Rana’s on the team — but is he still all alone? Short-listed for the 1996 Silver Birch Award As a Sikh living in small-town British Columbia, Rana knows he is different. In fact, he is the first Sikh in Dinway to try out for the hockey team. But Rana persists, making the team and meeting Les, who becomes fast friends with him. Still, the bullying from his teammates and community members continues. Then, just before the most important game of the season, an extraordinary event interrupts the lives of everyone in Dinway, and Rana risks everything.
Moving with her mother from Vancouver to Wells, British Columbia, Elizabeth Connell longs for the excitement of the city and her father, brother, and friends left behind. While she is in the peaceful graveyard of nearby Barkerville she finds a small gold ring that has very special powers. By twisting the ring on her finger, Elizabeth is transported to the nineteenth century during the heyday of the gold rush. Caught between her present life with family and friends and a love in the past, Elizabeth learns more than history.
Has a protest to save a tree gone too far? Callie's mother has chained herself to the neighbor's tree and is living inside the treehouse. She refuses to come down until the neighbor, Mr. Wilson, agrees to leave the tree standing. Soon reporters arrive, followed by an activist group called the Singing Grannies and a gang of bikers—each group adding to the chaos. Callie doesn't want to deal with any of them but she needs to figure out how to get her mother to come down from the tree so that her life can return to normal.
Short-listed for the 1990 CLA Book of the Year for Children Award Moving to Soda Creek, a former Gold Rush boomtown in the Cariboo region of interior British Columbia, Kelly Linden and her father try to begin their lives again after a tragic family accident.
Short-listed for the 1999 Sheila A. Egoff Award for Children’s Literature and Geoffrey Bilson Award Ann Walsh’s sequel to Moses, Me and Murder (Pacific Educational Press) continues the adventures of Ted, now 14. Still tormented by the ghost of murderer James barry, Ted apprentices to the eccentric doctor J.B. Wilkinson, whose dependency on opium for his patients and for his own demons reveals a past intertwined with the life and death of an enigmatic woman named sophia Cameron.
Presenting the three titles in the acclaimed Barkerville mystery series. This series based in 1860s British Columbia focuses on strange events in the life of teenager Ted MacIntosh. In Moses, Me, and Murder, Ted gets caught up in the mystery of a disappearance and murder in the gold fields. In The Doctor’s Apprentice, Ted is apprenticed to an eccentric doctor who has dark secrets. In the concluding By the Skin of His Teeth, Ted befriends a young Chinese boy despite the intense prejudice seething in the frontier town. Exciting and entertaining, these novels present a unique view on life on the frontier. Includes Moses, Me, and Murder The Doctor’s Apprentice By the Skin of His Teeth
It's 1866 in Barkerville, British Columbia, and a man has disappeared. Ted MacIntosh learns from the local barber Moses that his friend Charles has failed to arrive in town. What happened to him? Slowly, Ted and Moses unravel the story of a cruel murder.
Raoul Walsh (1887–1980) was known as one of Hollywood’s most adventurous, iconoclastic, and creative directors. He carved out an illustrious career and made films that transformed the Hollywood studio yarn into a thrilling art form. Walsh belonged to that early generation of directors—along with John Ford and Howard Hawks—who worked in the fledgling film industry of the early twentieth century, learning to make movies with shoestring budgets. Walsh’s generation invented a Hollywood that made movies seem bigger than life itself. In the first ever full-length biography of Raoul Walsh, author Marilyn Ann Moss recounts Walsh’s life and achievements in a career that spanned more than half a century and produced upwards of two hundred films, many of them cinema classics. Walsh originally entered the movie business as an actor, playing the role of John Wilkes Booth in D. W. Griffith’s The Birth of a Nation (1915). In the same year, under Griffith’s tutelage, Walsh began to direct on his own. Soon he left Griffith’s company for Fox Pictures, where he stayed for more than twenty years. It was later, at Warner Bros., that he began his golden period of filmmaking. Walsh was known for his romantic flair and playful persona. Involved in a freak auto accident in 1928, Walsh lost his right eye and began wearing an eye patch, which earned him the suitably dashing moniker “the one-eyed bandit.” During his long and illustrious career, he directed such heavyweights as Humphrey Bogart, James Cagney, Errol Flynn, and Marlene Dietrich, and in 1930 he discovered future star John Wayne.
In her fifth young adult novel, a sequel to the dramatic story Moses, Me and Murder, Ann Walsh returns to the rich territory of Barkerville carrying on the adventures of Ted, a young teen tormented by the ghost of murderer James Barry, a man Ted helped to convict and hang. In an attempt to distract himself from troubling dreams he apprentices to an eccentric doctor named J.B. Wilkinson whose dependency on opium for his patients and for his own demons reveals a past intertwined with the life and death of an enigmatic woman named Sophia Cameron. As J.B. and Ted tend to an outcast Chinese man on his deathbed in the Peace House, the ghosts from their pasts return to hurtle them both toward a unexpected and fiery climax. Set in the heart of the province's Gold Rush and the blaze that levelled Barkerville in 1868, Walsh captures the spirit and detail of the era.
