Named a Most Anticipated Book of 2023 by LitHub A new collection of vivid, personal and provocative work from the author of Or to Begin Again, a finalist for the 2009 National Book Award in poetry In Ann Lauterbach’s eleventh collection, the image of a Door recurs across several poems, as she considers the perpetual dialogue between what is open and what is shut for each of us. The Door is a threshold between the inner landscape of memory, thought, imagination and dream and the outer so-called real world, which increasingly comes to us through technology’s lens, displacing and distorting our sense of intimacy, presence and relation. What is near, and what is far away? She asks about the efficacy of language itself, when confronted by the urgent uncertainties of contemporary experience.
A new collection from the author of Or To Begin Again, a finalist for the 2009 National Book Award in Poetry Ann Lauterbach is one of America’s most innovative and provocative poets, acclaimed for her fierce, sensuous and intellectually charged poems. In this, her ninth book of poems, Lauterbach pursues longstanding inquiries into how language forms and informs our understanding of the relation between empirical observation and subjective response; worldly attachment and inwardness; the given and the chosen. The poems set out not so much to find cogent resolutions to these fluid dyads as to open them to the fact of unknowing that is at the core of all human curiosity and desire. A central prose section tracks along a meditative edge, engaging the risky task of opening the mind to the limits of apprehension; the final section evokes, in the figure of the instructor, the essential contemporary question of how information becomes knowledge.
Ann Lauterbach's fifth collection takes its title from Emerson's great essay, Experience: "Where do we find ourselves?" he asks. Lauterbach's stair sits precariously between a quest for spiritual vitality and a sense of the overwhelming materiality of our world. Identifying with the clown, the nomad and the thief figures whose ghostly marginality haunt this book, Lauterbach brings us, with a dazzling range of formal and imagistic resources, to a new understanding of how language inscribes the relationship between self-knowledge and cultural meaning.
From Hum: Things are incidental Someone is weeping I weep for the incidental The days are beautiful Tomorrow was yesterday The days are beautiful Since the mid-1970s, Ann Lauterbach has explored the ways in which language simultaneously captures and forfeits our experience. In Hum, her seventh collection of poetry, loss and the unexpected (the title poem was written directly in response to witnessing the events of 9/11) play against the reassurances of repetition and narrative story. By turns elegant, fierce, and sensuous, her musically charged poems move from the pictorial or imagistic to a heightened sense of the aural or musical in order to depict the world humming with vibrations of every kind from every source—the world as a form of life.
A new collection of provocative work from the author of Or To Begin Again, a finalist for the 2009 National Book Award in Poetry Ann Lauterbach is one of America's most inventive poets, acclaimed for her fierce, sensuous, and intellectually charged work. In her tenth collection, Spell, Lauterbach activates the many meanings of "spell": her sense that the world is under a spell from which it must awaken, to spells of passing weather, to her desire to spell out life's difficulties and wonders, and how sin-gle words (and their etymologies) might inform and enlighten our contemporary condition. In short poems, poem sequences, and a series of "Conversations with Evening," Lauterbach calls upon all her imaginative resources to locate a new hybrid poetics of reality, with wit, urgency, and candor.
Ann Lauterbach's ninth work of poetry, Or to Begin Again, takes its name from a sixteen-poem elegy that resists its own end, as it meditates on the nearness of specific attachment and loss against the mute background of historical forces in times of war. In the center of the book is a twelve-part narrative, "Alice in the Wasteland,"inspired by Lewis Carroll's great character and T.S. Eliot's 1922 modernist poem. Alice is accosted by an invisible Voice as she wanders and wonders about the nature of language in relation to perception. In this volume, Lauterbach again shows the range of her formal inventiveness, demonstrating the visual dynamics of the page in tandem with the powerful musical cadences and imagery of a contemporary master.
Ann Lauterbach is one of America's most inventive and admired poets. Since the mid-1970s, she has explored the ways in which language simultaneously captures and forfeits our experience. By turns elegiac, fierce, and sensuous, her musically-charged poems subvert distinctions between narrative coherence and fragmentary elision, between outward attention and inward response. Throughout, Lauterbach questions the hope for personal agency within proliferating fields of cultural and historical event. If In Time brings together selections from each of her first five collections, as well as an exhilarating group of new poems.
From Before Recollection: TRANSCENDENTAL POSTCARD Ann Lauterbach The outlook such that time is told on waking, Without aid of cock or clock's crow. In fact all the birds are elsewhere, Poised on glossy page or in some fall Migration. Sun up over mountain is precision, Then mist travels, exhaling day. All else, all change, is air, Dew relenting on the blades And mirror rhymes Where water bears resemblance: A strut of hues to pale even Revlon's alchemy and, In the center of its glaze, a cauldron of sky-cast blue.
