Shortlisted for the PQ Best Publication Award in Performance Design & Scenography 2023 In this book practitioner and researcher Louise Ann Wilson examines the expanding field of socially engaged scenography and promotes the development of scenography as a distinctive type of applied art and performance practice that seeks tangible, therapeutic, and transformative real-world outcomes. It is what Christopher Baugh calls 'scenography with purpose'. Using case studies drawn from the body of site-specific walking-performances she has created in the UK since 2011, Wilson demonstrates how she uses scenography to emplace challenging, marginalizing or 'missing' life-events into rural landscapes – creating a site of transformation – in which participants can reflect upon, re-image and re-imagine their relationship to their circumstances. Her work has addressed terminal illness and bereavement, infertility and childlessness by circumstance, and (im)mobility and memory. These works have been created on mountains, in caves, along coastlines and over beaches. Each case-study is supported by evidential material demonstrating the effects and outcomes of the performance being discussed. The book reveals Wilson's creative methodology, her application of three distinct strands of transdisciplinary research into the site/landscape, the subject/life-event, and with the people/participants affected by it. She explains the 7 'scenographic' principles she has developed, and which apply theories and aesthetics relating to land/scape art and walking and performance practices from Early Romanticism to the present day. They are underpinned by the concept of the feminine 'material' sublime, and informed by the attentive, autotopographic, therapeutic and highly scenographic use of walking and landscape found in the work of Dorothy Wordsworth and her female contemporaries. Case studies include Fissure (2011), Ghost Bird (2012), The Gathering (2014), Warnscale (2015), Mulliontide (2016), Dorothy's Room (2018) and Women's Walks to Remember: 'With memory I was there' (2018-2019).
FEW operations are more daunting than surgery for mouth, head and neck cancer. It is long and complicated and leaves patients with many difficulties on the road to recovery. Carol Dunstones surgeon told her: You can face the wall or turn round and face the future. She and her friend Ann Bennett opted for the latter and both survived triumphantly. To help others along the way, these two inspirational women have revealed how they did it. They tackle difficult issues like feeding tubes, learning to talk again, dealing with scars and dry mouth and regaining their confidence. The authors tell how medical experts set them on their journeys of recovery, what made them laugh and cry and how family and friends raised their spirits. They suggest where to find professional comfort and advice and list mainstream and complementary practitioners who can help you look and feel better. Their sense of fun and joie de vivre comes out in their Recipes chapter with dozens of delicious dishes for those with eating difficulties. Anyone facing an operation for mouth, head and neck cancer or having to cope with a recovering relative, will feel a lot more optimistic after reading Carol and Anns wise and witty words.
American education has changed dramatically over the last century. The small, locally controlled school, supported by a concerned educational village fostered learning, personal accountability, patriotism and economic growth for a young nation. Today, however, American schools are typically large, consolidated, bureaucratic organizations controlled by state and/or municipal governments. The administration of these schools is hierarchical and corporate in form while its curriculum is oriented toward the needs of the business community. Assessment through standardized testing, moreover, has become the cornerstone of American education. Assessment, Bureaucracy, and Consolidation: TheIssues Facing Schools Today examines this remarkable transformation in the form and function of education and assesses the problems and possibilities for the future of schools and our nation. Additional key features of this book include: •A clear comprehensive history of the modern American school from the nineteenth century to the present and its impact on teachers, students, parents and the community at large •An Explanation of the impact of bureaucratic organization and the movement toward large schools •Critiques of past reform experiments in public education •A Placement of the contemporary standardized assessment movement in historical context •A reevaluation of the relationship between education and business •An evaluation of returning education to locally controlled schools, reconnecting educational practitioners with the educational village
First published in 1987, this is an introductory study of the most widely read Canadian women novelists of the 1970s and 1980s. At its centre lies the question of how the search for a distinctive cultural identity relates to the need for a national cultural identity in the post-colonial era. Coral Ann Howells argues that Canadian women’s fiction throughout the period of study represents how the Canadian cultural identity exceeds its geographical limits, and those traditional structures of patriarchal authority need revision if women’s alternative views are to be taken into account. Including short biographical sketches and a complete list of the books published by the authors under discussion, writers examined include Margaret Atwood, Alice Munro, and Margaret Laurence.
