As farmers and laborers, policemen and politicians, maids and seamstresses, Irish immigrants' hard work helped to build the state. Author Ann Regan examines their history and tells the diverse stories of the Irish in Minnesota.
The history of the Irish republican movement is dominated by the story of the men who took up arms in Ireland's fight for freedom against the British. The names of men like Pearse, Connolly, Collins and Barry still resonate today as heroes who won independence for Ireland. However, the critical role of women in this fight for freedom has often been overlooked. Renegades examines the part played by women in the major political and social revolutions that took place from 1900– 1922. It explores the growing separation of republican women into two distinct groups, those active on the military side in Cumann na mBan and those involved on the political side, particularly with Sinn Féin. It also looks at the often ignored 'war on women', which manifested itself in the form of physical and sexual assaults by both sides during the War of Independence, and the fury of female republicans as the political establishment accepted the Anglo-Irish Treaty. In this evocative account, Renegades restores the women of the republican movement to the prominent place they deserve in Irish history.
An examination of the various dimensions - political, social and economic - to the evolution of Franco-Irish relations in the early modern period. The period 1500 to 1610 witnessed a fundamental transformation in the nature of Franco-Irish relations. In 1500 contact was exclusively based on trade and small-scale migration. However, from the early 1520s to the early 1580s, the dynamics of 'normal' relations were significantly altered as unprecedented political contacts between Ireland and France were cultivated. These ties were abandoned when, after decades of unsuccessful approaches to the French crown for military and financial support for their opposition to the Tudor régime in Ireland, Irish dissidents redirected their pleas to the court of Philip II of Spain. Trade and migration, which had continued at a modest level throughout the sixteenth century, re-emerged in the early 1600s as the most important and enduring channels of contact between the France and Ireland, though the scale of both had increased dramatically since the early sixteenth century. In particular, the unprecedented influx of several thousand Irish migrants into France in the later stages and in the aftermath of the Nine Years' War in Ireland (1594-1603) represented a watershed in Franco-Irishrelations in the early modern period. By 1610 Ireland and Irish people were known to a significantly larger section of French society than had been the case a hundred years before. The intensification of this contact notwithstanding, the intricacies of Irish domestic political, religious and ideological conflicts continued to elude the vast majority of educated Frenchmen, including those at the highest rank in government and diplomatic circles. In their minds, Ireland remained an exotic country. They viewed the Irish in the streets of their cities and towns as offensive, slothful, dirty, prolific and uncouth, just as they were depicted in the French scholarly tracts read by the French elite. This study explores the various dimensions to this important chapter in the evolution of Franco-Irish relations in the early modern period. MARY ANN LYONS is Professor of History at Maynooth University, Republic of Ireland.
From the legendary poet Oisin to modernist masters like James Joyce, William Butler Yeats, and Samuel Beckett, Ireland's literary tradition has made its mark on the Western canon. Despite its proud tradition, the student who searches the shelves for works on Irish women's fiction is liabel to feel much as Virginia Woolf did when she searched the British Museum for work on women by women. Critic Nuala O'Faolain, when confronted with this disparity, suggested that "modern Irish literature is dominated by men so brilliant in their misanthropy... [that] the self-respect of Irish women is radically and paradoxically checkmated by respect for an Irish national achievement." While Ann Owen Weekes does not argue with the first part of O'Faolain's assertion, she does with the second. In Irish Women Writers: An Uncharted Tradition, she suggests that it is the critics rather than the writers who have allowed themselves to be checkmated. Beginning with Maria Edgeworth's Castle Rackrent (1800) and ending with Jennifer Johnston's The Railway Station (1980), she surveys the best of the Ireland's female literature to show its artistic and historic significance and to demonstrate that it has its own themes and traditions related to, yet separate from, that of male Irish writers. Weekes examines the work of writers like E.OE. Sumerville and Martin Ross (pen names for cousins Edith Somerville and Violet Martin), Elizabeth Bowen, Kate O'Brien, Mary Lavin, and Molly Keane, among others. She teases out the themes that recur in these writers' works, including the link between domestic and political violence and re-visioning of traditional stories, such as Julia O'Faolain's use of the Cuchulain and Diarmuid and Grainne myths to reveal the negation of women's autonomy. In doing so, she demonstrates that the literature of Anglo- and Gaelic-Irish women presents a unified tradition of subjects and techniques, a unity that might become an optimistic model not only for Irish literature but also for Irish people.
The depiction of historical humanitarian disasters in art exhibitions, news reports, monuments and heritage landscapes has framed the harrowing images we currently associate with dispossession. People across the world are driven out of their homes and countries on a wave of conflict, poverty and famine, and our main sites for engaging with their loss are visual news and social media. In a reappraisal of the viewer's role in representations of displacement, Niamh Ann Kelly examines a wide range of commemorative visual culture from the mid-nineteenth-century Great Irish Famine. Her analysis of memorial images, objects and locations from that period until the early 21st century shows how artefacts of historical trauma can affect understandings of enforced migrations as an ongoing form of political violence. This book will be of interest to students and researchers of museum and heritage studies, material culture, Irish history and contemporary visual cultures exploring dispossession.
This book is an essential resource on attitudes to social and political issues in contemporary Northern Ireland. Within this report, an authoritative group of academics and those involved in informing policy-making within the community summarise and interpret data from the annual Northern Ireland Life and Times survey. Topics explored include the extent of change in attitudes centred on religion, politics and community relations. Other topics contribute to the more general social policy debate and include health, social capital, lifelong learning, men’s issues, culture and attitudes to work. This is the ninth report in the series on social attitudes in Northern Ireland. The chapters draw on data from the 2000 and 2001 Northern Ireland Life and Times surveys, as well as on data from previous years, thus providing an in-depth examination of changing values in Northern Ireland.
Blessed with a golden voice, Moreen stole out of the convent to join a merry band of wandering minstrels. As they roamed through Medieval Ireland, she hoped to find the parents who'd abandoned her at birth. But first, she faced the troupe's leader--Colin Mac Egan, vagabond bard, roving spirit--and her passionate destiny.
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