‘Absolutely gripping, deeply authoritative, hugely important and lethally lurid’ Simon Sebag Montefiore, Sunday Times bestselling author of The World: A Family History Yevgeny Prigozhin emerged as one of the most dangerous warlords in the world and as one of Vladimir Putin's chief rivals in Russia's tumultuous political climate, exiled after leading Wagner's attempted coup and killed in a mysterious plane crash. But what is the truth about this enigmatic figure, his role in the war with Ukraine, and the chaos unleashed across Russia by his turn against Putin? And, in the aftermath of his death, what is next for Russia in the new stage of late Putinism that Prigozhin's life forged? Drawing on years of research, this book traces the rise of Russia's most prominent non-state actor and examines the political climate that propelled a convicted gangster with no government office to the formidable role he came to occupy. An essential story of Russia's recent history, Downfall is also a compelling insight into its likely future.
GETTING TO GRIPS WITH RUSSIA’S 21ST CENTURY TSAR Vladimir V. Putin has confounded world leaders and defied their assumptions as they tried to figure him out, only to misjudge him time and again. The Putin Mystique takes the reader on a journey through the Russia of Vladimir Putin, named by Forbes magazine in 2013 as the most powerful man in the world. It is a neo-feudal world where iPads, WTO membership, and Brioni business suits conceal a power structure straight out of the Middle Ages, where the Sovereign is perceived as both divine and demonic, where a man’s riches are determined by his proximity to the Kremlin, and where large swathes of the populace live in precarious complacency interrupted by bouts of revolt. Where does that kind of power come from? The answer lies not in the leader, but in the people: from the impoverished worker who appeals directly to Putin for aid, to the businessmen, security officers and officials in Putin’s often dysfunctional government who look to their leader for instruction and protection. In her writing career, Anna Arutunyan has traveled throughout Russia to report on modern Russian politics. She has interviewed oligarchs and policemen, bishops and politicians, and many ordinary Russians. Her book is a vivid and revealing exploration of the way in which myth, power, and even religion interact to produce the love-hate relationship between the Russian people and Vladimir Putin.
Demonstrates how the emergence of private property and a market economy after the Soviet Union's collapse enabled a degree of freedom while simultaneously supporting authoritarianism.
The Media in Russia' is an introductive volume for students of various fields, including Russian studies, media studies and political science. It explores the media landscape and sets out to identify the chief challenges that Russian journalists have grappled with throughout the 300-year history of the Russian press.
‘Absolutely gripping, deeply authoritative, hugely important and lethally lurid’ Simon Sebag Montefiore, Sunday Times bestselling author of The World: A Family History Yevgeny Prigozhin emerged as one of the most dangerous warlords in the world and as one of Vladimir Putin's chief rivals in Russia's tumultuous political climate, exiled after leading Wagner's attempted coup and killed in a mysterious plane crash. But what is the truth about this enigmatic figure, his role in the war with Ukraine, and the chaos unleashed across Russia by his turn against Putin? And, in the aftermath of his death, what is next for Russia in the new stage of late Putinism that Prigozhin's life forged? Drawing on years of research, this book traces the rise of Russia's most prominent non-state actor and examines the political climate that propelled a convicted gangster with no government office to the formidable role he came to occupy. An essential story of Russia's recent history, Downfall is also a compelling insight into its likely future.
GETTING TO GRIPS WITH RUSSIA’S 21ST CENTURY TSAR Vladimir V. Putin has confounded world leaders and defied their assumptions as they tried to figure him out, only to misjudge him time and again. The Putin Mystique takes the reader on a journey through the Russia of Vladimir Putin, named by Forbes magazine in 2013 as the most powerful man in the world. It is a neo-feudal world where iPads, WTO membership, and Brioni business suits conceal a power structure straight out of the Middle Ages, where the Sovereign is perceived as both divine and demonic, where a man’s riches are determined by his proximity to the Kremlin, and where large swathes of the populace live in precarious complacency interrupted by bouts of revolt. Where does that kind of power come from? The answer lies not in the leader, but in the people: from the impoverished worker who appeals directly to Putin for aid, to the businessmen, security officers and officials in Putin’s often dysfunctional government who look to their leader for instruction and protection. In her writing career, Anna Arutunyan has traveled throughout Russia to report on modern Russian politics. She has interviewed oligarchs and policemen, bishops and politicians, and many ordinary Russians. Her book is a vivid and revealing exploration of the way in which myth, power, and even religion interact to produce the love-hate relationship between the Russian people and Vladimir Putin.
This study demonstrates how the emergence of private property and a market economy after the Soviet Union's collapse enabled a degree of freedom while simultaneously supporting authoritarianism. Based on case studies, Vladimir Shlapentokh and Anna Arutunyan analyze how private property and free markets spawn feudal elements in society. These elements are so strong in post-Communist Russia that they prevent the formation of a true democratic society, while making it impossible to return to totalitarianism. The authors describe the resulting Russian society as having three types of social organization: authoritarian, feudal and liberal. The authors examine the adaptation of Soviet-era institutions like security forces, the police and the army to free market conditions and how they generated corruption; the belief that the KGB was relatively free from corruption; how large property holdings merge with power and necessitate repression; and how property relations affect government management and suppression.