An appreciation of the development and evolution of the United Kingdom constitution is vital in order to understand the existing nature of the constitution, proposals for reform and the many complex challenges it faces. Ann Lyon presents a vivid overview of fourteen hundred years of English legal history taking us on a rich journey from a feudal society to the fractured Union of the present day. Drawing on key constitutional themes, Constitutional History of the United Kingdom provides insight and context to modern constitutional problems. This second edition has been revised and updated to bring coverage up to the present day, including parliamentary reform; the Scottish referendum on independence and further drives for enhanced devolution; the effect of EU membership on the UK Constitution; and the impact of the European Convention on Human Rights and the Human Rights Act 1998. Constitutional History of the United Kingdom offers an accessible and highly valuable overview for students with little or no prior knowledge of British history.
“A brilliant paper chase—an excellent book.”—Library Journal JFK, Khrushchev, Reagan, and a city divided. Berlin has played a major role in world politics since the Nazi era and continues to be in the spotlight today as the once-again-great capital of Germany. Ann Tusa presents an engaging chronicle of the Cold War partitions of this historic city, from the political strife and administrative division by the victors against Hitler, through the building and eventual destruction of the Wall. Using newly available documents, she offers by far the fullest account to date of the political, diplomatic, and military affairs of the city, with vivid characterizations of central figures like Konrad Adenauer, Nikita Khrushchev, and British Prime Minister Harold Macmillan. Tusa's account also displays the full drama surrounding the building of the Wall, from its ramifications for world politics (including John F. Kennedy's famous response that “a wall is a hell of a lot better than a war” and Ronald Reagan’s iconic “Mr. Gorbachev, tear down this wall!”) to the experiences of ordinary Berliners and the personal tragedies they experienced as the Wall severed a living city and sundered families for generations. The result is a startling combination of historical detail and lucid style, a story that The Sunday Times of London has hailed as “not only painstakingly researched but eminently readable.”
This book offers a new approach to workforce education for youth. It provides meaningful and essential insight into educational systems and practices through cases of vocational and technical education in the People’s Republic of China, the Republic of Italy, and the United States of America. The cases describe the history of the multi-faceted vocational systems and provide, in doing so, a springboard for this new work. A conceptual framework comprised of the cognitive, psychological, and social building blocks of individual development explains the multifaceted dimensions of youth that contribute to the policies and practices of traditional adolescent educational models. The framework extends that base by drawing on a multidisciplinary collection of research from both sociology and business to create a new transdisciplinary model for educational practice. It highlights the important but often under-studied relationship between educational institutions and workplaces. The book culminates in an original model, Community Works, which advances both formal and non-formal educational programming and curricula. The model details a practical program for youth, including roles and responsibilities of all stakeholders, and a curricular map, information on lesson planning, varieties of instructional strategies, and tools for assessment and evaluation for professionals.
The history of the Irish republican movement is dominated by the story of the men who took up arms in Ireland's fight for freedom against the British. The names of men like Pearse, Connolly, Collins and Barry still resonate today as heroes who won independence for Ireland. However, the critical role of women in this fight for freedom has often been overlooked. Renegades examines the part played by women in the major political and social revolutions that took place from 1900– 1922. It explores the growing separation of republican women into two distinct groups, those active on the military side in Cumann na mBan and those involved on the political side, particularly with Sinn Féin. It also looks at the often ignored 'war on women', which manifested itself in the form of physical and sexual assaults by both sides during the War of Independence, and the fury of female republicans as the political establishment accepted the Anglo-Irish Treaty. In this evocative account, Renegades restores the women of the republican movement to the prominent place they deserve in Irish history.