A scintillating collection of essays on language from one of literature's most supple minds In The Night Sky, her first work of essays, acclaimed poet Ann Lauterbach writes of the ways in which art and poetry are integral and necessary to human conversation. At the center of the book is a series of seven essays, by turns meditative and polemical, that articulate the interstices between Lauterbach's poetics and her experience. She advocates an active encounter with language, at once imaginative and practical, and argues for the importance of art to the well- being of a democratic society. Lauterbach's "nimble and glittering" (Booklist) writings bring us to a new understanding of the relationship between self-knowledge and cultural meaning, as well as demonstrating the ways in which contemporary philosophy and theory might be integrated with practical knowledge.
From Hum: Things are incidental Someone is weeping I weep for the incidental The days are beautiful Tomorrow was yesterday The days are beautiful Since the mid-1970s, Ann Lauterbach has explored the ways in which language simultaneously captures and forfeits our experience. In Hum, her seventh collection of poetry, loss and the unexpected (the title poem was written directly in response to witnessing the events of 9/11) play against the reassurances of repetition and narrative story. By turns elegant, fierce, and sensuous, her musically charged poems move from the pictorial or imagistic to a heightened sense of the aural or musical in order to depict the world humming with vibrations of every kind from every source—the world as a form of life.
Named a Most Anticipated Book of 2023 by LitHub A new collection of vivid, personal and provocative work from the author of Or to Begin Again, a finalist for the 2009 National Book Award in poetry In Ann Lauterbach’s eleventh collection, the image of a Door recurs across several poems, as she considers the perpetual dialogue between what is open and what is shut for each of us. The Door is a threshold between the inner landscape of memory, thought, imagination and dream and the outer so-called real world, which increasingly comes to us through technology’s lens, displacing and distorting our sense of intimacy, presence and relation. What is near, and what is far away? She asks about the efficacy of language itself, when confronted by the urgent uncertainties of contemporary experience.
A new collection of provocative work from the author of Or To Begin Again, a finalist for the 2009 National Book Award in Poetry Ann Lauterbach is one of America's most inventive poets, acclaimed for her fierce, sensuous, and intellectually charged work. In her tenth collection, Spell, Lauterbach activates the many meanings of "spell": her sense that the world is under a spell from which it must awaken, to spells of passing weather, to her desire to spell out life's difficulties and wonders, and how sin-gle words (and their etymologies) might inform and enlighten our contemporary condition. In short poems, poem sequences, and a series of "Conversations with Evening," Lauterbach calls upon all her imaginative resources to locate a new hybrid poetics of reality, with wit, urgency, and candor.
From Before Recollection: TRANSCENDENTAL POSTCARD Ann Lauterbach The outlook such that time is told on waking, Without aid of cock or clock's crow. In fact all the birds are elsewhere, Poised on glossy page or in some fall Migration. Sun up over mountain is precision, Then mist travels, exhaling day. All else, all change, is air, Dew relenting on the blades And mirror rhymes Where water bears resemblance: A strut of hues to pale even Revlon's alchemy and, In the center of its glaze, a cauldron of sky-cast blue.
Ann Lauterbach's ninth work of poetry, Or to Begin Again, takes its name from a sixteen-poem elegy that resists its own end, as it meditates on the nearness of specific attachment and loss against the mute background of historical forces in times of war. In the center of the book is a twelve-part narrative, "Alice in the Wasteland,"inspired by Lewis Carroll's great character and T.S. Eliot's 1922 modernist poem. Alice is accosted by an invisible Voice as she wanders and wonders about the nature of language in relation to perception. In this volume, Lauterbach again shows the range of her formal inventiveness, demonstrating the visual dynamics of the page in tandem with the powerful musical cadences and imagery of a contemporary master.
The News from Poems examines a subgenre of recent American poetry that closely engages with contemporary political and social issues. This “engaged” poetry features a range of aesthetics and focuses on public topics from climate change, to the aftermath of recent wars in Afghanistan and Iraq, to the increasing corporatization of U.S. culture. The News from Poems brings together newly commissioned essays by eminent poets and scholars of poetry and serves as a companion volume to an earlier anthology of engaged poetry compiled by the editors. Essays by Bob Perelman, Steven Gould Axelrod, Tony Hoagland, Eleanor Wilner, and others reveal how recent poetry has redefined our ideas of politics, authorship, identity, and poetics. The volume showcases the diversity of contemporary American poetry, discussing mainstream and experimental poets, including some whose work has sparked significant controversy. These and other poets of our time, the volume suggests, are engaged not only with public events and topics but also with new ways of imagining subjectivity, otherness, and poetry itself.