The Russian government’s deniable use of rogues, businessmen, enthusiasts, mercenaries and political technologists confounded policymakers as Moscow waged a covert invasion of Ukraine in 2014. Did Crimea and Donbas reveal the Kremlin’s new ‘hybrid war’ playbook? Or was Moscow itself manipulated by the very forces it had unleashed? Given the disinformation and skewing of the narrative, it is no wonder that the international community has dramatically misunderstood the very nature of this war and was unprepared for the Kremlin’s sudden and brutal escalation in 2022. As Russia’s full-scale invasion of Ukraine risks pitting the world’s great powers against each other, Hybrid Warriors traces the trajectory of the conflict from the bottom up. Starting from the first pivotal years in the 2010s, the book draws on unique interviews, reporting from the conflict zones, and wider on-the-ground research, to reconstruct the granular relationships between civilians, non-state actors, and the Kremlin that co-opted them. In the process, it speaks not just to the history of this conflict, but also to our wider understanding of how Putin’s Kremlin works and how it has prosecuted its war on Ukraine.
This book introduces readers to the Russian media, its current landscape, and its history by outlining the chief challenges faced by Russian journalists on their quest for media freedom. Focusing on how the Government has traditionally controlled the media through censorship, financial involvement, and relations between media moguls and the State, the book analyses to what extent the Russian media has become 'free' since the fall of Communism. The author questions whether freedom is possible at all in a society where the media has traditionally been so closely linked to the State. There are chapters on different forms of media including print, television, radio and the Internet. Each chapter identifies the main hurdles faced by the particular medium and considers the potential it has for becoming truly independent. Key features include: Vivid examples and case studies of the power play between television and the State during the tumultuous 1990s Clear outline of various different forms of media Comprehensive historical overview supported with examples from relevant publications Drawing on her own experience as a professional journalist, the author, provides a first hand account of what journalists in Russia are encountering today. This position allows the author to frankly discuss the tangible issues that impact those involved in the media and their audiences. By providing both a description of the current situation and an overview of Russian media history, The Media in Russia offers a unique introduction to the field and is key reading for students across various disciplines including Russian studies, media studies and politics.
The Russian government’s deniable use of rogues, businessmen, enthusiasts, mercenaries and political technologists confounded policymakers as Moscow waged a covert invasion of Ukraine in 2014. Did Crimea and Donbas reveal the Kremlin’s new ‘hybrid war’ playbook? Or was Moscow itself manipulated by the very forces it had unleashed? Given the disinformation and skewing of the narrative, it is no wonder that the international community has dramatically misunderstood the very nature of this war and was unprepared for the Kremlin’s sudden and brutal escalation in 2022. As Russia’s full-scale invasion of Ukraine risks pitting the world’s great powers against each other, Hybrid Warriors traces the trajectory of the conflict from the bottom up. Starting from the first pivotal years in the 2010s, the book draws on unique interviews, reporting from the conflict zones, and wider on-the-ground research, to reconstruct the granular relationships between civilians, non-state actors, and the Kremlin that co-opted them. In the process, it speaks not just to the history of this conflict, but also to our wider understanding of how Putin’s Kremlin works and how it has prosecuted its war on Ukraine.
An expanded edition of Kinoglasnost that examines the fascinating world of Soviet cinema during the yeas of glasnost and perestroika in the 1980s. In Before the Fall, Anna Lawton shows how the reforms that shook the foundations of the Bolshevik state and affected economic and social structures have been reflected in the film industry. A new added chapter provides a commentary on the dramatic changes that marked the beginning of democracy in Russia. Soviet cinema has always been closely connected with national political reality, challenging the conventions of bourgeois society and educating the people. In this pioneering study, Lawton discusses the restructuring of the main institutions governing the industry; the abolition of censorship; the emergence of independent production and distribution systems; the dismantling of the old bureaucratic structures and the implementation of new initiatives. She also surveys the films that remained unscreened for decades for political reasons, films of the new wave that look at the past to search out the truth, and those that record current social ills or conjure up a disquieting image of the future. “What makes Kinoglasnost pre-eminent among current studies of the subject is that sustained attention Lawton pays to changes in the formal organization of Soviet cinema and in the cinema industry.” —Julian Graffy, Sight and Sound “The author constructs a complex, multilayered narrative of a steady and significant movement toward radical change in Soviet society, an account of the growing anxiety and the hope experienced by Russian filmmakers and the intelligentsia.” —Ludmila Z. Pruner, Slavic and East European Journal
This book introduces readers to the Russian media, its current landscape, and its history by outlining the chief challenges faced by Russian journalists on their quest for media freedom. Focusing on how the Government has traditionally controlled the media through censorship, financial involvement, and relations between media moguls and the State, the book analyses to what extent the Russian media has become 'free' since the fall of Communism. The author questions whether freedom is possible at all in a society where the media has traditionally been so closely linked to the State. There are chapters on different forms of media including print, television, radio and the Internet. Each chapter identifies the main hurdles faced by the particular medium and considers the potential it has for becoming truly independent. Key features include: Vivid examples and case studies of the power play between television and the State during the tumultuous 1990s Clear outline of various different forms of media Comprehensive historical overview supported with examples from relevant publications Drawing on her own experience as a professional journalist, the author, provides a first hand account of what journalists in Russia are encountering today. This position allows the author to frankly discuss the tangible issues that impact those involved in the media and their audiences. By providing both a description of the current situation and an overview of Russian media history, The Media in Russia offers a unique introduction to the field and is key reading for students across various disciplines including Russian studies, media studies and politics.
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