Ann Cleeves is back with Thin Air, the sixth book in her beloved Shetland series, which is now a hit television show starring Douglas Henshall. A group of old university friends leave the bright lights of London and travel to Shetland to celebrate the marriage of one of their friends. But, one of them, Eleanor, disappears—apparently into thin air. It's mid-summer, a time of light nights and unexpected mists. And then Eleanor's body is discovered lying in a small loch close to the cliff edge. Detectives Jimmy Perez and Willow Reeves are dispatched to investigate. Before she went missing, Eleanor claimed to have seen the ghost of a local child who drowned in the 1920s. Her interest in the ghost had seemed unhealthy—obsessive, even—to her friends: an indication of a troubled mind. But Jimmy and Willow are convinced that there is more to Eleanor's death than they first thought. Is there a secret that lies behind the myth? One so shocking that someone would kill—many years later—to protect? Ann Cleeves' striking new novel is a quintessential whodunit with surprises at every turn.
Bradshaw (clinical practice, Oxford Brookes U.) describes the British apprenticeship model of nurse training, from its inception at St. Thomas's Hospital in 1860 until its ending in 1977 with the publication of the last national syllabus from the General Nursing Council for England and Wales. A sampling of topics includes the principles of apprenticeship described in Florence Nightingale's writings, an analysis of nursing textbooks, Parliamentary debates about nursing, the American influence on the British nursing tradition, and the process which led to the professional consensus on apprenticeship breaking. c. Book News Inc.
Inspirational ladies, Carol Dunstone and Ann Bennett met at a Cancer Support Group in 2004. As their friendship developed, they decided to share their journeys of recovery in Trilogy, published in 2006. Countless readers were captivated by the practical tips, heartfelt advice, delicious recipes and uplifting anecdotes. Eloquently portrayed are situations ranging from what made them laugh and cry to the unwavering support from loved ones. Buoyed by the success of Trilogy, Carol and Ann felt compelled to continue their narrative and No Time for Cancer was born in 2014. This book delves into the worlds of traditional and complementary medicine, with reference to practitioners who played pivotal roles during their journeys. It encompasses a wealth of information, carefully curated to empower readers in their fight against cancer. No Time for Cancer is a poignant book, acknowledged by medical professionals as a useful resource for anyone living with cancer and stands as a testament to the power of resilience, love, and steadfast belief that cancer should never overpower our spirit and love for life. With the passing of ten years, this ebook is an updated version of No Time for Cancer and includes additional information about proposals for the future of the Facefax Association Charity and Dunstone Bennett Complementary Centre, with emphasis on ensuring Carol and Ann’s legacy lives on.
Following leads to the site of a missing con man's body, Vera Stanhope discovers links between the cold case, a glamorous nightclub, and her own father.
AN INSTANT NEW YORK TIMES BESTSELLER! From Ann Cleeves—New York Times bestselling and award-winning author of the Vera and Shetland series, both of which are hit TV shows—comes the stunning new Vera Stanhope novel, The Darkest Evening. "Ann Cleeves is one of my favorite mystery writers."—Louise Penny "As a huge fan of both the Shetland and Vera series of books, I had high expectations for Cleeves’ latest. . . . A stunning debut for Cleeves’ latest crimefighter."—David Baldacci on The Long Call On the first snowy night of winter, Detective Inspector Vera Stanhope sets off for her home in the hills. Though the road is familiar, she misses a turning and soon becomes lost and disorientated. A car has skidded off the narrow road in front of her, its door left open, and she stops to help. There is no driver to be seen, so Vera assumes that the owner has gone to find help. But a cry calls her back: a toddler is strapped in the back seat. Vera takes the child and, driving on, she arrives at a place she knows well. Brockburn is a large, grand house in the wilds of Northumberland, now a little shabby and run down. It’s also where her father, Hector, grew up. Inside, there’s a party in full swing: music, Christmas lights and laughter. Outside, unbeknownst to the revelers, a woman lies dead in the snow. As the blizzard traps the group deep in the freezing Northumberland countryside, Brockburn begins to give up its secrets, and as Vera digs deeper into her investigation, she also begins to uncover her family’s complicated past.