An elucidation of selected themes in Matthew's Sermon on the Mount including: father, be ye perfect, measure for measure, word(s), vacuous, and the fruit metaphor
Ann Lauterbach is one of America's most inventive and admired poets. Since the mid-1970s, she has explored the ways in which language simultaneously captures and forfeits our experience. By turns elegiac, fierce, and sensuous, her musically-charged poems subvert distinctions between narrative coherence and fragmentary elision, between outward attention and inward response. Throughout, Lauterbach questions the hope for personal agency within proliferating fields of cultural and historical event. If In Time brings together selections from each of her first five collections, as well as an exhilarating group of new poems.
Their Place Inside the Body-Politic is a phrase Susan B. Anthony used to express her aspiration for something women had not achieved, but it also describes the woman suffrage movement’s transformation into a political body between 1887 and 1895. This fifth volume opens in February 1887, just after the U.S. Senate had rejected woman suffrage, and closes in November 1895 with Stanton’s grand birthday party at the Metropolitan Opera House. At the beginning, Stanton and Anthony focus their attention on organizing the International Council of Women in 1888. Late in 1887, Lucy Stone’s American Woman Suffrage Association announced its desire to merge with the national association led by Stanton and Anthony. Two years of fractious negotiations preceded the 1890 merger, and years of sharp disagreements followed. Stanton made her last trip to Washington in 1892 to deliver her famous speech “Solitude of Self.” Two states enfranchised women—Wyoming in 1890 and Colorado in 1893—but failures were numerous. Anthony returned to grueling fieldwork in South Dakota in 1890 and Kansas and New York in 1894. From the campaigns of 1894, Stanton emerged as an advocate of educated suffrage and staunchly defended her new position.
We love ghost stories here at Wildside Press—witness the fact that we have now now reached our eighth volume in this series. Very few other genres are so versatile and enduring as tales of the supernatural. Ghosts can (and have) appeared in literature for thousands of years, in all countries and continents (and times past, present, and future) throughout the world. But the Victorian era particularly seemed to embrace ghost stories, and that’s when Christmas ghost tales became not just a staple of literature, but a requirement. Seemingly all British fiction magazines (and many newspapers) had to publish at least one ghostly tale in the month of December. Proving that the ghost story tradition is strong to the present day, we have an original story from Phyllis Ann Karr (author of the Frostflower and Thorn series), plus two drawn from Alfred Hitchcock’s Mystery Magazine (which strayed a little more into the fantastic and horrific in the 1960s that it does today), plus another modern story by Wallace West, who is best known as a science fiction writer. Good stuff. Here is the complete lineup: UNSEEN—UNFEARED, by Francis Stevens RUNNING WOLF, by Algernon Blackwood UNCLE CHRISTIAN’S INHERITANCE, by Erckmann-Chatrian MOMMY, by Mary Elizabeth Counselman A GHOST’S REVENGE, by Tighe Hopkins THE HAUNTED HOUSE, by George MacDonald THE THING IN THE UPPER ROOM, by Arthur Morrison DIE, GEORGE!, by Stephen Wasylyk HEINRICH, by Wallace West RESURGAM, by Rina Ramsay THE SPECTRE OF TAPPINGTON, by Thomas Ingoldsby THE INEXPERIENCED GHOST, by H. G. Wells THE SECOND MRS. RANDLEMAN, by Talmage Powell THE SILVER MIRROR, by Arthur Conan Doyle WHILE THE PASSENGERS SLEPT, by Edgar Wallace THE WARNING LIGHT, by Phyllis Ann Karr NAPOLEON AND THE SPECTRE, by Charlotte Brontë THE COLD EMBRACE, by Mary Elizabeth Braddon THE PHIAL OF DREAD, by Fitz Hugh Ludlow SOME STRANGE DISTURBANCES IN AUNGIER STREET, by J. Sheridan Le Fanu THE OLD NURSE’S STORY by Mrs. Gaskell THE FOUR-FIFTEEN EXPRESS, by Amelia B. Edwards THE SECRET OF THE STRADIVARIUS, by Hugh Conway MR. GRAY’S STRANGE STORY, by Louisa Murray HOW HE LEFT THE HOTEL, by Louisa Baldwin And don't forget to check out our other volumes in the MEGAPACK® series—there are hundreds of them! Search your favorite ebook store for "Wildside Press MEGAPACK" to find the complete list.
