning up in the wrong places. Dogged by unreliable assistants, chased by three lusty women, and harangued daily by the exacting Bacon, Tom risks his very soul to catch the villains and win his reward.
In today's information era, the use of specific words and language can serve as powerful tools that incite violence—or sanitize and conceal the ugliness of war. This book examines the complex, "twisted" language of conflict. Why is the term "collateral damage" used when military strikes kill civilians? What is a "catastrophic success"? What is the difference between a privileged and unprivileged enemy belligerent? How does deterrence differ from detente? What does "hybrid warfare" mean, and how is it different from "asymmetric warfare"? How is shell shock different from battle fatigue and PTSD? These are only a few of the questions that Talking Conflict: The Loaded Language of Genocide, Political Violence, Terrorism, and Warfare answers in its exploration of euphemisms, "warspeak," "doublespeak," and propagandistic terms. This handbook of alphabetically listed entries is prefaced by an introductory overview that provides background information about how language is used to obfuscate or minimize descriptions of armed conflict or genocide and presents examples of the major rhetorical devices used in this subject matter. The book focuses on the "loaded" language of conflict, with many of the entries demonstrating the function of given terms as euphemisms, propaganda, or circumlocutions. Each entry is accompanied by a list of cross references and "Further Reading" suggestions that point readers to pertinent sources for further research. This book is ideal for students—especially those studying political science, international relations, and genocide—as well as general readers.
Is Confucianism a religion? If so, why do most Chinese think it isn't? From ancient Confucian temples, to nineteenth-century archives, to the testimony of people interviewed by the author throughout China over a period of more than a decade, this book traces the birth and growth of the idea of Confucianism as a world religion. The book begins at Oxford, in the late nineteenth century, when Friedrich Max Müller and James Legge classified Confucianism as a world religion in the new discourse of "world religions" and the emerging discipline of comparative religion. Anna Sun shows how that decisive moment continues to influence the understanding of Confucianism in the contemporary world, not only in the West but also in China, where the politics of Confucianism has become important to the present regime in a time of transition. Contested histories of Confucianism are vital signs of social and political change. Sun also examines the revival of Confucianism in contemporary China and the social significance of the ritual practice of Confucian temples. While the Chinese government turns to Confucianism to justify its political agenda, Confucian activists have started a movement to turn Confucianism into a religion. Confucianism as a world religion might have begun as a scholarly construction, but are we witnessing its transformation into a social and political reality? With historical analysis, extensive research, and thoughtful reflection, Confucianism as a World Religion will engage all those interested in religion and global politics at the beginning of the Chinese century.
DIVDIVFollowing her acclaimed memoirs Against the Stream and Out of Passau, Anna Rosmus revisits the crimes perpetrated in her German hometown during the Second World War/divDIV Passau, a small Bavarian city situated along the border with Austria, had gone decades without acknowledging the roles—however small or large—its citizenry played in the atrocities of World War II. When Anna Rosmus attempted to rectify this oversight, she was met with praise from everywhere but Passau itself, where threats and vitriol from the local population eventually led her to emigrate from Germany to the United States. In Wintergreen, Rosmus writes of the prisoners of war and forced laborers, the Jews and other Eastern Europeans who lost their lives in Passau to the Nazi regime, and whose graves were hastily consigned to the cheapest plot of land in town./divDIV Deftly researched and powerfully written, Wintergreen is a tragic history of the atrocities committed in and around Passau, a searing rebuke of those who seek to suppress them, and a moving tribute to the victims of the Holocaust and the importance of keeping their memory alive./div/div
This is a history of 1968 written from a new perspective-that of center-right student activists in West Germany. Based on oral history interviews and new archival sources, it examines the ideas, experiences, and repertoires of center-right students in this age of protest. Writing these activists back into the history of 1968 and its afterlives -including student protest, cultural revolt, internationalism, debates about left-wing violence and the terror of the Red Army Faction, the memory wars of the 1980s and beyond - reveals that this was a broader, more versatile, and, ultimately, more consequential phenomenon than the traditionally narrower focus on a left-wing minority allows. Other '68ers demonstrates that we need a more nuanced history of the 1968 generation and of generational conflict during these years. Student activists comprised individuals from across the political spectrum, who often had very different ideas about what kind of a society they envisaged and how to address the shortcomings of West German democracy. 1968 was a moment of intense political conflict, but it also played out within the student body and nurtured contrasting identities. This book shows that the center-right involvement in 1968 had real consequences. Many of the protagonists of this book would go on to pursue high-profile political careers and leave their mark on West German political culturey. Other '68ers therefore sheds fresh light on how West Germany's center-right dealt with the crisis of hegemony and political identity it experienced in the wake of 1968, how it coped with generational change, how it transformed and modernized after losing power at the national level for the first time in 1969, and how it managed to re-emerge so successfully in the 1980s.