From Ann Cleeves—New York Times bestselling and award-winning author of the Vera and Shetland series, both of which are hit TV shows—comes The Moth Catcher. “Ann Cleeves is one of my favorite mystery writers.”—Louise Penny Life seems perfect in the quiet community of Valley Farm. Then a shocking discovery shatters the silence. The owners of a big country house have employed a house-sitter, a young ecologist, to look after the place while they’re away. But his dead body is found by the side of the lane—a lonely place to die. When DI Vera Stanhope arrives on the scene, she finds the body of a second man. What the two victims seem to have in common is a fascination with studying moths—and with catching these beautiful, intriguing creatures. The others who live in Valley Farm have secrets too: Lorraine’s calm demeanor belies a more complex personality; Annie and Sam’s daughter, Lizzie, is due to be released from prison; and Nigel watches, silently, every day, from his window. As Vera is drawn into the claustrophobic world of this increasingly strange community, she realizes that there may be many deadly secrets trapped there . . .
From Ann Cleeves—New York Times bestselling and award-winning author of the Vera and Shetland series, both of which are hit TV shows—comes Hidden Depths. “Ann Cleeves is one of my favorite mystery writers.”—Louise Penny On a hot summer on the Northumberland coast, Julie Armstrong arrives home from a night out to find her son murdered. Luke has been strangled, laid out in a bath of water and covered with wild flowers. This stylized murder scene has Inspector Vera Stanhope and her team intrigued. But now, Vera must work quickly to find this killer who is making art out of death. As local residents are forced to share their private lives, sinister secrets are slowly unearthed. And all the while the killer remains in their midst, waiting for an opportunity to prepare another beautiful, watery grave...
AN INSTANT NEW YORK TIMES BESTSELLER! NOW A BRITBOX SERIES STARRING BEN ALDRIDGE AND PEARL MACKIE The Long Call from Ann Cleeves—bestselling and award-winning author of the Vera and Shetland series, both of which are hit TV shows—introduces the first in the stunning Matthew Venn series. “In Matthew Venn, Ann has created a complex, daring, subtle character.” —Louise Penny "Matthew Venn is a keeper. A stunning debut for Cleeves’ latest crimefighter."—David Baldacci In North Devon, where two rivers converge and run into the sea, Detective Matthew Venn stands outside the church as his estranged father’s funeral takes place. On the day Matthew left the strict evangelical community he grew up in, he lost his family too. Now, as he turns and walks away again, he receives a call from one of his team. A body has been found on the beach nearby: a man with a tattoo of an albatross on his neck, stabbed to death. The case calls Matthew back to the people and places of his past, as deadly secrets hidden at their hearts are revealed, and his new life is forced into a collision course with the world he thought he’d left behind.
New York Times bestseller Ann Cleeves returns with a delicious short story featuring DCI Vera Stanhope as a young woman, and also including an excerpt from the next Vera Stanhope novel, The Rising Tide. "Ann Cleeves is one of my favorite mystery writers."-Louise Penny A rare day off from policing leads DCI Vera Stanhope across the tidal causeway to Holy Island, the lure of crab sandwiches there too hard to resist. While on the island, she is reminded of the day decades before when, as a teenager, she went with her father Hector on another day trip. The day she watched him meet with a mystery woman on the beach... Vera already knew then that Hector kept secrets, but this time the fledging investigator was determined to find the truth of why he was meeting the woman on the island, never realizing it would mean taking her first step onto a path to becoming a detective... In this wonderful short story, Ann Cleeves shows us the origins of Vera as a detective, and showcases the setting for her next novel, The Rising Tide.
A USA Today Bestseller! Ann Cleeves—New York Times bestselling and award-winning author of the Vera and Shetland series, both of which are hit TV shows—returns with a darkly delicious short story, "The Girls on the Shore", featuring DI Matthew Venn from the Two Rivers series. It was winter. Cold and clear, a different sort of day for this coast where the westerly winds usually blew rain and cloud. Detective Inspector Matthew Venn is standing by his kitchen window when he first spots them. Two young girls, facing away from him, seemingly staring towards something in the distance. They are holding hands, and they are alone. Though not a natural with children, Matthew knows he must find out why the girls are here, on a school day, unsupervised. And so he meets Olivia and Imogen, a pair of sisters whose secrets Matthew must uncover if he hopes to get them home.