In this collection of fantasy short stories all featuring female protagonists, you'll find diverse, imaginative tales, including: A sorceress unravels a spell and gets a result she could never have expected... A young girl wins a contest--her prize: to speak with a god... A vampire in hiding fears she'll be blamed for the reckless depredations of another of her kind... A minstrel travels with a witch who has a pair of very unusual cart horses... As a bonus, this anthology includes "The Sow's Ear", originally published in Marion Zimmer Bradley's acclaimed Sword and Sorceress series.
Intellectual property law in Australia has changed dramatically in the last decade and continues to change. Developments in technology, the rise of the internet, the globalisation of trade and the increasing importance of 'superbrands' – trade marks with global appeal – have all affected the laws surrounding intellectual property. Furthermore, globalisation has resulted in greater pressure on intellectual property owners to expand their rights as they endeavour to capture the potential benefits of ownership in an increasingly affluent and integrated world economy. Australian Intellectual Property Law, 2nd edition has been fully revised to take into account these significant case and legislative developments in trademarks, copyright and patents law. This book offers students and legal professionals a detailed discussion of the black-letter aspects of the law, with a primary emphasis on legal principles and complexities.
Integrating patristics and early Jewish mysticism, this book examines Gregory of Nyssa's tabernacle imagery, as found in Life of Moses 2. 170-201. Previous scholarship has often focused on Gregory's interpretation of the darkness on Mount Sinai as divine incomprehensibility. However, true to Exodus, Gregory continues with Moses's vision of the tabernacle 'not made with hands' received within that darkness. This innovative methodology of heuristic comparison doesn't strive to prove influence, but to use heavenly ascent texts as a foil, in order to shed new light on Gregory's imagery. Ann Conway-Jones presents a well-rounded, nuanced understanding of Gregory's exegesis, in which mysticism, theology, and politics are intertwined. Heavenly ascent texts use descriptions of religious experience to claim authoritative knowledge. For Gregory, the high point of Moses's ascent into the darkness of Mount Sinai is the mystery of Christian doctrine. The heavenly tabernacle is a type of the heavenly Christ. This mystery is beyond intellectual comprehension, it can only be grasped by faith; and only the select few, destined for positions of responsibility, should even attempt to do so.
“Unsparing, scathingly direct, and gut-wrenching . . . the war Washington doesn’t want you to see” (Andrew J. Bacevich, New York Times–bestselling author of Washington Rules) This “uncompromisingly visceral” account (Mother Jones) of what combat does to American soldiers comes from a veteran journalist who was embedded with troops in Afghanistan and reveals the harrowing journeys of the wounded, from the battlefield to back home. Along the way, the author of the acclaimed Kabul in Winter shows us the dead, wounded, mutilated, brain-damaged, drug-addicted, suicidal, and homicidal casualties of our distant wars, exploring the devastating toll such conflicts have taken on us as a nation. “An indispensable book about America’s current wars and the multiple ways they continue to wound not only the soldiers but their families and indeed the country itself. Jones writes with passion and clarity about the tragedies other reporters avoid and evade.” —Marilyn Young, editor of Iraq and the Lessons of Vietnam
Domestic changes are taking place in the lives of young adults in Western industrialized societies. Todays young people often experience less permanency and more movement in a variety of family-related roles, statuses, and living arrangements. Among the most prominent changes is the phenomenon of boomerang kids, young adults returning to the parental home after their initial entrance into the adult world. The Boomerang Age explores the implications of this development in a changing sociocultural, economic, and demographic landscape. The theoretical contributions and empirically based research presented will provide key knowledge on historical and contemporary youth transitions in an international perspective.
“Ann Holmes has created the perfect guide to help women turn their dreams into a reality.” –Donna Mullen Good, CEO of the Center for Women & Enterprise If you’ve ever dreamed of starting your own business, or if you’ve ever wondered about how to build up the business you already run, but worry because you don’t have an MBA or a couple of years of college business courses, this book is for you. Based on extensive interviews with more than eighty women entrepreneurs from around the country, There’s a Business in Every Woman offers inspiring success stories (and instructive missteps) in a wide range of businesses–from catering, landscaping, personal training, and wedding and events planning to interior and clothing design, staffing, manufacturing, and product design. What the trailblazing women in this book have in common is a good idea and the courage to turn a dream into a money-making reality through hard work, passion, and drive. Take, for instance, the woman who started an IT consulting company in her basement and now has more than a thousand employees in three states; two jogging buddies who commiserated about their uncomfortable bras and went on to design and produce a jog bra, creating a company that Playtex ultimately bought for millions; the mom whose hand-made birthday-party invitations made such a splash that she launched her own custom party invitation company, which she expanded to include holiday cards, gift tags, bags, and more; the sixty-five-year-old corporate wife and mother who applied her domestic talents to opening a profitable B&B; the twenty-three-year-old who bought a fledging real estate franchise and now earns a healthy six figures annually. These success stories highlight the practical: focusing on what you’re good at; setting up your business properly–even if you are starting out from your basement or garage; getting financial backing when you need it; marketing your products with sizzle; networking like the “good old boys”; understanding how and when to diversify your products or services; managing your growth; and, most important, knowing what your company is worth and when it might be lucrative to cash out. An accessible crash course in starting and running your own business, There’s a Business in Every Woman will teach you everything you need to know to turn your pipedream into serious profits.
