A teen girl and her family return to her mother's childhood home, only to discover that the house's strange beauty may disguise a sinister past, in this contemporary gothic horror from the author of What We Harvest. The house was supposed to be a fresh start. That's what Libby's mom said. And after Libby’s recent bipolar III diagnosis and the tragedy that preceded it, Libby knows she and her family need to find a new normal. But Libby’s new home turns out to be anything but normal. Scores of bugs haunt its winding halls, towering stained-glass windows feature strange, insectile designs, and the garden teems with impossibly blue roses. And then there are the rumors. The locals, including the mysterious boy next door, tell stories about disappearances tied to the house, stretching back over a century to its first owners. Owners who supposedly hosted legendary masked séances on its grounds. Libby’s mom refuses to hear anything that could derail their family’s perfect new beginning, but Libby knows better. The house is keeping secrets from her, and something tells her that the key to unlocking them lies in the eerie, bug-shaped masks hidden throughout the property. We all wear masks—to hide our imperfections, to make us stronger and braver. But if Libby keeps hers on for too long, she might just lose herself—and everyone she loves.
For fans of Wilder Girls comes a nightmarish debut guaranteed to keep you up through the night, about an idyllic small town poisoned by its past, and one girl who must fight the strange disease that's slowly claiming everyone she loves. Wren owes everything she has to her hometown, Hollow’s End, a centuries-old, picture-perfect slice of America. Tourists travel miles to marvel at its miracle crops, including the shimmering, iridescent wheat of Wren’s family’s farm. At least, they did. Until five months ago. That’s when the Quicksilver blight first surfaced, poisoning the farms of Hollow’s End one by one. It began by consuming the crops, thick silver sludge bleeding from the earth. Next were the animals. Infected livestock and wild creatures staggered off into the woods by day—only to return at night, their eyes fogged white, leering from the trees. Then the blight came for the neighbors. Wren is among the last locals standing, and the blight has finally come for her, too. Now the only one she can turn to is her ex, Derek, the last person she wants to call. They haven’t spoken in months, but Wren and Derek still have one thing in common: Hollow’s End means everything to them. Only, there’s much they don’t know about their hometown and its celebrated miracle crops. And they’re about to discover that miracles aren’t free. Their ancestors have an awful lot to pay for, and Wren and Derek are the only ones left to settle old debts.
This multi-volume reset collection will address a significant shortfall in scholarly work, offering contemporary reviews of the work of Romantic women writers to a wider audience.
This multi-volume reset collection will address a significant shortfall in scholarly work, offering contemporary reviews of the work of Romantic women writers to a wider audience.
Seven chapters take up readings of sonnets by Wordsworth, Shelley, Keats, D.G. Rossetti, Hopkins, and, to draw out the implications of this study into our own century, Robert Frost. Close readings of individual Wordsworth sonnets in chapter 1 sketch out a constellation of themes and tropes, as well as a fundamental, revisionary poetic that the very form of the sonnet tropes. Both those tropes and that procedure are problematized and, in some cases, deconstructed by subsequent poets. Far from accepting Wordsworth's visionary claim for the sonnet, this study goes on to show how profoundly those claims were critiqued.
From Ann Wroe, a biographer of the first rank, comes a startlingly original look at one of the greatest poets in the Western tradition. Being Shelley aims to turn the poet's life inside out: rather than tracing the external events of his life, she tracks the inner journey of a spirit struggling to create. In her quest to understand the radically unconventional Shelley, Wroe pursues the questions that consumed the poet himself. Shelley sought to free and empower the entire human race; his revolution was meant to shatter illusions, shock men and women with new visions, find true love and liberty—and take everyone with him. Now, for the first time, this passionate quest is put at the center of his life. The result is a Shelley who has never been seen in biography before.
This multi-volume reset collection will address a significant shortfall in scholarly work, offering contemporary reviews of the work of Romantic women writers to a wider audience.
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