As New York Times bestseller Ann Cleeves' popularity explodes in print and on TV, this gripping e-short, "Frozen," will introduce readers to the inimitable DI Vera Stanhope. For once, Detective Inspector Vera Stanhope is managing to have a good day off. Strolling around town, she ducks into a new bookshop in a renovated chapel. But just as she does, a skeleton is discovered in the old baptismal font. Soon, a decade old mystery is revived, and Vera must uncover secrets long buried before this case once again goes cold.
From Ann Cleeves—New York Times bestselling and award-winning author of the Vera and Shetland series, both of which are hit TV shows—comes the stunning tenth Vera Stanhope novel, The Rising Tide, a powerful novel about guilt, betrayal, and the longheld secrets people keep. A New York Times and USA Today Bestseller — Soon to be an episode of the hit TV show Vera "Ann Cleeves is one of my favorite mystery writers."—Louise Penny For fifty years a group of friends have been meeting regularly for reunions on Holy Island, celebrating the school trip where they met, and the friend that they lost to the rising causeway tide five years later. Now, when one of them is found hanged, Vera is called in. Learning that the dead man had recently been fired after misconduct allegations, Vera knows she must discover what the friends are hiding, and whether the events of many years before could have led to murder then, and now . . . But with the tide rising, secrets long-hidden are finding their way to the surface, and Vera and the team may find themselves in more danger than they could have believed possible . . .
As New York Times bestseller Ann Cleeves's beloved Vera series explodes in popularity in print and on TV, this stunning eleventh book explores the web of secrets surrounding a young man's death. The man’s body is found in the early morning light by a local dog walker in the park outside Rosebank, a home for troubled teens in the coastal village of Longwater. The victim is Josh, a staff member, who was due to work the previous night but never showed up. DI Vera Stanhope is called out to investigate the death, with her only clue being the disappearance of one of the home’s residents, fourteen-year-old Chloe Spence. Vera can’t bring herself to believe that a teenager is responsible for the murder, but even she can’t dismiss the possibility. Vera, Joe and new team member Rosie Bell, are soon embroiled in the case, and when a second connected body is found near the Three Dark Wives monument in the wilds of the Northumberland countryside, superstition and folklore begin to collide with fact. Vera knows she has to find Chloe to get to the truth, and the dark secrets in their community that may be far more dangerous than she could have ever believed possible.
Ann Cleeves—New York Times bestselling and award-winning author of the Vera and Shetland series, both of which are hit TV shows—returns with The Raging Storm, the extraordinary third installment in the Matthew Venn series. Fierce winds, dark secrets, deadly intentions. When Jem Rosco—sailor, adventurer, and legend—blows into town in the middle of an autumn gale, the residents of Greystone, Devon, are delighted to have a celebrity in their midst. But just as abruptly as he arrived, Rosco disappears again, and soon his lifeless body is discovered in a dinghy, anchored off Scully Cove, a place with legends of its own. This is an uncomfortable case for Detective Inspector Matthew Venn. Greystone is a place he visited as a child, a community he parted ways with. Superstition and rumor mix with fact as another body is found, and Venn finds his judgment clouded. As the winds howl, and Venn and his team investigate, he realizes that no one, including himself, is safe from Scully Cove’s storm of dark secrets. “A friend of mine once joked that the work of Ann Cleeves is the closest the crime fiction genre comes to evoking ASMR—the euphoric, pleasant, spine-tingling sensation that’s all the rage on YouTube. The books never get too dark, never venture too far into dangerous territory, but aren’t outright cozy, either.”—The New York Times
Ann Cleeves—New York Times bestselling and award-winning author of the Vera and Shetland series, both of which are hit TV shows—returns with The Heron's Cry, the mesmerizing second book in the Matthew Venn series. AN INSTANT NEW YORK TIMES BESTSELLER! “In Matthew Venn, Ann has created a complex, daring, subtle character.” —Louise Penny "A complex mystery full of surprises . . . this character-driven exploration of people's darkest flaws is a sterling example of Cleeves' formidable talents." —Kirkus Reviews North Devon is enjoying a rare hot summer with tourists flocking to its coastline. Detective Matthew Venn is called out to a rural crime scene at the home of a group of artists. What he finds is an elaborately staged murder--Dr Nigel Yeo has been fatally stabbed with a shard of one of his glassblower daughter's broken vases. Dr. Yeo seems an unlikely murder victim. He's a good man, a public servant, beloved by his daughter. Matthew is unnerved, though, to find that she is a close friend of Jonathan, his husband. Then another body is found--killed in a similar way. Matthew soon finds himself treading carefully through the lies that fester at the heart of his community and a case that is dangerously close to home. DI Matthew Venn returns in The Heron's Cry, in Ann Cleeves powerful next novel, proving once again that she is a master of her craft.
