The first English-language biography in over fifty years to tell the full, vibrant story of Jacob and Wilhelm Grimm, known to history as the Brothers Grimm “Magisterial.”—Kirkus Reviews More than two hundred years ago, the German brothers Jacob Grimm (1785–1863) and Wilhelm Grimm (1786–1859) published a collection of fairy tales that remains famous the world over. It has been translated into some 170 languages—more than any other German book—and the Brothers Grimm are among the top dozen most translated authors in the world. In addition to collecting tales, the Grimms were mythographers, linguists, librarians, civil servants, and above all the closest of brothers, but until now, the full story of their lifelong endeavor to preserve and articulate a German cultural identity has not been well known. Drawing on deep archival research and decades of scholarship, Ann Schmiesing tells the affecting story of how the Grimms’ ambitious projects gave the brothers a sense of self-preservation through the atrocities of the Napoleonic Wars and a series of personal losses. They produced a vast corpus of work on mythology and medieval literature, embarked on a monumental German dictionary project, and broke scholarly ground with Jacob’s linguistic discovery known as Grimm’s Law. Setting their story against a rich historical backdrop, Schmiesing offers a fresh consideration of the profound and yet complicated legacy of the Brothers Grimm.
Norway's struggle to assert an independent cultural and political identity in the nineteenth century was played out with particular fervor at the Christiania Theatre in Christiania (now Oslo). Until the 1860s the Danish actors and directors dominated the Christiania Theatre, and even plays written by Norwegian authors were performed in Danish. This study examines the intellectual campaigns that transformed the Christiania Theatre from a Danish stage into the forerunner of Norway's National Theatre. It focuses on the culture wars between the Norwegian nationalists and the so-called Danomanians in the 1830s; the promotion of the Hegelian and national romantic cultural agenda in the 1840s and 1850s; Bjornson's and Ibsen's rejection of both radical nationalism and the entrenched Danishness of the theater in the 1850s' and Bjornson's ambitious attempt to reform the theater in the mid-1860s. It is illustrated. Ann Schmiesing is an Associate Professor of Scandinavian and German literature and culture at the University of Colorado at Boulder.
Offers a variety of approaches to incorporating discussions of book history or print culture into graduate and undergraduate classrooms. This work considers the book as a literary, historical, cultural, and aesthetic object. These essays are of interest to university teachers incorporating textual studies and research methods into their courses.
The first English-language biography in over fifty years to tell the full, vibrant story of Jacob and Wilhelm Grimm, known to history as the Brothers Grimm “Magisterial.”—Kirkus Reviews More than two hundred years ago, the German brothers Jacob Grimm (1785–1863) and Wilhelm Grimm (1786–1859) published a collection of fairy tales that remains famous the world over. It has been translated into some 170 languages—more than any other German book—and the Brothers Grimm are among the top dozen most translated authors in the world. In addition to collecting tales, the Grimms were mythographers, linguists, librarians, civil servants, and above all the closest of brothers, but until now, the full story of their lifelong endeavor to preserve and articulate a German cultural identity has not been well known. Drawing on deep archival research and decades of scholarship, Ann Schmiesing tells the affecting story of how the Grimms’ ambitious projects gave the brothers a sense of self-preservation through the atrocities of the Napoleonic Wars and a series of personal losses. They produced a vast corpus of work on mythology and medieval literature, embarked on a monumental German dictionary project, and broke scholarly ground with Jacob’s linguistic discovery known as Grimm’s Law. Setting their story against a rich historical backdrop, Schmiesing offers a fresh consideration of the profound and yet complicated legacy of the Brothers Grimm.
The standard-setting reference in medical toxicology—trusted as the leading evidencebased resource for poison emergencies A Doody's Core Title for 2017! For decades, one name has been synonymous with the most respected, rigorous perspectives on medical toxicology and the treatment of poisoned and overdosed patients: Goldfrank's Toxicologic Emergencies. Presented in full color, Goldfrank’s delivers essential, patientcenteredcoverage of every aspect of poison management. The editors and authors are recognized as preeminent scholars in their specialties and provide unmatched coverage of all aspects of toxicologic emergencies, from pharmacology and clinical presentation to cutting-edge treatment strategies. Goldfrank's Toxicologic Emergencies, Tenth Edition begins with an examination of medical toxicology principles and techniques. It then reviews the biochemical, molecular, and pathophysiologic basis of toxicology, followed by an intense focus on toxicologic principles related to special patient populations. Features Case studies enhance your understanding of the clinical application of the text material Practical focus on the pathophysiologic basis of medical toxicology The Antidotes in Depth sections delivers the expertise of toxicologists across the world as they present treatments for critically ill poisoned and overdosed patients and allow you to easily identify key issues relating to the use of complex and often unfamiliar therapies The principles of risk management, medicolegal decision making, patient safety, post mortem toxicology and the assessment of ethanol induced impairment described in chapters and Special Considerations emphasize the interface between medical toxicology, the law, and quality care
Norway's struggle to assert an independent cultural and political identity in the nineteenth century was played out with particular fervor at the Christiania Theatre in Christiania (now Oslo). Until the 1860s the Danish actors and directors dominated the Christiania Theatre, and even plays written by Norwegian authors were performed in Danish. This study examines the intellectual campaigns that transformed the Christiania Theatre from a Danish stage into the forerunner of Norway's National Theatre. It focuses on the culture wars between the Norwegian nationalists and the so-called Danomanians in the 1830s; the promotion of the Hegelian and national romantic cultural agenda in the 1840s and 1850s; Bjornson's and Ibsen's rejection of both radical nationalism and the entrenched Danishness of the theater in the 1850s' and Bjornson's ambitious attempt to reform the theater in the mid-1860s. It is illustrated. Ann Schmiesing is an Associate Professor of Scandinavian and German literature and culture at the University of Colorado at Boulder.
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