An engrossing, unadulterated biography of “Bloody Mary”—elder daughter of Henry VIII, Catholic zealot, and England’s first reigning Queen Mary Tudor was the first woman to inherit the throne of England. Reigning through one of Britain’s stormiest eras, she earned the nickname “Bloody Mary” for her violent religious persecutions. She was born a princess, the daughter of Henry VIII and the Spanish Katherine of Aragon. Yet in the wake of Henry’s break with Rome, Mary, a devout Catholic, was declared illegitimate and was disinherited. She refused to accept her new status or to recognize Henry’s new wife, Anne Boleyn, as queen. She faced imprisonment and even death. Mary successfully fought to reclaim her rightful place in the Tudor line, but her coronation would not end her struggles. She flouted fierce opposition in marrying Philip of Spain, sought to restore England to the Catholic faith, and burned hundreds of dissenters at the stake. But beneath her hard exterior was a woman whose private traumas of phantom pregnancies, debilitating illnesses, and unrequited love played out in the public glare of the fickle court. Though often overshadowed by her long-reigning sister, Elizabeth I, Mary Tudor was a complex figure of immense courage, determination, and humanity—and a political pioneer who proved that a woman could rule with all the power of her male predecessors.
Hindenburg reveals how a previously little-known general, whose career to normal retirement age had provided no real foretaste of his heroic status, became a national icon and living myth in Germany after the First World War, capturing the imagination of millions. In a period characterized by rupture and fragmentation, the legend surrounding Paul von Hindenburg brought together a broad coalition of Germans and became one of the most potent forces in Weimar politics. Charting the origins of the myth, from Hindenburg's decisive victory at the Battle of Tannenberg in 1914 to his death in Nazi Germany and beyond, Anna von der Goltz explains why the presence of Hindenburg's name on the ballot mesmerized an overwhelming number of voters in the presidential elections of 1925. His myth, an ever-evolving phenomenon, increasingly transcended the dividing lines of interwar politics, which helped him secure re-election by left-wing and moderate voters. Indeed, the only two times in German history that the people could elect their head of state directly and secretly, they chose this national icon. Hindenburg even managed to defeat Adolf Hitler in 1932, making him the Nazi leader's final arbiter; it was he who made the final and fateful decision to appoint Hitler as Chancellor in January 1933.
The first book to focus specifically on the late German artist Christoph Schlingensief's theatre work, it subversively merges art, politics and everyday life to imbue his productions both inside and outside the theatre with a re-energized concept of the political in art. Scheer traces Schlingensief's artistic lineage as a filmmaker with no formal training in theatre, whose work does not correspond to theoretical frameworks such as postdramatic theatre, Regietheater, or established categories of political theatre such as Brechtian, community, and agit-prop theatre. She explores how his work instead draws upon the highly performative gestures of the historical and post-Cold War avant-gardes as well the happenings and event-based practices of the sixties. Comprehensive case studies of six diverse theatrical and activist events are offered to demonstrate both the immediacy of Schlingensief's response to contemporary social and political events and his use of a range of artistic influences and different genres: Rocky Dutschke '68 (1996), Save Capitalism: Throw the Money Away! (1999) The Berlin Republic – or the Ring in Africa (1999) Hamlet (2001), Atta Atta – Art Has Broken Out! (2003) and the Church of Fear (2003). Key questions such as how his theatre functions as a provocation, and how an artist can insert themselves into the powerful flows of imagery produced by the perpetual global news cycle, form a coherent line of enquiry throughout each of the chapters. The significance of Schlingensief's artistic legacy of politicized theatre-making that pioneers new modes of active, aesthetic and public engagement in the political realm remains pertinent to topical socio-political debates and is of relevance to an international audience across a diversity of disciplines.
Arriving in the U.S. in 1883, Antoni A. Paryski climbed from typesetter to newspaper publisher in Toledo, Ohio. His weekly Ameryka-Echo became a defining publication in the international Polish diaspora and its much-read letters section a public sphere for immigrants to come together as a community to discuss issues in their own language. Anna D. Jaroszyńska-Kirchmann mines seven decades' worth of thoughts expressed by Ameryka-Echo readers to chronicle the ethnic press's role in the immigrant experience. Open and unedited debate harkened back to homegrown journalistic traditions, and Jaroszyńska-Kirchmann opens up the nuances of an editorial philosophy that cultivated readers as content creators. As she shows, ethnic publications in the process forged immigrant social networks and pushed notions of education and self-improvement throughout Polonia. Paryski, meanwhile, built a publishing empire that earned him the nickname ""The Polish Hearst."" Detailed and incisive, The Polish Hearst opens the door on the long-overlooked world of ethnic publishing and the amazing life of one of its towering figures.
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