Wild Fire is the much-anticipated final entry in Ann Cleeves's beloved Shetland series, which is now a hit television show starring Douglas Henshall. "Nothing short of riveting."—Louise Penny on Blue Lightning "Gripping from start to finish."—Booklist The betrayal of those closest burns most of all . . . Hoping for a fresh start, an English family moves to the remote Shetland islands, eager to give their autistic son a better life. But when a young nanny's body is found hanging in the barn beside their home, rumors of her affair with the husband spread like wildfire. As suspicion and resentment of the family blazes in the community, Detective Inspector Jimmy Perez is called in to investigate. He knows it will mean his boss, Willow Reeves, returning to run the investigation, and confronting their complex relationship. With families fracturing and long-hidden lies emerging, Jimmy faces the most disturbing case of his career.
From Ann Cleeves—New York Times bestselling and award-winning author of the Vera and Shetland series, both of which are hit TV shows—comes The Glass Room. “Ann Cleeves is one of my favorite mystery writers.”—Louise Penny DI Vera Stanhope is not one to make friends easily, but her hippy neighbors keep her well-supplied in homebrew and conversation, and somehow bonds have formed. When one of them goes missing, Vera tracks the young woman down to the Writer’s House, a country retreat where aspiring authors work on their stories. Things get complicated when a body is discovered, and Vera’s neighbor is found with a knife in her hand. Calling in the team, Vera knows that she should hand the case over. She’s too close to the main suspect. But the investigation is too tempting, and she’s never been one to follow the rules. Somewhere there is a killer who has taken murder off the page and is making it real . . .
Introductory Psychology is a major text ideal for those embarking on the study of psychology for the first time. It is the result of over 20 years of teaching in the area and provides a lively, readable and comprehensive account of the subject. The book is divided into eight parts covering: historical background, issues and controversies in psychology; biological bases of psychology; cognitive psychology; animal behaviour; human development; social psychology; personality and atypical behaviour; research methods. The text is fully illustrated and features chapter objectives, chapter summaries, self-assessment questions, on-page glossary definitions and further reading lists to help consolidate students' learning. All adopters of this textbook can gain free access to the Companion Website, which is designed to meet the needs of the busy lecturer. It includes a wide selection of material to support the book's use in the classroom or lecture hall; essay questions, suggested topics for seminar discussions, over 500 additional questions including multiple choice, and overhead transparency masters (available in PowerPoint or hardcopy).
Eighteenth-century sensibilite has always been controversial. In fact, the term itself refers to complex forms of physical and emotional responsiveness, and Lewis's study investigates the fictional exploration of various key problems of sentimental response that were at the heart of eighteenth-century moral, epistemological and aesthetic debates. These are analysed in conjunction with some of the actual (often emotional) responses that the term, its fictions and images have provoked through time, including an indispensable survey of the varying construction of sensibilite as an object of study, and the polemics subtending its definition. The verbal evocation of the visual in the form of 'spectacles' and 'signs' was understood in the eighteenth century as having an especially powerful impact. Lewis provides a new reading of the theme of sensibility by analysing the 'textual images' in three best-selling novels from the mid-century: Graffigny's Lettres d'une Peruvienne, Marivaux's La Vie de Marianne and Rousseau's Julie. The examination of a largely neglected corpus of illustrations, understood as readings of each text, provides striking new evidence of the complexity, thematic richness and duplicity of these spectacles, whose power to provoke different reactions is perhaps their most interesting characteristic.