Eavesdropping in the Novel from Austen to Proust investigates human curiosity and its representation in eavesdropping scenes in nineteenth-century English and French novels. Ann Gaylin argues that eavesdropping dramatizes a primal human urge to know and offers a paradigm of narrative transmission and reception of information among characters, narrators and readers. Gaylin sheds light on the social and psychological effects of the nineteenth-century rise of information technology and accelerated flow of information, as manifested in the anxieties about - and delight in - displays of private life and its secrets. Analysing eavesdropping in Austen, Balzac, Collins, Dickens and Proust, Gaylin demonstrates the flexibility of the scene to produce narrative complication or resolution; to foreground questions of gender and narrative agency; to place the debates of privacy and publicity within the literal and metaphoric spaces of the nineteenth-century novel. This 2003 study will be of interest to scholars of nineteenth-century English and European literature.
Beginning with Deut. 18:9ff and its condemnation of magicians and diviners, this book explores the window that this text gives us into magic and divination in Ancient Palestine and Syria. Investigating the wealth of language combined with the archaeological and historical evidence, it seeks to place the influence of these factors in the emerging Israelite religion. An integral part of Ancient Near Eastern cosmology and culture, magic and divination are never completely eradicated despite the ideological warfare led by the Old Testament writers. The first part examines the function of various magicians and diviners. This is followed by a chapter on dreams and visions. The third chapter looks at the techniques and devices used by the oracular practitioners. Other subjects covered include magic in warfare, in the treatment of diseases, and blessing and cursing.
Addressing the persistent environmental threat of organic chemicals with a fresh approach to degradation and transformation processes, Organic Chemicals in the Environment: Mechanisms of Degradation and Transformation, Second Edition examines a wide range of compounds as well as abiotic and microbiological reactions mediated by microorganisms. The book emphasizes the pathways used and the broad classes of enzymes involved. It provides an overview of experimental procedures with detailed coverage of the organic compounds that are considered to be xenobiotics. The book begins by providing a broad perspective on abiotic and biotic reactions, including the significance of a range of environmental determinants. The following chapters briefly introduce experimental procedures and emphasize those procedures for establishing the structure of metabolites using isotopes and physical methods. Next, the authors outline details of biochemical reactions involved in the biodegradation of the major groups of aliphatic, carbocyclic aromatic, and heterocyclic compounds. They end with coverage of bioremediation that has attracted increasing concern because of the hazard presented by the disposal of unwanted chemicals or by-products from their manufacture. Broad and comprehensive, this book provides a cohesive treatment of the subject. It contains an extensive set of literature references and numerous illustrative figures. The authors use a mechanistic approach with emphasis on the pathways, and the principles that emerge provide a guide not only for specific compounds but also for those having a more remote structural resemblance.
A new classic updated to provide the following: Improved Management Model with new terminology New chapters on case classifications in the VR process, rehabilitation caseload in the private sector, and technology Section on prime factors for establishing control New Service-Decision Model and Rehabiliation-Decision Model
First published in 1991. The volume reprints excerpts from six radical feminist journals of this crucial decade:The Lily, the Genius of Liberty, the Pioneer and Women's Advocate, the Una, The Woman's advocate and The Sybil
A comprehensive historical review of the debates surrounding women's contributions and roles in science, with emphasis on women's access to education, training, and professional careers. This remarkable work illuminates the debates surrounding women's involvement with science throughout history, covering a broad range of disciplines. Unlike a biographical compendium of great scientists, it examines the question posed throughout history: Are women capable of doing science? Whether people have the right to even ask the question is germane to the debate itself. The coverage discusses Hypatia, the first female scientist about whom we have information; examines the contradictory behavior of the church in the treatment of women during the medieval era; and covers the 17th century debates over women's education. It examines women physicians, discusses feminism and science, and delves into why there are so few women in science—even today. The debate that began during the time of Plato and Aristotle continues to this day.
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