Anna Katharine Green (1846-1935) was an American poet and novelist. She was one of the first writers of detective fiction in America and distinguished herself by writing well plotted, legally accurate stories. Born in Brooklyn, New York, her early ambition was to write romantic verse, and she corresponded with Ralph Waldo Emerson. When her poetry failed to gain recognition, she produced her first and best-known novel, The Leavenworth Case (1878). She became a bestselling author, eventually publishing about 40 books. Her other works include A Strange Disappearance (1880), The Affair Next Door (1897), The Circular Study (1902), The Filigree Ball (1903), The Millionaire Baby (1905), The House in the Mist (1905), The Woman in the Alcove (1906), The House of the Whispering Pines (1910), Initials Only (1912) and The Mystery of the Hasty Arrow (1917).
Although the subject matter of this Element is properties, do not expect in-depth introductions to the various views on properties 'on the market'. Instead, here that subject matter is treated meta-philosophically. Rather than ask and try to answer a question like do properties exist? this Element asks what reasons one might have for thinking that properties exist (what problem properties, if they exist, are there to solve), what counts as solving that (or those) problems (including what counts as 'a property'), as well as how we ought to proceed when trying to find out if properties exist (by which method this ought to be decided). As it turns out, these questions and their answers are all intricately intertwined. Theory comparison and theory evaluation is in other words (and perhaps not that surprisingly) tricky. Do properties exist? After reading this Element all we can say is therefore this: that depends.
Making decisions can be tough, but how do you know it's the right one and how can you be sure that unconscious biases aren't distorting your thinking? In Risky Business, Anna Withers and Mark Withers draw on decades of research in the fields of psychology, behavioral economics and neuroscience to explain why are so-called rational brains are frequently fooled by over 100 powerful unconscious biases. At the same time they provide a straightforward framework everyone can use, where these biases are embodied into eight memorable characters that help us to avoid these pitfalls and make better decisions.
ePDF and ePUB available Open Access under CC-BY-NC-ND licence. As the biodiversity crisis deepens, Anna Wienhues sets out radical environmental thinking and action to respond to the threat of mass species extinction. The book conceptualises large-scale injustice endangering non-humans, and signposts new approaches to the conservation of a shared planet. Developing principles of distributive ecological justice, it builds towards a bold vision of just conservation that can inform the work of policy makers and activists. This is a timely, original and compelling investigation into ethics in the natural world during the Anthropocene, and a call for biocentric ecological justice before it is too late.
Based upon Cantometrics: An Approach to the Anthropology of Music (1976), by Alan Lomax, Songs of Earth: Aesthetic and Social Codes in Music is a contemporary guide to understanding and exploring Cantometrics, the system developed by Lomax and Victor Grauer for analyzing the formal elements of music related to human geography and sociocultural patterning. This carefully constructed cross-cultural study of world music revealed deep-rooted performance patterns and aesthetic preferences and their links with environmental factors and ancient socioeconomic practices. This new and updated edition is for anyone wishing to understand and more deeply appreciate the forms and sociocultural contexts of the musics of the world’s peoples, and it is designed to be used by both scholars and laypeople. Part One of the book consists of a practical guide to using the Cantometrics system, a course with musical examples to test one’s understanding of the material, a theoretical framework to put the methodology in context, and an illustration of the method used to explore the roots of popular music. Part Two includes guides to four other analytical systems that Lomax developed, which focus on orchestration, phrasing and breath management, vowel articulation, instrumentation, and American popular music. Part Three provides resources for educators who wish to use the Cantometrics system in their classrooms, a summary of the findings and hypotheses of Lomax’s original research, and a discussion of Cantometrics’ criticisms, applications, and new approaches, and it includes excerpts of Lomax’s original writings about world song style and cultural equity.
The fascinating history of an unknown people A vivid mixture of history and reporting, The Shaman's Coat tells the story of some of the world's least-known peoples-the indigenous tribes of Siberia. Russia's equivalent to the Native Americans or Australian Aborigines, they divide into two dozen different and ancient nationalities-among them Buryat, Tuvans, Sakha, and Chukchi. Though they number more than one million and have begun to demand land rights and political autonomy since the fall of communism, most Westerners are not even aware that they exist. Journalist and historian Anna Reid traveled the length and breadth of Siberia-one-twelfth of the world's land surface, larger than the United States and Western Europe combined-to tell the story of its people. Drawing on sources ranging from folktales to KGB reports, and on interviews with shamans and Buddhist monks, reindeer herders and whale hunters, camp survivors and Party apparatchiks, The Shaman's Coat travels through four hundred years of history, from the Cossacks' campaigns against the last of the Tatar khans to native rights activists against oil development. The result is a moving group portrait of extraordinary and threatened peoples, and a unique and intrepid travel chronicle.
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