An A to Z format answers numerous questions about the history of modern forestry, from how plywood is made and what the workers do at camp to how the industry has changed over the years.
Raoul Walsh (1887--1980) was known as one of Hollywood's most adventurous, iconoclastic, and creative directors. He carved out an illustrious career and made films that transformed the Hollywood studio yarn into a thrilling art form. Walsh belonged to that early generation of directors -- along with John Ford and Howard Hawks -- who worked in the fledgling film industry of the early twentieth century, learning to make movies with shoestring budgets. Walsh's generation invented a Hollywood that made movies seem bigger than life itself. In the first ever full-length biography of Raoul Walsh, author Marilyn Ann Moss recounts Walsh's life and achievements in a career that spanned more than half a century and produced upwards of two hundred films, many of them cinema classics. Walsh originally entered the movie business as an actor, playing the role of John Wilkes Booth in D. W. Griffith's The Birth of a Nation (1915). In the same year, under Griffith's tutelage, Walsh began to direct on his own. Soon he left Griffith's company for Fox Pictures, where he stayed for more than twenty years. It was later, at Warner Bros., that he began his golden period of filmmaking. Walsh was known for his romantic flair and playful persona. Involved in a freak auto accident in 1928, Walsh lost his right eye and began wearing an eye patch, which earned him the suitably dashing moniker "the one-eyed bandit." During his long and illustrious career, he directed such heavyweights as Humphrey Bogart, James Cagney, Errol Flynn, and Marlene Dietrich, and in 1930 he discovered future star John Wayne.
During the War of Independence around 10,000 Irishwomen were actively involved in the fight for Irish freedom. So why, with the outbreak of Civil War and in the years following this conflict, did the role of women in Irish politics steadily decline until by the early 1940s only a handful of women were involved? 'Dissidents' explores the reasons for this decline. From the divisions caused by the signing of the Anglo-Irish Treaty, which led to a fatal splintering of the women's Republican organisation Cumann na mBan, through the effects of internment during the Civil War on female prisoners and the relegation of the majority of women in Irish politics to the margins, Ann Matthews reveals the story of Republican women in the years following Irish independence. She also asks whether they were responsible for their own demise in the political arena, leaving future generations of Irish women without a foundation on which to build.
Raoul Walsh (1887-1980) was known as one of Hollywood's most adventurous, iconoclastic, and creative directors. He carved out an illustrious career and made films that transformed the Hollywood studio yarn into a thrilling art form. Walsh belonged to that early generation of directors-along with John Ford and Howard Hawks-who worked in the fledgling film industry of the early twentieth century, learning to make movies with shoestring budgets. Walsh's generation invented a Hollywood that made movies seem bigger than life itself. In the first ever full-length biography of Raoul Walsh, author Marilyn Ann Moss recounts Walsh's life and achievements in a career that spanned more than half a century and produced upwards of two hundred films, many of them cinema classics. Walsh originally entered the movie business as an actor, playing the role of John Wilkes Booth in D.W. Griffith's The Birth of a Nation (1915). In the same year, under Griffith's tutelage, Walsh began to direct on his own. Soon he left Griffith's company for Fox Pictures, where he stayed for more than twenty years. It was later, at Warner Bros., that he began his golden period of filmmaking. Walsh was known for his romantic flair and playful persona. Involved in a freak auto accident in 1928, Walsh lost his right eye and began wearing an eye patch, which earned him the suitably dashing moniker "the one-eyed bandit." During his long and illustrious career, he directed such heavyweights as Humphrey Bogart, James Cagney, Errol Flynn, and Marlene Dietrich, and in 1930 he discovered future star John Wayne.
Sacred Ground is a true story about the lives of African-American families living in a small rural community during the early thirties through the twenty-first century. This book describes the resilience these families were in spite of the tragedies they experienced. Cemeteries surround this small community; so many, that if the cemeteries were an ocean, the community could be considered a peninsula.These families were subjected to the racial fury of the Deep South in the 1950s. Yet, they survived because they were on sacred ground. .
This collection of short stories has been years in the making. It has grown and changed over time. Previously released through Writers Club Press, this edition is the uncut, extended and fully expanded for your reading pleasure version.
The untold story of the innovative pioneers who helped make movies the preeminent art form of the twentieth century. The founders of the now infamous Academy were a motley crew as individuals, but when they first converged in Hollywood, then just a small town with dirt roads, sparks flew and fueled a common dream: to bring artistic validity to their beloved new medium. Who were these movers and shakers who would change movies forever? And what about Oscar, their famous son? He is fast approaching his hundredth birthday and is still the undisputed king of Hollywood. Yet with such dynamic parents, what else could we expect?
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