During the War of Independence around 10,000 Irishwomen were actively involved in the fight for Irish freedom. So why, with the outbreak of Civil War and in the years following this conflict, did the role of women in Irish politics steadily decline until by the early 1940s only a handful of women were involved? 'Dissidents' explores the reasons for this decline. From the divisions caused by the signing of the Anglo-Irish Treaty, which led to a fatal splintering of the women's Republican organisation Cumann na mBan, through the effects of internment during the Civil War on female prisoners and the relegation of the majority of women in Irish politics to the margins, Ann Matthews reveals the story of Republican women in the years following Irish independence. She also asks whether they were responsible for their own demise in the political arena, leaving future generations of Irish women without a foundation on which to build.
Senior colonial officer from 1813 to 1859, Inspector General James Barry was a pioneering medical reformer who after his death in 1865 became the object of intense speculation when rumours arose about his sex. This cultural history of Barry’s afterlives in Victorian to contemporary (neo-Victorian) life-writing (‘biographilia’) examines the textual and performative strategies of biography, biofiction and biodrama of the last one and a half centuries. In exploring the varied reconstructions and re-imaginations of the historical personality across time, the book illustrates (not least with its cover image) that the ‘real’ James Barry does not exist, any more than does the ‘faithful’ biographical, biofictional or biodramatic rendering of a life in a generically ‘stable’ and discrete form. What Barry represents and how he is represented invariably pinpoints the imaginative, the speculative and the performative: reflections and refractions in the looking glass of genre. Just as ‘James Miranda Barry’, as a subject of cultural inquiry, comes into being and remains in view in the act of crossing gender, so neo-Victorian life-writing constitutes itself through similar acts of boundary transgression. Transgender thus finds its most typical expression in transgenre.
This text explores the issues of quality education in early years settings including issues of continuity, anti-discriminatory practice, inclusion, safety and future training.
From the trials of families experiencing divorce, as in Anne Fine’s Madame Doubtfire, to the childcare problems highlighted in Jacqueline Wilson’s Tracy Beaker, it might seem that the traditional family and the ideals that accompany it have long vanished. However, in The Family in English Children’s Literature, Ann Alston argues that this is far from the case. She suggests that despite the tales of family woe portrayed in children’s literature, the desire for the happy, contented nuclear family remains inherent within the ideological subtexts of children’s literature. Using 1818 as a starting point, Alston investigates families in children’s literature at their most intimate, focusing on how they share their spaces, their ideals of home, and even on what they eat for dinner. What emerges from Alston’s study are not so much the contrasts that exist between periods, but rather the startling similarities of the ideology of family intrinsic to children’s literature. The Family in English Children’s Literature sheds light on who maintains control, who behaves, and how significant children’s literature is in shaping our ideas about what makes a family "good.
The newly discovered papers and colourfully-written letters of Anglo-Irish Sir Henry Dobbs, which form the backbone of this book, reveal his importance in the development of the modern Middle East. An influential civil servant and Britain's longest serving High Commissioner in Iraq at a time when the British empire was facing increasing challenges to its once dominant position, he describes the difficulties of governing first in India then in the formerly Ottoman Mesopotamia during WW1. Here, Dobbs had to devise administrative systems while often at odds with his superior, Sir Percy Cox. In the discussions that followed the Third Afghan War, Dobbs manoeuvred between the different views in London and Delhi with great dexterity to negotiate alone with the Amir of Afghanistan the enduring 1921 Anglo-Afghan treaty. Having accepted from the League of Nations the responsibility for taking the newly-created Iraq to sustainable independence in the aftermath of WW1, the cash-strapped British government came under great domestic pressure to abandon it. Key to British support continuing was Iraqi acceptance of the controversial 1922 treaty with Britain. This Dobbs achieved by disregarding the unhelpful approach recommended by London and, risking his career, he pressed on with his own wholly unauthorised tactics. In other initiatives, Dobbs ensured that Mosul province remained within Iraq. Dobbs consistently pressed for Iraq's early independence granted in 1932, the first territory in the former Ottoman Empire to gain it. An early advocate of self-determination Dobbs was frequently at odds with the more traditional imperial approach of his superiors. He always endeavoured to balance the aspirations and needs of overseas communities for whom he was responsible with the interests of Britain which he represented.
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